Hans Brinker, or The Silver Skates went through more than 100 editions during the author's lifetime alone. First published in 1865, this replica of the 1917 edition features the exquisite illustrations by Alice Carsey, whose sensitive eye and delicate pen-and-ink lines enliven the tale of the poor but virtuous Dutch boy in a way that few other artists have achieved. This replica edition brings the enchanting work of Dodge and Carsey to a new generation of children. Author and editor Mary Mapes Dodge (1831-1905) was born in New York City. She served as editor of the children's magazine St. Nicholas, to which she attracted such writers as Mark Twain, Louisa May Alcott, Robert Louis Stevenson, Frances Hodgson Burnett, and Rudyard Kipling. She also authored the short-fiction collection Irvington Stories (1864).

    But when circumstances change, he learns that not all humans are so kind. Passed from hand to hand, Black Beauty witnesses love and cruelty, wealth and poverty, friendship and hardship . . . Will the handsome horse ever find a happy and lasting home? Carefully retold in clear contemporary language, and presented with delightful illustrations, these favorite classic stories capture the heart and imagination of young readers. By retelling the story in a shorter, simpler form, these books become highly engaging for children, and the color illustrations help with both comprehension and interest level. Black Beauty is part of a collectible series that has strong gift appeal.

    Renamed True Son, he came to think of himself as fully Indian. But eleven years later his tribe, the Lenni Lenape, has signed a treaty with the white men and agreed to return their captives, including fifteen-year-old True Son. Now he must go back to the family he has forgotten, whose language is no longer his, and whose ways of dress and behavior are as strange to him as the ways of the forest are to them. A beautifully written, sensitively told story of a white boy brought up by Indians, The Light in the Forest is a beloved American classic.

    Consisting of a series of episodes in the story of the English outlaw Robin Hood and his band of Merry Men, the novel compiles traditional material into a coherent narrative in a colorful, invented "old English" idiom that preserves some flavor of the ballads, and adapts it for children. The novel is notable for taking the subject of Robin Hood, which had been increasingly popular through the 19th century, in a new direction that influenced later writers, artists, and filmmakers through the next century.[1]Pyle had been submitting illustrated poems and fairy tales to New York publications since 1876, and had met with success. The Merry Adventures of Robin Hood was the first novel he attempted. He took his material from Middle Age ballads and wove them into a cohesive story, altering them for coherence and the tastes of his child audience. For example, he included "Robin Hood and the Curtal Friar" in the narrative order to reintroduce Friar Tuck. He needed a cooperative priest for the wedding of outlaw Allan a Dale (Pyle's spelling of the original Alan-a-Dale) to his sweetheart Ellen. In the original "A Gest of Robyn Hode", the life is saved of an anonymous wrestler who had won a bout but was likely to be murdered because he was a stranger. Pyle adapted it and gave the wrestler the identity of David of Doncaster, one of Robin's band in the story "Robin Hood and the Golden Arrow." In his novelistic treatment of the tales, Pyle thus developed several characters who had been mentioned in only one ballad, such as David of Doncaster or Arthur a Bland. Pyle's book continued the 19th-century trend of portraying Robin Hood as a heroic outlaw who robs the rich to feed the poor; this portrayal contrasts with the Robin Hood of the ballads, where the protagonist is an out-and-out crook, whose crimes are motivated by personal gain rather than politics or a desire to help others.[1] For instance, he modified the ballad "Robin Hood's Progress to Nottingham", changing it from Robin killing fourteen foresters for not honoring a bet to Robin defending himself against a band of armed robbers. Pyle has Robin kill only one man, who shoots at him first. Tales are changed in which Robin steals all that an ambushed traveler carried, such as "Robin Hood and the Bishop of Hereford", so that the victim keeps a third and another third is dedicated to the poor. Pyle did not have much concern for historical accuracy, but he renamed the queen-consort in the story "Robin Hood and Queen Katherine" as Eleanor (of Aquitaine). This made her compatible historically with King Richard the Lion-Hearted, with whom Robin eventually makes peace. The novel was first published by Scribner's in 1883, and met with immediate success,[1] ushering in a new era of Robin Hood stories. It helped solidify the image of a heroic Robin Hood, which had begun in earlier works such as Walter Scott's 1819 novel Ivanhoe. In Pyle's wake, Robin Hood has become a staunch philanthropist protecting innocents against increasingly aggressive villains.[1] Along with the publication of the Child Ballads by Francis James Child, which included most of the surviving Robin Hood ballads, Pyle's novel helped increase the popularity of the Robin Hood legend in the United States. The Merry Adventures also had an effect on subsequent children's literature. It helped move the Robin Hood legend out of the realm of penny dreadfuls and into the realm of respected children's books.[2] After Pyle, Robin Hood became an increasingly popular subject for children's books: Louis Rhead's Bold Robin Hood and His Outlaw Band (1912) and Paul Creswick's Robin Hood (1917), illustrated by Pyle's pupil N. C.

    What many of Neil's patrons don't know, however, is that he's also a budding detective, code-named "The Nose." It all started when he used his knowledge of cooking and his incredible sense of smell to acquit his mother's client of murder. Now, however, some of the best chefs in town are turning up dead, the cops are stumped, and the crime scenes aren't helping. The only real clues are a mysterious smell and some equally mysterious notes -- in Italian! -- that have something to do with the great explorer Marco Polo. As more and more chefs fall prey to the killer, and more and more notes turn up, Neil finds himself working not only to solve the murders, but to eliminate himself as the prime suspect!

    But he's determined to prove himself on the long, dangerous winter migration to Hibernaculum, millions of wingbeats to the south. During a fierce storm, he loses the others and soon faces the most incredible journey of his young life. Desperately searching for a way to rejoin his flock, Shade meets a remarkable cast of characters: Marina, a Brightwing bat with a strange metal band on her leg; Zephyr, a mystical albino bat with a strange gift; and Goth, a gigantic carnivorous vampire bat. But which ones are friends and which ones are enemies? In this epic story of adventure and suspense, Shade is going to need all the help he can find -- if he hopes to ever see his family again.One of Canada's best books for young readers was written by a pretty young writer himself. Kenneth Oppel, who had his first book published when he was 18, really hit his stride a dozen years later with Silverwing, the first volume in a thrilling adventure trilogy set in the nocturnal world of bats that immediately captured the attention of middle readers and award juries alike.

    That he died apparently in disgrace does not alter her love for him, even though her father is insistent on his guilt. What neither Penelope or her father knows is that Neil is not dead, but has returned to Halifax to clear his name.Hugh MacLennan’s first novel is a compelling romance set against the horrors of wartime and the catastrophic Halifax Explosion of December 6, 1917.

    He takes refuge with his Merrie Men in the vast Sherwood Forest, emerging time and again to outwit his enemies with daring and panache. This book presents the story of social justice and cunning.

    In 1968, into the devastating, spare atmosphere of Labrador, Canada, a child is born: a baby who appears to be neither fully boy nor fully girl, but both at once. Only three people are privy to the secret—the baby’s parents, Jacinta and Treadway, and their trusted neighbor and midwife, Thomasina. Though Treadway makes the difficult decision to raise the child as a boy named Wayne, the women continue to quietly nurture the boy’s female side. And as Wayne grows into adulthood within the hypermasculine hunting society of his father, his shadow-self, a girl he thinks of as “Annabel,” is never entirely extinguished. When Wayne finally escapes the confines of his hometown and settles in St. John’s, the anonymity of the city grants him the freedom to confront his dual identity. His ultimate choice will once again call into question the integrity and allegiance of those he loves most. Kathleen Winter has crafted a literary gem about the urge to unveil mysterious truth in a culture that shuns contradiction, and the body’s insistence on coming home. A daringly unusual debut full of unforgettable beauty, Annabel introduces a remarkable new voice to American readers.

    With the confict coming to an end, Michiel comes of age and learns of the stark difference between adventure fantasy and the ugly realities of war.This children’s classic is a thrilling and powerful adventure story that has left its mark on generations of children in the Netherlands but has been unavailable in the UK since the Seventies. ‘This exciting book has long been considered a classic inHolland. And anyone who has read this moving, powerfulstory can understand why’ Stiftung Lesen

    Locked away in separate rooms as punishment by their ruthless grandmother, the Linnets feel at once that their new life is unbearable—and decide to make their escape—out of the house, out of the garden and into the village. Commandeering a pony and trap, the children and their dog are led away as the pony makes his way nonchalantly home. The pony’s destination happens to be a house that belongs to their gruff but loveable uncle Ambrose. The kindly uncle Ambrose agrees to take them under his wing, he educates them and encourages them to explore Dartmoor, letting the children have free rein in his sprawling manor house and surrounding countryside.Befriending the collection of house guests, including an owl, a giant cat, and a gardener, Ezra, who converses with bees, and getting to know the miscellaneous inhabitants of the village, the four siblings discover a life in which magic and reality are curiously intermingled and evil and tragedy lurk never far away. Then stumble upon the eccentric Lady Alicia Valerian, who seems to have lost her family. And then the real fun begins! The Linnets start their search for the missing Valerians. But the village is under a spell of the witch Emma Cobley. Can the children lift the spell and restore happiness to the villagers? Or will they be thwarted by evil Emma Cobley and her magic cat?This charming story beautifully depicts early twentieth century English country life while conjuring an air of magical adventure. It is full of vivid characters, battles between good and evil and wonderful spell-binding moments.

    It's still true that their mother has abandoned the four Tillerman children somewhere in the middle of Connecticut. It's still true they have to find their way, somehow, to Great-aunt Cilla's house in Bridgeport, which may be their only hope of staying together as a family.But when they get to Bridgeport, they learn that Great-aunt Cilla has died, and the home they find with her daughter, Eunice, isn't the permanent haven they've been searching for. So their journey continues to its unexpected conclusion -- and some surprising discoveries about their history, and their future.

    Left alone inthe snow-covered land oof the coyote, caribou, and gizzly, Chiri learned to fend for himself, to hunt and survive by his keen instinct and natural intelligence. Now full-grown and full of courage and cunning, Chiri forms a tentative bond with trapper Link Stevens, the only human he's ever learned to trust. But the Husky knows that one day soon he will have to face the black wolf again--and this time only one of them will survive.

    Stretched before him are rolling hills and shady valleys. But behind him lie the wounds of strip mining, including a mountain of rubble that may one day fall and bury his home. M.C. dreams of escape for himself and his family. And, one day, atop his pole, he thinks he sees it—two strangers are making their way toward Sarah's Mountain. One has the ability to make M.C.'s mother famous. And the other has the kind of freedom that M.C. has never even considered.

    She sees herself as a hero on a white charger, able to conquer the world, even though in reality her charger is Lola, the placid horse that lives in the field behind her house. One fateful summer day her brother Patrick is stricken with polio. Here is an enemy Keely cannot conquer. With all the will in the world, she cannot pass on to Patrick her zest or her energy or her own good health. Keely’s battle to save Patrick has become one of the classics of Canadian children’s literature and, in translations, around the world. This beautifully redesigned edition will capture the hearts of a whole new generation of readers.