Largely ignored, the child has all the freedom she needs to observe and quietly condemn the adults around her. Gardam’s novel, originally published in the UK in 1978, offers a searing blend of upended morals, delayed salvation, and emotional purgatory, especially where love and sex are concerned. Margaret’s mother, Elinor, begins to lose the faith thrust upon her by her zealot husband, who is bent on the conversion of the young maid, despite protest from both women. How perfect, then, that Mrs. Marsh’s childhood sweetheart should return to town and provide a decidedly secular contrast to her saintly husband. After a pivotal tea party, everyone hurtles toward inevitable tragedy, with Gardam’s intricate prose and keen divining of human nature driving the action.

    What sets him apart from other famous eccentrics is the fact that he had the wealth to indulge his manias to the fullest. Perhaps his greatest achievement was to have a vast network of underground tunnels built beneath his estate, from which, with his horses and carriages, he could secretly escape to the outside world. On a visit to the Duke's establishment, which still more or less stands, Mick Jackson became fascinated not only by the tunnels but by the stories that surrounded the memory of this strange man. He began to embroider them with fictional ideas of his own, and with the tales the local people passed on to him. Some of the characters' names in the book are genuine, as indeed are some of the most bizarre details. The actual narrative is, however, pure invention, filled not only with tales of the Duke, but also with the excitement and discoveries of the age in which he lived, and the mysteries that we are still exploring.

    But the sky is marred by two  conspicuous columns of smoke, replacing pleasurable anticipation with alarm and suspicion.One smoke column is the result of an overnight fire that has damaged the master's outbuildings. The second column rises from the wooded edge of the village, sent up by newcomers to announce their presence. In the minds of the wary villagers a mere coincidence of events appears to be unlikely, with violent confrontation looming as the unavoidable outcome. Meanwhile, another newcomer has recently been spotted taking careful notes and making drawings of the land. It is his presence more than any other that will threaten the village's entire way of life.In effortless and tender prose, Jim Crace details the unraveling of a pastoral idyll in the wake of economic progress. His tale is timeless and unsettling, framed by a beautifully evoked world that will linger in your memory long after you finish reading.

    She loses herself in books and reinvents herself according to her favorite characters, but it is through clothes that she ultimately defines herself. Against her father’s wishes, she forges a relationship with her estranged uncle, a notorious criminal, who, in his old age, wants to share his life story. As he reveals the truth about her family’s past, Vivien, having endured unbearable loss, learns how to be comfortable in her own skin and how to be alive in the world. Linda Grant is a spectacularly humanizing writer whose morally complex characters explore the line between selfishness and self-preservation. In vivid and supple prose, Grant has created a powerful story of family, love, and the hold the past has on the present.

    But, when the storm clouds of WW2 gather, the family must flee, accompanied by Viktor's lover and her child. But the house's story is far from over, as it passes from hand to hand, from Czech to Russian.

    The matter: a deadly betrayal, unspoken and unspeakable, born of political enmity. As the boy listens through the silence that surrounds him, the truth spreads like a stain until it engulfs him and his family. And as he listens, and watches, the world of legend--the stone fort of Grianan, home of the warrior Fianna; the Field of the Disappeared, over which no gulls fly--reveals its transfixing reality. Meanwhile the real world of adulthood unfolds its secrets like a collection of folktales: the dead sister walking again; the lost uncle, Eddie, present on every page; the family house "as cunning and articulate as a labyrinth, closely designed, with someone sobbing at the heart of it."Seamus Deane has created a luminous tale about how childhood fear turns into fantasy and fantasy turns into fact. Breathtakingly sad but vibrant and unforgettable, Reading in the Dark is one of the finest books about growing up--in Ireland or anywhere--that has ever been written.

    It follows the fortunes of several wildly different characters - including an expat farmer and a young English aristocrat - as they are swept up in the fighting in German East Africa during the First World War, their lives converging amid battle, betrayal, love, comedy and tragedy.

    The Dark Room tells the stories of three ordinary Germans: Helmut, a young photographer in Berlin in the 1930s who uses his craft to express his patriotic fervour; Lore, a twelve-year-old girl who in 1945 guides her young siblings across a devastated Germany after her Nazi parents are seized by the Allies; and, fifty years later, Micha, a young teacher obsessed with what his loving grandfather did in the war, struggling to deal with the past of his family and his country.

    His collection, which he has protected and enlarged through both World War II and Czechoslovakia's years of Stalinism, numbers more than 1,000 pieces, all crammed into his two-room Prague flat. Utz is allowed to leave the country each year, and although he has considered defection, he always returns. He cannot take his precious collection with him, but he cannot leave it, either. And so Utz is as much owned by his porcelain as it is owned by him, as much of a prisoner of the collection as of the Communist state.A fascinating, enigmatic man, Kaspar Utz is one of Bruce Chatwin's finest creations. And his story, as delicately cast as one of Utz's porcelain figures, is unforgettable.

    Magnus Mills gives us a wiry novel of tensile strength that proves him a writer of ferocious talent. Eerie, resonant, spare yet rich in tones both hilarious and ominous—as if a work by Irvine Welsh, or perhaps Macbeth, had been adapted by the Coen brothers—his story has a finale so ingenious, insidious, and satisfying, it remains locked in the mind long after the last wire has been strung into place.

    Years later—one struggling with his identity in a world hostile to his ancestry, the other creating the world’s most famous detective while in love with a woman who is not his wife–their fates become inextricably connected.In Arthur & George, Julian Barnes explores the grand tapestry of late-Victorian Britain to create his most intriguing and engrossing novel yet.

    She quickly becomes obsessed with their dissolute director, but when the celebrated O'Hara arrives to take the lead, a different drama unfolds. He and Stella are bound in a past neither dares interpret.

    The place is a small town in rural England, and the setting a snow-laden winter. A small troupe of actors accompanied by Nicholas Barber, a young renegade priest, prepare to play the drama of their lives. Breaking the longstanding tradition of only performing religious plays, the groups leader, Martin, wants them to enact the murder that is foremost in the townspeoples minds. A young boy has been found dead, and a mute-and-deaf girl has been arrested and stands to be hanged for the murder. As members of the troupe delve deeper into the circumstances of the murder, they find themselves entering a political and class feud that may undo them. Intriguing and suspenseful, Morality Play is an exquisite work that captivates by its power, while opening up the distant past as new to the reader.

    The only takers are two eccentric Englishmen who want to embark for the other side of the globe. The Reverend Geoffrey Wilson believes the Garden of Eden was on the island of Tasmania. His traveling partner, Dr. Thomas Potter, unbeknownst to Wilson, is developing a sinister thesis about the races of men. Meanwhile, an aboriginal in Tasmania named Peevay recounts his people’s struggles against the invading British, a story that begins in 1824, moves into the present with approach of the English passengers in 1857, and extends into the future in 1870. These characters and many others come together in a storm of voices that vividly bring a past age to life.

    Fusing themes of illusion and imagination, delusion and dreams, he weaves back and forth between three centuries, introducing a blazing cast of Dickensian eccentrics and rogues, from the outrageous, gin-sipping Harriet Scrope, an elderly female novelist, to the tragic young poet, Charles Wychwood, seeker of Chatterton's secret... They find more riddles than answers from their search.This entertaining comedy is at once hilarious, and a thoughtful exploration of the deepest issues of both life and art.