Dulcie Bodsworth was the unlikeliest serial killer. She was loved everywhere she went, and the townsfolk of Wilcannia, which she called home in the late 1950s, thought of her as kind and caring. The officers at the local police station found Dulcie witty and charming, and looked forward to the scones and cakes she generously baked and delivered for their morning tea.That was one side of her. Only her daughter Hazel saw the real Dulcie. And what she saw terrified her.Dulcie was in fact a cold, calculating killer who, by 1958, had put three men in their graves - one of them the father of her four children, Ted Baron - in one of the most infamous periods of the state's history. She would have got away with it all had it not been for Hazel.Written by award-winning journalist Janet Fife-Yeomans together with Hazel Baron, My Mother, A Serial Killer is both an evocative insight into the harshness of life on the fringes of Australian society in the 1950s, and a chilling story of a murderous mother and the courageous daughter who testified against her and put her in jail.

    Again and again, the law had failed to stop him. UNTIL THEY TOOK JUSTICE INTO THEIR OWN HANDS.On July 10, 1981, Ken was shot to death on the main street of this small farming community. Forty-five people watched. No indictments were ever issued, no trial held and the town of Skidmore protected the killers with silence. With this powerful, true-life account, Edgar Award-winning author Harry N. MacLean reveals what drove a community of everyday American citizens to commit murder.IN BROAD DAYLIGHT

    We were human toys. Just a piece of meat for someone to play with.'Barbara O'Hare was just 12 when she was admitted to the psychiatric hospital, Aston Hall, in 1971. From a troubled home, she'd hoped she would find sanctuary there. But within hours, Barbara was tied down, drugged with sodium amytal - a truth-telling drug - and then abused by its head physician, Dr Kenneth Milner.The terrifying drug experimentation and relentless abuse that lasted throughout her stay damaged her for life. But somehow, Barbara clung on to her inner strength and eventually found herself leading a campaign to demand answers for potentially hundreds of victims.A shocking account of how vulnerable children were preyed upon by the doctor entrusted with their care, and why it must never happen again.

    Trace Evidence, by contrast, has a steady relentlessness that allows the reader to become fascinated by the characters of the investigators and the facts of how the evidence was assembled. This killer specialized in picking up his victims along Interstate 5, near Sacramento, California, and he had an odd penchant for snipping at their clothes with scissors. As deaths of young women in several different jurisdictions began to form a pattern, a few detectives with contrasting approaches (excitable and given to hunches vs. cool and logical) formed a team. Author Bruce Henderson relates how they followed through on a bewildering number of leads, how they ranked their potential suspects on a point system that proved remarkably effective, and how, finally, a trace evidence expert spent many long hours looking through a microscope to cinch the case with analysis of fibers. Trace Evidence is skillfully structured, emphasizing the investigation rather than the trial, and includes crisp photographs of the key evidence. It would have been a better book if the author had included a timeline of the crimes and a map of the area, but that is a small nitpick about an excellent work of journalism. --Fiona Webster

    So much evil was done there was a voice inside me shouting, "Justice".'With no one to confide in, Kathy suffered in silence as she was battered by her father and molested by local boys.At the age of eight, she was torn from her family and incarcerated in a series of Catholic homes. When she was sent to a psychiatric unit, she suffered terrifying electric- shock therapy and further cruelty at the hands of her supposed carers.After ending up in a Magdalen laundry, she fell victim to sexual abuse and gave birth to baby Annie just weeks before her fourteenth birthday. Don't Ever Tell is Kathy's harrowing account of her ruined childhood and of her subsequent fight for justice.

    Now updated with new material that brings the killer's picture into clearer focus.In the fall of 1888, all of London was held in the grip of unspeakable terror.  An elusive madman calling himself Jack the Ripper was brutally butchering women in the slums of London’s East End.  Police seemed powerless to stop the killer, who delighted in taunting them and whose crimes were clearly escalating in violence from victim to victim.  And then the Ripper’s violent spree seemingly ended as abruptly as it had begun.  He had struck out of nowhere and then vanished from the scene.  Decades passed, then fifty years, then a hundred, and the Ripper’s bloody sexual crimes became anemic and impotent fodder for puzzles, mystery weekends, crime conventions, and so-called “Ripper Walks” that end with pints of ale in the pubs of Whitechapel.  But to number-one New York Times bestselling novelist Patricia Cornwell, the Ripper murders are not cute little mysteries to be transformed into parlor games or movies but rather a series of terrible crimes that no one should get away with, even after death.  Now Cornwell applies her trademark skills for meticulous research and scientific expertise to dig deeper into the Ripper case than any detective before her—and reveal the true identity of this fabled Victorian killer.In Portrait of a Killer: Jack the Ripper, Case Closed, Cornwell combines the rigorous discipline of twenty-first century police investigation with forensic techniques undreamed of during the late Victorian era to solve one of the most infamous and difficult serial murder cases in history.  Drawing on unparalleled access to original Ripper evidence, documents, and records, as well as archival, academic, and law-enforcement resources, FBI profilers, and top forensic scientists, Cornwell reveals that Jack the Ripper was none other than a respected painter of his day, an artist now collected by some of the world’s finest museums: Walter Richard Sickert.It has been said of Cornwell that no one depicts the human capability for evil better than she.   Adding layer after layer of circumstantial evidence to the physical evidence discovered by modern forensic science and expert minds, Cornwell shows that Sickert, who died peacefully in his bed in 1942, at the age of 81, was not only one of Great Britain’s greatest painters but also a serial killer, a damaged diabolical man driven by megalomania and hate.  She exposes Sickert as the author of the infamous Ripper letters that were written to the Metropolitan Police and the press.  Her detailed analysis of his paintings shows that his art continually depicted his horrific mutilation of his victims, and her examination of this man’s birth defects, the consequent genital surgical interventions, and their effects on his upbringing present a casebook example of how a psychopathic killer is created.New information and startling revelations detailed in Portrait of a Killer include:- How a year-long battery of more than 100 DNA tests—on samples drawn by Cornwell’s forensics team in September 2001 from original Ripper letters and Sickert documents—yielded the first shadows of the 75- to 114 year-old genetic evid...

    Amazon Top Ten in True Crime and Criminology. Best True Crime Book Editor's & Reader's Choice Awards. Library Journal Bestseller . Police found the body of beautiful British exchange student Meredith Kercher in Perugia, Italy in 2007, police discovered the body of Meredith Prosecutor Giuliano Mignini blamed the murder on satanic rituals, Manga comic books, Halloween and Day of the Dead. American college student Amanda Knox, quickly became the prime suspect and became the star of a sensational international story, both vilified and eroticized by the tabloids and the Internet. Award-winning journalist Candace Dempsey gives readers a front-row seat at the trial and reveals the real story behind the media frenzy.

    Drawing on extensive interviews with key witnesses and lead investigators, as well as secret evidence files that never made it to trial, Crier traces Scott's bizarre behavior; shares dozens of transcripts of Scott's chilling and incriminating phone conversations; offers accounts of Scott's womanizing from two former mistresses before Amber Frey; and includes scores of never-before-seen police photos, documents, and other evidence.The result is thoroughly engrossing yet highly disturbing -- an unforgettable portrait of a charming, yet deeply sociopathic, killer.

    In August 1966, while on parole for burglary, he raped, tortured, and murdered three teenagers in an abandoned field far from his hometown of Rosebud, a peaceful Central Texas hamlet. He was tried, convicted, and condemned to death. Had his sentence not been commuted to life, that would have been the end of Kenneth Allen McDuff. But in 1989, only weeks after the twenty-third anniversary of his crimes, the bad boy from Rosebud walked out of prison a free man.McDuff took pleasure in outwitting the system, and his bloodlust was an impulse he had no intention of controlling. After decomposed corpses of more and more women were discovered, the worst nightmares of the authorities came true. But times were different. It took 32 years to bring his brutal and heartless crime spree to a fitting end. Texas had never seen such incredible brutality--and has never been the same since.

    Including over 100 pages of new material, Pretty Little Killers shares the latest theories and answers the questions that have left many people baffled.After killer Shelia Eddy pled guilty to first degree murder and was sentenced to life in prison and Rachel Shoaf was sentenced to thirty years for second-degree murder, family, friends, investigators, and other key sources reveal the facts you would have learned if the case had gone to trial.Including specific details drawn from Rachel’s confession, Pretty Little Killers looks at the crime through the eyes of the victim and killers, providing intimate testimony from the pages of Rachel’s personal journal, Skylar’s diary and school papers, and court records.Berry and Fuller examine all this, including previously unreported details about Rachel and Shelia’s rumored lesbian relationship and explain why more than one investigator believes Skylar’s murder was a thrill kill.Most important, Pretty Little Killers provides a satisfying answer to Skylar’s final question: “Why?”

    He's too calm. He's too polite! He can't possibly have murdered forty-nine women. They can't be serious! They must have screwed up! I didn't realize then, but I was right. Gary Ridgway hadn't killed forty-nine women. He'd killed even more than that." Soon, Mark Prothero faced the question: "How could you possibly defend the most prolific serial killer in United States history, the infamous Green River Killer? If anyone deserved to be executed for his crimes, didn't he?"Mark Prothero, co-lead defense attorney who helped save Gary Ridgway from the death sentence, has heard that question many times. Now he's written a book that reveals the true, inside story of exactly how an idealistic public defender, high school swim coach, husband, and dad could bring himself to spend many months of close confinement with a man who brutally murdered at least 75 young women, often in the act of sex. Defending Gary shows how Prothero could reconcile these monstrous acts knowing the reality of this unassuming fellow Gary Ridgway, a mild-mannered, church-going, devoted husband, father, and former Navy man, with an IQ of around 82 and a longtime job as a truck-painter from Auburn, Washington, near Seattle.

    Imprisoned for almost 15 years before his execution in the Florida electric chair in 1989, Bundy was interviewed for hundreds of hours by psychologists, journalists, and law enforcement professionals. He offered insight into the thoughts and methods of other serial killers of the time—but almost never spoke about his own crimes.Dr. Al Carlisle evaluated Bundy for the Utah court when he was first arrested in 1975 and conducted extensive interviews with him after that. Carlisle has painstakingly reconstructed the life of Ted Bundy through conversations with his friends, family, neighbors, lovers, investigators, and surviving victims—and with the killer himself. I’M NOT GUILTY finally answers the questions about Bundy’s own crimes through a fictional dialogue between Carlisle and Bundy on the day before his execution, and sheds light on the development of the violent mind.

     When Bill Payne and Billie Jean Hayworth began their romance, they unknowingly set in motion a diabolical plot that would end with them murdered in their own home, Hayworth holding their mercifully unharmed infant. Chris was a CIA agent who was concerned about Jenelle. Seeing the cyberbullying she had endured, and worried for her safety, Chris got in touch with Jenelle’s protective parents, and her devoted boyfriend, warning them that Payne and Hayworth were a danger to Jenelle. He got especially close with Jenelle’s mother, Barbara, who thought of Chris like a son, though she had never met him. Chris claimed that surveillance of Payne and Hayworth revealed that the two of them were planning on harming Jenelle, that it was imminent, and that something needed to be done immediately. Chris promised that he would have their back if they were to act to protect Jenelle. And so they did. Jenelle’s father, Buddy, and her boyfriend, Jamie, broke into the home of Payne and Hayworth and murdered them in their own home. What the police investigation turned up, though, made this crime all the more terrifying. Jenelle had been Chris the entire time, catfishing her family and her boyfriend to act in vengeance on her behalf. Using forensic linguistics and diving through the brambles that Jenelle laid to cover her tracks, police were able to put together a chilling portrait of a sociopath, made all the more ruthless by the anonymity of her online life. Bizarre and unforgettable, Dennis Brooks examines the crime and trial from all angles, bringing his expertise as the lead prosecutor in the strange and disturbing case.

    The story that he had to tell—of the brutal murder he had witnessed the previous evening—set in motion the detection of Britain's most infamous serial killings: the Moors Murders. Despite standing as chief prosecution witness at the subsequent trial, David Smith was vilified and hated by a public who knew nothing of the facts behind the accusations thrown at Smith by the killers themselves in an attempt to gain lesser sentences. Myra Hindley's own confession, 20 years later, that she and Ian Brady had lied about Smith's involvement in their crimes, did little to diminish the slurs against his name. For almost 45 years, David Smith has been asked by writers and filmmakers to tell his story. With the exception of no more than a handful of very brief interviews, he has refused. Carol Ann Lee met Smith during her research for One of Your Own, her critically acclaimed biography of Hindley, following which he finally agreed to reveal all regarding the case and his involvement in it. In Witness, interviews, archival research, and, most significantly, David Smith's own vivid memories are fused to create an unforgettable, often harrowing account of his life before, during, and after the Moors Murders.

    Even before her savage death, beautiful 22-year old Elizabeth Short, an aspiring starlet and nightclub habitué, was known as the Black Dahlia. Since her horrible demise, she has become a magnetic icon in American pop culture, a mythical symbol of noir Hollywood. In this new, expanded edition, John Gilmore plumbs to the dark core of this terrifying story that he argues can never be truly solved and delivers to us the real Elizabeth Short, the girl who became the enigmatic Black Dahlia. He ushers the reader into her world and her life in intimate, searing, explosive, first-hand revelations."The most satisfying and disturbing conclusion to the Black Dahlia case. After reading Severed, I feel like I truly know Elizabeth Short and her killer." —David Lynch"The most uncanny evocation of LA during and after the war... His portrait of Elizabeth Short as a strange, unknowable somnambulist sleepwalking through that unique junction of time and space is permanently haunting." —Gary Indiana