Yet little has been known about who they really were and their true roles in the history-making schemes of imperial Rome's ruling Caesars--indeed, how they figured in the rise, decline, and fall of the empire. Now, in Caesars' Wives: Sex, Power, and Politics in the Roman Empire, Annelise Freisenbruch pulls back the veil on these fascinating women in Rome's power circles, giving them the chance to speak for themselves for the first time. With impeccable scholarship and arresting storytelling, Freisenbruch brings their personalities vividly to life, from notorious Livia and scandalous Julia to Christian Helena. Starting at the year 30 BC, when Cleopatra, Octavia, and Livia stand at the cusp of Rome's change from a republic to an autocracy, Freisenbruch relates the story of Octavian and Marc Antony's clash over the fate of the empire--an archetypal story that has inspired a thousand retellings--in a whole new light, uncovering the crucial political roles these first "first ladies" played. From there, she takes us into the lives of the women who rose to power over the next five centuries--often amid violence, speculation, and schemes--ending in the fifth century ad, with Galla Placidia, who was captured by Goth invaders (and married to one of their kings). The politics of Rome are revealed through the stories of Julia, a wisecracking daughter who disgraced her father by getting drunk in the Roman forum and having sex with strangers on the speaker's platform; Poppea, a vain and beautiful mistress who persuaded the emperor to kill his mother so that they could marry; Domitia, a wife who had a flagrant affair with an actor before conspiring in her husband's assassination; and Fausta, a stepmother who tried to seduce her own stepson and then engineered his execution--afterward she was boiled to death as punishment.Freisenbruch also tells a fascinating story of how the faces of these influential women have been refashioned over the millennia to tell often politically motivated stories about their reigns, in the process becoming models of femininity and female power. Illuminating the anxieties that persist even today about women in or near power and revealing the female archetypes that are a continuing legacy of the Roman Empire, Freisenbruch shows the surprising parallels of these iconic women and their public and private lives with those of our own first ladies who become part of the political agenda, as models of comportment or as targets for their husbands' opponents. Sure to transform our understanding of these first ladies, the influential women who witnessed one of the most gripping, significant eras of human history, Caesars' Wives is a significant new chronicle of an era that set the foundational story of Western Civilization and hung the mirror into which every era looks to find its own reflection.

    A young Jewish professor entertains a tormented passion for the beautiful and enigmatic Sonia. She is everything that he is not: the privileged daughter of a family that is wealthy, prominent, and above all, gentile. He wins her affections, but the price is great. He must deny his origins in order to enter that jealously guarded circle of intimates composed of her family and their friends. It is a world that has no use for him and forces him into humiliating and painful compromises. Winner of the Moravia Prize for fiction, The Jewish Husband is a bittersweet story of passion and hatred, cruelty and oppression. It is an account of a country and a time about which too little has been written, and the terrible consequences of that period?s race laws. Above all, however, it is a tender love story set at a time in which the world and its inhabitants appeared to have completely lost their ability to show tenderness.

    He later murders both in cold blood. Beggiato is arrested, tried, and sentenced to life. Undone by his loss, the victims' father and husband, Silvano Contin, plunges into an ever-deepening abyss until the day, fifteen years later, when the murderer seeks his pardon. The wonded Silvano turns predator as he ruthlessly plots his revenge.Two dramatic stories meet in this stylish, passionate indictment of a legal system that seems powerless either to compensate victims or to rehabilitate perpetrators.

    S. Eliot, he was of supreme importance, both as poet and philosopher. Coleridge championed his introduction to an English readership. Tennyson based his poem "Ulysses" on lines from the Inferno. Byron chastised an "Ungrateful Florence" for exiling Dante. The Divine Comedy resonates across five hundred years of our literary canon.In Dante in Love, A. N. Wilson presents a glittering study of an artist and his world, arguing that without an understanding of medieval Florence, it is impossible to grasp the meaning of Dante's great poem. He explains how the Italian states were at that time locked into violent feuds, mirrored in the ferocious competition between the Holy Roman Empire and the Papacy. He shows how Dante's preoccupations with classical mythology, numerology, and the great Christian philosophers inform every line of the Comedy.Dante in Love also explores the enigma of the man who never wrote about the mother of his children, yet immortalized the mysterious Beatrice whom he barely knew. With a biographer's eye for detail and a novelist's comprehension of the creative process, A. N. Wilson paints a masterful portrait of Dante Alighieri and unlocks one of the seminal works of literature for a new generation of readers.

    One of the original Beat poets (the coinage "beatnik" is his), Kaufman’s work has always been essentially improvisational, often done to jazz accompaniment. And he became something of a legendary figure at the poetry readings in the early days of the San Francisco renaissance of the 1950s. With his extemporaneous technique, akin in many ways to Surrealist automatic writing, he has produced a body of work ranging from a visionary lyricism infused with satirical, almost Dadaistic elements to a prophetic poetry of political and social protest. Born in New Orleans of mixed Black and Jewish parentage, Kaufman was one of fourteen children. During twenty years in the Merchant Marine, he cultivated an intense taste for literature on his long sea voyages. Settling in California, in the ’50s, he became active in the burgeoning West Coast literary scene. Disappointment, drugs, and imprisonment led him to take a ten-year vow of complete silence that lasted until 1973. The present volume includes previously uncollected poems written prior to his pledge and newer work composed in the years 1973-1978, before the poet once again lapsed into silence.

    Full-color photos.

    But the letter’s author, Rose’s star pupil, is not telling. A troubled, enigmatic young man, he plunged to his death in front of the college’s entire faculty, an apparent suicide. Determined to find the truth, Rose journeys from New York to Italy, back to the magnificent Tuscan villa where as an undergraduate she first fell in love.La Civetta is a dreamlike place, resplendent with the heady scent of lemon trees and the sunset’s ocher wash across its bricks and cobbles. Once there Rose finds her first love still in residence. Torn between her mission and her rekindled feelings, Rose becomes enmeshed in a treacherous tangle of secrets and scandal. A folio containing what some believe to be one of Shakespeare’s lost sonnets has vanished, and literary immortality awaits whoever finds the manuscript–as do a vast Italian estate and a Hollywood movie deal. Uncertain whom she can trust and where she can turn, Rose races against time and unseen enemies in a bid to find the missing masterpiece.Lush, lyrical, and enthralling, The Sonnet Lover vividly brings to life the Tuscan countryside and the fascinating world of the Renaissance poets. Unmatched in her ability to evoke atmosphere and intrigue, Carol Goodman delivers her most ambitious and satisfying work to date, a seductive novel that skillfully propels its reader headlong to the final suspenseful page.

    Contains more than 400 letters and poems written to family, creditors, debtors, and bankers.

    What she doesn’t expect to find is that she’s heir to a vast family fortune. She’s even more surprised when the suspicious trust attorney questions her very identity.Rafael Vialli has a suspicious nature – it’s the reason he became a lawyer. He blames his rough childhood. It may also have something to do with the fact that in the months since Giovanni Albertosi’s death, he’s been inundated with opportunistic women claiming to be his client’s missing heir.Can Anna prove to Rafael that she really is the legitimate heir? And can Rafael trust enough to award her the inheritance… as well as his heart?

    This extended satiric poem assesses the growing economic, political, and familial constraints of late 18th-century Catholic Ireland under British colonial rule, while subversively playing on the tradition of the aisling (or vision) poem in which a beautiful woman represents Ireland’s threatened sovereignty.At the beginning of The Midnight Court, a dreadful female envoy from the fairies appears in a dream to the unmarried poet. She summons him before the court of Queen Aoibheall in order to answer charges of wasting his manhood while women are dying for want of love. He listens to complaints that vary from the celibacy of the clergy to marriages performed between old and young for purely economic reasons. In all their bawdy tales, the female courtiers praise fertility, as well as sexual fulfillment, and condemn the conventions of the day. At last the Queen pronounces judgment on the poet, who awakens as he is being severely chastised by all of the women of the court.While containing many insights into 18th-century social conditions, The Midnight Court is also an exuberant, even jaunty work of the comic imagination. As the translator Ciaran Carson states in his foreword: “The protagonists of the ‘Court,’ including ‘Merriman’ himself, are ghosts, summoned into being by language; they are figments of the imagination. In the ‘Court’ the language itself is continually interrogated and Merriman is the great illusionist, continually spiriting words into another dimension.”

    Written with the general reader in mind, Reading Dante brings her knowledge to bear in an accessible yet expert introduction to his great poem.This is far more than an exegesis of Dante’s three-part Commedia. Shaw communicates the imaginative power, the linguistic skill and the emotional intensity of Dante’s poetry—the qualities that make the Commedia perhaps the greatest literary work of all time and not simply a medieval treatise on morality and religion.The book provides a graphic account of the complicated geography of Dante's version of the afterlife and a sure guide to thirteenth-century Florence and the people and places that influenced him. At the same time it offers a literary experience that lifts the reader into the universal realms of poetry and mythology, creating links not only to the classical world of Virgil and Ovid but also to modern art and poetry, the world of T. S. Eliot, Seamus Heaney and many others.Dante's questions are our questions: What is it to be a human being? How should we judge human behavior? What matters in life and in death? Reading Dante helps the reader to understand Dante’s answers to these timeless questions and to see how surprisingly close they sometimes are to modern answers.Reading Dante is an astonishingly lyrical work that will appeal to both those who’ve never read the Commedia and those who have. It underscores Dante's belief that poetry can change human lives.

    Now he shares the best of Italian home cooking while telling the story of his hardscrabble childhood, his success as a chef in the United States, and the women in his family who inspired him. In more than 150 delicious recipes, Viviani takes us from his family home, where his great-grandmother taught him to make staples like Italian Apple Cake and Homemade Ricotta, to the kitchen of a local trattoria, where he honed his craft cooking restaurant favorites like Gnocchi and the Perfect Tiramisu, and then across Italy where he studied each region's finest recipes, from Piedmont's Braised Ossobuco to Emilia Romagna's Perfect Meat Sauce. A gorgeously illustrated cookbook, Fabio's Italian Kitchen is a celebration of food and family that brings all the joy, fun, and flair that Fabio Viviani embodies to your kitchen. Fabio Viviani was born in Florence, Italy, and became a sous chef at Il Pallaio, a trattoria in Firenze, at the age of sixteen. He now works as the owner and executive chef of Cafe Firenze, a renowned Italian restaurant in Ventura County, California, and Osteria Firenze, a Los Angeles Italian eatery. He has appeared on Top Chef (season five), Top Chef All Stars, and Life After Top Chef. From growing up in a Florentine housing project to charming millions on Top Chef, Italian chef Fabio Viviani blends his amazing personal story with his favorite recipes from his home country. Fabio shares the best of Italian home cooking while telling the story of his own, hardscrabble Italian childhood (and subsequent success upon arrival in US) and especially the women in his life mother and great grandmother who taught him to cook and inspired him. The book will feature photos and over 150 recipes with stories, including Viviani staples (Italian Apple Cake, 7 Flavors Meat), restaurant favorites (Gnocchi, the Perfect Tiramisu), and recipes from his travels and apprenticeships across different regions of Italy (Braised Ossobuco from Piedmont, the Perfect Meat Sauce from Emilia Romagna).

    And as she packs up the house, Alina Strada pieces together the history of her family's past, and of the lives of three extraordinary Strada women.Grandmother Renée, a beautiful Tunisian, is wife, muse, and model for Alina's painter grandfather, but she leaves him and flees to Nazi Germany. Alina's mother, Alba, marries a melancholic screenwriter and lives la dolce vita in 1950s Rome until her husband's mysterious death. Isabella, Alina's sister and once her best friend, finds herself drawn to a dangerous ideology in the 1970s; the sisters' love for one another soon shifts to a betrayal of which they can never speak. As these individual lives unfold, so does the larger one—the story of a family whose secrets collide with history.From the duplicity of Italy's role in the thirties to the dark years of terrorism in our own times, and moving from Rome and Southern Italy to New England and New York City, Casa Rossa is a brilliant weave of lives and memories: an enthralling novel.

    Lusanna was a beautiful woman from a middle-class background who, in 1455, brought suit against Giovanni, her aristocratic lover, when she learned he had contracted to marry a woman of his own class. Blending scholarship with insightful narrative, the book portrays an extraordinary woman who challenged the unwritten codes and barriers of the social hierarchy and dared to seek a measure of personal independence in a male-dominated world.

    A brilliant soldier and cruel tyrant, he successfully commanded Ghibelline forces in Tuscany against the Guelphs. Woven into the story of this factional conflict are the tragic destinies of two heroines, fictional creations of the author. Ethanasia, Countess of Valperga, finds herself increasingly torn between loyalty to her Guelph roots and her lifelong affection for Castruccio. Beatrice, whom the author's father, William Godwin, described as 'the jewel of the book', is a heretical Paterin with whom Castruccio falls in love only to abandon.This meticulously researched historical novel combines a narrative of suspense with a remarkable reconstruction of manners in the Middle Ages. Set in the period of Dante's lifetime, it is also suffused with a poetic spirit which evokes the beauties of Italy's physical environment and points to the melancholy inevitability of change. This edition provides a clear account of the circumstances in which Valperga was composed and published.