Enjoy this little poetry treasure and let yourself bloom.* The e-book does not contain illustrations.

    Ramanan is dramatic pastoral elegy and it is beautifully illustrated by Artist Madanan.

    It’s all right here in these words. Everything you ever need to know. That’s because I use all twenty-six letters, and you can make anything out of those twenty-six letters. So, you see, this book encompasses everything." — PleaseHelpMeRumored to be penned by the brother of the best-selling author of “I Wrote This For You,” this new tour de force in poetry is sure to stab at your heart, or, at least, make you want to.If you loved the international best-selling collection of poetry, “I Wrote This For You,” you’ll probably hate this. But even those admirers of the free-verse artistry of that work will get a laugh from this classic parody. Author and screenwriter Edward Savio put together a spot-on send up of the poetry best-seller with “I Wrote This Crap For You.”It’s a quick, fun read that we hope you enjoy.“It touched my heart and moved me to tears.”“It’s as if he knew my inner thoughts and fears, and—come to think of it my diary is missing.”

    Filmmaker and writer Anungla Zoe Longkumer brings together, for the first time, a remarkable set of stories, poems, first-person narratives, and visuals that showcase the breadth of Naga women’s creative and literary expression. The essays are written in English, a language the Nagas—who had no tradition of written literature—made their own after the arrival of Christianity in the region during the nineteenth century. In The Many That I Am, each writer speaks of the many journeys women undertake to reclaim their pasts and understand their complex present.

    Straying from the narrative form of her first 2 publications, How To Be Alive is a series of densely patterned, colorful, one page vignettes.Tara Booth is an artist from Philadelphia, PA currently based in Portland, Oregon. Since she began making comics in 2015, her work has been published by küs! comics, Colorama Press, Brainfreeze Comics and in various anthologies.

    It tells about love desired, love lost, love enjoyed, love lost and love -- a different kind of love -- found again.

    Unruly teenager Karolína is growing up in an unconventional all-female household including her hot-blooded, knife-wielding grandmother.Repelled by her Mum’s serial love affairs, Karolína runs away and stumbles upon a riding school on the edge of town. There, she befriends Romana, a girl with one leg shorter than the other and Matilda, a rider and trainer who helps the two girls overcome their physical limitations. Together they found a successful trick riding team and soon it seems that half flags, mills and scales are not the only tricks flashing like blades up her sequinned sleeve as Karolína explores Pink Floyd and smoking, and discovers her knack for seeing deep into others’ souls.The fall of the Iron Curtain in 1989 and the subsequent arrival of capitalism threatens to destroy the riding school. The team has to turn professional. But in a sport of perfect scores is there still room for Romana and Karolína…?The Equestrienne is a poetic, caustic coming-of-age novel about the desire of one young girl to realise her dreams before and after Velvet Revolution; it is a celebration of friendship between women and also a bitter acknowledgement that greed the desire for power can destroy any relationship. I lived several lives in the brief instant before my feet touched the ground. The music stopped. I landed on the hard surface like an accomplished equestrienne. The equestrienne bowed. The audience applauded.

    Perfect for fans of Rupi Kaur and Elizabeth Acevedo, Jasmin Kaur’s stunning debut novel is a collection of poetry, illustrations, and prose.screamso that one daya hundred years from nowanother sister will not have todry her tears wonderingwhere in historyshe lost her voiceThe six sections of the book explore what it means to be a young woman living in a world that doesn’t always hear her and tell the story of Kiran as she flees a history of trauma and raises her daughter, Sahaara, while living undocumented in North America.Delving into current cultural conversations including sexual assault, mental health, feminism, and immigration, this narrative of resilience, healing, empowerment, and love will galvanize readers to fight for what is right in their world.

    Charles Bernstein here proves them alive and well in poems elegiac, defiant, and resilient to the point of approaching song. Heir to the democratic and poetic sensibilities of Walt Whitman and Allen Ginsberg, Bernstein has always crafted verse that responds to its historical moment, but no previous collection of his poems so specifically addresses the events of its time as Girly Man, whichfeatures works written on the evening of September 11, 2001, and in response to the war in Iraq. Here, Bernstein speaks out, combining self-deprecating humor with incisive philosophical and political thinking. Composed of works of very different forms and moods—etchings from moments of acute crisis, comic excursions, formal excavations, confrontations with the cultural illogics of contemporary political consciousness—the poems work as an ensemble, each part contributing something necessary to an unrealizable and unrepresentable whole. Indeed, representation—and related claims to truth and moral certainty—is an active concern throughout the book. The poems of Girly Man may be oblique, satiric, or elusive, but their sense is emphatic. Indeed, Bernstein’s poetry performsits ideas so that they can be experienced as well as understood. A passionate defense of contingency, resistance, and multiplicity, Girly Man is a provocative and aesthetically challenging collection of radical verse from one of America’s most controversial poets.

    DE VEYRAhas published two books of poetry: Subterranean Thought Parade and Shadowboxing in Headphones. He has won the Don Carlos Palanca Memorial Awards for Literature, the Free Press Literary Awards, and the very first National Commission for Culture and the Arts' Writers' Prize for Poetry. He also fronts the spoken word-jazz-rock band Radioactive Sago Project and currently works as a host and writer for the News and Public Affairs programs of TV5. This is his third collection of poems.

    Darryl and Wanda MacPherson, the struggling parents from the popular syndicated comic strip Baby Blues, share their insights into that scary venture: parenthood! Part of the Little Books series.

    From his earliest songs of the 1960s to his years with Island Records, these are the potent lyrics to the international reggae sound that was to make Bob Marley an unforgettable music legend.

    One hundred years after his release from Reading Gaol, the life and work of Oscar Wilde has lost none of its fascination. In his day, his wit and writings enchanted and scandalized society in equal measure; his downfall came at the height of his powers. Devastated by his notorious trial for indecency, imprisoned for ``homosexual offenses,'' he was to spend two ruinous years in solitary confinement. As he was later to tell Andre Gide, Reading Gaol ``was not fit for dogs. I thought I would go mad.'' The Ballad was written from personal experience, and there was to be no more writing after this. As Wilde observed: ``Something is killed in me.'' Bankrupt, disgraced, and in exile, Wilde was to die not long after his release at the age of 46. His final resting place is the cemetery of Pere Lachaise in Paris. His tomb bears an inscription from The Ballad of Reading Gaol: ``And alien tears will fill for him/Pity's long broken urn/For his mourners will be outcast men/And outcasts always mourn.'' This commemorative edition of the poem is illustrated with the powerfully moving wood engravings of Garrick Palmer. 48 pp 5 x 8 8 wood engravings

    I read his work with awe and admiration.”—Ben Marcus “Joe Wenderoth's brave new poetic talent is like nothing so much as a live wire writing its own epitaph in sparks. [His poems] throb brilliantly with a sense of the 'too much.' . . . But in Wenderoth's case the too much is the too little or the too ordinary—a very remarkable discovery to have made so late in the history of poetry. Philip Larkin and a few American poets have approached it, but Wenderoth's instrument is sharper than theirs; he makes quick cuts in the meat of the ordinary, which is the meat of the impossible.”—Cal Bedient This clear-eyed new work from a favorite young poet is searching and solemn, dissatisfied with artificial condolences and pat maxims. Joe Wenderoth’s determination in the face of harsh realities is what rescues us, and him, from hopelessness. “Luck” So a screaming woke you just in time An animal’s scream, or animals’. What kind of animal it was doesn’t matter, and cannot, in any case, be determined. The point is you are saved. Your mouth has been opened. Joe Wenderoth grew up near Baltimore and is the author of five books of prose and poetry. He teaches at the University of California, Davis.