That goes for treble for Frank himself, who is kept in a state of total ineducability by the unseen forces of that haunted realm. And so the question arises: what would happen if Frank were to leave The Unifactor? The question is answered in Congress of the Animals, Jim Woodring's much-anticipated, second full-length graphic novel. In this gripping saga an act of casual rudeness sets into motion a chain of events which propels Frank into a world where he is on his own at last; and like so many who leave home, Frank finds himself contending with realities of which he had no previous inkling.In Congress of the Animals we are treated to the pitiful spectacle of Frank losing his house, taking a factory job, falling in with bad company, fleeing the results of sabotage, escaping The Unifactor in an amusement park ride, surviving a catastrophe at sea, traveling across hostile terrain toward a massive temple seemingly built in his image, being treated roughly by gut-faced men and intervening in an age-old battle in a meadow slathered in black and yellow blood. And when he finally knocks on opportunity's door he finds... he finds... The answer, my friend, is blowin' into bookstores in April, 2011.

    Living in a cheap hotel, consorting with the debased and downtrodden, searching for that golden idea that will rocket him to the success he yearns for as the great American novelist, and to get respect from his father once and for all. But, there’s just one problem: Fante Bukowski has no talent for writing.

    For over 40 years he contributed strips to The Village Voice, and has long been a regular contributor to the London Observer and Playboy. An animated cartoon based on his story Munro received an Academy Award in 1961. In the '60s, he branched into theater, writing several plays now regarded as classics: Little Murders; Knock, Knock; The White House Murder Case; Elliot Loves; and The Grown-Ups, to name a few. Originally conceived for the stage, his Carnal Knowledge became one of the landmark films of the '70s. He has written two prose novels, Harry the Rat with Women and Ackroyd, as well as a cartoon novel, Tantrum. In the 1990s, Feiffer embarked on yet another career, this time as a children's book author. He has over a half-dozen to his credit, including modern classics like The Man and the Ceiling.Passionella and Other Stories collects Feiffer's finest extended graphic narratives of the late '50s and early '60s. It opens in full-color with "Excalibur and Rose," the fable of a village comedian who embarks on a crusade in search of his serious side, which he finds in spades when he encounters his true love, the pathologically depressed Rose. The volume's centerpiece, "Passionella," a retelling of Cinderella set in modern Hollywood, concerns a chimney sweep whose fairy godmother transforms her into the "mysterious exotic bewitching temptress"and movie starPassionella. Other stories include "The Lonely Machine," an account of one man's attempt to find the perfect relationship through robot love, and "Harold Swerg," the predicament of the world's greatest athlete who'd rather stay at his mundane job than compete against others, despite his country's desperate pleas to enter the Olympics. Three more classic graphic tales and several entertaining one-act plays round out this handsomely designed hardcover edition.

    On the Media lauds Darby Conley as "the most successful cartoonist of the new generation." --National Public RadioAs Darby Conley's fourth treasury, this title presents strips from I'm Ready for My Movie Contract and Take Our Cat, Please!Named Best Comic Strip of the Year in 2002 by the National Cartoonists Society, Darby Conley's Get Fuzzy takes a keen and witty look at the dynamics of interspecies cohabitation.Beleaguered ad exec Rob Wilco is the mild-mannered guardian to Bucky, a sharp-fanged, self-absorbed house cat with a penchant for scheming and screenwriting, and Satchel, a gentle laid-back Shar-pei-Lab who frequently finds himself on the receiving end of Bucky's mischief.Inside this fourth treasury, Get Fuzzy fans will follow Bucky's vainglorious pursuit of fame while Rob holds a magazine intervention with Satchel.

    Within its pages, he serialized the groundbreaking Ed the Happy Clown, revealing a macabre universe of parallel dimensions. Thanks to its wholly original yet disturbing story lines, Ed set the stage for Brown to become a world-renowned cartoonist. Ed the Happy Clown is a hallucinatory tale that functions simultaneously as a dark roller-coaster ride of criminal activity and a scathing condemnation of religious and political charlatanism. As the world around him devolves into madness, the eponymous Ed escapes variously from a jealous boyfriend, sewer monsters, the Royal Canadian Mounted Police, and a janitor with a Jesus complex. Brown leaves us wondering, with every twist of the plot, just how Ed will get out of this scrape. The intimate, tangled world of Ed the Happy Clown is definitively presented here, repackaged with a new foreword by the author and an extensive notes section, and is, like every Brown book, astonishingly perceptive about the zeitgeist of its time.

    The Moomins saw life in many forms but debuted to its biggest audience ever on the pages of world's largest newspaper the London Evening News, in 1954. The strip was syndicated in newspapers around the world with millions of readers in 40 countries.Moomin Book One is the first volume of Drawn & Quarterly publishing plan to reprint the entire strip drawn by Jansson before she handed over the reigns to her brother Lars in 1960. This is the first time the strip will be published in any form in North America and will deservedly place Jansson among the international cartooning greats of the last century.The Moomins are a tight-knit family — hippo-shaped creatures with easygoing and adventurous outlooks. Jansson's art is pared down and precise, yet able to compose beautiful portraits of ambling creatures in fields of flowers or rock-strewn beaches that recall Jansson's Nordic roots. The comic strip reached out to adults with its gentle and droll sense of humor. Whimsical but with biting undertones, Jansson's observations of everyday life, including guests who overstay their welcome, modern art, movie stars, and high society, easily caught the attention of an international audience and still resonate today.

    Creator Lynn Johnston's commentary adds a behind-the-scenes element, as she describes some of her thoughts about the strip over the years.Author's web site: http://fbofw.com/

    But back in the 1930s, Mickey gained fame as a rough-and-tumble, two-fisted epic hero — an adventurousscrapper matching wits with mobsters, kidnappers, spies, and even (gulp!) city slickers! And Mickey’s greatestfeats of derring-do took place in his daily comic strip, written and drawn by one of the greatest cartoonists of the 20thcentury — Floyd Gottfredson.For its first quarter-century, Gottfredson’s Mickey Mouse was a rip-roaring serial: the most popular cartoon-basedcomic of its time, a trendsetting adventure continuity aimed at both kids and grown-ups, and the foundation on whichall later Disney comics grew — including the adventures of Donald Duck and Uncle Scrooge by Gottfredson’s Disneycolleague Carl Barks.Glimpses of Floyd Gottfredson’s masterpiece have been reprinted over the years, most famously in Bill Blackbeard’sclassic Smithsonian Collection of Newspaper Comics. But the whole strip has never been comprehensively collected inEnglish — until now! Fantagraphics Books is proud to bring this classic Disney creation to a 21st century audience inits entirety, starting from the strip’s 1930 launch. Relive Mickey’s race to a gold mine with Pegleg Pete hot on his heels;Mickey’s life on the lam after being framed for bank robbery; even Mickey’s ringside battle with a hulking heavyweightchamp! The premiere volume features a dozen different adventures starring Mickey, his gal Minnie and her uncle Mortimer,his pals Horace Horsecollar and Butch, the villainous Pegleg Pete, and the mysterious and shrouded Fox.Gottfredson’s vibrant visual storytelling has never been more beautifully reproduced; we promise the best reprintingthe strip has ever seen, with each daily lovingly restored from Disney’s original negatives and proof sheets. “DeathValley” also includes more than 50 pages of fascinating supplementary features, including rare behind-the-scenes art andvintage publicity material from the first two years of the strip. Critics, scholars, seasoned Disney archivists, and fellowcartoonists provide commentary and historical essays on the strip’s creation and execution.Walt Disney often said that his studio’s success “all started with a Mouse” — Walt himself wrote the Mickey Mousestrip before turning it over to the able hands of Gottfredson — and today Mickey is among the world’s most recognizableicons. Now it’s time to rediscover the wild, unforgettable personality behind the icon: Floyd Gottfredson’s MickeyMouse.

    Collecting over a decade s worth of artifacts, excavations, comic strips, animation stills, storybook covers, and much more, this broken jigsaw puzzle of a book tells the story of Pim & Francie, a pair of childlike, male and female imps whose irresponsible antics get them into horrific, fantastic trouble. Their loosely defined relationship only contributes to the existential fear that lingers underneath the various perils they are subjected to. Columbia s brilliant, fairytale-like backdrops hint at further layers of reality lurking under every gingerbread house or behind every sunny afternoon. Never have such colorful, imaginative vistas instilled such an atmosphere of dread, and with such a wicked sense of humor. This is a comprehensive collection of Columbia s Pim & Francie work, including paintings, comics, character designs, and much more, all woven into something greater than the sum of its parts, with Pim & Francie careening from danger to danger, threaded together through text and notes by the artist. This is the first book collection by Columbia, a well-regarded talent amongst longtime fans of the alternative comic book scene, and one who will thrill an entirely new audience with the singular, inspired, fully-realized fantasies within Pim & Francie.

    Also includes a collection of interviews, recipes and a short story by Ray. 187 pages.[http://www.achewood.com]

    It is the hilariously observed and empathetic comic strip about childhood ever drawn - with asly humor that kids identify with and parents nod knowingly - and ruefully - at.This first volume publishes every single panel strip from 1951-1952 in one handsome, thick volume.Hank Ketcham's Complete Dennis the Menace: 1951-1952 is the inaugural volume in a series collecting for the first time every Dennis the Menace cartoon panel over the life of the strip.Join Dennis and his cast of tortured victims and comrades-in-arms - Dennis' Mom and Dad, Henry and Alice Mitchell, poor Mr Wilson, and his pals Joey and Margaret, not to mention boy's best friend Ruff - for over 600 pages of heart-warming mayhem.

    Often imitated but never duplicated, Pekar proved that he still has the power to "make mundane reality seem like the highest drama" (Entertainment Weekly) in his critically acclaimed Vertigo series.Now, Harvey Pekar is back with an all-new volume of AMERICAN SPLENDOR, featuring his funniest, most poignant, somber and uplifting stories from the complex life of an ordinary man. Once again, AMERICAN SPLENDOR pairs Harvey with some of the most exciting, innovative artists currently in comics, including David Lapham (YOUNG LIARS, Stray Bullets), Darick Robertson (THE BOYS), Chris Weston (THE FILTH, Fantastic Four), Dean Haspiel (THE QUITTER, THE ALCOHOLIC), Warren Pleece (INCOGNEGRO), longtime Pekar collaborators Greg Budgett and Gary Dumm, and other luminaries from both the mainstream and indie worlds.

    Witness inept villains clash with an all-too-emotional hero, in the epic graphic novel that will leap all cliches in a single bound.

    At home, Tonta's stepfather is shot during a botched burglary, which leads to the discovery of family secrets that require Tonta to confront some unpleasant truths that she previously managed to suppress or remain ignorant of. Through it all, Tonta showcases Hernandez's brilliant talent for character, weaving a host of characters and milieus from his vast arsenal. Meanwhile, back at school, Tonta and Gomez discover that Coach Angel harbors a secret of her own (can you say, "lucha libre?") while local punk band Ooot provides the soundtrack for a summer not soon to be forgotten.

    What started out as a simple illustrated card soon grew into a full-fledged comic book: a collection of short strips chronicling the often absurd process of getting married. A loose, cartoony departure from Tomine’s previous work, Scenes from an Impending Marriage is a sweet-natured, laugh out-loud skewering of the modern marriage process, including hiring a DJ, location scouting, trips to the salon, suit fittings, dance lessons, registering for gifts, and managing familial demands. The most personal and autobiographical work of Tomine’s career, Scenes from an Impending Marriage is a charming, delightful token of love.