But everything changes when she finds a body on the common near her home. She’s shaken and haunted by the image of the lifeless young woman, and frightened that the killer, still at large, could strike again. Before long, the police have a lead. The evidence points to a very clear suspect. One Gaby never saw coming . . . Full of twists and turns, this is a dark and suspenseful psychological thriller that will make you secondguess everything. Because you can never be too sure about anything, especially when it comes to murder.

    It's a department known within the force as "The Dark Side," and it's where Malcolm Fox works. He's a serious man with a father in a nursing home and a sister who persists in an abusive relationship, frustrating problems about which he cannot seem to do anything. Then the reluctant Fox is given a new case. There's a cop named Jamie Breck, and he's dirty. The problem is, no one can prove it. As Fox takes on the job, he learns that there's more to Breck than anyone thinks--dangerous knowledge, especially when a vicious murder takes place far too close to home.In THE COMPLAINTS, Rankin proves again why he is one of the world's most beloved and bestselling crime writers, mixing unstoppable pacing with the deeper question of who decides right from wrong.

    Family historian Nigel Barnes is put on the case. As one after another victim is found in various locations all over London, each with a different mutilation but the same index number carved into their skin, Barnes and the police work frantically to figure out how the corresponding files are connected. With no clues to be found in the present, Barnes must now search the archives of the past to solve the mystery behind a string of 100-year-old murders. Only then will it be possible to stop the present series of gruesome killings, but will they be able to do so before the killer ensnares his next victim? Barnes, Foster, and Jenkins enter a race against time – and before the end of the investigation, one of them will get much too close for comfort.

    Aunt Sabrina invites her to Essex England, for help with the Order of the New Dawn. Aunt Jagger beats the servants to suicide, and someone feeds her Death mushrooms. Next door, Sir Charles photographs a fresh body in an archaeological dig, and seeks his killer.

    But he is haunted by the past and in particular by the unsolved disappearance of sixteen-year-old Susan Blacklock back in 1988. Shane Donald and Alan McKeirnan, convicted just one year later for the brutal rape and murder of a young girl, remain the prime suspects in Elder's mind, and when he hears of Shane's early release from prison, he feels compelled to leave his safe haven and to revisit the scene of the crime. When Shane breaks parole and disappears and yet another young girl is horribly murdered, Elder's involvement becomes crucial. McKiernan seems to still wield a frightening power over his ex-partner even from his prison cell, and the new murder bears all the hallmarks of their earlier crime. Taunted by postcards from the killer, an increasingly desperate Elder battles his own demons as he and his family are inexorably drawn into the very heart of the crime in this breakthrough novel from John Harvey, winner of the first-ever Sherlock Award for the best detective created by a British author.

    And waits.The next morning, Kim phones Tallulah's friends who tell her that Tallulah was last seen heading to a party at a house in the nearby woods called Dark Place.She never returns.2019: Sophie is walking in the woods near the boarding school where her boyfriend has just started work as a head-teacher when she sees a note fixed to a tree.'DIG HERE' . . .A cold case, an abandoned mansion, family trauma and dark secrets lie at the heart of Lisa Jewell's remarkable new novel.

    Half-starved and filthy, she won’t tell anyone her name, or her age, or where she came from. Maybe she is twelve, maybe fifteen. She doesn’t appear in any missing persons file, and her DNA can’t be matched to an identity. Six years later, still unidentified, she is living in a secure children’s home with a new name, Evie Cormac. When she initiates a court case demanding the right to be released as an adult, forensic psychologist Cyrus Haven must determine if Evie is ready to go free. But she is unlike anyone he’s ever met—fascinating and dangerous in equal measure. Evie knows when someone is lying, and no one around her is telling the truth.Meanwhile, Cyrus is called in to investigate the shocking murder of a high school figure-skating champion, Jodie Sheehan, who dies on a lonely footpath close to her home. Pretty and popular, Jodie is portrayed by everyone as the ultimate girl-next-door, but as Cyrus peels back the layers, a secret life emerges—one that Evie Cormac, the girl with no past, knows something about. A man haunted by his own tragic history, Cyrus is caught between the two cases—one girl who needs saving and another who needs justice. What price will he pay for the truth?

    An unidentified body hangs upon a hook at Deptford Dock – horribly tortured and branded with a slaver’s mark.Some days later, Captain Harry Corsham – a war hero embarking upon a promising parliamentary career – is visited by the sister of an old friend. Her brother, passionate abolitionist Tad Archer, had been about to expose a secret that he believed could cause irreparable damage to the British slaving industry. He’d said people were trying to kill him, and now he is missing . . .To discover what happened to Tad, Harry is forced to pick up the threads of his friend's investigation, delving into the heart of the conspiracy Tad had unearthed. His investigation will threaten his political prospects, his family’s happiness, and force a reckoning with his past, risking the revelation of secrets that have the power to destroy him.And that is only if he can survive the mortal dangers awaiting him in Deptford...

    John H. Watson. In addition to its breathtaking account of their collaboration on a case of diabolic conspiracy in which the lives of millions hang in the balance, it reveals such matters as the real identity of the heinous professor Moriarty, the dark secret shared by Sherlock and his brother Mycroft Holmes, and the detective's true whereabouts during the Great Hiatus, when the world believed him to be dead.

    And when her body is found in the woods, Cooper's investigation begins with a short list of markedly uncooperative suspects: retired miner Harry Dickinson, whose black Labrador discovered Laura's body, and Laura's wealthy parents. Uneasily teamed with ambitious newcomer Detective Constable Diane Fry, Cooper tests a town's family ties, friendships, and loyaties -- and finds that in order to understand the present, they must unearth the past.

    First it was the army and the military police, then the police in St. Paul, and finally Lucas Davenport had brought him into the BCA, promising him, "We'll only give you the hard stuff." He'd been doing the hard stuff for three years now — but never anything like this.In the small town of Bluestem, where everybody knows everybody, a house way up on a ridge explodes into flames, its owner, a man named Judd, trapped inside. There is a lot of reason to hate him, Flowers discovers. Years ago, Judd had perpetrated a scam that'd driven a lot of local farmers out of business, even to suicide. There are also rumors swirling around of some very dicey activities with other men's wives, of involvement with some nutcase religious guy, and of an out-of-wedlock daughter. In fact, Flowers concludes, you'd probably have to dig around to find a person who didn't despise him.That wasn't even the reason Flowers had come to Bluestem. Three weeks before, there'd been another murder — two, in fact, a doctor and his wife. The doctor was found propped up in his backyard, both eyes shot out. There hadn't been a murder in Bluestem in years — and now suddenly three? Flowers knows two things: this wasn't a coincidence, and it had to be personal.But just how personal is something even he doesn't realize, and may not find out until too late. Because the next victim... may be himself.Librarian's note: as of 2021, there are 13 volumes in the author's Virgil Flowers series. The last was published in April 2021. It is in the "Prey" series but Lucas Davenport and Virgil Flowers share the billing - "Ocean Prey."

    Europe is modernizing, and the sultan of the Ottoman Empire feels he has no choice but to follow suit. But just as he's poised to announce sweeping political change, a wave of murders threatens the fragile balance of power in his court. Who is behind the killings? Deep in the Abode of Felicity, the most forbidden district of Topkapi Palace, the sultan - ruler of the Black Sea and the White, ruler of Rumelia and Mingrelia, lord of Anatolia and Ionia, Romania and Macedonia, Protector of the Holy Cities, steely rider through the realms of bliss - announces, "Send for Yashim." Leading us through the palace's luxurious seraglios and Istanbul's teeming streets, Yashim places together the clues. He is not alone. He depends on the wisdom of a dyspeptic Polish ambassador, a transsexual dancer, and the Creole-born queen mother. He manages to find sweet salvation in the arms of another man's wife (this is not your everyday eunuch!). And he introduces us to the Janissaries. For four hundred years, they were the empire's elite soldiers. But they grew too powerful, and ten years earlier the sultan had them crushed. Are the Janissaries staging a brutal comeback? And if they are, how can they be stopped without throwing Istanbul into political chaos?

    While out celebrating with a group of friends a few nights before the wedding, Michael suddenly and unexpectedly finds himself enclosed in a coffin equipped only with a flashlight, a dirty magazine, a walkie-talkie, and a tiny breathing tube. It's all in good fun — payback for the grief his mates suffered due to his own penchant for tomfoolery — that is until the four are killed in a drunk driving accident just moments after leaving Michael completely alone and buried alive.Detective Superintendent Grace—himself dealing with the pain of losing his wife—is brought on to the case when Ashley reports Michael missing. Suspicions are raised when Michael's only friend not at the bachelor party refuses to cooperate, and Ashley's faithfulness—not to mention her increasingly mysterious past—are suddenly thrown in to question. As Superintendent Grace soon discovers, one man's disaster is another man's fortune.

    So one more death shouldn't be a surprise. But then a body turns up with bizarre injuries, and Sherlock Holmes' former sidekick Dr John Watson - unable to fight for his country due to injury but able to serve it through his medical expertise - finds his suspicions raised. The face has a blue-ish tinge, the jaw is clamped shut in a terrible rictus and the eyes are almost popping out of his head, as if the man had seen unimaginable horror. Something is terribly wrong.But this is just the beginning. Soon more bodies appear, and Watson must discover who is the killer in the trenches. Who can he trust? Who is the enemy? And can he find the perpetrator before he kills again?Surrounded by unimaginable carnage, amidst a conflict that's ripping the world apart, Watson must for once step out of the shadows and into the limelight if he's to solve the mystery behind the inexplicable deaths.

    The ancient university city is at war with itself: town versus gown, male versus female, press versus the police force and everyone versus the undergraduates. Redfyre, young, handsome and capable, is a survivor of the Great War. Born and raised among the city’s colleges, he has access to the educated élite who run these institutions, a society previously deemed impenetrable by local law enforcement.   When Redfyre’s Aunt Hetty hands him a front-row ticket to the year’s St. Barnabas College Christmas concert, he is looking forward to a right merrie yuletide noyse from a trumpet soloist, accompanied by the organ. He is intrigued to find that the trumpet player is—scandalously—a young woman. And Juno Proudfoot is a beautiful and talented one at that. Such choice of a performer is unacceptable in conservative academic circles.   Redfyre finds himself anxious throughout a performance in which Juno charms and captivates her audience, and his unease proves well founded when she tumbles headlong down a staircase after curtainfall. He finds evidence that someone carefully planned her death. Has her showing provoked a dangerous, vengeful woman-hater to take action?   When more Cambridge women are murdered, Redfyre realizes that some of his dearest friends and his family may become targets, and—equally alarmingly—that the killer might be within his own close circle.