When she links the two deaths to a shocking scandal, the story she uncovers could be her last byline. Dangerous Habits is the first standalone book in the Leah Nash series of complex, fast-paced murder mysteries featuring quick-witted dialogue, daring female characters, and plots with lots of twists and turns. ___________________________ What readers are saying about Susan Hunter and DANGEROUS HABITS: ★★★★★ "Highly recommended! I can't wait for the next Leah Nash novel!”★★★★★ “This was a great read! The intricate plot is woven together with intrigue, well-crafted settings and complex characters, all of which draw the reader into the story and keep one engaged until the very end. I look forward to the next Leah Nash mystery thriller.”★★★★★ “I started to read this to help me go to sleep, but the sun just came up. I couldn’t put it down even for a short break. Surprise after surprise. I guarantee you will not see the end coming. Enjoy!”★★★★★ “Ms. Hunter’s whole Leah Nash series is as good as, maybe better than, most of the bestselling books I’ve read. Do you ever find a book that’s so good you just have to have all the books by that author? This is it .... Get these books, you’ll love them.”

    Eleanor Swift has spent the last few years travelling the world: taking tea in China, tasting alligators in Peru, escaping bandits in Persia and she has just arrived in England after a chaotic forty-five-day flight from South Africa. Chipstone is about the sleepiest town you could have the misfortune to meet. And to add to these indignities – she’s now a Lady. Lady Eleanor, as she would prefer not to be known, reluctantly returns to her uncle’s home, Henley Hall. Now Lord Henley is gone, she is the owner of the cold and musty manor. What’s a girl to do? Well, befriend the household dog, Gladstone, for a start, and head straight out for a walk in the English countryside, even though a storm is brewing… But then, from the edge of a quarry, through the driving rain, Eleanor is shocked to see a man shot and killed in the distance. Before she can climb down to the spot, the villain is gone and the body has vanished. With no victim and the local police convinced she’s stirring up trouble, Eleanor vows to solve this affair by herself. And when her brakes are mysteriously cut, one thing seems sure: someone in this quiet country town has Lady Eleanor Swift in their murderous sights… If you enjoy witty dialogue, glamorous intrigue and the very best of Golden Age mysteries, then you will adore Verity Bright’s unputdownable whodunnit, perfect for fans of Agatha Christie, T E Kinsey and Downton Abbey!

    Siri Paiboun, a 72-year-old medical doctor, has been unwillingly appointed the national coroner of newly-socialist Laos. Though his lab is underfunded, his boss is incompetent, and his support staff is quirky to say the least, Siri’s sense of humor gets him through his often frustrating days.When the body of the wife of a prominent politician comes through his morgue, Siri has reason to suspect the woman has been murdered. To get to the truth, Siri and his team face government secrets, spying neighbors, victim hauntings, Hmong shamans, botched romances, and other deadly dangers. Somehow, Siri must figure out a way to balance the will of the party and the will of the dead.

    A virtuoso violinist is brutally killed in his home. Black magic symbols cover the walls. The dead man's maid swears she heard three musicians playing before the murder.But with no way in or out of the locked practice room, the puzzle makes no sense...Fearing a national panic over a copycat Ripper, Scotland Yard sends Inspector Ian Frey to investigate under the cover of a fake department specializing in the occult. However, Frey's new boss - Detective 'Nine-Nails' McGray - actually believes in such nonsense.McGray's tragic past has driven him to superstition, but even Frey must admit that this case seems beyond reason. And once someone loses all reason, who knows what they will lose next...

    And one which was to come back and haunt the clergyman just a few hours later – when the colonel was found shot dead in the clergyman’s study. But as Miss Marple soon discovers, the whole village seems to have had a motive to kill Colonel Protheroe.Librarian's note: this entry is for the novel "Murder at the Vicarage." Collections and other Miss Marple stories are located elsewhere on Goodreads. The series includes 12 novels and 20 short stories. Entries for the short stories can be found by searching Goodreads for: "a Miss Marple Short Story."

    It is 1952, and new apartheid laws have recently gone into effect, dividing a nation into black and white while supposedly healing the political rifts between the Afrikaners and the English. Tensions simmer as the fault line between the oppressed and the oppressors cuts deeper, but it's not until an Afrikaner police officer is found dead that emotions more dangerous than anyone thought possible boil to the surface.When Detective Emmanuel Cooper, an Englishman, begins investigating the murder, his mission is preempted by the powerful police Security Branch, who are dedicated to their campaign to flush out black communist radicals. But Detective Cooper isn't interested in political expediency and has never been one for making friends. He may be modest, but he radiates intelligence and certainly won't be getting on his knees before those in power. Instead, he strikes out on his own, following a trail of clues that lead him to uncover a shocking forbidden love and the imperfect life of Captain Pretorius, a man whose relationships with the black and coloured residents of the town he ruled were more complicated and more human than anyone could have imagined.The first in her Detective Emmanuel Cooper series, "A Beautiful Place to Die" marks the debut of a talented writer who reads like a brilliant combination of Raymond Chandler and Graham Greene. It is a tale of murder, passion, corruption, and the corrosive double standard that defined an apartheid nation. I

    It sounded so—so aggressive. But she must be exact. “Actually I was a little angry—at his rudeness, you know—so I poked him in the back...” When Miss Seeton walks out after a performance of Carmen and witnesses a real-life stabbing, all she can recall is a shadowy figure. But how could she have guessed that her latest artistic endeavor is a picture-perfect portrait of the killer? Her sketch puts her in a perilous position, for back at her recently inherited cottage in Plummergen village, she’s fated to be a sitting duck . . . for murder most foul! Meet Miss Emily D. Seeton: retired art teacher Miss Seeton steps in where Scotland Yard stumbles. Armed with only her sketch pad and umbrella, she is every inch an eccentric English spinster and the most lovable and unlikely master of detection.

    This alone could have got him burned at the stake, but he was also a student of occult philosophies and magic. In S.J. Parris's gripping novel, Bruno's pursuit of this rare knowledge brings him to London, where he is unexpectedly recruited by Queen Elizabeth I and is sent undercover to Oxford University on the pretext of a royal visitation. Officially Bruno is to take part in a debate on the Copernican theory of the universe; unofficially, he is to find out whatever he can about a Catholic plot to overthrow the queen. His mission is dramatically thrown off course by a series of grisly murders and a spirited and beautiful young woman. As Bruno begins to discover a pattern in these killings, he realizes that no one at Oxford is who he seems to be. Bruno must attempt to outwit a killer who appears obsessed with the boundary between truth and heresy. Like The Dante Club and The Alienist, this clever, sophisticated, exceptionally enjoyable novel is written with the unstoppable narrative propulsion and stylistic flair of the very best historical thrillers.

    Fogbound streets become a battleground between a literary star and a brilliant murderer, whose lives are linked by secrets long buried but never forgotten.

    Five victims; four of them killed with military efficiency and, judging from the wounds, a military bayonet. The fifth victim, the lady of the house, is found nearly naked, sprawled on a bed, her throat slashed with a razor. Even more startling than the actual carnage are two subsequent findings: the lack of any sort of sexual assault and the discovery of a child - a young girl hiding beneath a bed.Scotland Yard sends out Inspector John Madden to investigate the murders. Madden, with some heavy psychological baggage of his own courtesy of the war, recognizes the mark of madness in the killer's work and has a unique understanding of the killer's methods, habits, and rituals. While the local constabulary figures the murders for a robbery gone horribly wrong, Madden is quick to recognize the presence of a more sinister motive. He seeks the help of Dr. Helen Blackwell, a local physician who lost both her brothers and her husband to the war. Dr. Blackwell's professional connections include a Viennese psychiatrist who is well versed in the relatively new field of forensic psychology, and together they try to develop a psychological profile for the killer.The deeper Madden digs into the case, the harder it is for him to maintain the fragile wall he has built around his own painful memories. A spark between him and Helen Blackwell quickly becomes an all-consuming fire, and in the tender exploratory phase of their relationship, Helen gently urges him to face his personal demons head-on. Meanwhile, Madden discovers the killer has struck once before, a murder that was left unsolved. When Madden gets the idea to look for similar crimes that may have occurred during the war, he finds one, and a clearer and even more frightening picture of the killer begins to evolve. As the police investigation proceeds, plodding at times and getting fortuitous breaks at others, the killer plans his next attack. Together, killer and cops move along parallel timelines, a loose scrabble of concurrent events held together by a taut string of tension. When the string finally breaks, it culminates in a vivid and terrifying climax that demonstrates how fine a line often exists between sanity and utter madness. River of Darkness is the first book in a promised series. Inspector John Madden is precisely the type of multifaceted and complex character readers will enjoy meeting time and again. And the supporting cast of characters is the perfect complement, the sum total being a rich and full-bodied story. What's more, if Airth shows the same flair for finely etched prose and brilliantly manipulated tension as he does here, this series promises to be the start of a powerful new niche in psychological suspense, a uniquely fresh voice that will stand out among the crowd.

    When Rutledge is assigned to investigate a murder involving the military, his emotional war wounds flare. It is a case that strikes dangerously close to home--one that will test Rutledge's precarious grip on his own sanity. A "Publishers Weekly" Best Book selection. Martin's Press.

    Her sister Andrea has an altogether different point of view. When the sisters go to the Canaan Valley to search for paintings mentioned in a document found in an old hotel once owned by their grandparents—paintings that might be Monets—Andrea immediately becomes involved in tracking down a murderer. Kathleen would much rather be looking for the paintings, but she goes along with Andrea, since the victim was their hotel-keeper, murdered just down the hall from their room. The question is: Does the murder have something to do with the elusive paintings?There are many clues and many suspects, including hotel staff, valley residents, and the mysterious foreigners who come from the Eastern Seaboard for skiing. There are also many types of danger—icy roads, sub-zero temperatures, and a killer who doesn’t care how many people die in the attempt to make sure the right ones do.

    She's the new collections curator at Old World Wisconsin, an outdoor ethnic museum showcasing 1870s settlement life. On her first day, Chloe meets with an elderly woman who begs her to find a priceless eighteenth-century Norwegian ale bowl that had been donated to the museum years ago. But before Chloe can find the heirloom and return it to her, the woman dies in a suspicious car crash.Digging up the history and whereabouts of the rare artifact quickly turns dangerous. Chloe discovers that someone is desperately trying to cover up all traces of the bowl's existence—by any means necessary. Assisting Chloe is police officer Roelke McKenna, whose own haunting past compels him to protect her. To catch the covetous killer, Chloe must solve a decades-old puzzle . . . before she becomes a part of history herself.

    . .The Earl of Wrexford possesses a brilliant scientific mind, but boredom and pride lead him to reckless behavior. He does not suffer fools gladly. So when pompous, pious Reverend Josiah Holworthy publicly condemns him for debauchery, Wrexford unsheathes his rapier-sharp wit and strikes back. As their war of words escalates, London’s most popular satirical cartoonist, A.J. Quill, skewers them both. But then the clergyman is found slain in a church—his face burned by chemicals, his throat slashed ear to ear—and Wrexford finds himself the chief suspect.

    Scotland Yard's Inspector Roderick Alleyn arrives to find a complete collection of alibis, a missing butler, and an intricate puzzle of betrayal and sedition in the search for the key player in this deadly game.