The first volume of Alexandre Dumas' two-part interpretation of the story of Robin Hood, popularized for Nineteenth Century audiences by Sir Walter Scott's Ivanhoe, set in England in 1162-66.In this book, Dumas tells the story of Robin Hood's youth: how he is delivered by an unknown man to be raised by poor but honest foresters, his great skill as an archer, how he comes into conflict with the Baron [sic] of Nottingham, how he meets Friar Tuck, the Maid Marian, Little John, Will Scarlett, and others, how he is declared an outlaw by the King, and decamps, with his followers, into Sherwood Forest to wage war against the Baron.

    Other great kings and paladins are lost in the dim shadows oflong-past centuries, but Arthur still reigns in Camelot and his knightsstill ride forth to seek the Grail. "No little thing shall be The gentle music of the bygone years, Long past to us with all their hopes and fears."So wrote the poet William Morris in _The Earthly Paradise_. And surelyit is no small debt of gratitude we owe the troubadours and chroniclersand poets who through many centuries have sung of Arthur and hischampions, each adding to the song the gifts of his own imagination, sobuilding from simple folk-tales one of the most magnificent and movingstories in all literature.This debt perhaps we owe in greatest measure to three men; to Chrétiende Troies, a Frenchman, who in the twelfth century put many of the oldArthurian legends into verse; to Sir Thomas Malory, who first wrote outmost of the stories in English prose, and whose book, the _MorteDarthur_, was printed by William Caxton, the first English printer, in1485; and to Alfred, Lord Tennyson, who in his series of poems entitledthe _Idylls of the King_ retold the legends in new and beautiful guisein the nineteenth century.The history of Arthur is so shrouded in the mists of early England thatit is difficult to tell exactly who and what he was. There probably wasan actual Arthur, who lived in the island of Britain in the sixthcentury, but probably he was not a king nor even a prince. It seems mostlikely that he was a chieftain who led his countrymen to victory againstthe invading English about the year 500. So proud were his countrymen ofhis victories that they began to invent imaginary stories of his prowessto add to the fame of their hero, just as among all peoples legends soonspring up about the name of a great leader. As each man told the featsof Arthur he contributed those details that appealed most to his ownfancy and each was apt to think of the hero as a man of his own time,dressing and speaking and living as his own kings and princes did, withthe result that when we come to the twelfth century we find Geoffrey ofMonmouth, in his _History of the Kings of Britain_, describing Arthurno longer as a half-barbarous Briton, wearing rude armor, his arms andlegs bare, but instead as a most Christian king, the flower of mediævalchivalry, decked out in all the gorgeous trappings of a knight of theCrusades.As the story of Arthur grew it attracted to itself popular legends ofall kinds. Its roots were in Britain and the chief threads in its fabricremained British-Celtic. The next most important threads were those thatwere added by the Celtic chroniclers of Ireland. Then stories that werenot Celtic at all were woven into the legend, some from Germanicsources, which the Saxons or the descendants of the Franks may havecontributed, and others that came from the Orient, which may have beenbrought back from the East by men returning from the Crusades. And if itwas the Celts who gave us the most of the material for the stories ofArthur it was the French poets who first wrote out the stories and gavethem enduring form.It was the Frenchman, Chrétien de Troies, who lived at the courts ofChampagne and of Flanders, who put the old legends into verse for thepleasure of the noble lords and ladies that were his patrons. Hecomposed six Arthurian poems. The first, which was written about 1160 orearlier, related the story of Tristram. The next was called _Érec etÉnide_, and told some of the adventures that were later used by Tennysonin his _Geraint and Enid_. The third was _Cligès_, a poem that haslittle to do with the stories of Arthur and his knights as we havethem. Next came the _Conte de la Charrette_, or _Le Chevalier de laCharrette_, which set forth the love of Lancelot and Guinevere. Thenfollowed _Yvain_, or _Le Chevalier au Lion_, and finally came_Perceval_, or _Le Conte du Graal_, which gives the first account of theHoly Grail.

    From cautionary tales to ghostly visions, the fairy stories of Japan are characterized not only by the customary amount of fantasy but also by a welcome dose of mischievous fun. For any lover of other-worlds, dreamscapes, and magical beings, this collection of Japanese folk and fairy tales provides quick transportation to a land of miniature warriors, willow-women, and ogre-isles, beautifully accented by the unmistakable exoticism of the Land of the Rising Sun. Bohemian and writer PATRICK LAFCADIO HEARN (1850-1904) was born in Greece, raised in Ireland, and worked as newspaper reporter in the United States before decamping to Japan. He also wrote In Ghostly Japan (1899), and Kwaidan (1904).

    But no ghosts appeared - until the day Lucy and her brother Jamie stood in the garden and watched two pale figures, a girl and a boy, coming toward them.That was the beginning of a strange and dangerous friendship between Lucy and Jamie and two children who had died a century before.The ghost children desperately needed their help. But would Lucy and Jamie have the courage to venture into the past - and change the terrible events that had led to murder?

    But Sara is much missed - and most acutely by best friend Ermengarde, who laments that 'nothing is the same as it was before'. But life must go on at Miss Minchin's as new friendships are made, rivalries continued, lessons learned and, most importantly, fairytale endings are had.

    The world's best-loved children's stories set in large type for easy reading.-- Over 100 illustrations in each book

    But though the lake is long gone and the resort faded away, the houses still hold a secret life: two people who have never left Gone-Away...and who can tell the story of what happened there.

    Timid, scrawny Willie Beech -- the abused child of a single mother -- is evacuated to the English countryside. At first, he is terrified of everything, of the country sounds and sights, even of Mr. Tom, the gruff, kindly old man who has taken him in. But gradually Willie forgets the hate and despair of his past. He learns to love a world he never knew existed, a world of friendship and affection in which harsh words and daily beatings have no place. Then a telegram comes. Willie must return to his mother in London. When weeks pass by with no word from Willie, Mr. Tom sets out for London to look for the young boy he has come to love as a son.

    Already weakened in spirit by Guinevere’s infidelity with the now-exiled Lancelot, Arthur must rouse his knights to battle one last time against Mordred’s rebels and foreign mercenaries. Powerful, passionate, and filled with vivid imagery, this unfinished poem reveals Tolkien’s gift for storytelling at its brilliant best. Christopher Tolkien, editor, contributes three illuminating essays that explore the literary world of King Arthur, reveal the deeper meaning of the verses and the painstaking work his father applied to bring the poem to a finished form, and investigate the intriguing links between The Fall of Arthur and Tolkien’s Middle-earth.

    Here is the dazzling epic of England's past..the birth of the nation that gave America birth..told with the sweep and vigor of history and romance that only a master storyteller can conjure.

    When the year is up and Aunt Frances comes to get her niece, she finds a healthier, prouder girl with a new name--Betsy--and a new outlook on life.Understood Betsy has delighted generations of young readers since it was first published by Henry Holt and Company in 1917.

    Now they have to figure out how to get home. Can they do it before dark . . . or will they become a dinosaur's dinner?

    To do that, she must finish eighth grade, then go on to high school. But her dream falters when the one-room school in her remote Colorado town shuts down. Her only hope is to keep the school open without anyone finding out. Yet even a secret school needs a teacher. Ida can't be it. . . . Or can she?In the spirit of The True Confessions of Charlotte Doyle, Newbery Medal winner Avi creates an inspiring story of a headstrong girl determined to control her own destiny.

    An imaginative recreation of the Arthurian world, a retelling of some of the stories from Geoffrey of Monmouth.

    Selecting the best of our literary heritage, Baldwin cast it into a form that delights children of all ages. Beginning with stories of heroes from British history, including King Alfred and the Cakes, King Canute on the Seashore, and Bruce and the Spider, the book moves on to tales of other lands. From Ancient Greece come stories of The Brave Three Hundred, Alexander and Bucepahlus, and Diogenes the Wise Man. Introducing the history of Rome are the Story of Cincinnatus, Horatius at the Bridge, and Julius Caesar. The stories of William Tell, Arnold Winkelried, and Robin Hood impart a bit of the flavor of the Middle Ages. Rounding out the collection are a number of timeless tales that show heroes in action: Damon and Pythias, The Sword of Damocles, Picciola, and The King and His Hawk.Children naturally take a deep interest in such stories. The reading of them will not only give pleasure but will help to lay the foundation for broader literary studies since nearly all are the subjects of frequent allusions in poetry and prose. Young children will enjoy having these stories read to them, while older children will delight in reading them to themselves.Book Details: Format: Paperback Publication Date: 11/1/2005 Pages: 200