After being a hard-as-nails reporter who covered crime stories of the goriest kind, Mythili is now just a ‘dependent’. On top of that, unemployment, encounters with expat-wives and culture shock leave her feeling like she has fallen down a rabbit hole. Will their love survive, or will she become just another unhappily married expatriate wife?Will this real life Alice ever embrace her Wonderland?

    His wife, Sumi, returns with their three daughters to the shelter of the Big House where her parents, Kalyani and Shripati, live in oppressive silence: they have not spoken to each other in thirty-five years. As the mystery of this long silence is unraveled, a horrifying story of suffering and loss is laid bare, a story that seems to be repeating itself in Sumi's life.Set in present day Karnataka, A Matter of Time explores the intricate relationships within an extended family encompassing three generations. Images from Hindu religion, myth, and local history twine delicately with images of contemporary India as this family faces and accepts the changes that have suddenly become part of their lives. As their secrets and strengths are revealed, so are the complications of family and culture. This multigenerational story, told in the individual voices of the characters, catches each in turn in the cycles of love, loss, strength, and renewal that become an essential part of their identities.

    Segregated and shunned from society, often wretchedly poor, theirs is a lot that nobody would willingly espouse. Yet thats exactly what Phiroze Elchidana, son of a revered Parsi priest, does when he falls in love with Sepideh, the daughter of an aging corpse bearer...Derived from a true story, Cyrus Mistrys extraordinary new novel is a moving account of tragic love that, at the same time, brings to vivid and unforgettable life the degradation experienced by those who inhabit the unforgiving margins of history.

    *Translated and introduced by Gayatry Chakravorty Spivak*As Gayatri Chakravorty Spivak points out in her introduction, the breast is far more than a symbol in these stories - it is the means of harshly indicting an explotative social system.In "Draupadi", the protagonist, Dopdi Mejhen, is a tribal revolutionary, who, arrested and gang-raped in custody, turns the terrible wounds of her breast into a counter-offensive,In "Breast-giver", a woman who becomes a professional wet nurse to support her family, dies of painful breast cancer, betrayed alike by the breasts that had for years been her chief identity and the dozens of 'sons' she had suckled.In "Behind the Bodice", migrant labourer Gangor's 'statuesque' breasts excite the attention of ace photographer Upin Puri, triggering off a train of violence that ends in tragedy.Spivak introduces this cycle of 'breast stories' with thought-provoking essays which probe the texts of the stories, opening them up to a complex of interpretation and meaning.

    The plot of the novel reveals the various dimensions of life in the backdrop of the Sannyasi Rebellion—such as the plight of the people wrecked by lack of food and hunger that drove them to the brink of cannibalism, the militant rebels, and women’s participation alongside their husbands. It is considered one of the most remarkable works of Bangla language and Indian literature. The rebellion was fought by the sannyasi’s or monks and the common multitudes who took up arms against the tyranny of the British colonisers and their excesses, especially taxes in such a time of privation. Bankim also gave us the song ‘Vande Mataram’ which became the rallying call for rebels. The first two stanzas eventually became the National song of India. One of the gems of Indian Literature, ‘Anandmath’ carries a deep sentiment of nationalism which was the essence of the freedom struggle.

    Standing out among works by Shobhan Bantwal, Chitra Divakaruni, and other emerging Indian writers, Rai’s Someone Else’s Garden offers a rare look at life in the Indian countryside, far from the more well-trafficked literary settings of New Delhi and Mumbai, in an evocative, atmospheric story of one woman’s soulful fight to take control of her life.

    The novel was Cobalt Blue, the story of a brother and sister who fall in love with the same man, and how a traditional Marathi family is shattered by the ensuing events – a work that both shocked and spoke to Marathi readers.

    The novel sweeps across India, from an island, to a valley, a city, and a snow desert to tell a love story of epic proportions. We follow a scientist who studies trees and a clairvoyant who speaks to them; a geologist working to end futile wars over a glacier; octogenarian lovers; a mother struggling to free her revolutionary son; a yeti who seeks human companionship; a turtle who transforms first into a boat and then a woman; and the ghost of an evaporated ocean as restless as the continents. Binding them all together is a vision of life as vast as the universe itself. A young writer awarded one of the most prestigious prizes in India for this novel, Shubhangi Swarup is a storyteller of extraordinary talent and insight. Richly imaginative and wryly perceptive, Latitudes of Longing offers a soaring view of humanity: our beauty and ugliness, our capacity to harm and love each other, and our mysterious and sacred relationship with nature.

    Yayati was a great scholar and one of the noblest rulers of olden times. He followed the shastras and was devoted to the welfare of his subjects. Even the King of Gods, Indra, held him in high esteem. Married to seductively beautiful Devyani, in love with her maid Sharmishtha, and father of five sons from two women, yet Yayati unabashedly declares, My lust for pleasure is unsatisfied. His quest for the carnal continued, sparing not even his youngest son, and exchanging his old age for his son s youth.

    Smuggled into India from Bangladesh and given refuge by his uncle, a leader of the ruling Communist Party, he grows up in Zakaria Street—a Little Baghdad of the old—dreaming of becoming a pukka Kalkatta-wallah. When friendship with a local gang disqualifies him from school, he ends up as assistant to a passport forger, and then a masseur. Soon enough, innocent massage leads to ‘plus plus treatments’, and Kalkatta opens its doors, drawing Jami into the world of the rich and famous, housewives, tourists and travelling executives, and occasionally to high-paying and dangerous ‘parties’. Danger looms, too, from rivals and the police, and the ever-present risk of losing his cover. Jami’s shadowy double life takes a turn for the unexpected when he meets Pablo, a young boy who suffers from leukemia, and his single mother Mandira. Made to oscillate between his refugee family, the neighbourhood gang, his massage-parlour clients, even the cultured world of Bengali intellectuals inhabited by Mandira, he succeeds in becoming a true Kalkatta-wallah, but a stranger to himself. Until his love for Pablo threatens to destroy everything, and drive him away even from his beloved Kalkatta.

    In Rashid's opium room the air is thick and potent. A beautiful young woman leans to hold a long-stemmed pipe over a flame, her hair falling across her dark eyes. Around her, men sprawl and mutter in the gloom, each one drifting with his own tide. Here, people say that you introduce only your worst enemy to opium.Outside, stray dogs lope in packs. Street vendors hustle. Hookers call for custom through the bars of their cages as their pimps slouch in doorways in the half-light. There is an underworld whisper of a new terror: the Pathar Maar, the stone killer, whose victims are the nameless, invisible poor. There are too many of them to count in this broken city.Narcopolis is a rich, chaotic, hallucinatory dream of a novel that captures the Bombay of the 1970s in all its compelling squalor. With a cast of pimps, pushers, poets, gangsters and eunuchs, it is a journey into a sprawling underworld written in electric and utterly original prose.

    But in this city redolent of timeworn customs, where pilgrims bathe in the sacred Ganges and breathe in smoke from burning ghats along the shore, Samar is offered entirely different perspectives on his country. Miss West and her circle, indifferent to the reality around them, represent those drawn to India as a respite from the material world. And Rajesh, a sometimes violent, sometimes mystical leader of student malcontents, presents a more jaundiced view. More than merely illustrating the clash of cultures, Mishra presents the universal truth that our desire for the other is our most painful joy.

    Obsessed with each other, they move from a small town to the big city, where the man, who dreams of being a writer, works feverishly on a novel, stopping only to feed his ceaseless desire for his beautiful wife.A chance occurrence allows the lovers to abandon the city for a mist-shrouded spur of the lower Himalayas and move into a sprawling old house, which they hope will embody their love. At first they pursue their deep physical need with a reckless intensity. But during renovations of the house, a set of diaries written by the original inhabitant—a glamorous American adventuress—is unearthed, and the narrator finds himself irresistibly drawn away from his wife and thrust into another world and time, into the hole of history. As his life and love fall apart, he slowly begins to uncover the dark secrets at the heart of her story, until the shocking truth is laid bare and all certainties are overturned.Inventive, playful, heartbreaking, brimming with ideas and memorable characters, The Alchemy of Desire celebrates the chaotic spirit of a country during a time of great change. It also offers, in searing, lucid prose, a deeply sensual and moving meditation on the nature of desire, history, truth, and art. This is a major novel by one of the most significant new voices of his generation.

    Now Vicky Rai is dead, killed at his farmhouse at a party he had thrown to celebrate his acquittal. The police search each and every guest. Six of them are discovered with guns in their possession.In this elaborate murder mystery we join Arun Advani, India's best-known investigative journalist, as the lives of these six suspects unravel before our eyes: a corrupt bureaucrat; an American tourist; a stone-age tribesman; a Bollywood sex symbol; a mobile phone thief; and an ambitious politician. Each is equally likely to have pulled the trigger. Inspired by actual events, Vikas Swarup's eagerly awaited second novel is both a riveting page turner and an insightful peek into the heart and soul of contemporary India.

    Chaudhuri recreates the state of mind of a young man coming to terms with loneliness, nostalgia and alienation. A raag is a piece of classical Indian music which plays around a set of specific intervals to create a particular mood. Here the mood recreated is one of being adrift in a unique situation, enjoying a very special phase of life between childhood and adult life, devoted to ephemeral, yet significant relationships and aesthetic pursuits.