Bold and inventive in his account of the urban underworld of male prostitution, Rechy is equally unflinching in his portrayal of one hustling "Youngman" and his restless search for self-knowledge. As the narrator careens from El Paso to Times Square, from Pershing Square to the French Quarter, we get an unforgettable look at a neon-lit life on the edge. Said James Baldwin of the author, "Rechy is the most arresting young writer I've read in a very long time. His tone rings absolutely true, is absolutely his own; and he has the kind of discipline which allows him a rare and beautiful reckless."

    Amy is an enigma-a brilliant scholar who has forgotten how to read. She is estranged from her wealthy English parents and lives a nomadic life in Scotland, dragging Kate from one school to the next, barely scraping by. And then there is Ash, a fiery Scottish actresss who cannot shake her demons-chief among them an unrequited passion for Amy that has obsessed her ever since they met as teenagers. Like is the story of two parallel lives that intersect briefly, then diverge. It is also a timeless evocation of adolescence and its agonizing anticipations, its contradictory yearnings for freedom and safety, its blind quest for mastery over pleasure and pain. Deftly constructed, passionately imagined, Like is a remarkably mature debut for a powerful young talent.

    He also has a hot neighbor, Lewis, who frequently comes by to drag Milo out of his house. If Milo wishes they were more than neighbors, well, he's working on it.Then Lewis asks Milo for advice on how to catch the notice of a geek—a man that is everything Milo is not, a man who turns his life into a living hell and makes it painfully clear that Lewis will never see him as anything but the nerd across the street.Note: This story was initially published in Less Than Three's That Famous Happy End anthology. It has been re-edited and given a new ending.

    An English teacher at the naval academy, he is married to a woman young enough to be his daughter and has a little son whom he loves. He sits in a mountain garden in Niterói, overlooking the ocean.As he reminisces and writes, placing the pages carefully in his antproof case, we learn that he was a World War II ace who was shot down twice, an investment banker who met with popes and presidents, and a man who was never not in love. He was the thief of the century, a murderer, and a protector of the innocent. And all his life he waged a valiant, losing, one-man battle against the world’s most insidious enslaver: coffee.Mark Helprin combines adventure, satire, flights of transcendence, and high comedy in this "memoir" of a man whose life reads like the song of the twentieth century.

    Here is Cheryl, a tightly-wound, vulnerable woman who lives alone, with a perpetual lump in her throat. She is haunted by a baby boy she met when she was six, who sometimes recurs as other people's babies. Cheryl is also obsessed with Phillip, a philandering board member at the women's self-defense non-profit where she works. She believes they've been making love for many lifetimes, though they have yet to consummate in this one. When Cheryl's bosses ask if their twenty-one-year-old daughter Clee can move into her house for a little while, Cheryl's eccentrically-ordered world explodes. And yet it is Clee--the selfish, cruel blond bombshell--who bullies Cheryl into reality and, unexpectedly, provides her the love of a lifetime. Tender, gripping, slyly hilarious, infused with raging sexual fantasies and fierce maternal love, Miranda July's first novel confirms her as a spectacularly original, iconic and important voice today, and a writer for all time. The First Bad Man is dazzling, disorienting, and unforgettable.

    And most do. But few of his conquests know that Lucifer is also His Majesty's most daring secret agent, at home in both London's Imperial grandeur and in its underworld of despicable vice. So when Britain's most prominent scientists begin turning up dead, there is only one man his country can turn to for help. Following a dinnertime assassination, Lucifer is dispatched to uncover the whereabouts of missing agent Jocelyn Poop. Along the way he will give art lessons, be attacked by a poisonous centipede, bed a few choice specimens, and travel to Italy on business and pleasure. Aided by his henchwoman Delilah; the beautiful, mysterious, and Dutch Miss Bella Pok; his boss, a dwarf who takes meetings in a lavatory; grizzled vulcanologist Emmanuel Quibble; and the impertinent, delicious, right-hand-boy Charlie Jackpot, Lucifer Box deduces and seduces his way from his elegant townhouse at Number 9 Downing Street (somebody has to live there) to the ruined city of Pompeii, to infiltrate a highly dangerous secret society that may hold the fate of the world in its clawlike grip.

    Beautiful, fearless, tormented, at forty-five she has lived a life of lovers and adventures. Now, Dalva begins a journey that will take her back to the bosom of her family, to the half-Sioux lover of her youth, and to a pioneering great-grandfather whose journals recount the bloody annihilation of the Plains Indians. On the way, she discovers a story that stretches from East to West, from the Civil War to Wounded Knee and Vietnam -- and finds the balm to heal her wild and wounded soul.

    Apparently, he was in a car accident—and the body of classmate Sean Brody was found in his car, shot to death. But nothing makes sense to Eric. He and Sean weren’t friends. In fact, they disliked each other--Sean was gay and Eric is...well, he's not sure of much right now! Except he is certain he didn’t shoot Sean, even though he can’t remember anything about the day of the accident.To make matters worse, he starts having psychic flashes about the people around him: his doctor, a nurse, his mother, and other visitors.As Eric’s memories slowly start to come back to him, he becomes more and more certain that not only is he innocent, but that the real murderer is out there….and wants to shut him up permanently.

    "Bull: A Farce" is the story of a man who acquires a vagina and all its companion parts. There are, however, complications. Cock & Bull, the book that introduced an enfant terrible of English letters to an American audience, has quickly become a classic of blistering satire.

    teen who is cruelly transported to a small town in Iowa by parents who delight in my suffering. It tells the tale of my struggles against such obstacles as flannel, packs of bullies, lack of car, hoodies, crazy English teachers and vengeful former friends. It is an epic tale of survival in a savage denim wilderness.

    Even though he's the only boy at home, it always feels like no one ever remembers him. His sisters are everywhere! Lulu is the smart one, India is the creative one, and Belly . . . well, Belly is the naked one. And the baby. School isn't much better. There, he's the shortest kid in the entire class.But now the manny is the Dalinger's new babysitter, and things are starting to look up. It seems as though the manny always knows the right thing to do. Not everyone likes the manny as much as Keats does, however. Lulu finds the manny embarrassing, and she's started to make a list of all the crazy things that he does, such as serenading the kids with "La Cucaracha" from the front yard or wearing underwear on his head or meeting the school bus with Belly, dressed as limo drivers. Keats is worried. What if Lulu's "Manny Files" makes his parents fire the manny? Who will teach him how to be interesting then?

    Cocteau never formally acknowledged the book, except in so far as he allowed it to appear in the 'authorized' bibliography drawn up in connection with his

    Yet when left alone for a few days by his brother, he struggles with his overwhelming desire for alcohol, succumbs to it and, in the resulting prolonged agony, goes over much of his life up to and including the lost weekend.

    Neil McCormick is fully aware of the events from that summer of 1981. Wise beyond his years, curious about his developing sexuality, Neil found what he perceived to be love and guidance from his baseball coach. Now, ten years later, he is a teenage hustler, a terrorist of sorts, unaware of the dangerous path his life is taking. His recklessness is governed by idealized memories of his coach, memories that unexpectedly change when Brian comes to Neil for help and, ultimately, the truth.

    He was always the outsider, never the star. But the summer of 1972 was a turning point in the life of fifteen-year-old Walter. It was the time when he realized that his great passion for dance would never be matched by his talent; the time when he discovered the funny agony of first love' and the time when he watched his brother declining into a cruel, untimely death.It is only when, twenty-four years later, Walter returns to fight for the survival of his childhood Eden, his family's lakeside summer home, that he finally discovers a way to reconcile himself to the past in a way that gives hope for the future.