Ramon is holding a pearl. Not just any pearl, but the most fabulous gem he or anyone else has ever seen. But neither sixteen-year-old Ramon nor his father foresees the trouble that such a pearl can bring. It will be young Ramon who must stop the monster he has unleashed.

    Even waffles! Eleven-year-old Primrose Squarp loves this homey place, especially its owner, Kate Bowzer, who takes her under her wing, teaches her how to cook, and doesn't patronize or chastise her, even when she puts her guinea pig too close to the oven and it catches fire. Primrose can use a little extra attention. Her parents were lost at sea, and everyone but her thinks they are dead. Her Uncle Jack, who kindly takes her in, is perfectly nice, but doesn't have much time on his hands. Miss Perfidy, her paid babysitter-guardian, smells like mothballs and really doesn't like children, and her school guidance counselor, Miss Honeycut, an uppity British woman of the world, is too caught up in her own long-winded stories to be any kind of confidante. Nobody knows what exactly to think of young Primrose, and Primrose doesn't quite know what to make of her small community, either.

    Everyone shudders in horror--delicious horror--whenever the Megrimum's unearthly wail floats down to the village. Before long, Egan is climbing the Rise to find a practical explanation for those wails.

    The fog seemed to have a secret to tell her. Then one day when Greta was walking in the woods and the mist was closing in, she saw the dark outline of a stone house against the spruce trees—a house where only an old cellar hole should have been. Then she saw a surrey come by, carrying a lady dressed in plum-colored silk. The woman beckoned for Greta to join her, and soon Greta found herself launched on an adventure that would take her back to a past that existed only through the magic of the fog

    Sure, she wears weird clothes and she lives in a dumpy house, but if Sara-Kate's as bad as everyone says, how could she take such good care of the elf village in her backyard? She and Hillary spend hours fixing the tiny stick houses and the miniature Ferris wheel so the elves won't move away. But as Hillary is drawn further into Sara-Kate's world, she learns there are other mysteries besides the elves. Why doesn't anyone ever see Sara-Kate's mother? And why isn't anyone allowed in her house? This updated edition will bring new life to Janet Taylor Lisle's best-selling novel.

    But someone -- a face, fleetingly seen staring at him from an attic window -- was watching. And when a one-eyed cat turns up at an elderly neighbor's woodshed, Ned is caught in a web of guilt, fear, and shame that he cannot escape -- until another moonlit night, come spring, brings redemption and surprising revelations.

    Writing in the midst of a Europe-wide rebirth of national literature, Anderson broke new ground with his fairy tales in two important ways. First, he composed them in the vernacular, mimicking the language he used in telling them to children aloud. Second, he set his tales in his own land and time, giving rise to his loving descriptions of the Danish countryside. In contrast to such folklorists as the Brothers Grimm, Anderson’s tales are grounded in the real and often focus on the significance of small or overlooked things.Tinderbox --Little Claus and big Claus --Princess on the pea --Thumbelina --Traveling companion --Little mermaid --Emperor's new clothes --Steadfast tin soldier --Wild swans --Flying trunk --Nightingale --Sweethearts --Ugly duckling --Fir tree --Snow queen --Red shoes --Shepherdess and the chimney sweep --Shadow --Old house --Little match girl --Story of a mother --Collar --Bell --Marsh King's daughter --Wind tells of Valdemar Daae and his daughters --Snowman --Ice maiden --Wood nymph --Most incredible thing --Auntie toothache.

    But one stormy August day, furious flood water carry him off and dump him on an uninhabited island. Despite his determination and stubborn resourcefulness--he tried crossing the river with boats and ropes and even on stepping-stones--Abel can't find a way to get back home. Days, then weeks and months, pass. Slowly, his soft habits disappear as he forages for food, fashions a warm nest in a hollow log, models clay statues of his family for company, and continues to brood on the problem of how to get across the river--and home. Abel's time on the island brings him a new understanding of the world he's separated from. Faced with the daily adventure of survival in his solitary, somewhat hostile domain, he is moved to reexamine the easy way of life he had always accepted and discovers skills and talents in himself that hold promise of a more meaningful life, if and when he should finally return to Mossville and his dear Amanda again.

    One June day in 1870, Ben wanders away from his home on Hawk's Hill and disappears into the waving prairie grass. This is the story of how a shy, lonely boy survives for months in the wilds and forges a bond with a female badger. ALA Notable Book. Newbery Honor Book.

    Overnight, the flourshing city of Chicago was transformed into a smoldering wasteland. The damage was so profound that few people believed the city could ever rise again.By weaving personal accounts of actual survivors together with the carefully researched history of Chicago and the disaster, Jim Murphy constructs a riveting narrative that recreates the event with drama and immediacy. And finally, he reveals how, even in a time of deepest dispair, the human spirit triumphed, as the people of Chicago found the courage and strength to build their city once again.

    She's also pretty lonely, until she meets Jennifer. Jennifer is...well, different. She's read Macbeth. She never wears jeans or shorts. She never says please or thank you. And she says she is a witch. It's not always easy being friends with a witch, but it's never boring. At first an apprentice and then a journeyman witch, Elizabeth learns to eat raw ends and how to cast small spells. And she and Jennifer collaborate on cooking up an ointment that will enable them to fly. That's when a marvelous toad, Hilary Ezra, enters their lives. And that's when trouble starts to brew.

    But nothing’s that easy in Penny’s family. For starters, she can’t go swimming because her mother’s afraid she’ll catch polio at the pool. To make matters worse, her favorite uncle is living in a car. Her Nonny cries every time her father’s name is mentioned. And the two sides of her family aren’t speaking to each other!Inspired by Newbery Honor winner Jennifer Holm’s own Italian American family, Penny from Heaven is a shining story about the everyday and the extraordinary, about a time in America’s history, not all that long ago, when being Italian meant that you were the enemy. But most of all, it’s a story about families—about the things that tear them apart and bring them together. And Holm tells it with all the richness and the layers, the love and the laughter of a Sunday dinner at Nonny’s. So pull up a chair and enjoy the feast! Buon appetito!

    It is, in its earliest form, a spontaneous and instinctive endeavor to shape the facts of the world to meet the needs of the imagination, the cravings of the heart.Classics included in this volume include:One Eye, Two Eyes, Three Eyes,The Magic Mirror,The Enchanted Stag,Hansel and Grethel,The Story of Aladdin,This Story of Ali Baba,The Second Voyage of Sinbad the Sailor,The White Cat,The Golden Goose,The Twelve Brothers,The Fair One With the Golden Locks,Tom Thumb,Blue Beard,Cinderella,Puss In Boots,The Sleeping Beauty In the Wood,Jack and The Bean-Stalk

    Now that her father was an itinerant worker, Janey didn't have a home she could call her own or any real friends, as her family had to keep moving, following the crops from farm to farm. Someday, Janey promised the willow plate, with its picture of a real house, her family would once again be able to set down roots in a community.Blue Willow is an important fictional account of the Dust Bowl and the Great Depression, and has been called The Grapes of Wrath for children. It won a Newbery Honor and many other awards.

    Daniel Boone was a farmer who couldn't stay put. Something was always pulling him westward into new and mysterious lands, and when this pull got so strong that he could no longer ignore it, and his wife and children could not persuade him to stay, he just went, with his toes pointing into the West and his eyes glued to the hills. The rugged sweep which has always distinguished Mr. Daugherty's illustrations and painting distinguishes his epic prose here as well, and makes for perfect portrayal of the vigorous character of Daniel Boone. It is interesting to recall that among the first book illustrations which Mr. Daugherty ever did were his interpretations of this same character for Stewart Edward White's "Daniel Boone".