Schmidt reveals how each poet has transformed "a common language of poetry" into the rustic rhythms and elegiac ballads, love sonnets, and experimental postmodern verse that make up our lyrical canon.A comprehensive guided tour that is lively and always accessible, Lives of the Poets illuminates our most transcendent literary tradition.

    He was a tireless advocate of the technology of recording, an artist who looked forward to a time when mere musicians would be rendered obsolete. He was a notorious -- and, some thought, a deliberate -- eccentric, who muffled himself in scarves and gloves, liberally dosed himself with pills, and once sued Steinway & Sons because one of its employees had shaken his hand too roughly. He lived in hermetic solitude and liked to call himself "the last Puritan," but those who watched Glenn Gould play piano saw an eroticism so intense it was almost embarrassing.Drawing on extensive interviews and on archival materials that were previously inaccessible. Otto Friedrich has written a biography of exemplary depth and stylishness. Ranging over Gould's brief but spectacular public career and his prodigious exploits as teacher, author, and lecturer, his public opinions and his intensely private life. Glenn Gould; A Life and Variations does justice to a multifaceted and perverse genius.

    Out of a wounding sense of alienation and dividedness he created a profoundly original symbolic language, in which words and images unite in a unique interpretation of self and society. He was a counterculture prophet whose art still challenges us to think afresh about almost every aspect of experience—social, political, philosophical, religious, erotic, and aesthetic. He believed that we live in the midst of Eternity here and now, and that if we could open our consciousness to the fullness of being, it would be like experiencing a sunrise that never ends.   Following Blake’s life from beginning to end, acclaimed biographer Leo Damrosch draws extensively on Blake’s poems, his paintings, and his etchings and engravings to offer this generously illustrated account of Blake the man and his vision of our world. The author's goal is to inspire the reader with the passion he has for his subject, achieving the imaginative response that Blake himself sought to excite. The book is an invitation to understanding and enjoyment, an invitation to appreciate Blake’s imaginative world and, in so doing, to open the doors of our perception.

    From the close of World War II to the end of the Cold War, Ginsberg has been in the vanguard of every popular movement; from the emergence of the Beat Generation in the Fifties to the hippie and antiwar movements of the sixties, to the ecology movement and the Buddhist revival of the seventies, Allen Ginsberg has given voice to his generation's spirit in poetry of astonishing power. Michael Schumacher has spent eight years researching and writing this dramatic biography, with Ginsberg's full cooperation and with access to all his journals and papers, as well as spending thousands of hours interviewing Ginsberg's friends and enemies alike. With the sweep of an epic novel Schumacher tells the story of this quintessentially American poet and his times, with fascinating portraits of such contemporaries as Jack Kerouac, Neal Cassady, and William Burroughs, among many others, along with many rarely seen photographs. This is undoubtedly the most complete portrait we are ever likely to see of one of the most influential writers of the twentieth century.

    As the Civil War raged, an unlikely friendship was born between the reclusive poet Emily Dickinson and Thomas Wentworth Higginson, a literary figure who ran guns to Kansas and commanded the first Union regiment of black soldiers. When Dickinson sent Higginson four of her poems, he realized he had encountered a wholly original genius; their intense correspondence continued for the next quarter century.In White Heat, Brenda Wineapple tells an extraordinary story about poetry, politics, and love -- one that sheds new light on her subjects, and on the roiling America they shared.

    National Book Critics Circle Award Finalist. To readers who know Marianne Moore as a demure baseball fan and courtly Brooklyn eccentric, Linda Leavell’s _Holding On Upside Down_—the first authorized biography of this major American poet—will come as a shock. This mesmerizing, essential new book will change forever how we view the woman and her poetry. Drawing on previously untapped depths in the Moore family archives, _Holding On Upside Down_ reveals a passionate, canny young woman caught between genuine devotion to her hovering mother, with whom she lived for sixty years, and her own irrepressible desire for freedom. The radically original verse she wrote in the early twentieth century baffled her family at the same time it both confounded and dazzled her literary peers. Her many poems about survival, it turns out, are not just quirky nature studies but acts of survival themselves. Leavell places this mother/daughter drama within a historical context of emerging modernity. Reared among single, educated women like her mother, the poet embraced feminism and progressive era ideals from early adolescence. “Everyone loved her,” recalled William Carlos Williams of the years she lived in Greenwich Village, yet no one could fathom the “mother thing,” as he called it. After her mother’s death decades later, the aging recluse transformed herself, against all expectations, into a charismatic performer and beloved celebrity who was widely hailed as America’s greatest living poet. Elegantly written, meticulously researched, and critically acute, _Holding On Upside Down_ provides at last the biography that this major modernist and complex personality deserves.

    Perloff traces the poet's development through his early years at Harvard and his interest in French Dadaism and Surrealism to his later poems that fuse literary influence with elements from Abstract Expressionist painting, atonal music, and contemporary film. This edition contains a new Introduction addressing O'Hara's homosexuality, his attitudes toward racism, and changes in poetic climate cover the past few decades. "A groundbreaking study. [This book] is a genuine work of criticism. . . . Through Marjorie Perloff's book we see an O'Hara perhaps only his closer associates saw before: a poet fully aware of the traditions and techniques of his craft who, in a life tragically foreshortened, produced an adventurous if somewhat erratic body of American verse."—David Lenson, Chronicle of Higher Education"Perloff is a reliable, well-informed, discreet, sensitive . . . guide. . . . She is impressive in the way she deals with O'Hara's relationship to painters and paintings, and she does give first-rate readings of four major poems."—Jonathan Cott, New York Times Book Review

    Now Frank's monumental, 2500-page work has been skillfully abridged and condensed in this single, highly readable volume with a new preface by the author. Carefully preserving the original work's acclaimed narrative style and combination of biography, intellectual history, and literary criticism, Dostoevsky: A Writer in His Time illuminates the writer's works--from his first novel Poor Folk to Crime and Punishment and The Brothers Karamazov--by setting them in their personal, historical, and above all ideological context. More than a biography in the usual sense, this is a cultural history of nineteenth-century Russia, providing both a rich picture of the world in which Dostoevsky lived and a major reinterpretation of his life and work.http://press.princeton.edu/titles/897...

    This magisterial biography demonstrates the epic scale of his achievement, as well as the dreams and anxieties that impelled it, for it places the poet securely within the political and cultural context of his age.Combing through the full range of Whitman's writing, David Reynolds shows how Whitman gathered inspiration from every stratum of nineteenth-century American life: the convulsions of slavery and depression; the raffish dandyism of the Bowery "b'hoys"; the exuberant rhetoric of actors, orators, and divines. We see how Whitman reconciled his own sexuality with contemporary social mores and how his energetic courtship of the public presaged the vogues of advertising and celebrity. Brilliantly researched, captivatingly told, Walt Whitman's America is a triumphant work of scholarship that breathes new life into the biographical genre.

    John Keats's famous epitaph—"Here lies One Whose Name was writ in Water"—helped cement his reputation as the archetype of the genius cut off before his time. Keats, dead of tuberculosis at twenty-five, saw his mortality as fatal to his poetry, and therein, Plumly argues, lies his tragedy: Keats thought he had failed in his mission "to be among the English poets."In this close narrative study, Plumly meditates on the chances for poetic immortality—an idea that finds its purest expression in Keats, whose poetic influence remains immense. Incisive in its observations and beautifully written, Posthumous Keats is an ode to an unsuspecting young poet—a man who, against the odds of his culture and critics, managed to achieve the unthinkable: the elevation of the lyric poem to sublime and tragic status.

    To millions, the loss of this American folk hero seemed nearly as great as the loss of the wartime president.If the hidden horrors and valor of combat persist at all in the public mind, it is because of those writers who watched it and recorded it in the faith that war is too important to be confined to the private memories of the warriors. Above all these writers, Ernie Pyle towered as a giant. Through his words and his compassion, Americans everywhere gleaned their understanding of what they came to call “The Good War.” Pyle walked a troubled path to fame. Though insecure and anxious, he created a carefree and kindly public image in his popular prewar column—all the while struggling with inner demons and a tortured marriage. War, in fact, offered Pyle an escape hatch from his own personal hell. It also offered him a subject precisely suited to his talent—a shrewd understanding of human nature, an unmatched eye for detail, a profound capacity to identify with the suffering soldiers whom he adopted as his own, and a plain yet poetic style reminiscent of Mark Twain and Will Rogers. These he brought to bear on the Battle of Britain and all the great American campaigns of the war—North Africa, Sicily, Italy, D-Day and Normandy, the liberation of Paris, and finally Okinawa, where he felt compelled to go because of his enormous public stature despite premonitions of death. In this immensely engrossing biography, affectionate yet critical, journalist and historian James Tobin does an Ernie Pyle job on Ernie Pyle, evoking perfectly the life and labors of this strange, frail, bald little man whose love/hate relationship to war mirrors our own. Based on dozens of interviews and copious research in little-known archives, Ernie Pyle's War is a self-effacing tour de force. To read it is to know Ernie Pyle, and most of all, to know his war.

    Born in America, Henry James was educated both there and in Europe before settling in London, where he was to spend most of his life, in 1876. His novels represent the culmination of the 19th-century realist tradition of Austen, George Eliot, Flauberty and Balzac, and a decisive step towards the experimental modernism of Woolf and T.S. Eliot. His works often focus upon an innocent American in Europe, and assess the qualities and dangers of both American and European culture at the time, as well as showing their vast differences.

    Fitzgerald rose to fame in his 20s with stories chronicling the upheaval of manners and morals in the Jazz Age, and with his wife Zelda blurred the line between literature and life.

     James Shapiro illuminates both Shakespeare’s staggering achievement and what Elizabethans experienced in the course of 1599, bringing together the news and the intrigue of the times with a wonderful evocation of how Shakespeare worked as an actor, businessman, and playwright. The result is an exceptionally immediate and gripping account of an inspiring moment in history.

    Somerset Maugham’s own true story has never been fully told. At last, the fascinating truth is revealed in a landmark biography by the award-winning writer Selina Hastings. Granted unprecedented access to Maugham’s personal correspondence and to newly uncovered interviews with his only child, Hastings portrays the secret loves, betrayals, integrity, and passion that inspired Maugham to create such classics as The Razor’s Edge and Of Human Bondage.Hastings vividly presents Maugham’s lonely childhood spent with unloving relatives after the death of his parents, a trauma that resulted in shyness, a stammer, and for the rest of his life an urgent need for physical tenderness. Here, too, are his adult triumphs on the stage and page, works that allowed him a glittering social life in which he befriended and sometimes fell out with such luminaries as Dorothy Parker, Charlie Chaplin, D. H. Lawrence, and Winston Churchill.The Secret Lives of Somerset Maugham portrays in full for the first time Maugham’s disastrous marriage to Syrie Wellcome, a manipulative society woman of dubious morality who trapped Maugham with a pregnancy and an attempted suicide. Hastings also explores Maugham’s many affairs with men, including his great love, Gerald Haxton, an alcoholic charmer and a cad. Maugham’s courageous work in secret intelligence during two world wars is described in fascinating detail—experiences that provided the inspiration for the groundbreaking Ashenden stories. From the West End to Broadway, from China to the South Pacific, Maugham’s restless and remarkably productive life is thrillingly recounted as Hastings uncovers the real stories behind such classics as “Rain,” The Painted Veil, Cakes & Ale, and other well-known tales.An epic biography of a hugely talented and hugely conflicted man, The Secret Lives of Somerset Maugham is the definitive account of Maugham’s extraordinary life.