Being thirteen is like being in the middle of nowhere. Which was accentuated by the fact that I was in the middle of nowhere. In a house that wasn’t mine. in a city that wasn’t mine, in a country that wasn’t mine, with a one-man family that, in spite of the intersections and intentions (all very good), wasn’t mine.When her mother dies, thirteen-year-old Vanja is left with no family and no sense of who she is, where she belongs, and what she should do. Determined to find her biological father to fill the void that has so suddenly appeared in her life, Vanja decides to leave Rio de Janeiro to live in Colorado with her stepfather, a former guerrilla notorious for his violent past. From there she goes in search of her biological father, tracing her mother’s footsteps and gradually discovering the truth about herself.Rendered in lyrical and passionate prose, Crow Blue is a literary road trip through Brazil and America, and through dark decades of family and political history.

    Reynolds delivers a hilarious and heartfelt novel about the choices we make, the people we choose, and the moments that make a life worth reliving.When Jack and Kate meet at a party, bonding until sunrise over their mutual love of Froot Loops and their favorite flicks, Jack knows he’s falling—hard. Soon she’s meeting his best friends, Jillian and Franny, and Kate wins them over as easily as she did Jack.But then Kate dies. And their story should end there.Yet Kate’s death sends Jack back to the beginning, the moment they first meet, and Kate’s there again. Healthy, happy, and charming as ever. Jack isn’t sure if he’s losing his mind.Still, if he has a chance to prevent Kate’s death, he’ll take it. Even if that means believing in time travel. However, Jack will learn that his actions are not without consequences. And when one choice turns deadly for someone else close to him, he has to figure out what he’s willing to do to save the people he loves.

    By her mother, who grew up far away in a different land. By her suburban town, which makes her feel too much like an outsider to fit in and not enough like an outsider to feel like that she belongs somewhere else. At least she has her childhood friend Haitham, with whom she can let her guard down and be herself. Until she doesn't.As the ground is pulled out from under her, Nima must grapple with the phantom of a life not chosen, the name her parents didn't give her at birth: Yasmeen. But that other name, that other girl, might just be more real than Nima knows. And more hungry. And the life Nima has, the one she keeps wishing were someone else's. . .she might have to fight for it with a fierceness she never knew she had.

    Vida follows a single narrator, Sabina, as she navigates her shifting identity as a daughter of the Colombian diaspora and struggles to find her place within and beyond the net of her strong, protective, but embattled family.In “Lucho,” Sabina’s family—already “foreigners in a town of blancos”—is shunned by the community when a relative commits an unspeakable act of violence, but she is in turn befriended by the town bad boy who has a secret of his own; in “Desaliento,” Sabina surrounds herself with other young drifters who spend their time looking for love and then fleeing from it—until reality catches up with one of them; and in “Vida,” the urgency of Sabina’s self-imposed exile in Miami fades when she meets an enigmatic Colombian woman with a tragic past.Patricia Engel maps landscapes both actual and interior in this stunning debut, and the constant throughout is Sabina—serious, witty, alternately cautious and reckless, open to transformation yet skeptical of its lasting power. Infused by a hard-won, edgy wisdom, Vida introduces a sensational new literary voice.

    The voices belong to the things in his house--a sneaker, a broken Christmas ornament, a piece of wilted lettuce. Although Benny doesn't understand what these things are saying, he can sense their emotional tone; some are pleasant, a gentle hum or coo, but others are snide, angry and full of pain. When his mother, Annabelle, develops a hoarding problem, the voices grow more clamorous.At first, Benny tries to ignore them, but soon the voices follow him outside the house, onto the street and at school, driving him at last to seek refuge in the silence of a large public library, where objects are well-behaved and know to speak in whispers. There, Benny discovers a strange new world, where "things happen." He falls in love with a mesmerizing street artist with a smug pet ferret, who uses the library as her performance space. He meets a homeless philosopher-poet, who encourages him to ask important questions and find his own voice amongst the many.And he meets his very own Book--a talking thing--who narrates Benny's life and teaches him to listen to the things that truly matter.With its blend of sympathetic characters, riveting plot, and vibrant engagement with everything from jazz, to climate change, to our attachment to material possessions, The Book of Form and Emptiness is classic Ruth Ozeki--bold, wise, poignant, playful, humane and heartbreaking.

    She has exposed her legs in a biblical city, an act they deem forbidden, and their judgement will echo on through her adolescence. When our narrator finally admits to her mother that she is queer, her mother's response only intensifies a sense of shame: "You exist too much," she tells her daughter.Told in vignettes that flash between the U.S. and the Middle East--from New York to Jordan, Lebanon, and Palestine--Zaina Arafat's debut novel traces her protagonist's progress from blushing teen to sought-after DJ and aspiring writer. In Brooklyn, she moves into an apartment with her first serious girlfriend and tries to content herself with their comfortable relationship. But soon her longings, so closely hidden during her teenage years, explode out into reckless romantic encounters and obsessions with other people. Her desire to thwart her own destructive impulses will eventually lead her to The Ledge, an unconventional treatment center that identifies her affliction as "love addiction." In this strange, enclosed society she will start to consider the unnerving similarities between her own internal traumas and divisions and those of the places that have formed her.Opening up the fantasies and desires of one young woman caught between cultural, religious, and sexual identities, You Exist Too Much is a captivating story charting two of our most intense longings--for love, and a place to call home.

    For fans of Hanif Kureshi, Mira Jacob, and Mohammed Hanif.It is 1995, and Anvar Faris is a restless, rebellious, and sharp-tongued boy doing his best to grow up in Karachi, Pakistan. As fundamentalists in the government become increasingly strident and the zealots next door start roaming the streets in gangs to help make Islam great again, his family decides, not quite unanimously, to start life over in California. The irony is not lost on Anvar that in America, his deeply devout mother and his model-Muslim brother are the ones who fit right in with the tightly knit and gossipy Desi community. Anvar wants more.At the same time, thousands of miles away, Safwa, a young girl suffocating in war-torn Baghdad with her grief-stricken, conservative father will find a very different and far more dangerous path to America. These two narratives are intrinsically linked, and when their worlds come together, the fates of two remarkably different people intertwine and set off a series of events that rock their whole community to its core.The Bad Muslim Discount is an irreverent, dramatic, and often hysterically funny debut novel by an amazing new voice. With deep insight, warmth, and an irreverent sense of humor, Syed Masood examines quirky and intense familial relationships, arranged marriage, Islamic identity, and how to live together in modern America.

    Mostly women, black and British, they tell the stories of their families, friends and lovers, across the country and through the years.Joyfully polyphonic and vibrantly contemporary, this is a gloriously new kind of history, a novel of our times: celebratory, ever-dynamic and utterly irresistible.

    This summer, the revival season doesn’t go as planned, and after one service in which Reverend Horton’s healing powers are tested like never before, Miriam witnesses a shocking act of violence that shakes her belief in her father—and in her faith.When the Hortons return home, Miriam’s confusion only grows as she discovers she might have the power to heal—even though her father and the church have always made it clear that such power is denied to women. Over the course of the next year, Miriam must decide between her faith, her family, and her newfound power that might be able to save others, but, if discovered by her father, could destroy Miriam.Celebrating both feminism and faith, Revival Season is a story of spiritual awakening and disillusionment in a Southern, black, Evangelical community. Monica West’s transporting coming-of-age novel explores complicated family and what it means to live among the community of the faithful.

    It is an exquisitely told story of a boy on the cusp of manhood who seeks justice and understanding in the wake of a terrible crime that upends and forever transforms his family. Riveting and suspenseful, arguably the most accessible novel to date from the creator of Love Medicine, The Beet Queen, and The Bingo Palace, Erdrich’s The Round House is a page-turning masterpiece of literary fiction - at once a powerful coming-of-age story, a mystery, and a tender, moving novel of family, history, and culture.

    But when a crack appears at the bottom of the pool, they are cast out into an unforgiving world without comfort or relief. One of these swimmers is Alice, who is slowly losing her memory. For Alice, the pool was a final stand against the darkness of her encroaching dementia. Without the fellowship of other swimmers and the routine of her daily laps she is plunged into dislocation and chaos, swept into memories of her childhood and the Japanese internment camp in which she spent the war. Narrated by Alice's daughter, who witnesses her stark and devastating decline, The Swimmers is a searing, intimate story of mothers and daughters, and the sorrows of implacable loss, written in spellbinding, incantatory prose. The most commanding and unforgettable work yet from a modern master.

    Now she's carrying his baby. Already married with three daughters, he's overjoyed because the doctors confirmed he will finally have the son he has always wanted. To ensure that his son has every advantage, he has shipped Scarlett off to give birth on American soil. U.S. citizenship will open doors for their little prince.As Scarlett awaits the baby's arrival, she chokes down bitter medicinal stews and spars with her imperious housemates. The only one who fits in even less is Daisy, a spirited teenager and fellow unwed mother who is being kept apart from her American boyfriend.Then a new sonogram of Scarlett's baby reveals the unexpected. Panicked, she escapes by hijacking a van--only to discover that she has a stowaway: Daisy, who intends to track down the father of her child. They flee to San Francisco's bustling Chinatown, where Scarlett will join countless immigrants desperately trying to seize their piece of the American dream. What Scarlett doesn't know is that her baby's father is not far behind her.A River of Stars is an entertaining, wildly unpredictable adventure, told with empathy and wit. It's a vivid examination of home and belonging, and a moving portrayal of a woman determined to build her own future.

    I step into the shower and almost faint, an image of taking the day by the throat and bashing its head against the wall floating in my mind.Thirty-year-old Millie just can't pull it together. Misanthropic and morose, she spends her days killing time at a thankless temp job until she can return home to her empty apartment, where she oscillates wildly between self-recrimination and mild delusion, fixating on all the little ways she might change her life. Then she watches TV until she drops off to sleep, and the cycle begins again.When the possibility of a full-time job offer arises, it seems to bring the better life she's envisioning - one that involves nicer clothes, fresh produce, maybe even financial independence - within reach. But with it also comes the paralyzing realization, lurking just beneath the surface, of just how hollow that vision has become. Darkly hilarious and devastating, The New Me is a dizzying descent into the mind of a young woman trapped in the funhouse of American consumer culture.

    No single event precedes society's fall. There is talk of a war overseas and upheaval in Congress, but it still comes as a shock when the electricity runs out and gas is nowhere to be found. The sisters consume the resources left in the house, waiting for the power to return. Their arrival into adulthood, however, forces them to reexamine their place in the world and their relationship to the land and each other.Reminiscent of Margaret Atwood's A Handmaid's Tale, Into the Forest is a mesmerizing and thought-provoking novel of hope and despair set in a frighteningly plausible near-future America.

    EVERY OTHER WEEKEND drops us into the sun-scorched suburbs of southern California, amid Bret Michaels mania and Cold War hysteria, with Nenny, a wildly precocious, nervous nelly of an eight-year-old, as our guide to the newly rearranged life she finds herself leading after her parents split. Nenny and her mother and two brothers have just moved in with her new stepfather and his two kids. Her old life replaced by this new configuration, Nenny's natural anxieties intensify, and both real and imagined dangers entwine: earthquakes and home invasions, ghosts of her stepfather's days in Vietnam, Gorbachev knocking down the door of her third grade class and recruiting them all into the Red Army. Knock-kneed and a little stormy-eyed, she is far too small for the thoughts that haunt her, yet her fears are not entirely unfounded. Indeed, tragedy does come, but it comes at her sideways, in a way she never had imagined.With an irresistible voice, Summerfield has managed to tap the very truth of what it is to have been a child of her generation, bottle it, and serve it up in devastating, hilarious, heartfelt doses. EVERY OTHER WEEKEND beautifully and unsettlingly captures the terrible wisdom that children often possess, as well as the surprising ways in which families fracture and reform.