It captures the dominance of a colonial power over the region that began with the entry of the Portuguese about four hundred years ago. The novel is a graphic description of the displacement of this strongly-rooted community which saw its resurrection in a new area. In the course of its narrative, the novel traces the gradual changes in the structure of the family that moved from a closely knit joint family of the bygone era to the nuclear family. It also deals with the factors that are responsible for the change in value systems of individuals in the wake of such paradigm shifts. With its vast canvas, it remarkably weaves fiction with myth and history, peppered with cultural details and linguistic nuances. The narration in Swapna Saraswatha progresses in the form of an epic detailing the story of nine generations spread over a period of two hundred and fifty years from 1510 to about 1760. It encompasses more than a hundred and fifty characters which include Hindus, Muslims, Christians, chieftains, traders, farmers, priests and black magicians, and covers a range of themes spread across folk tales, legends, armies, myths and a sprinkling of history.

    Ghias Beg isn’t traveling light; he has with him a pregnant wife and three small children. When his family stops at Qandahar—which is today in modern-day Afghanistan, at that time was on the outer fringe of the Mughal Empire—his wife gives birth to a baby girl named Mehrunnisa. Thirty-four years later, this winter child will become an Emperor’s wife and the most powerful woman in that Mughal dynasty. Mehrunnisa is The Twentieth Wife of Emperor Jahangir, Akbar’s son, a woman so beloved of her husband that he grants her most of the powers of sovereignty. She signs on imperial documents called farmans and mints coins in her name and truly comes into power during the sixteen years of her marriage to Jahangir in The Feast of Roses . Mehrunnisa’s niece (her brother’s daughter and Ghias’ granddaughter) marries one of Jahangir’s sons, Prince Khurram who becomes Emperor Shah Jahan after his father’s death. When this niece dies in childbirth in June of 1631, Shah Jahan builds the Taj Mahal in her memory. But it is Mehrunnisa’s grand-niece (and Ghias’ great-granddaughter) Princess Jahanara who takes center stage in the third novel of the trilogy, Shadow Princess . She’s seventeen years old when her mother dies and her father, in his grief, leans upon her to the extent that she’s never allowed to marry. Throughout her life, Jahanara has to pacify warring brothers who each want the throne after their father, and engages in a rivalry with a sister, Roshanara—in supporting differing brothers politically, and in falling in love with the same noble at court, Najabat Khan. Powerful in her father’s harem, immensely rich with half her mother’s estate bestowed upon her and all of her mother’s yearly income, Jahanara still fails to turn the course of India’s history and has to find love with Najabat Khan in unconventional ways.

    Hester Lowe agrees to act as governess to spoilt, self-willed, little Lonnie Hetherington-Smith when they leave India to live with Lonnie's elderly aunt in Shaw Street, Liverpool. Hester speedily realises that her new employer dislikes her niece and means to make life uncomfortable for both of them. Things improve a little when they meet the poor, but happy, Bailey family who live in a court off Heyworth Street. Hester likes Dick Bailey very much, but her employer does not permit 'followers', whilst Lonnie and young Ben Bailey are deadly enemies. Then, the regime in Shaw Street changes and Hester is forced to leave the comforts of a middle-class household to make her own way in what is, to her, a strange country... Poor Little Rich Girl is sure to please the huge and growing fanbase of one of the most popular saga authors in the country, with more than two million books sold nationwide.

    Not a good home, but at least there she can find food and shelter for her sisters, Lily and Tory.To the powerful Making Perfect corporation, however, the Slump is a gold mine, a source of unending test subjects. Once a month, squads of company officials invade the ruins to capture orphans for their facilities. What happens to the kids they take is unclear—none of them ever return.Then Summer herself is taken.Forced into a series of grueling experiments, she soon discovers that Making Perfect’s ultimate goal is far darker than anything she imagined. As she fights to get back to the Slump and her now-defenseless sisters, she begins to understand why once you enter Making Perfect, you never get out.

    Lying and killing for the sake of peace and order, Indra felt he was unworthy of being king of heaven. A new king was installed on his throne! Now it was up to Indra’s wife Shachi to ensure that his honour survived. Would the gods ever regain their respect for her beloved?

    Biography, memoir, narrative history, reportage, the travel account: all these forms now have their interesting and original practitioners in India. In this Granta issue they tackle questions ranging from rape in village India to scandal in Mumbai clubs. And there is room, as always, for the best of India's fiction.

    First, there is the child Mallika, brimming with romantic fantasies and bemoaning the lack of passion in the lives of her mother, Padma, and her mother's contemporaries - women whom she nevertheless loves fiercely. Mallika renders her fantasies through a highly wrought imagination, re-creating for the reader the events that came to devastate her childhood. Then, we revisit the events Mallika has described as they are retold from the points of view of Padma and Padma's sister, mother and friends. The story that slowly emerges is not the same as the one Mallika told. For the world of these women is one where secrets grow like fungus, where guilt roots and ripens, where anger burns and smolders. Every one of them carries the burden of secrets that may or may not be known by the others - some secrets obvious, others subtler and more insidious - and that have for them become a way of life. And so they tell their stories, stories by no means as prosaic as the child Mallika believes. Layer after layer of concealing silence is relentlessly peeled off, till, at last, the truth behind the greatest secret of all is laid bare - the story of Padma's love.

    I still think so… From within we are one and the same. Sometimes he wores the mask with my name while at others I do so to fool people.’ A jeep passed by speedily and very closely. It would have brushed up. ‘They are out to kill us!’ the terror in Shreenath’s voice was unmistakable. ‘They are out to kill us! Is this some kind of game that destiny is playing with us? It wants to kill us together; both the original and the duplicate, along with their fiancées.’ Once again the jeep passed by. It symbolized a kite swooping down from high skies upon its prey. As it misses the prey it goes back to get into action. What is going to happen now? We three are set upon the journey. Where? No one knows. How long? No one knows. We are mere puppets in the hands of destiny. Ten breathtaking stories! Each one creating doubt beyond imagination while piling up the tension. Ten stories that would really create doubt! Shaded with games played by human minds these stories take us to immeasurable height and fathomless depth at the same time. Matkari has once again proved that his stories are not just entertaining or pleasing. They take us beyond that where it is impossible to comprehend. They are terribly frightful. They are mysterious. These ten stories once again prove his command over words and themes and excellent manifestation of novel ideas. They underline his authority in writing such dubious stories.

    Apart from this, many a times each state of each nation has role models from the past but not forgotten history. Maharashtra has its own idols. The greatest and most loved of them all is shivaji maharaj.

    The resonance of this image grows through each section of the book as Hahn skillfully employs theme and variation, counterpoint and mirroring techniques. The ibis first appears as part of an illusion, the disappearing object in a magician’s trick, which then evokes the greatest disappearing act of all—death—where there are no tricks to bring about a reappearance. The rich complexity multiplies as the second section focuses on a disappearing lady and a dramatic final section brings together the bird and the lady in their common plight—both caged by their mortality, their assigned time and role.  All of the illusions fall away during this brilliant denouement as the two voices share a dialogue on the power of metaphor as the very essence of poetry. bird trick iv It’s all about disappearance. About a bird in a cagewith a mirror, a simple twiston the handle at the sidethat makes it come and go at the magician’s insistence. It’s all about innocence.It’s all about acceptance.It’s all about compliance.It’s all about deference.It’s all about silence. It’s all about disappearance.

    But does a story end at with a ‘happily ever after’? Not always, not even very often. The story always goes on. And life always tests you. I am life’s trials. I am fate. And I am here to test your favourite characters, your beloved friends, the people who gave you hope and courage. The very people who made you believe in your dreams. I am here to test Meera, Vivaan, Kabir, Nisha, and many others. I am here to destroy them, and I will. Just wait and watch. Join me as I tell you the next chapters of their stories and where life takes them! Are you ready? Or are you scared?

    The simple and lively stories compel you to take a look back at your own life, and remember when you put these incidences at the back of your mind. Its not just a collection of stories and a true incident, but also a reflection of what every one of us has seen sometime or the other, in our lives. The characters come alive, time and again as people we may have met, or as a persona of our own self.Not too many works in recent years have managed to capture the nuances of ordinary, daily lives as effortlessly and fluently as Terms and Conditions Apply has done. A wonderful assortment of 13 short stories and a true incident, Whether it is highs and lows of a relationship, chaos and bedlam of school life, petty or harmless office gossips, or the buzz of a salon; all stories are strongly steeped in reality and yet they take a superb flight of fancy in the hands of a master craftsman. Rich in imagination, broad in its scope and elegant in its style, Terms and Conditions Apply is arguably one of the best debut works in recent Hindi literature.

    This is Vikram’s first case and he, along with Inspector Gopi Reddy, must solve the case even if they face opposition from the richest and powerful family in Hyderabad, who would stop at nothing to defend themselves. The Sonia Sinha Case When property developer Krishna Dhavala is stabbed to death in Necklace Road, everyone suspects Mrs. Dhavala to be the murderer of her alcoholic and abusive husband. But is that really the case? Vikram Rana and Inspector Reddy have a tough time uncovering the murderer and Vikram himself almost dies trying to solve this case. Experience the mystery along with the duo as they fight their way through the maze of lies, deceit and greed.

    It is also a moving portrayal of the fallibility of love.Ambition, passion
and raw courage are Atul Malhotra’s key aides to realizing his dreams as he learns the art of gambling for high stakes. What follows is a game of treachery, infidelity and murder.The book lays bare the sordid corporate-politico nexus that compels this once middle-class boy to deftly learn the ropes and negotiate a world where dirty deals and power plays can make or break lives, where one wrong choice could be fatal.A tale of yachts and hidden Swiss accounts, sordid affairs of lust, intrigue and exhilarating highs, Nilesh Rathod’s Destiny of Shattered Dreams is also the story of innocence forever lost.

    We were made to sing and recite poetry in groups. The rhyming words somehow would bring a sense of enjoyment, and they won’t leave our mind even with the passing days. Poetry holds magic. A magic to change the moment and bring out the joyous hidden self. We all in some point or another had come across a poetry that either taught us the unlearned or brought back a memory or just a smile.Piece of poetry is an effort to share some thoughts through prose. Each poetry was written with a story in mind, willing to be talked about. The thoughts that didn’t need sophisticated words, but they were craving for rhythm.The idea was to point out some of the feelings and emotions that were desperate to be shared. Some untold words, a certain perspective that was always doubted by self and others. Piece of poetry is an honest attempt to format these feelings into a song, hoping that it would stick with everyone who decided to read it.