Beaneath this crisis another shocking story was known by only a select few: six Americans escaped the embassy and hid within a city roiling with suspicion and fear. A top-level CIA officer named Antonio Mendez devised an ingenious yet incredibly risky plan to rescue them before they were detected. Disguising himself as a Hollywood producer, and supported by a cast of expert forgers, deep-cover CIA operatives, foreign agents, and Hollywood special-effects artists, Mendez traveled to Tehran under the guise of scouting locations for a fake science fiction film called "Argo." While pretending to find the ideal film backdrops, Mendez and a colleague succeeded in contacting the escapees and eventually smuggled them out of Iran.After more than three decades, Antonio Mendez finally details the extraordinarily complex and dangerous operation he led. A riveting story of secret identities, international intrigue, and good old-fashioned American ingenuity, Argo is the pulse-pounding account of the history-making collusion between Hollywood and high-stakes espionage.

    A large and growing chunk of the American population was so turned off--or radicalized--by electoral chicanery, a spineless news media, and the increasingly blatant lies from our leaders ("they hate us for our freedom") that they abandoned the political mainstream altogether. They joined what he calls The Great Derangement.Taibbi tells the story of this new American madness by inserting himself into four defining American subcultures: • The Military, where he finds himself mired in the grotesque black comedy of the American occupation of Iraq;• The System, where he follows the money-slicked path of legislation in Congress;• The Resistance, where he doubles as chief public antagonist and undercover member of the passionately bonkers 9/11 Truth Movement; and• The Church, where he infiltrates a politically influential apocalyptic mega-ministry in Texas and enters the lives of its desperate congregants. Together these four interwoven adventures paint a portrait of a nation dangerously out of touch with reality and desperately searching for answers in all the wrong places. Funny, smart, and a little bit heartbreaking, The Great Derangement is an audaciously reported, sobering, and illuminating portrait of America at the end of the Bush era."The funniest angry writer and the angriest funny writer since Hunter S. Thompson roared into town." -- James Wolcott"…[A] scabrous, hilarious vivisection of our disintegrating nation. …Taibbi shines a light on the corruption, absurdities, and idiot pieties of modern American politics. Beneath his cynical fury, though, are flashes of surprising compassion for the adrift credulous souls who are taken in by it all." -- Michelle Goldberg

    Kennedy. Marilyn Monroe. A page-turning reconstruction of an enchanting after-party by the New York Times bestselling author of Manhunt: The 12-Day Chase for Lincoln’s Killer. On the night of May 19, 1962, the marquee of the old Madison Square Garden boasted: “BEST THING TODAY…JOHN F. KENNEDY / 2ND BEST THING…MARILYN MONROE.”Few things illustrate the magnetism of the Kennedy era like Marilyn Monroe co-headlining the President’s massive birthday fundraiser, and suggestively crooning “Happy Birthday.” But only a privileged few know what happened months earlier, when the two icons spent a weekend at a private summit hosted by Bing Crosby, and later, after the New York extravaganza, at the top secret, invitation-only midnight affair at a millionaire’s Manhattan town house.For more than half a century, this exclusive, no-press-allowed after-party has been shrouded in rumor and myth. Lot 6191 in the 2010 auction of White House photographer Cecil Stoughton’s archive—“Marilyn Monroe at JFK Party”—included twenty-three prints. Their negatives, marked in Stoughton’s hand with “Sensitive material, Do not file,” were seized by the National Archives. Among the collection: the sole existing photograph of Marilyn and the president. Spellbound by the intimacy of the image and the force of public imagination, bestselling historian James Swanson masterfully reconstructs the fabled soiree, bringing alive a night that history nearly left behind.

    And not a moment too soon . . .From behind the rows of razor wire, a new breed of counterterrorism operator has emerged.Just as skilled, just as fearsome, and just as deadly as their colleagues, Delta Force’s newest members have only one thing setting them apart—their gender. Part of a top-secret, all-female program codenamed The Athena Project, four of Delta’s best and brightest women are about to undertake one of the nation’s deadliest assignments.When a terrorist attack in Rome kills more than twenty Americans, Athena Team members Gretchen Casey, Julie Ericsson, Megan Rhodes, and Alex Cooper are tasked with hunting down the Venetian arms dealer responsible for providing the explosives. But there is more to the story than anyone knows.In the jungles of South America, a young U.S. intelligence officer has made a grisly discovery. Surrounded by monoliths covered with Runic symbols, one of America’s greatest fears appears to have come true. Simultaneously in Colorado, a foreign spy is close to penetrating the mysterious secret the U.S. government has hidden beneath Denver International Airport.As the women close in on their target, they will soon learn that another attack—one of unimaginable proportions—has already been set in motion, and the greatest threat they face may be the secrets kept by their own government.

    What is not known is that Trump provided Woodward a window into his mind through a series of exclusive interviews.At key decision points, Rage shows how Trump’s responses to the crises of 2020 were rooted in the instincts, habits and style he developed during his first three years as president.Rage draws from hundreds of hours of interviews with firsthand witnesses, as well as participants’ notes, emails, diaries, calendars and confidential documents.Woodward obtained 25 personal letters exchanged between Trump and North Korean leader Kim Jong Un that have not been public before. Kim describes the bond between the two leaders as out of a “fantasy film,” as the two leaders engage in an extraordinary diplomatic minuet.Rage will be the foundational account of the Trump presidency, its turmoil, contradictions and risks. It is an essential document for any voter seeking an accurate inside view of the Trump years—volatile and vivid.

    The FBI combated these & other groups as nodes of a single revolutionary underground dedicated to the violent overthrow of the USA. Burrough's Days of Rage recreates an atmosphere almost unbelievable decades later, conjuring a time of native-born radicals, often nice middle-class kids, smuggling bombs into skyscrapers & detonating them inside the Pentagon & the Capitol, at a Boston courthouse & a Wall Street restaurant. The FBI’s response included the formation of a secret task force, Squad 47, dedicated to hunting the groups down. But Squad 47 itself broke laws in its attempts to bring the revolutionaries to justice. Its efforts ended in fiasco. Drawing on interviews about their experiences with members of the underground & the FBI, Days of Rage is a look into the hearts & minds of homegrown terrorists & federal agents alike, weaving their stories into a secret history of the '70s.

    The evidence is all around us: Our industrial base is vanishing, taking with it the kind of jobs that have formed the backbone of our economy for more than a century; our education system is in shambles, making it harder for tomorrow's workforce to acquire the information and training it needs to land good twenty-first-century jobs; our infrastructure—our roads, our bridges, our sewage and water, our transportation and electrical systems—is crumbling; our economic system has been reduced to recurring episodes of Corporations Gone Wild; our political system is broken, in thrall to a small financial elite using the power of the checkbook to control both parties. And America's middle class, the driver of so much of our economic success and political stability, is rapidly disappearing, forcing us to confront the fear that we are slipping as a nation—that our children and grandchildren will enjoy fewer opportunities and face a lower standard of living than we did. It's the dark flipside of the American Dream—an American Nightmare of our own making. Arianna Huffington, who, with the must-read Huffington Post, has her finger on the pulse of America, unflinchingly tracks the gradual demise of America as an industrial, political, and economic leader. In the vein of her fiery bestseller Pigs at the Trough, Third World America points fingers, names names, and details who is killing the American Dream. Finally, calling on the can-do attitude that is part of America's DNA, Huffington shows precisely what we need to do to stop our freefall and keep America from turning into a third world nation.Third World America is a must-listen for anyone disturbed by our country's steady descent from twentieth-century superpower to backwater banana republic.

    O'Rourke casts his ever-shrewd and mordant eye on America's latest adventures in warfare. Imperialism has never been more fun.To unravel the mysteries of war, O'Rourke first visits Kosovo: Wherever there's injustice, oppression, and suffering, America will show up six months later and bomb the country next to where it's happening. He travels to Israel at the outbreak of the intifada. He flies to Egypt in the wake of the 9/11 terrorists' attacks and contemplates bygone lunacies. Why are the people in the Middle East so crazy? Here, at the pyramids, was an answer from the earliest days of civilization: People have always been crazy. He covers the demonstrations and the denunciations of war. A moral compass needle needs a butt end. Wherever direction France is pointing-toward collaboration with Nazis, accommodation with communists, existentialism, Jerry Lewis, or a UN resolution veto-we can go the other way with a quiet conscience. Finally he arrives in Baghdad with the U.S. Army and, standing in one of Saddam's palaces, decides, If a reason for invading Iraq was needed, felony interior decorating would have sufficed.

    Lampooned by the Left and Lionized by the far Right, his bluster-and-tears brand of political commentary has commandeered attention on both sides of the aisle.Glenn Beck has emerged over the last decade as a unique and bizarre conservative icon for the new century. He encourages his listeners to embrace a cynical paranoia that slides easily into a fantasyland filled with enemies that do not exist and solutions that are incoherent, at best. Since the election of President Barack Obama, Beck’s bombastic, conspiratorial, and often viciously personal approach to political combat has made him one of the most controversial figures in the history of American broadcasting.In Common Nonsense, investigative reporter Alexander Zaitchik explores Beck's strange brew of ratings lust, boundless ego, conspiratorial hard-right politics, and gimmicky morning-radio entertainment chops.Separates the facts from the fiction, following Beck from his troubled childhood to his recent rise to the top of the conservative media heapZaitchik's recent three-part series in Salon caused so much buzz, Beck felt the need to attack it on his showBased on Zaitchik's interviews with former Beck coworkers and review of countless Beck writings and television and radio showsExplains why Beck is always crying, why he has so many conservative enemies, why he's driven by conspiracy theories, and why he's dangerous to the health of the republicA contributing writer to Alternet, Zaitchik's reporting has appeared in the New Republic, the Nation, Salon, Wired, Reason, and the BelieverBeck, a perverse and high-impact media spectacle, has emerged as a leader in a conservative protest movement that raises troubling questions about the future of American politics.

    Simon & Schuster has a great book for every listener.

    Two archaeologists glean forbidden knowledge from the ruins of a dead world. Robot servants of ruling insectoid Klikiss guard the Klikiss Torch, which has the power to create suns. The reasons for the fall of the Klikiss empire may return.

    In the wake of the Fail Decade, Americans have historically low levels of trust in their institutions; the social contract between ordinary citizens and elites lies in tatters.How did we get here? With Twilight of the Elites, Christopher Hayes offers a radically novel answer. Since the 1960s, as the meritocracy elevated a more diverse group of men and women into power, they learned to embrace the accelerating inequality that had placed them near the very top. Their ascension heightened social distance and spawned a new American elite--one more prone to failure and corruption than any that came before it.Mixing deft political analysis, timely social commentary, and deep historical understanding, Twilight of the Elites describes how the society we have come to inhabit – utterly forgiving at the top and relentlessly punitive at the bottom – produces leaders who are out of touch with the people they have been trusted to govern. Hayes argues that the public's failure to trust the federal government, corporate America, and the media has led to a crisis of authority that threatens to engulf not just our politics but our day-to-day lives.Upending well-worn ideological and partisan categories, Hayes entirely reorients our perspective on our times. Twilight of the Elites is the defining work of social criticism for the post-bailout age.

    Candid and gripping, At the Center of the Storm recounts George Tenet's time at the Central Intelligence Agency, a revealing look at the inner workings of the most important intelligence organization in the world during the most challenging times in recent history. With unparalleled access to both the highest echelons of government and raw intelligence from the field, Tenet illuminates the CIA's painstaking attempts to prepare the country against new and deadly threats, disentangles the interlocking events that led to 9/11, and offers explosive new information on the deliberations and strategies that culminated in the U.S. invasion of Iraq. Beginning with his appointment as Director of Central Intelligence in 1997, Tenet unfolds the momentous events that led to 9/11 as he saw and experienced them: his declaration of war on al Qaeda; the CIA's covert operations inside Afghanistan; the worldwide operational plan to fight terrorists; his warnings of imminent attacks against American interests to White House officials in the summer of 2001; and the plan for a coordinated and devastating counterattack against al Qaeda laid down just six days after the attacks. Tenet's compelling narrative then turns to the war in Iraq as he provides dramatic insight and background on the run-up to the invasion, including a firsthand account of the fallout from the inclusion of "sixteen words" in the president's 2003 State of the Union address, which claimed that Saddam Hussein had sought to purchase uranium from Africa; the true context of Tenet's own now-famous "slam dunk" comment regarding Saddam's WMD program; and the CIA's critical role in an administration predisposed to take the country to war. In doing so, he sets the record straight about CIA operations and shows readers that the truth is more complex than suggested in other versions of recent history offered thus far. Through it all, Tenet paints an unflinching self-portrait of a man caught between the warring forces of the administration's decision-making process, the reams of frightening intelligence pouring in from around the world, and his own conscience. In At the Center of the Storm, George Tenet draws on his unmatched experience within the opaque mirrors of intelligence and provides crucial information previously undisclosed to offer a moving, revelatory profile of both a man and a nation in times of crisis.

    A simple phone call concerning an unexceptional pending drug trial turned into a massive conspiracy involving the Nicaraguan Contra rebels, L.A. and Bay Area crack cocaine dealers, and the Central Intelligence Agency. For several years during the 1980s, Webb discovered, Contra elements shuttled thousands of tons of cocaine into the United States, with the profits going toward the funding of Contra rebels attempting a counterrevolution in their Nicaraguan homeland. Even more chilling, Webb quickly realized, was that the massive drug-dealing operation had the implicit approval--and occasional outright support--of the CIA, the very organization entrusted to prevent illegal drugs from being brought into the United States.Within the pages of Dark Alliance, Webb produces a massive amount of evidence that suggests that such a scenario did take place, and more disturbing evidence that the powers that be that allowed such an alliance are still determined to ruthlessly guard their secrets. Webb's research is impeccable--names, dates, places, and dollar amounts gather and mount with every page, eventually building a towering wall of evidence in support of his theories. After the original series of articles ran in the Mercury-News in late 1996, both Webb and his paper were so severely criticized by political commentators, government officials, and other members of the press that his own newspaper decided it best not to stand behind the series, in effect apologizing for the assertions and disavowing his work. Webb quit the paper in disgust in November 1997. His book serves as both a complex memoir of the time of the Contras and an indictment of the current state of America's press; Dark Alliance is as necessary and valuable as it is horrifying and grim. --Tjames Madison --This text refers to an out of print or unavailable edition of this title.

    Jim Briskin, campaigning to be the first black president of the United States, thinks alter-Earth is the solution to the chronic overpopulation that has seventy million people cryogenically frozen; Tito Cravelli, a shadowy private detective, wants to know why Dr Lurton Sands is hiding his mistress on the planet; billionaire mutant George Walt wants to make the empty world all his own. But when the other earth turns out to be inhabited, everything changes.Winner of both the Hugo and John W. Campbell awards for best novel, widely regarded as the premiere science fiction writer of his day, and the object of cult-like adoration from his legions of fans, Philip K. Dick has come to be seen in a literary light that defies classification in much the same way as Borges and Calvino. With breathtaking insight, he utilizes vividly unfamiliar worlds to evoke the hauntingly and hilariously familiar in our society and ourselves.