As she finds herself drawn to a man intrigued by the town for reasons of his own, old ghosts reappear and danger returns--as a killer walks among them once more...."Evocative, moving, suspenseful--another surefire winner from the writer who taught all of us how it should be done."--BARBARA MICHAELSPHYLLIS A. WHITNEY IS A WINNER OF THE GRAND MASTER AWARD FOR LIFETIME ACHIEVEMENT FROM THE MYSTERY WRITERS OF AMERICA

     At least that’s how it seems to former crime journalist, Wilhelmina Chance, whose near-fatal accident has given her a strange side effect ... she sees ghosts. After a messy divorce sends her fleeing back to her hometown of Mystic Notch, nestled in the White Mountains of New Hampshire, Willa finds herself haunted by the tenacious ghost of the town librarian who insists Willa solve her murder. Luckily, she has lots of help, including a quirky cast of small-town characters, the cat she’s inherited from her grandmother, and her best friend, Pepper, who claims her herbal teas can work magic. But just when Willa thinks she’s discovered who the killer is, she finds out that things are not what they seem in Mystic Notch, and the case takes a strange turn that has Willa adding even some of her long-time friends to her suspect list. Can Willa find the real killer in time to keep the magical balance in Mystic Notch on the side of good, or will evil prevail?

    The truth about that summer, no one else knows.In the summer of 1862, a group of young artists led by the passionate and talented Edward Radcliffe descends upon Birchwood Manor on the banks of the Upper Thames. Their plan: to spend a secluded summer month in a haze of inspiration and creativity. But by the time their stay is over, one woman has been shot dead while another has disappeared; a priceless heirloom is missing; and Edward Radcliffe’s life is in ruins.Over one hundred and fifty years later, Elodie Winslow, a young archivist in London, uncovers a leather satchel containing two seemingly unrelated items: a sepia photograph of an arresting-looking woman in Victorian clothing, and an artist’s sketchbook containing the drawing of a twin-gabled house on the bend of a river.Why does Birchwood Manor feel so familiar to Elodie? And who is the beautiful woman in the photograph? Will she ever give up her secrets?

    The woman was rude, pushy, manipulative and used her considerable wealth to run herd over the entire town of Mudbug, Louisiana. Unfortunately, death doesn’t slow down Helena one bit.DEA Agent Luc LeJeune is wondering what his undercover assignment investigating the sexy scientist has gotten him into – especially as it seems someone wants her dead. Keeping his secrets while protecting Maryse proves to be easier than fighting his attraction for the brainy beauty. (Note: This book is part of the author’s backlist, originally released in print in 2009 by Dorchester Publishing)

    Cruising down the Nile from Luxor to the Valley of the Kings, Anna carries with her two mementos: an ancient Egyptian scent bottle, and the diary of that original Nile voyage, which has lain unread for a hundred years. As she follows Louisa's footsteps, Anna discovers both the chilling secret of the bottle and the terrifying specters that pursued her great grandmother.

    Fantastic psychic visions, specters looming in the shadows, encounters with deities, a man who switches bodies with a cat—be sure to keep the light on whilst reading these tales. The Last Séance gathers twenty stories, some featuring Christie’s beloved detectives Hercule Poirot and Miss Marple, in one haunting compendium that explores all things occult and paranormal, and is an essential omnibus for Christie fans.

    Dylan initially chalks it up to trauma, but that changes when he runs into a psychiatrist who claims he’s her patient. She says he has been undergoing a unique hypnotherapy treatment built on the idea that with every choice, he creates an infinite number of parallel universes.Now those parallel universes are unlocked—and Dylan’s doppelgänger has staked a claim to his world. Can Dylan use these alternate realities to get a second chance at the life that was stolen from him? Or will he lose himself…to himself?

    When seventeen-year-old Andrew Taylor is transplanted from his American high school to a British boarding school—a high-profile academy for the sons of England’s finest—his father hopes that the boy’s dark past will not follow him from across the Atlantic. But blood, suspense, and intrigue quickly surround Andrew once again as he finds himself struggling with a deadly mystery left unsolved by a student from Harrow School’s past—the enigmatic poet Lord Byron.

    Six movie-theater employees were killed in an armed robbery, while one inexplicably survived. Then, a teenage girl vanished from the annual State Fair. Neither crime was ever solved.Twenty-five years later, the reverberations of those unsolved cases quietly echo through survivors’ lives. A private investigator in Vegas, Wyatt’s latest inquiry takes him back to a past he’s tried to escape—and drags him deeper into the harrowing mystery of the movie house robbery that left six of his friends dead. Like Wyatt, Julianna struggles with the past—with the day her beautiful older sister Genevieve disappeared. When Julianna discovers that one of the original suspects has resurfaced, she’ll stop at nothing to find answers.As fate brings these damaged souls together, their obsessive quests spark sexual currents neither can resist. But will their shared passion and obsession heal them, or push them closer to the edge? Even if they find the truth, will it help them understand what happened, that long and faraway gone summer? Will it set them free—or ultimately destroy them?

    Not this one.Brutalized as a young girl by a vile sexual predator, Skye Cree is a survivor. Guided by the visions of her mystical spirit guide to the whereabouts of abducted girls, she uses her unique abilities to turn her horrifying past into a positive force for justice. Fighting the demons that have haunted her for years, she trusts only in herself—until she falls hard for a man for the first time in her life. Now, discovering her abductor is back with a vengeance, she becomes locked in a deadly race against time to stop the horrors of an evil human-trafficking ring that threatens to tear her world, and her newfound love apart.

    As the First World War enters its most brutal phase, back home in England, everyone is seeking answers to the darkness that has seeped into their lives. At Blackwater Abbey, on an island off the Devon coast, Lord Highmount has arranged a spiritualist gathering to contact his two sons who were lost in the conflict. But as his guests begin to arrive, it gradually becomes clear that each has something they would rather keep hidden. Then, when a storm descends on the island, the guests will find themselves trapped. Soon one of their number will die. For Blackwater Abbey is haunted in more ways than one...

    John Baldwin, find themselves in a joint investigation pursuing a vicious murderer. The Southern Strangler is slaughtering his way through the Southeast, leaving a gruesome memento at each crime scene -- the prior victim's severed hand.Ambitious TV reporter Whitney Connolly is certain the Southern Strangler is her ticket out of Nashville; she's got a scoop that could break the case. She has no idea how close this story really is -- or what it will cost her.As the killer spirals out of control, everyone involved must face a horrible truth -- that the purest evil is born of private lies.

    Her disappearance destroys her mother, who spends the rest of her life at the lake house, hoping in vain that her favorite daughter will walk out of the woods. Emily’s two older sisters stay, too, each keeping her own private, decades-long vigil for the lost child. Sixty years later Lucy, the quiet and watchful middle sister, lives in the lake house alone. Before she dies, she writes the story of that devastating summer in a notebook that she leaves, along with the house, to the only person to whom it might matter: her grandniece, Justine. For Justine, the lake house offers a chance to escape her manipulative boyfriend and give her daughters the stable home she never had. But it’s not the sanctuary she hoped for. The long Minnesota winter has begun. The house is cold and dilapidated, the frozen lake is silent and forbidding, and her only neighbor is a strange old man who seems to know more than he’s telling about the summer of 1935.Soon Justine’s troubled oldest daughter becomes obsessed with Emily’s disappearance, her mother arrives with designs on her inheritance, and the man she left behind launches a dangerous plan to get her back. In a house steeped in the sorrows of the women who came before her, Justine must overcome their tragic legacy if she hopes to save herself and her children.

    In 1966, Baltimore is a city of secrets that everyone seems to know--everyone, that is, except Madeline "Maddie" Schwartz. Last year, she was a happy, even pampered housewife. This year, she's bolted from her marriage of almost twenty years, determined to make good on her youthful ambitions to live a passionate, meaningful life. Maddie wants to matter, to leave her mark on a swiftly changing world. Drawing on her own secrets, she helps Baltimore police find a murdered girl--assistance that leads to a job at the city's afternoon newspaper, the Star. Working at the newspaper offers Maddie the opportunity to make her name, and she has found just the story to do it: a missing woman whose body was discovered in the fountain of a city park lake. Cleo Sherwood was a young African-American woman who liked to have a good time. No one seems to know or care why she was killed except Maddie--and the dead woman herself. Maddie's going to find the truth about Cleo's life and death. Cleo's ghost, privy to Maddie's poking and prying, wants to be left alone. Maddie's investigation brings her into contact with people that used to be on the periphery of her life--a jewelery store clerk, a waitress, a rising star on the Baltimore Orioles, a patrol cop, a hardened female reporter, a lonely man in a movie theater. But for all her ambition and drive, Maddie often fails to see the people right in front of her. Her inability to look beyond her own needs will lead to tragedy and turmoil for all sorts of people--including the man who shares her bed, a black police officer who cares for Maddie more than she knows.'

    An intricate tale of love, haunting memories, and renewal. (An interview about the book is included below the reading guide)."Sometimes I wonder....Can a ghost find you, if she wants to?" An intricate tale of love, haunting memories, and renewal, Second Glance begins in current-day Vermont, where an old man puts a piece of land up for sale and unintentionally raises protest from the local Abenaki Indian tribe, who insist it's a burial ground. When odd, supernatural events plague the town of Comtosook, a ghost hunter is hired by the developer to help convince the residents that there's nothing spiritual about the property. Enter Ross Wakeman, a suicidal drifter who has put himself in mortal danger time and again. He's driven his car off a bridge into a lake. He's been mugged in New York City and struck by lightning in a calm country field. Yet despite his best efforts, life clings to him and pulls him ever deeper into the empty existence he cannot bear since his fiancée's death in a car crash eight years ago. Ross now lives only for the moment he might once again encounter the woman he loves. But in Comtosook, the only discovery Ross can lay claim to is that of Lia Beaumont, a skittish, mysterious woman who, like Ross, is on a search for something beyond the boundary separating life and death. Thus begins Jodi Picoult's enthralling and ultimately astonishing story of love, fate, and a crime of passion. Hailed by critics as a "master" storyteller (Washington Post), Picoult once again "pushes herself, and consequently the reader, to think about the unthinkable" (Denver Post). Second Glance, her eeriest and most engrossing work yet, delves into a virtually unknown chapter of American history -- Vermont's eugenics project of the 1920s and 30s -- to provide a compelling study of the things that come back to haunt us -- literally and figuratively. Do we love across time, or in spite of it?