He wears his temper like a badge of honor, would rather step over a homeless beggar than walk around him, and engages in petty warfare with his staff over expense receipts. He's also never been much bothered with monogamy, but when one morning he spontaneously seduces his temp in an office storeroom, he's definitely crossed a line in blatancy. Miller has made few friends and many enemies—not to mention the fact that the storeroom is a notorious trysting place and he and the temp both emerge covered in dust and airmail stickers—so the news doesn’t take long to reach his cold, beautiful wife. Conveniently, it just happens to be their anniversary. Imagine the celebratory dinner, capped by her returning her house keys and consummating her desire to sleep with the neighbor.Not a man to suffer rejection well, Miller heads for a London media hangout, where two employees introduce him to cocaine. By morning, his exploits are public (a photographer captured him snorting the cocaine in public), his career is over (thanks to a damning interview he gave a journalist from a rival paper), he's not only painted the word 'WANKER' on the cuckolding neighbor's car, but misspelled it, and his house is on fire (never leave a goodbye bonfire of wedding photos unattended). . . . Clearly, it’s time to leave town. Miller has an engagement to speak to the boys at his old prep school, but he can't seem to stop pouring gasoline on the fire that his life has become, showing up hungover after a night partying with an old school friend and a gaggle of Spanish flight attendants, and calling the headmaster by his behind-the-back nickname of "Stiffo" to the students, for a start. After the speech, he speaks with his doctor and learns that his father-in-law plans to kill him.Leigh, the old school friend, works for an English language school in Barcelona, and Miller wrangles its address out of him, for he clearly can't go home. He gets the job and adapts surprisingly well to a life of an underpaid teacher, despite the fact that some of his students will clearly never learn the language (there are hilarious scenes of their attempts in this section) and even starts up a romance with a tough-talking English girl who's one of his fellow teachers—but he doesn't tell her who he really is when he has the opportunity, and when she figures it out on her own she is livid and that bridge is burnt. To make matters worse, his father-in-law's goons have tracked him down.Miller flees again, winding up in Florida, in a town populated by ex-circus freaks and presided over by the Half Man, a criminal and sadist with no legs who welcomes Miller to town by shoving a gun barrel in his mouth and breaking his teeth. But ironically, it seems that despite the fleas in his trailer, the one-eyed albino hit man who seems to overhear every compromising conversation between Miller and the Half Man’s beautiful wife the Lizard Woman, and the fact that the Half Man’s stranglehold on the local police mean that Miller isn’t actually free to leave, it seems that Miller somehow belongs among the freaks. These misfits—among them a black dwarf, a gay clown with a penchant for altar boys, a heroin addict who is their unlicensed doctor, a biker hit man named Hollis after Grove’s erstwhile publicist, and the Lizard Woman’s wonderful eight-year-old daughter—unwittingly teach Miller what normal life never could—how to love, and how to stand up for something he truly believes in. When Miller's wife tracks him down and has him sign over the spoils of his old life to her, he gets enough money out of her to hire the albino to hit the Half Man. And though all certainly does not go smoothly with the hit—someone as vicious as the Half Man is unlikely to go quietly—Miller and the Lizard Woman are able to close that chapter and start a new life together.

    When Edward Schuyler, a modest and bookish sixty-two-year-old science teacher, is widowed, he finds himself ambushed by female attention. There are plenty of unattached women around, but a healthy, handsome, available man is a rare and desirable creature. Edward receives phone calls from widows seeking love, or at least lunch, while well-meaning friends try to set him up at dinner parties. Even an attractive married neighbor offers herself to him.The problem is that Edward doesn’t feel available. He’s still mourning his beloved wife, Bee, and prefers solitude and the familiar routine of work, gardening, and bird-watching. But then his stepchildren surprise him by placing a personal ad in The New York Review of Books on his behalf. Soon the letters flood in, and Edward is torn between his loyalty to Bee’s memory and his growing longing for connection. Gradually, reluctantly, he begins dating (“dating after death,” as one correspondent puts it), and his encounters are variously startling, comical, and sad. Just when Edward thinks he has the game figured out, a chance meeting proves that love always arrives when it’s least expected.With wit, warmth, and a keen understanding of the heart, An Available Man explores aspects of loneliness and togetherness, and the difference in the options open to men and women of a certain age. Most of all, the novel celebrates the endurance of love, and its thrilling capacity to bloom anew.

    After escaping the last of a long string of abusive boyfriends, Jean Gilkyson and her ten-year-old daughter Griff have nowhere left to go. Nowhere except Ishawooa, Wyoming, where Jean's estranged father-in-law, Einar, still blames her for the death of his son. Though Einar isn’t glad to see either of them, Griff falls in love with his sprawling ranch and quiet way of life, as she slowly gets to know his crippled old friend Mitch, the cats that lurk in the barn at milking time, and finally the grandfather she had lost for so many years. An emotionally charged story of hard-won friendship and reconciliation, An Unfinished Life shows a novelist of extraordinary talents in the fullness of his powers.

    Her host family is a couple in upstate New York: Ginger, a failed artist on the fringe of Alcoholics Anonymous, and Paul, an academic who wonders what it will mean to “make a difference” in such a contrived situation. The Mare illuminates the couple’s changing relationship with Velvet over the course of several years, as well as Velvet’s powerful encounter with the horses at the stable down the road, as Gaitskill weaves together Velvet’s vital inner-city community and the privileged country world of Ginger and Paul.

    That’s right, he is a Beefeater (they really do live there). It’s no easy job living and working in the tourist attraction in present-day London. Among the eccentric characters who call the Tower’s maze of ancient buildings and spiral staircases home are the Tower’s Rack & Ruin barmaid, Ruby Dore, who just found out she’s pregnant; portly Valerie Jennings, who is falling for ticket inspector Arthur Catnip; the lifelong bachelor Reverend Septimus Drew, who secretly pens a series of principled erot­ica; and the philandering Ravenmaster, aiming to avenge the death of one of his insufferable ravens. When Balthazar is tasked with setting up an elaborate menagerie within the Tower walls to house the many exotic animals gifted to the Queen, life at the Tower gets all the more interest­ing. Penguins escape, giraffes are stolen, and the Komodo dragon sends innocent people running for their lives. Balthazar is in charge and things are not exactly running smoothly. Then Hebe decides to leave him and his beloved tortoise “runs” away. Filled with the humor and heart that calls to mind the delight­ful novels of Alexander McCall Smith, and the charm and beauty of The Guernsey Literary and Potato Peel Pie Society, The Tower, the Zoo, and the Tortoise is a magical, wholly origi­nal novel whose irresistible characters will stay with you long after you turn the stunning last page. Published in the UK in August 2010 as Balthazar Jones and the Tower of London Zoo.

    Straightforward and simple. Everyone in their places, getting along, going along...Until everything goes wrong.When it does, Gillian, Stuart and Oliver decide that it's time to talk it all over. Because although they'd all agree that the orderliness of their lives has suddenly mutated into chaos - the alarming fluctuations of love being the chief culprit - that's about all they'd agree on ("One bit of information and people are immediately off into their theories," says Stuart, a bit pedantically). And each of them is determined to be heard.What we hear are three wonderfully realized voices telling three wildly different versions of one story - presenting the protean facts of disintegrating and escalating affections, laying blame, taking blame, talking about themselves, about each other, across each other, behind each other's backs, all in an attempt to get at the endlessly elusive truth. And what they reveal is the sometimes hilarious, sometimes heartrending process of selective memory that deeply colors the (more or less) fine art of eyewitnessing.Once again, the brilliant author of "Flaubert's Parrot", "Staring at the Sun" and "A History of the World in 10-and-1/2 Chapters" gives us a dazzling work of imagination: witty, wry, playful and, in the end, honed to a razor-sharp emotional edge.

    1987. There's only one person who has ever truly understood fourteen-year-old June Elbus, and that's her uncle, the renowned painter Finn Weiss. Shy at school and distant from her older sister, June can only be herself in Finn's company; he is her godfather, confidant, and best friend. So when he dies, far too young, of a mysterious illness her mother can barely speak about, June's world is turned upside down. But Finn's death brings a surprise acquaintance into June's life—someone who will help her to heal, and to question what she thinks she knows about Finn, her family, and even her own heart. At Finn's funeral, June notices a strange man lingering just beyond the crowd. A few days later, she receives a package in the mail. Inside is a beautiful teapot she recognizes from Finn's apartment, and a note from Toby, the stranger, asking for an opportunity to meet. As the two begin to spend time together, June realizes she's not the only one who misses Finn, and if she can bring herself to trust this unexpected friend, he just might be the one she needs the most. An emotionally charged coming-of-age novel, Tell the Wolves I'm Home is a tender story of love lost and found, an unforgettable portrait of the way compassion can make us whole again.

    Together with three veterans of the St. Vincent’s Home for Boys, he works for small-time mobster Frank Minna’s limo service cum detective agency. Life without Frank Minna, the charismatic King of Brooklyn, would be unimaginable, so who cares if the tasks he sets them are, well, not exactly legal. But when Frank is fatally stabbed, one of Lionel’s colleagues lands in jail, the other two vie for his position, and the victim’s widow skips town. Lionel’s world is suddenly topsy-turvy, and this outcast who has trouble even conversing attempts to untangle the threads of the case while trying to keep the words straight in his head. Motherless Brooklyn is a brilliantly original homage to the classic detective novel by one of the most acclaimed writers of his generation.

    For the first time, all five books in the Patrick Melrose series are collected in a single edition: NEVER MIND BAD NEWS SOME HOPE MOTHER'S MILK AT LAST Acclaimed for their searing wit and their deep humanity, this magnificent cycle of novels - in which Patrick Melrose battles to survive the savageries of his childhood and lead a self-determined life - is one of the major achievements in English fiction.

    Precocious, self-conscious and preternaturally gifted, young Bruno, born and raised in a habitat at the local zoo, falls under the care of a university primatologist named Lydia Littlemore. Learning of Bruno's ability to speak, Lydia takes Bruno into her home to oversee his education and nurture his passion for painting. But for all of his gifts, the chimpanzee has a rough time caging his more primal urges. His untimely outbursts ultimately cost Lydia her job, and send the unlikely pair on the road in what proves to be one of the most unforgettable journeys -- and most affecting love stories -- in recent literature. Like its protagonist, this novel is big, loud, abrasive, witty, perverse, earnest and amazingly accomplished. The Evolution of Bruno Littlemore goes beyond satire by showing us not what it means, but what it feels like be human -- to love and lose, learn, aspire, grasp, and, in the end, to fail.

    The novel recounts the hilarious but tragic life of Murphy in London as he attempts to establish a home and to amass sufficient fortune for his intended bride to join him.

    It follows the interwoven destinies of families of Indians, lordly Dutch patrons, and yeomen.

    A moving depiction of the transformative power of first love, Hamann’s first novel follows Eveline Auerbach from her high school years in East Hampton, New York, in the 1970s through her early adulthood in the moneyed, high-pressured Manhattan of the 1980s. Centering on Evie’s fragile relationship with her family and her thwarted love affair with Harrison Rourke, a professional boxer, the novel is both a love story and an exploration of the difficulty of finding one’s place in the world. As Evie surrenders to the dazzling emotional highs of love and the crippling loneliness of heartbreak, she strives to reconcile her identity with the constraints that all relationships—whether those familial or romantic, uplifting to the spirit or quietly detrimental—inherently place on us. Though she stumbles and strains against social conventions, Evie remains a strong yet sensitive observer of the world around her, often finding beauty and meaning in unexpected places. Newly edited and revised since its original publication, Anthropology of an American Girl is an extraordinary piece of writing, original in its vision and thrilling in its execution.

    and Mrs. Jha’s lives have been defined by cramped spaces, cut corners, gossipy neighbors, and the small dramas of stolen yoga pants and stale marriages. They thought they’d settled comfortably into their golden years, pleased with their son’s acceptance into an American business school. But then Mr. Jha comes into an enormous and unexpected sum of money, and moves his wife from their housing complex in East Delhi to the super-rich side of town, where he becomes eager to fit in as a man of status: skinny ties, hired guards, shoe-polishing machines, and all. The move sets off a chain of events that rock their neighbors, their marriage, and their son, who is struggling to keep a lid on his romantic dilemmas and slipping grades, and brings unintended consequences, ultimately forcing the Jha family to reckon with what really matters..

    For Paul, though, tragedy swiftly followed that euphoria. Hoping to speed his and Jenny’s recovery, he turns to Michael for a favor, unwittingly kindling the spark of connection between these couples into the affair that will blow them apart.One year later, on the same morning that the catastrophes of their personal lives come to an explosive head, a mysterious crisis in Midtown Manhattan all but shuts down the city, leaving both men stranded—Michael at the northernmost tip of the island and Paul in a dark subway tunnel under the East River. Each must make the arduous trek home through record-breaking heat, nervously eyeing the thin plume of smoke above the skyline, though it’s their private turmoils that loom largest. Told in the alternating voices of these charismatic but deeply flawed men, Little Disasters deftly cuts between the suspense of the citywide disaster and the history of secrets, lies, and losses that has brought these four intertwined lives to the brink. Smart, unsparing, and bitingly funny, Randall Klein’s debut is an engrossing story of the bonds of love and family—and our unending urges to test them, even when we need them most.