The Third Floor is written in the voice of the fifteen-year-old from letters saved from her best friend since the summer of 1962. She tells of daily life inside the home, chores, military rules, and lack of counsel. The girls, about 50 with a waiting list to enter, live out their time and go up to the third floor to labor and deliver their babies, relinquish them, and return to society and act as if nothing had happened and keep this secret for the rest of their lives. That summer was also her racial awakening and the beginning of a lifelong friendship.

    Dear, simple mother, in her terrible clothes, and the twins, got up with more thought for economy than for beauty! I shopped extravagantly with them. The youngsters wanted to see everything in New York; but mother, despite all of those hard, lonely years in our rough country and the many interesting things for her to do and see in New York-- mother wanted nothing better than to stay with the baby.

    Forced to adapt to a life alone, Abigail finds solace at home, discovering that friends, family and dogs can reshape a life of chaos into one that makes sense - a life full of its own richness and beauty.

    A convoy of merchantmen with its naval escort ploughs through the Arctic seas towards northern Russia.In the grey seas beneath them lurk the deadly U-boat packs and in the skies above, cloud hides the squadrons of dive-bombing Stukas.Aboard V&W class destroyer Virtue, Ordinary Seaman ‘Lobby’ Ludd is making his first trip in the service of His Majesty … Cockney Lobby Ludd, eighteen, fighting against U-boat ""tinfish"" (torpedoes), arctic gales, and bone-weariness, hears the ribald tales and learns the tricks and techniques of survival from his salty older shipmates. But as the enemy mounts its attack, and the atmosphere intensifies, will the men’s camaraderie be enough to see them through?Or will The Tinfish Run turn out to be their final voyage?Bassett not only captures vividly the fear and boredom of life on a vessel at war--he makes complex tactical questions comprehensible and as taut and engrossing as the more personal aspects of combat at sea.‘Vividly described … the voyage as seen through the sleep-robbed eyes of matelots and officers alike’ - Daily Telegraph Ronald Bassett joined the Navy as a boy. His first ship was the cruiser Norfolk in which he served as a Telegraphist in the Arctic during the Bismarck action, and the North African landings. He served in landing craft during the invasion of Normandy.

    Thus begins an intense relationship that will shape both of their lives for decades to come. Though Lisbeth leads a life of privilege, she finds nothing but loneliness in the company of her overwhelmed mother and her distant, slave-owning father. As she grows older, Mattie becomes more like family to Lisbeth than her own kin and the girl’s visits to the slaves’ quarters—and their lively and loving community—bring them closer together than ever. But can two women in such disparate circumstances form a bond like theirs without consequence? This deeply moving tale of unlikely love traces the journey of these very different women as each searches for freedom and dignity. Revised edition: This edition of Yellow Crocus includes editorial revisions.

    Dan and Linda talk on the phone every day. Twice a day. As Dan and Ellie’s intimate civil wedding ceremony gets transformed into a black-tie affair, Ellie begins to wonder if it’s possible to marry the man without marrying his mother. As troubles mount, Ellie turns to her friends—glamorous Lisa, who always looks like she’s just stepped off a runway, and wonderfully frazzled Trish—and tries to rediscover the independence she once had, and the man she still loves. But it seems that having a child and saving a marriage means growing up in ways she’d never imagined . . .A warm, witty, and wise look at mothers-in-law and what they teach us about ourselves, The Other Woman is sure to please Jane Green’s growing legion of fans.

    And besides, it furnished me seven times the pleasure afforded me by any of the others; twelve years of preparation, and two years of writing. The others needed no preparation and got none." --Mark Twain

    With a tremendous cracking and splintering of oak, it struck the ship just beneath the anchor secured at the cat-head on the port bow..." In the Heart of the Sea brings to new life the incredible story of the wreck of the whaleship Essex - an event as mythic in its own century as the Titanic disaster in ours, and the inspiration for the climax of Moby-Dick. In a harrowing page-turner, Nathaniel Philbrick restores this epic story to its rightful place in American history.In 1820, the 240-ton Essex set sail from Nantucket on a routine voyage for whales. Fifteen months later, in the farthest reaches of the South Pacific, it was repeatedly rammed and sunk by an eighty-ton bull sperm whale. Its twenty-man crew, fearing cannibals on the islands to the west, made for the 3,000-mile-distant coast of South America in three tiny boats. During ninety days at sea under horrendous conditions, the survivors clung to life as one by one, they succumbed to hunger, thirst, disease, and fear.Philbrick interweaves his account of this extraordinary ordeal of ordinary men with a wealth of whale lore and with a brilliantly detailed portrait of the lost, unique community of Nantucket whalers. Impeccably researched and beautifully told, the book delivers the ultimate portrait of man against nature, drawing on a remarkable range of archival and modern sources, including a long-lost account by the ship's cabin boy.At once a literary companion and a page-turner that speaks to the same issues of class, race, and man's relationship to nature that permeate the works of Melville, In the Heart of the Sea will endure as a vital work of American history.

    His self esteem and drive abandoning him as he felt the Navy had. Travelling to Glasgow on family business, he intervenes to help a woman; Marieke and her small child who he thinks are being mugged. He is unwittingly dragged into their nightmare, being hunted down by ruthless villains led by Nick Parson, a bent London copper, who will stop at nothing to silence her and recapture the evidence she holds against him.To keep them safe, Matt brings her home to Uist, thinking no one will find them in the peaceful hills of the remote community. But he underestimates Parson, who follows them home like an unrelenting Hebridean Storm. They hide, but even here, nowhere is safe. Matt seeks help from friends and family, but will it be enough to escape with their lives and to protect the safety of those they love?

    Although his characters continue to revolt against the received instructions of modern American living - refusing to be dunked in what Saul Bellow has called the "marinade of correctness" - their concerns are less for independence than for the maintenance of sanity itself. Emotional estrangement seems both inevitable and worth fighting against to the middle-aged heroine of the O. Henry prizewinner "Trick or Treat"; to the unmistakably American roofer of "Wayne" (who was introduced in "Typical" ); to the deserted husband, father, and non-vet of "Dump"; and to the fantastic heroes in three stories grouped as "All Along the Watchtower.

    . . Jenny Cavilleri, a sharp-tongued, working-class beauty studying music at Radcliffe . . .Opposites in nearly every way, Oliver and Jenny are kindred spirits from vastly different worlds. Falling deeply and powerfully, their attraction to one another defies everything they have ever believed—as they share a passion far greater than anything they dreamed possible . . . and explore the wonder of a love that must end too soon.One of the most adored novels of our time, this is the book that defined a generation—a story of uncompromising devotion, of life as it really is . . . and love that changes everything.

    Families, homes, lovers, marriages -- the safe havens they have been taught to depend on no longer guarantee shelter or stability.ONE WAY OR ANOTHER introduces Peter Cameron as an extraordinary writer, one distinguished not only by his prose, which is always abundantly witty and pitch-perfect, but also by a rare generosity of heart.Included in this book are two stories that were selected for the O. HENRY PRIZE STORIES: "Homework," first published in The New Yorker, and "Excerpts from Swan Lake," first published in The Kenyon Review.

    But in a single night, the actions of one generation alter the family's legacy for ever. The three Strong brothers are overseeing their inheritance in the West Indies. In this balmy, tropical setting, an ugly situation is fuelled by Barbados rum, a murder is committed, and a child conceived. And the repercussions of this fatal night have a violent domino effect which reaches down through generations.

    Capt. Max Hardberger and his crew fought a non-stop battle against crooked charterers, treacherous agents, and the sea itself. They came face-to-face with bandits in Jamaica, violent stowaways in the Dominican Republic, and warring gangs in post-Duvalier Haiti. It was a world of desperation and danger, where only the captain's will and the loyalty of his crew stood between the ship and disaster.

    The love is stronger and the bonds they have for one another are tighter, yet drama still follows them. Kenya is back to get her revenge on Briana and she'll do whatever it takes to make Adonis want her. Loyalty is tested and lines are crossed– will the couples fight till the end or will their bonds be broken forever? A Kingpins Dream 2: Forever ain't enough