A man was convicted of the brutal crime, but decades later, questions still linger.For his whole life, filmmaker Cody Swift has been haunted by the deaths of his childhood best friends. The loose ends of the police investigation consume him so much that he decides to return to Bristol in search of answers. Hoping to uncover new evidence, and to encourage those who may be keeping long-buried secrets to speak up, Cody starts a podcast to record his findings. But there are many people who don’t want the case—along with old wounds—reopened so many years after the tragedy, especially Charlie’s mother, Jess, who decides to take matters into her own hands.When a long-dead body is found in the same location the boys were left decades before, the disturbing discovery launches another murder investigation. Now Detective John Fletcher, the investigator on the original case, must reopen his dusty files and decide if the two murders are linked. With his career at risk, the clock is ticking and lives are in jeopardy…

    But the preparations are interrupted when a guest is found dead in one of the Castle bedrooms. The scene suggests the young Russian pianist strangled himself, but a badly tied knot leads MI5 to suspect foul play was involved. The Queen leaves the investigation to the professionals—until their suspicions point them in the wrong direction.Unhappy at the mishandling of the case and concerned for her staff’s morale, the monarch decides to discreetly take matters into her own hands. With help from her Assistant Private Secretary, Rozie Oshodi, a British Nigerian and recent officer in the Royal Horse Artillery, the Queen secretly begins making inquiries. As she carries out her royal duties with her usual aplomb, no one in the Royal Household, the government, or the public knows that the resolute Elizabeth will use her keen eye, quick mind, and steady nerve to bring a murderer to justice.SJ Bennett captures Queen Elizabeth’s voice with skill, nuance, wit, and genuine charm in this imaginative and engaging mystery that portrays Her Majesty as she’s rarely seen: kind yet worldly, decisive, shrewd, and most importantly a great judge of character.

    On his journey he meets Tau, a freed African slave, Ima, a vengeful German war maiden, and Sigmund, a gentle giant caught between worlds. Together they must ally with the Roman Legion to fight against an evil that threatens all the civilized world and pursue justice for those they have lost. Ulrich is the first novel of a series that explores events in and around the Roman empire of the fourth century A.D. A terrible force of invaders, the Alemanni, throw a continent into chaos on their quest for power and revenge and only a young Caesar Julian stands in their way. Action and adventure combine with historical accuracy to create an epic tale of hate, triumph, love, and loss. Through their actions our heroes raise and topple empires and make choices that shape the course of history.

    She doesn't know much about what she's gotten herself into, other than that the work sounds exciting, and that her new boss, Edwin MacAlister, has given her the opportunity of a lifetime. Edwin has promised that she'll be working with "a desk that has seen the likes of kings and queens, paupers and princes," and Delaney can't wait to get started.When she arrives, she meets her new Scottish family; also working at the Cracked Spine are Rosie, perpetually wrapped in scarves, and who always has tiny dog Hector in tow; Hamlet, a nineteen-year-old thespian with a colored past and bright future; and Edwin, who is just as enigmatic and mysterious as Delaney expected. An unexpected bonus is Tom the bartender from across the street, with his piercing eyes, and a rolling brogue -- and it doesn't hurt that he looks awfully good in a kilt.But before she can settle into her new life, a precious artifact -- a previously undiscovered First Folio of Shakespeare's plays -- goes missing, and Edwin's sister is murdered, seemingly in connection to the missing folio. Delaney decides to do some sleuthing of her own, to find out just what the real story is behind the priceless folio, and how it's connected to the tragic death, all without getting harmed herself.

    Unless it’s tourist season, things tend to be pretty peaceful. There is, however, one never ending source of irritation in the form of Police Chief Merrick Dawson.Merrick is Kip’s older brother’s BFF, and nothing seems to bring Merrick more joy than nagging Kip about silly things. You’d think a Police Chief would have more important things to do than lecture Kip on parking tickets and picking up pet waste, but somehow Merrick always finds the time.Kip decides to take an art class at the local community college, and he’s annoyed to find Merrick has also enrolled in the course. The instructor takes a shine to Kip, and soon they become friends outside of class. Merrick warns Kip of the dangers of blurring those lines and befriending his teacher, but Kip is flattered by the attention.When his art teacher is found stabbed through the forehead with a palette knife, Kip is determined to figure out who killed his new friend. Merrick naturally thinks Kip getting involved in the investigation is a horrible idea, but when has Kip ever listened to that irksome, pig-headed Merrick Dawson?This is book one in my brand new Kip O'Connor M/M Cozy Mystery series. Each book has a cozy feel to it and there is a strong romantic story-line in each book. No on page steam but some mild violence. I hope you enjoy reading this series as much as I enjoy writing it.

    In this entertaining first novel, set in rural Pennsylvania, a young San Francisco woman searches for her birthparents and from the moment she arrives in the backwoods town of Tungston, she falls under the spell of unforgettable characters, the unexpected-but-real threat of a violent fugitive, and the unexpected-but-real charm of a local fireman—all leading her to discover the true meaning of family.

    But when a body falls from a laundry chute and lands at Laura’s feet, replacing flowered wallpaper becomes the least of her duties. To clear her young assistant of the murder and save her fledgling business, Laura’s determined to find the killer. Turns out it’s not as easy as renovating a manor home, especially with two handsome men complicating her mission: the police detective assigned to the case and the real estate agent trying to save the manse from foreclosure. Worse still, the meddling of a horoscope-guided friend, a determined grandmother, and the local funeral director could get them all killed before Laura props the first pillow. - - - - - - - - - - - - - STAGING IS MURDER by Grace Topping | A Henery Press Mystery. If you like one, you’ll probably like them all.

    There, she starts a relationship with the last man she should—and who has no idea Romy is behind the drowning of his high school girlfriend and their unborn child. Bad lady. Horrible woman! When a pale little blonde girl with eerily blue eyes starts hurling insults through Romy’s window before vanishing into the woods, Romy fears her past has returned with a vengeance.She’s never told anyone about the worst mistake of her life. So how does the little girl seem to know about it? Who is she?And how to stop her before she reveals Romy’s darkest secret?A new twisty, suspenseful psychological thriller from C.G. Twiles, author of the top 800 Amazon Kindle bestseller The Neighbors in Apartment 3D, as well as The Last Star Standing, and Brooklyn Gothic.For fans of Gillian Flynn, Paula Hawkins, Shari Lapena.

    But lately, retirement has been boring her and she’s found herself back in her hometown of Lachlan, Florida, remodeling the grand old mansion she’d admired as a child. It’s much too big for her alone, but she’d die before letting anyone in town know that.Then Sara’s niece Kate is offered a job in Lachlan—a start in what could be a very successful career in real estate. She accepts immediately, but with so little saved up, she’ll have to approach her estranged yet incredibly famous aunt for a place to stay while she gets herself settled. But when she arrives at Sara’s home, she finds she’s not the only long-term houseguest. Jackson Wyatt already has his own room, and though it’s impossible to deny his good looks and charm—he’s clearly got her aunt wrapped around his finger—she’s also never met anyone who irritates her quite like Jack does.However, when two skeletons are accidentally uncovered in the quiet town, this unlikely trio is suddenly thrust together by a common goal: to solve a mystery everyone else seems eager to keep under wraps. United by a sense of justice and the desire to right old wrongs, Sara, Kate and Jack will have to dig into Lachlan’s murky past to unravel the small town’s dark secrets and work to bring the awful truth to light.

    One witness—a fifteen year old girl from the wrong side of the tracks, one known for lying and her own brushes with the law.Is it any surprise no one believed her?Officer Miranda Rader of the Harmony, Louisiana PD is known for her honesty, integrity, and steady hand in a crisis—but that wasn’t always so. Miranda comes from the town of Jasper, a place about the size of a good spit on a hot day, and her side of the tracks was the wrong one. She’s worked hard to earn the respect of her coworkers and the community.When Miranda and her partner are called to investigate the murder of one of the town’s most beloved college professors, they’re unprepared for the brutality of the scene. This murder is unlike any they’ve ever investigated, and just when Miranda thinks she’s seen the worst of it, she finds a piece of evidence that chills her to the core: a faded newspaper clipping about that terrible night fifteen years ago. The night she’d buried, along with her past and the girl she’d been back then. Until now that grave had stayed sealed…except for those times, in the deepest part of the night, when the nightmares came: of a crime no one believed happened and the screams of the girl they believed didn’t exist.Then another man turns up dead, this one a retired cop. Not just any cop—the one who took her statement that night. Two murders, two very different men, two killings that on the surface had nothing in common—except Miranda.

    Paying her aunt, Mira Lloyd, a.k.a. Elizabeth Lloyd, renown historical romance author, a long overdue visit, she plans to spend a month on Rock-Maine Island lounging around and plotting the launch of her new life. Her ex-husband, however, has other ideas. As for her aunt… she’s gone missing. And now there’s a dead body to contend with and a murder weapon with her fingerprints on it. A mantle of suspicion hangs over Eve and everyone she encounters has a reason to want her out of the way. Unwilling to leave matters in the hands of swoon worthy Detective Jack Bradford… only because it’s her civic duty to provide a new perspective, Eve Lloyd engages the assistance of her new friend and fellow suspect, Jill Saunders. They both stumble their way through a long list of possible motives and suspects in a race to find the killer before either one turns into the next victim. Clean read: no graphic violence, sex, or strong language.

    All she wanted was a few days of peace to recover from a humiliating (if not entirely unwelcome) divorce and a chance to test her new independence. That she certainly does; peace is another matter.WALKING INTO MURDER is a light-hearted mystery with a delightful setting, an intriguing plot and distinctive characters headed by Laura Morland, a wonderfully appealing new amateur detective. It is part traditional English mystery, part middle-aged female sleuth of independent spirit who solves mysteries that confound the experts, part primer on the the battle between the sexes since Laura is an expert on gender, part rousing adventure. Laura is hardly Miss Marple - she is younger, more active, attractive, even romantically inclined, but the settings and characters are very British indeed. It's a wonderful read: spine-tingling escapes and confrontations on deserted moors contrast with peaceful interludes in England's quaintest villages and most verdant countryside - and with some near-comic scenes of Laura's inept but ultimately successful efforts to track down the villains even as she eludes their clutches. Mask-making, amateur theatrics, underground tunnels and an escape from a boarded-up cottage are all part of the action. The adventure begins when Laura is invited to teach a seminar on gender issues in London. First she decides to embark on a solo walking trip on the Cotswold Way. The walk soon takes stormy turns. A man plummets out of the thick mist, hauls her into an embrace and begs her to masquerade as his wife. Escorted at gunpoint by an aristocratic Englishman to an ancient manor house, she is confronted by a roomful of eccentrics, any of whom could be the killer of the body she finds in a bedroom - a body that perversely keeps changing its identity. In fact, everyone in in this bizarre household seems to have multiple identities and multiple motivations, making it exceedingly difficult to determine who is telling the truth and even harder to ascertain who is on Laura's side.Curiosity is Laura's dominant trait and she delves into the mystery with possibly unwise abandon. She is determined to unmask the murderer - and to get the best of her alternately charming and irritating would-be husband, to whom she is undeniably attracted. She soon discovers that her fund of scholarly knowledge about male/female relationships is of little help in dealing with a man who refuses to answer her questions, appears to be having a steamy affair with the titled Lady of the house, and who increasingly seems the most likely candidate for murderer. Complicating matters further is his fraught relationship with Laura's able assistant in crime-detection, a fiery, free-spirited runaway who lives in the woods.As Laura probes deeper, the efforts of the villains to silence her become more frantic and her strategies to evade them more ingenious. With total disregard for the escalating danger, she vows to outwit them all. And she does. In a final dramatic - and totally unexpected - scene, she zeroes in on the killer, or it might be more accurate to say the murderer zeroes in on her.Joan Dahr Lambert is the author of CIRCLES OF STONE, a prehistoric novel told through the eyes of three women who became leaders of their tribes, and published by Simon & Schuster in 1997 & 1999. Lambert has written two other prehistoric novels, a novel about wolves for children and a novella, as well as the first two books in the Laura Morland series. The second, BABES IN THE BATHS, will be out soon. Like may published authors, she has decided to try self-publishing.

    -- Cleveland Sun News"Jordan is a cross between John Grisham and Stephen King."-- Cleveland SceneThe brutal murder of a friend leaves lawyer John Coleman stunned and sends shockwaves through the city of Cleveland. The technique of the killing recalls memories of the Torso Murderer, who dismembered at least twelve people decades ago and then vanished—eluding even legendary crime fighter Eliot Ness. Jennifer, the victim’s beautiful daughter, hires John to handle her father’s estate, and romantic feelings for her soon complicate his already troubled marriage. When John finds himself entangled with a cold-blooded biker gang, an ex-cop with a fuzzy past, and the drug-addicted son of the dead man, he struggles to make sense of it all.But there is no escaping a growing sense of dread."A well-written and complexly plotted crime thriller." --Caroline McCullagh, Mensa Bulletin''The terror of the Torso Murderer returns in this gritty, Cleveland-centric tale. Jordan delights with crackling dialogue, true-to-life characters, an intensely paced plot, and an explosive finale. A must-read for fans of Lecter, Dexter, and the Ripper.'' --John Keyse-Walker, Author of Sun, Sand, Murder and Beach, Breeze, Bloodshed; winner of Minotaur Books/Mystery Writers of America First Crime Novel Award''Michael Jordan brings characters and scenes to life in this emotionally gripping and compelling breakout novel. Brilliantly crafted.''--Rick Porrello, author of To Kill the Irishman (adapted into a major motion picture), Superthief!, and The Rise and Fall of the Cleveland Mafia Corn, Sugar, and BloodThe Company of Demons by Michael Jordan is a wonderful blend of crime and mystery, a riveting story with sophisticated characters. [...] Michael Jordan is a great storyteller and he has the ability to keep the narrative emotionally intense and psychologically disturbing. The Company of Demons is a real page-turner.-- Reader's Favorite

    The glamorous and gregarious matriarch, Rachel. The cunning and successful businessman, Stan. Four beautiful children. A perfect family deserving of respect and loyalty. Or so it seemed.Fast forward forty years. The Roths have lost their clout. When skeletal remains are found on the side of the road, the disappearance of Trudy Solomon, a coffee shop waitress at the Cuttman in 1978, is reopened. Each member of the Roth family holds a clue to the case, but getting them to admit what they know will force Detective Susan Ford to face a family she’d hoped never to see again.

    Talba, aka poetess Baroness de Pontalba, has the beauty, the brains, the computer savvy, the poetic soul, the youth, the right demographic, and the sass. Eddie Valentino’s got the detective agency. Also a short fuse and yes, wisdom. Not only do they make it work, they’ve got chemistry. “The quirky pleasure of watching the Baroness strut her stuff is worth the price of admission.” —Houston Chronicle Vol. 1: LOUISIANA HOTSHOT In Louisiana Hotshot, their job is to hunt down a sociopath and pedophile who’s molested the fourteen-year-old daughter of their client, hangs out on the ragged edges of the rap and recording industries, and has more powerful allies than a Cabinet member. But both detectives have unfinished business from the past—in Eddie’s case, something he deeply regrets; in Talba’s, a personal mystery, one so frightening no one will help her investigate. But she knows she won’t sleep till she solves it—and the truth will change her forever. Vol. 2: LOUISIANA BIGSHOT The hottest detective duo in New Orleans is going to need every skill and ounce of courage they can summon in this intricate tale of a decades-old conspiracy only now coming home to roost, with the murder of Talba’s friend Babalu Maya. Babalu is actually Clayton Robineau, daughter of the local banker in a small Louisiana town that bears her name, a town buried under the weight of its own malevolent past. As Talba and Eddie investigate, they find that something terrible happened to Clayton as a child, an injury—both pscyhic and physical--so bizarre, so shameful and damning that almost anyone in town would kill to cover it up. Vol. 3: LOUISIANA LAMENT One stormy day Talba gets an emergency call from Janessa, the sister she barely knows, and arrives to find a body floating in a swimming pool—the mortal husk of Allyson Brown, known in New Orleans literary circles as the Girl Gatsby. Like Gatsby, Allyson was one of those mysterious rich people who move to town, give amazing parties, and seem made of moonbeams. Investigating, Talba finds the reality behind the Gatsby glamour. Allyson was a con artist who neglected her children, ignored her bills, and lied like a Ponzi schemer. But she wasn’t the only bad actor on the local literary scene. Fellow poet Rashad leads Talba a merry chase, leaving a trail of clues in the form of poetry, while novelists engage in fisticuffs, unseemly preening, and unforgivable arrogance. The Baroness discovers just how seamy, petty, and downright murderous her fellow literati can be. Vol. 4: P.I. ON A HOT TIN ROOF YOUR LAWYER NEEDS YOU TO BAIL HER OUT? ISN'T THAT KIND OF BACKWARDS? So thinks PI Talba Wallis, on her way to Parish Prison—and indeed something’s badly amiss. New Orleans’ most dynamic detective duo have a personal interest in this one—Eddie’s lawyer daughter Angie’s been set up for a drug bust. Talba embeds herself in the house of prominent Judge Buddy Champagne as a spy, and uncovers plenty of evidence the judge is dirty—but she doesn't count on how involved she was going to get—especially with Buddy’s 14-year-old daughter Lucy.