The only takers are two eccentric Englishmen who want to embark for the other side of the globe. The Reverend Geoffrey Wilson believes the Garden of Eden was on the island of Tasmania. His traveling partner, Dr. Thomas Potter, unbeknownst to Wilson, is developing a sinister thesis about the races of men. Meanwhile, an aboriginal in Tasmania named Peevay recounts his people’s struggles against the invading British, a story that begins in 1824, moves into the present with approach of the English passengers in 1857, and extends into the future in 1870. These characters and many others come together in a storm of voices that vividly bring a past age to life.

    For, on the privileged island community where Forgetting Elena takes place, manners are everything. Or so it seems to White's excruciatingly self-conscious young narrator who desperately wants to be accepted in this world where everything from one's bathroom habits to the composition of "spontaneous" poetry is subject to rigid conventions.

    After lunch, a group of three of the girls climbed into the blaze of the afternoon sun, pressing on through the scrub into the shadows of Hanging Rock. Further, higher, till at last they disappeared.They never returned.Whether Picnic at Hanging Rock is fact or fiction the reader must decide for themselves.

    Walking away from her stifling father and the social conventions of her time, she leaves drab suburbia for Edwardian London and encounters an unknown world of suffragettes, Fabians and free love. But it is only when she meets the charismatic Capes that she truly confronts the meaning of her new found freedom. Ann Veronica caused a sensation, damned in the press and preached against from the pulpits when it was first published due to Wells' ground breaking treatment of female sexuality. A fascinating description of the women's suffrage movement, Ann Veronica offers an optimistic depiction of one woman's sexual awakening and search for independence.

    The highly acclaimed New York Times Book Review Notable Book of 1998 and Booker Prize Nominee that reinvents the historical novel.A misadventure in a brothel links the destiny of the enigmatic George Hardy, a surgeon and amateur photographer, to a foundling who becomes his obsessively devoted maid, a wily street boy who takes advantage of his sexual ambiguity, and his alternately philosophical and libidinous brother-in-law in this terse, searing novel that takes them from the comfortable parlors of Victorian Liverpool to the horrific battlefields of the Crimean War.

    The photograph stirs up a lifetime of memories for Dante, leading him to finally set Johnno's story--which has haunted him for years--on paper. An outrageous character of legendary proportions, Johnno is brought top life in all his complexity, beginning with his days at Brisbane Grammar School, when he and Dante first become friends, to the days they spend together in Paris, Johnno's inexplicable rages and periodic transformations are recounted until we come to know him--without ever quite understanding him. Daring, impossible, and unpredictable, Johnno is a fascinating character. His shocking behavior awes some, annoys others, and provokes a good many more. Above all, though, he is thoroughly unforgettable.

    Through the story of two brothers who grew up in patriotic, suburban Melbourne, George Johnston created an enduring exploration of two Australian myths - that of the man who loses his soul as he gains worldly success, and that of the tough, honest, Aussie battler.

    On the second floor of the famous F.G. Goode department store, in Ladies' Cocktail Frocks, the women in black are girding themselves for the Christmas rush. Lisa is the new Sales Assistant (Temporary). Across the floor and beyond the arch, she is about to meet the glamorous Continental refugee, Magda, guardian of the rose-pink cave of Model Gowns.With the lightest touch and the most tender of comic instincts, Madeleine St. John conjures a vanished summer of innocence. The Women in Black is a classic.

    He and his wife are attempting to escape the stifling conservatism of 1930s Australia by inviting other like-minded artists to live and work with them at their family home. As Lily’s friendship with Eva grows, she becomes infatuated with this makeshift family and longs to truly be a part of it.Looking back on those years later in life, Lily realises that this utopian circle involved the same themes as Evan Trentham’s art: Faustian bargains and terrible recompense; spectacular fortunes and falls from grace. Yet it was not Evan, nor the other artists he gathered around him, but his own daughters, who paid the debt that was owing.The Strays is an engrossing story of ambition, sacrifice and compromised loyalties from an exciting new talent.

    With passion and precision, Michael Thelwell recounts Rhygin’s journey from a morally coherent rural universe to the teeming, predatory slums of Kingston, his rebellion against the poverty and corruption of postcolonial Jamaica, his blazing, simultaneous rise to the top of the charts and the Most Wanted list.

    Full of wit and disdain, he records the mounting tensions on the ancient, stinking warship where officers, sailors, soldiers and emigrants jostle in the cramped spaces below decks. Then a single passenger, the obsequious Reverend Colley, attracts the animosity of the sailors, and in the seclusion of the fo'castle something happens to bring him into a 'hell of degradation', where shame is a force deadlier than the sea itself.

    The old "riding Rutherfords of Hermiston," of whom she was the last descendant, had been famous men of yore, ill neighbours, ill subjects, and ill husbands to their wives though not their properties.

    In his earlier, award-winning novels, Dominic Smith demonstrated a gift for coaxing the past to life. Now, in The Last Painting of Sara de Vos, he deftly bridges the historical and the contemporary, tracking a collision course between a rare landscape by a female Dutch painter of the golden age, an inheritor of the work in 1950s Manhattan, and a celebrated art historian who painted a forgery of it in her youth.In 1631, Sara de Vos is admitted as a master painter to the Guild of St. Luke's in Holland, the first woman to be so recognized. Three hundred years later, only one work attributed to de Vos is known to remain--a haunting winter scene, At the Edge of a Wood, which hangs over the bed of a wealthy descendant of the original owner. An Australian grad student, Ellie Shipley, struggling to stay afloat in New York, agrees to paint a forgery of the landscape, a decision that will haunt her. Because now, half a century later, she's curating an exhibit of female Dutch painters, and both versions threaten to arrive. As the three threads intersect, The Last Painting of Sara de Vos mesmerizes while it grapples with the demands of the artistic life, showing how the deceits of the past can forge the present.

    These two men -- ambitious, powerful, ruthless -- are locked in a relentless struggle to build an empire, fuelled by their all-consuming hatred. Over 60 years and three generations, through war, marriage, fortune, and disaster, Kane and Abel battle for the success and triumph that only one man can have.

    After the departure of the woman he loves, Frank drives out to a shack by the ocean that he had last visited as a teenager. There, among the sugarcane and sand dunes, he struggles to rebuild his life. Forty years earlier, Leon is growing up in Sydney, turning out treacle tarts at his parents' bakery and flirting with one of the local girls. But when he's drafted to serve in Vietnam, he finds himself suddenly confronting the same experiences that haunt his war-veteran father. As these two stories weave around each other - each narrated in a voice as tender as it is fierce - we learn what binds Frank and Leon together, and what may end up keeping them apart.