Wilcox argues that Buffy is enduring as art by exploring its excellence in both long-term story arc construction and in producing individual episodes that are powerful on their own. She examines the larger patterns that extend through all seven seasons: the hero myth, imagery of light, naming symbolism, Buffy's relationship with Spike, sex, and redemption. Wilcox also focuses on acclaimed and noteworthy episodes, including the musical "Once More, with Feeling," the largely silent and wordless "Hush," and the dream episode "Restless." She examines Buffy's literary narrative, symbolism, visual imagery, and sound. Combining great intelligence and wit, written for fans, this is the worthy companion to the show that has claimed and kept the minds and hearts of watchers worldwide.

    Bad television--predictable, commercial, exploitative--simply yields to the forces. Good television, like the character of Buffy the Vampire Slayer, fights them. Fighting the Forces explores the struggle to create meaning in an impressive example of popular culture, the television series phenomenon Buffy the Vampire Slayer. In the essays collected here, contributors examine the series using a variety of techniques and viewpoints. They analyze the social and cultural issues implicit in the series and place it in its literary context, not only by examining its literary influences (from German liebestod to Huckleberry Finn) but also by exploring the series' purposeful literary allusions. Furthermore, the book explores the extratextual, such as fanfiction and online discussion groups. The book is additionally supplemented by an online journal Slayage (www.slayage.tv), created by the book editors in acknowledgement of the ongoing nature of television art. Rhonda V. Wilcox and David Lavery have written and edited several books and articles exploring the social, literary, and artistic merit of quality television. In addition to Buffy the Vampire Slayer, their work has covered a variety of programs including Twin Peaks, Northern Exposure, The X-Files, and The Sopranos.

    Anything's better than his moping around. But Spike -- as usual -- has his own agenda, and it involves something the demon is carrying: a vial of pure magickal power. Spike knows plenty of people and demons who will pay top dollar for this vial: Doc, Rack...and an ancient evil known as The First.Spike has encountered The First before. In the good old days in Victorian London, when Spike, Drusilla, Angelus, and Darla ran through the night in pursuit of dark fun, another evil being was stalking the streets, dispatching young women with brutal efficiency. But when the so-called "Jack the Ripper" struck too close to their twisted "family," the vampires found themselves on the same side as the Slayer of that time. Working to bring down Jack, and running afoul of The First, Spike and the Slayer formed an uneasy alliance, which followed Spike all through the twentieth century to present day Sunnydale, now blanketed in a mysterious fog....

    Willow decides to stick with the class on her own, however, and this once-shy wallflower is pleased to find herself way bitten with the acting bug.It's no surprise to Buffy and the Scoobs, then, when Willow decides to pitch in with the drama club's latest production. Of course, Sunnydale being Hellmouth Central, Willow soon discovers a link between drama and magick; in fact, many ancient Greek performances were actually invocations to the Gods. Spike, who in his pre-vamp days had been a great patron of the arts, confirms this fact. He "also" takes an unusual level of interest in Willow's extracurricular activities. When strange paranormal occurrences -- and the appearance of a ghost or two -- threaten Willow's safety, the witch starts to wonder if it isn't time to exit, stage left....

    One girl in all the world, to find the vampires where they gather, and to stop the spread of their evil and the swell of their numbers. In our time, that girl is Buffy Summers. But Buffy is merely one Slayer in an eternal continuum of warriors for the Powers That Be.We've known of others; The Primal Slayer, who stalked the earth and the forces of darkness in fierce solitude... Nikki, the funky hipster whose demise at Spike's hands lent an urban edge to his wardrobe and a bigger bounce to his swagger. Slayers by nature have a limited life expectancy; for each one who falls, another rises to take her place.Tales of the Slayer, Vol. 1, chronicles Slayers past who have influenced -- and are influenced by -- the traditions and mythologies of yore. From ancient Greece, to aristocratic Slayers holding court in revolution-era France, to the legend of the Bloody Countess Elizabeth Bathory, to 1920's Munich, each girl has a personal history, a shared moral code, and a commitment to conquer evil, regardless of the cost...Contents:A Good Run, Greece, 490 B.C.E. / Greg RuckaThe White Doe, London, 1586 / Christie GoldenDie Blutgrafin [The Blood Countess], Hungary, 1609 / Yvonne NavarroUnholy Madness, France, 1789 / Nancy HolderMornglom Dreaming, Kentucky, 1886 / Doranna Durgin>Silent Screams, Germany, 1923 / Mel OdomAnd White Splits the Night, Florida, 1956 / Yvonne Navarro

    From body snatchers and poltergeists to werewolves and mummies, it provides the inside track on the show's strange yet seductive characters and topics. The Buffy Chronicles includes a retrospective of the film that started it all, a history of vampire legends, cast information, plot synopses, and behind-the-scenes trivia. From "The Death Toll, " a roster of who's been killed by whom in each episode, to "I Fall to Pieces, " a guide to the alternative music and bands that add so much atmosphere, this book has everything Buffy's fans could want.

    . . .New York City in 1977 is vampire heaven. Serial killer Son of Sam is often blamed for their hits, and a citywide blackout gives them free reign of the streets, allowing them to get away with murder. Spike and his beloved Drusilla are in the Big Apple taking advantage of the situation, as is Vampire Slayer Nikki Wood, who has hunkered down with her son, Robin, in a Times Square apartment where she thinks they'll be safe.But no matter where she goes, Nikki has to watch her back. Spike has only one thing on his mind: to slay a slayer. Adding to Spike's list of challenges is a corrupt local vampire community that catches wind of his presence, and when they start messing with him, things get bloody interesting.

    Sex and the Slayer explores one of the most talked-about topics in relation to this pioneering TV series--gender. As fantasy, Buffy potentially opens up a space for alternative representations of gender. But how alternative can popular television be? Taking a feminist cultural studies approach, Jowett explores the ways in which the series represents femininity, masculinity, and gendered relations, including sexuality and sexual orientation. Written for undergraduates, Sex and the Slayer provides an introduction to the most important theoretical and historical underpinnings of contemporary gender criticism as it examines a range of thought-provoking issues: role reversal, the tension between feminism and femininity, the "crisis" of masculinity, gender hybridity, the appeal of bad girls, romance, and changing family structures. Through this introductory analysis, Jowett shows that Buffy presents a contradictory mixture of "subversive" and "conservative" images of gender roles and as such is a key example of the complexity of gender representation in contemporary television.

    Surprisingly the call for reinforcements is answered by Buffy Summers and the atoning vampire Angel.Now tempers are flaring in the heat of the day -- and night -- as people are dying and locals are turning a blind eye to the deadly events. Bodies are turning up in the surrounding desert, some drained of blood, some having succumbed to another, fast-moving death. Riley Finn is noticing the arrival of more and more crows to this area, ominous portents of the events ahead. But even Mr. Secret Agent Man is distracted from his job when his wife goes undercover with Angel....

    While the crew attempts to find out exactly what this means and restore the status quo, Xander is the victim of a haunting as his relationship with Dawn crumbles.Collects Buffy the Vampire Slayer Season 10 #1-#5.* Executive produced by Joss Whedon!“Highest possible recommendation.”—SciFiPulse

    Now all those stories, plus selected stories from Season Eight, are collected in one deluxe collection with a new cover by Jo Chen.Joss writes multiple tales: a somber vamp tale, drawn by Cameron Stewart; the story of the first Slayer, drawn by Leinil Yu; and more.Buffy the Vampire Slayer: Tales also reprints for the first time new Season Eight stories written by novelist Jackie Kessler (Hell's Belles) and awardwinning cartoonist Becky Cloonan (Demo), featuring vampires living in the public eye, killing Slayers and killing each other.* This book collects stories from MySpace Dark Horse Presents #31 and #32; Tales of the Vampires: Carpe Noctem parts 1 and 2; Buffy: Tales of the Vampires oneshot; Buffy the Vampire Slayer: Tales of the Vampires #1#5; Buffy the Vampire Slayer: Tales of the Slayers #1"Broken Bottle of Djinn"; Buffy the Vampire Slayer: Tales of the Slayers TPB.Before Season Eight . . .

    By discussing the impact of Whedon's work, their involvement with his shows' fandoms and why they adore the worlds he's created, these essayists aim to misbehave in Whedon's rich, fantastical worlds. Essay topics include Sharon Shinn (Samaria series) and Emma Bull (Territory) elaborating on the perfection of Firefly, Jeanne Stein (the Anna Strong Chronicles) revealing Buffy's influence on Anna Strong, and Nancy Holder (October Rain, The Watcher's Guide) relating on-the-set tales of Spike menacing her baby daughter while Riley made her hot chocolate.Other contributors include Seanan McGuire (October Daye series), Elizabeth Bear (Chill), Catherynne M. Valente (Palimpsest), Maria Lima (Blood Lines), Jackie Kessler (Black and White), Mariah Huehner (IDW Comics), Sarah Monette (Corambis), and Lyda Morehouse (AngeLINK Series). Also featured is an exclusive interview with television writer and producer Jane Espenson.

    Acting was clearly the boy’s destiny, until one day his father disappeared. Destiny suddenly took a backseat to survival. Now, in his riveting memoir, Cranston maps his zigzag journey from abandoned son to beloved star by recalling the many odd parts he’s played in real life—paperboy, farmhand, security guard, dating consultant, murder suspect, dock loader, lover, husband, father. Cranston also chronicles his evolution on camera, from soap opera player trying to master the rules of show business to legendary character actor turning in classic performances as Seinfeld dentist Tim Whatley, “a sadist with newer magazines,” and Malcolm in the Middle dad Hal Wilkerson, a lovable bumbler in tighty-whities. He also gives an inspiring account of how he prepared, physically and mentally, for the challenging role of President Lyndon Johnson, a tour de force that won him a Tony to go along with his four Emmys. Of course, Cranston dives deep into the grittiest details of his greatest role, explaining how he searched inward for the personal darkness that would help him create one of the most memorable performances ever captured on screen: Walter White, chemistry teacher turned drug kingpin. Discussing his life as few men do, describing his art as few actors can, Cranston has much to say about creativity, devotion, and craft, as well as innate talent and its challenges and benefits and proper maintenance. But ultimately A Life in Parts is a story about the joy, the necessity, and the transformative power of simple hard work.

    Yet the show has lived on through syndication, global distribution, DVD release, and merchandising, as well as in the memories of its devoted viewers. Buffy stands out from much entertainment television by offering sharp, provocative commentaries on gender, sexuality, race, ethnicity, and youth. Yet it has also been central to changing trends in television production and reception. As a flagship show for two U.S. “netlets”—the WB and UPN—Buffy helped usher in the “post-network” era, and as the inspiration for an active fan base, it helped drive the proliferation of Web-based fan engagement.In Undead TV, media studies scholars tackle the Buffy phenomenon and its many afterlives in popular culture, the television industry, the Internet, and academic criticism. Contributors engage with critical issues such as stardom, gender identity, spectatorship, fandom, and intertextuality. Collectively, they reveal how a vampire television series set in a sunny California suburb managed to provide some of the most biting social commentaries on the air while exposing the darker side of American life. By offering detailed engagements with Sarah Michelle Gellar’s celebrity image, science-fiction fanzines, international and “youth” audiences, Buffy tie-in books, and Angel’s body, Undead TV shows how this prime-time drama became a prominent marker of industrial, social, and cultural change.Contributors. Ian Calcutt, Cynthia Fuchs, Amelie Hastie, Annette Hill, Mary Celeste Kearney, Elana Levine, Allison McCracken, Jason Middleton, Susan Murray, Lisa Parks

    In this thoughtful, witty look at the acclaimed "Buffy" spin-off, five science fiction and fantasy writers discuss their favorite vampire.