But one man is not about to celebrate. Returning from 15 years exile, he is intent on reminding the town of the brutal acts they perpetrated during their early years of settlement.In nineteenth-century Queensland, Lieutenant Freddie Buckmaster takes a band of men to 'disperse the natives' from Mandarana, an outback town. Violence is the inevitable result. Terrified, a young mother, Kowaha, leaps from a cliff, holding her baby.Two decades after the massacre, Tom Dorahy returns to his hometown for a reunion, bringing with him memories of its dark past and an attempt to reclaim justice for the victims of that night.A Kindness Cup addresses the efforts made to forget and to remember by both white and indigenous Australians, so that they may negotiate a future together.

    He travels to the isolated town of Wittenoom and takes charge of its small hospital, a place where no previous doctor has managed to stay longer than an eye blink. Instead of settling into a quiet, solitary life, he discovers an asbestos mining corporation with no regard for the safety of its workers and no care for the truth.Thirty years later, Dr Lou Fitzgerald stumbles across the abandoned Wittenoom Hospital. She, too, is a fugitive from a medical career toppled by a single error. Here she discovers faded letters and barely used medical equipment, and, slowly the story of the hospital’s tragic past comes to her.Dustfall is the tale of the crashing consequences of medical error, the suffering caused by asbestos mining and the power of storytelling.

    There's Alex, miserable in his cold and calmly professional marriage, unable to leave because of his two children. Next comes Andrew, recently home from ten years in America, leaving an ex-wife and a beloved daughter on the other side of the world. And finally there's Barbara, the enchanting and lustrous object of their affections, formally self-possessed but strangely aimless and unfulfilled.With elegance and acuity, Madeleine St John chronicles their progress through numerous false starts, reversals, and misapprehensions. The result is a deeper understanding of longing and its significant companion -- loss.

    . . THE LEGEND BEGINS When the Ridgeway family staked their claim on more than 40,000 acres of land in northwest Texas, they knew they had their work cut out for them. Located on a sharp bend of the treacherous Red River, their new home—the Rocking R Ranch—was just a stone’s throw away from Indian territory. It was as lawless and wild as the West itself, crawling with unsavory characters, cattle rustlers, horse thieves, outlaws, robbers, and worse. But still, the Ridgeways were determined to make the Rocking R a success—and a home—for their four remarkable children: Percy, Eli, Abigail, and Rachel. This is their story. Together, the Ridgeways could endure anything. Floods, tornadoes, Commanche raids in the dead of night. But when one of their own is kidnapped . . . that’s when all hell breaks loose. This is their story. The story of the American West.

    . .Adam Kulakov likes his life. He's on the right side of middle age; the toy company he owns brightens the lives of children around the world; and he has more money than he can ever spend, a wife and child he adores, and as many mistresses as he can reasonably hide from them. And he is not the only one with secrets. In 1944, Adam's grandfather, Arkady, was imprisoned in Auschwitz and given an impossible choice. Now, as he's coming to the end of his life, he has to keep the truth from his family, and hold back the crushing memories of his time with one of history's greatest monsters. As a mistake threatens to bring Adam's world tumbling down around him, the past reaches for Arkady. Everything he's spent a lifetime building will be threatened, as will everything Adam and his family think they know of the world. Bold, dark and compelling, The Toymaker is a novel about privilege, fear and the great harm we can do when we are afraid of losing what we hold dear. 'Pieper writes superbly. The Toymaker gives immediate and absorbing pleasure, and has similarities to J M Coetzee's Disgrace in terms of the main character's wretched search for redemption, both for himself and for humanity.' Books+Publishing

    But he longs to make his mark in the field of science--something consequential enough to present to the Royal Society in London. He hits on a radical experiment in isolation: For seven years a subject will inhabit three rooms in the basement of the manor house, fitted out with rugs, books, paintings, and even a chamber organ. Meals will arrive thrice daily via a dumbwaiter. The solitude will be totally unrelieved by any social contact whatsoever; the subject will keep a diary of his daily thoughts and actions. The pay: fifty pounds per annum, for life. Only one man is desperate to apply for the job: John Warlow, a semi-literate laborer with a wife and six children to provide for. The experiment, a classic Enlightenment exercise gone more than a little mad, will have unforeseen consequences for all included.

    And we come together – right there in the darkness. And even though there is no way to be certain of any other thing in the world, I am certain that I would risk anything to keep what is between the two of us. For love, I would risk anything, lose everything.Out of the Silence is a stunning debut novel about three Australian women from very different worlds: Maggie Heffernan, a spirited working-class country girl; Elizabeth Hamilton, whose own disappointment in love has served only to strengthen her humanity; and Vida Goldstein, a charismatic suffragist from Melbourne and the first woman to stand for Parliament in Australia.When Maggie’s life descends into darkness after a terrible betrayal, the three women’s lives collide. Around this tragedy Wendy James has constructed a masterfully drawn and gripping fiction. Based on a true story, it unfolds at the dawn of the twentieth century against the compelling backdrop of the women’s suffrage movement and a world on the brink of enormous change.The novel powerfully evokes the plight of women in the early 1900s – not least their limited options, whatever their class and education. However, at its heart this is a story of love – of love gone wrong; of its compromises and disappointments; but ultimately of its extraordinary transformative power.WINNER OF THE BEST FIRST AUSTRALIAN CRIME NOVEL, NED KELLY CRIME AWARDS 2006SHORTLISTED FOR THE DOBBIE LITERARY AWARD 2006 FOR BEST FIRST NOVEL BY A FEMALE AUTHOR

    What's brought him to Jovert's doorstep is not clear, but then he begins to tell his story - a story of a fractured friendship, lost lovers, orphaned children, and a body left bleeding in the snow.As Jovert pieces together the puzzle of Omura's life, he can't help but draw parallels with his own; for he too has lead a life that's been extraordinary and dangerous - and based upon a lie.

    This is the story of Yehoshuah, who wandered Roman-occupied Judea giving sermons and healing the sick. Now, a year after his death, four people tell their stories. His mother grieves, his friend Iehuda loses his faith, the High Priest of the Temple tries to keep the peace, and a rebel named Bar-Avo strives to bring that peace tumbling down. It was a time of political power-play and brutal tyranny. Men and women took to the streets to protest. Dictators put them down with iron force. In the midst of it all, one inconsequential preacher died. And either something miraculous happened, or someone lied.Viscerally powerful in its depictions of the period - massacres and riots, animal sacrifice and human betrayal - The Liars' Gospel makes the oldest story entirely new.

    This is my story, woven from the threads of rumour and legend.Jakub Rand flees his village for Prague, only to find himself trapped by the Nazi occupation. Deported to the Theresienstadt concentration camp, he is forced to sort through Jewish books for a so-called Museum of the Extinct Race. Hidden among the rare texts is a tattered prayer book, hollow inside, containing a small pile of dirt.Back in the city, Františka Roubíčková picks over the embers of her failed marriage, despairing of her conversion to Judaism. When the Nazis summon her two eldest daughters for transport, she must sacrifice everything to save the girls from certain death.Decades later, Bram Presser embarks on a quest to find the truth behind the stories his family built around these remarkable survivors.The Book of Dirt is a completely original novel about love, family secrets, and Jewish myths. And it is a heart-warming story about a grandson’s devotion to the power of storytelling and his family’s legacy.

    But when the handsome John Beck-a former Methodist preacher turned novice whaler with a mysterious past-arrives at the Davidson's door pleading to join her father's crews, suddenly Mary's world is upended.As her family struggles to survive the scarcity of whales and the vagaries of weather, and as she navigates sibling rivalries and an all-consuming first love for the newcomer John, nineteen-year-old Mary will soon discover a darker side to these men who hunt the seas, and the truth of her place among them. Swinging from Mary's own hopes and disappointments to the challenges that have beset her family's whaling operation, RUSH OH! is an enchanting blend of fact and fiction that's as much the story of its gutsy narrator's coming-of-age as it is the celebration of an extraordinary episode in history.

    Their mother is all alone, only thirty-one years of age, with three young children and a Labrador. It is no wonder, when you put it like that, that she becomes a menace and a drunk. And a playwright.Worried about the bad playwriting - though more about becoming wards of court and being sent to the infamous Crescent Home for Children - Lizzie and her sister decide to contact, by letter, suitable men in the area. In order to stave off the local social worker they urgently need to find a new Man at the Helm.

    “Well written and I was left wanting to read on.... It is certainly an intriguing concept” (Troubador)“Writing is dynamic and fast-paced. There's a definite charm about the novel that, I think, would appeal to the kind of audience cultivated by writers such as Marina Lewycka” (HHB Agency)“What a charming novel. I’m from Dundee myself, and the masterful way you wove together setting and culture was admirable. Your characters, too, were powerful yet compassionate, and the prose had a lovely twisting quality” (Canongate Press)“This is fresh and intriguing” (Andrew Lownie)Mrs Keiller's Marmalade is a book about marmalade, the isolation of old age, respect for tradition and the pain of abandonment. Maggie Keiller is a fictional descendent of John Keiller, the last patriarch of Keiller marmalade, whose clan famously created the first ‘Dundee Marmalade’. She is married John's son Billy Keiller in 1909 but lost him in the same year to a storm which visited their small enclave of Auchobane, a village perched precociously on the Dundee coastline of North-East Scotland. Forward fifty years, and Maggie lives a lonely life in Rose Cottage surrounded only by her jars of fine and vintage homemade marmalade. Her only visitor is Dougie, an elderly grocery man and decorated veteran. Maggie’s life is changed when she unexpectedly receives a letter from her estranged niece in London, asking for haven for her teenage daughter. Maggie takes her on, not out of affection for her niece whom she loathes, but to fill the void left by her childless marriage. Isla arrives in 1969, a year on the cusp of a revolution in the London she has just left, and in her own life, hiding the pregnancy she has kept from her mother. Maggie teaches Isla about her heritage, and hopes to pass on to her the tradition of marmalade making. For Isla, abandoned by mother and lover, and struggling to cope with the imminent arrival of an unwanted child, her bond with Maggie becomes a channel to help regain the self-esteem taken from her over her young years. The book culminates in Isla’s entry into the silver spoon Marmalade competition, fifty years after Maggie Keiller had taken the same prize.

     The ancient civilisation is enjoying unprecedented prosperity during the 18th Dynasty under some of Egypt’s most famous Pharaohs – Ahmose I, Hatshepsut, Thutmose III, Amenhotep III, Akhenaten and Tutankhamun. But every empire has its rivals – here the Hittites, the Mittani, Nubians and Assyrians – and every royal family its enemies. Smenkhkare is the youngest son of Amenhotep III and brother to Akhenamun – later to become the ruler Akhenaten – and Thutmose, plus three older sisters. The scheming Akhenamun dismisses Smenkhkare as a mere stripling, but the wise warrior Thutmose takes the boy under his wing and sets out to make a man of him. This is crucial for Smenkhkare whose father has decided that the only role for the boy will be through a marriage of convenience to the beautiful Mittani princess Taduheppa. The bride is ravishing – but older and more worldly – and refuses to consummate the coupling. Full of sympathy for his little brother, Thutmose advises patience and also invites Smenkhkare to accompany him on a raid to hunt down bandits who have attacked a caravan in the desert. It is a fateful moment. Thutmose is killed by an arrow through the neck, igniting a calamitous chain of events as Smenkhkare discovers the arrow did not come from a bandit’s bow. Who, then, did fire the fatal missile? Who would benefit most from the death of the man next in line for the pharoah’s throne? Could the murderer be within his own family? Or was someone else close to the family plotting to seize power? Can Smenkhkare trust his favourite sister Nebetah with his thoughts? Can trusted general Coreb help him in his bid to avenge the death of Thutmose? Who would try to eliminate Smenkhkare by placing a deadly cobra in a basket under his bed? And what are the ghastly contents in two other baskets thrust under Smenkhkare’s nose? David Adkins’ absorbing historical re-imagining The Forgotten Pharaoh, explores the extraordinary and dangerous life and times of a real but little known figure from history – from his child-marriage to exile and then reinstatement in Thebes as pharaoh of one of the most influential dynasties of the ancient civilised world. David Adkins is a retired civil servant who worked for many years at English Heritage. He lives in Letchworth Garden City with his wife. His other historical fiction books to date are The Eagle’s Nest and the Wolf’s Lair, The End of a Dynasty and Season of the Gladiatrix.

    When German man Louis Müller offers to sail eighteen-year-old Bonny to Europe, along with twenty-two-year-old Jurano and his fifteen-year-old niece, Dorondera, the proud and headstrong Bonny agrees. Accompanied by Müller’s bright and grieving daughter, Hilda, the group begins their journey to perform in Hamburg, Berlin, Paris and eventually London in the hope of seeking help from the Queen of England. While crowds in Europe are enthusiastic to see the unique dances, singing, fights, and pole climbing from the oldest culture in the world, the attention is relentless, and the fascination of scientists intrusive. Bonny is not a passive victim, and starts to earn money from mocking the crowd, but when disaster strikes, he must find a way to return home. A story of love, bravery, culture and the fight against injustice, Paris Savages brings a little-known part of history to blazing life, from one of Australia’s most intriguing novelists.