For five hundred years they dominated the lands north of the Alps, before being largely absorbed into the Roman Empire. But Celtic culture survived and achieved a glorious flowering in the post-Roman, early Christian era. Today Celtic influence can be found in arts and crafts, in legends, in place names, and even in languages.In this generously illustrated introduction to the world of the Celts, Simon James charts their way of life from farming to feasting, their wars, their gods, and their superb craftsmanship in metal, wood, and stone. He covers the neglected subject of Celtic life under Roman rule, particularly in Gaul and Britain, and the continuing traditions in Ireland after AD 400, when a Celtic renaissance gave birth to heroic tales, masterpieces of enameled metalwork, and renowned illuminated manuscripts.

    • Describes the symbolism and mythology of the 20 "tree letters" and their magical correspondences. • Includes instructions on how to make your own Ogam divination sticks, cast the oracle, and perceive omens.• Provides historical background and bibliographic references to the Druidic mythology ruling this 1,500-year-old oracle. The ancient Ogam alphabet is a magical and mysterious script, the Celtic equivalent of the runes that can teach us about our fate and future. Named after woodland trees, Ogam's 20 "tree letters" all have unique wisdom to impart that is linked to figures and themes from Celtic mythology. The author addresses three major areas in this book: Ogamlore, the history of this 1500-year-old oracle of the Celtic Druids; Ogamfews, the meaning of the individual tree letters, their magic, characteristics, folklore, and related stories; and Ogamcasting, the practical art of Ogam divination, which includes spreads, castings, and how to create your own Ogam set. With these tools of ancient Celtic wisdom, readers will receive insights and guidance on how to maneuver through life's questions and challenges.

    This is a book that belongs in the library of every modern Druid, regardless of their particular path or style of Druidism.

    The hedge witch is a solitary witch and natural mystic who practises wildwood mysticism, so called because it is the knowledge at the root of the tree of witchcraft. Explained in detail are the witch's prayers, spell-casting and communication with spirits and faeries, including those spirits travelling in the three realms of the magical otherworld. The values and ethics of this most ancient tradition may surprise and delight with their blend of common sense, compassion and wildness. (It is not a spiritual way for conformists!) This book opens the door to all those who feel they are natural witches but are, as yet, uninstructed. The Hedge Witch's Way is a guide for witches of either gender - potential wisewomen or wisemen - that presents the faerie-led practices of our ancestors, in a modern-day context.

    The selections are divided into three sections: the first is classical authors on the ancient celts - a huge selection including both the well known Herodotos, Plato, Aristotle, Livy, Diogenes Laertius, and Cicero - and the obscure-Pseudo-Scymnus, Lampridius, Vopsicus, Clement of Alexandria and Ptolemy I. The second is early Irish and Hiberno-Latin sources including early Irish dynastic poetry and numerous tales from the Ulster cycle and the third consists of Brittonic sources, mostly Welsh. This edition includes three new early Irish tales, translated by Mairin Ni Dhonnchadha: The Birth of Aed Slaine; Fingal Ronain, and the Story of Mis and Dubh Rois.

    The focus of the book is primarily on the Elder Furhark, the magickal rune alphabet. Gundarsson explains runic divination, rune magick, rituals for carving rune-tines and more.

    She coped with her heartbreak by finishing her doctorate in Celtic Artwork, and now her career is taking off. Except Tavish keeps showing up at her job sites and butting into her business - all the while wearing that stupid sexy kilt. But she's here to see the ruins, not Tavish. So she'll just have to show him who's boss at this site. Because under these cliffs at Dunskey Castle it is rumored lies the ancient palace of the kings of Alba (Scotland). Gggrr. Why does he seem to know more about it than she does?With her new doctorate in Celtic Archaeology, Sasha just got her dream job at a dig in the highlands of Scotland. Where her friends ply her with celebratory champagne, throw a plaid cloak over her business suit, and take her to the 14th century to do original research on the dig site. She meets gorgeous highlander Seumas there, and — wait, is this a good idea?A call from an old friend stirred up feelings Amber thought she had buried years ago. Kelsey wanted help at a dig under an old Scottish castle. Tomas's twin brother would be there, so wouldn't Tomas be there sometimes, too? Amber didn't jinx it by asking Kelsey that. Nope, she just got on the next flight. Each of these stories is a complete sweet Scottish romance with time travel and a happily ever after HEA ending for that book's couple. Scots dialect is used to stand in for Gaelic throughout. The dialect has been toned down, but it still is a bit challenging at first. Many readers love the dialect as something special about Jane Stain's books. Previously published as books one through three in the Dunskey Castle Series.

    Fourteen worlds that never were. Throughout the human experience, historians have wondered, “What if?” What if Japan had been on the side of the U.S. in World War II? What if things had been just a little different in the Falklands? What if Russia had started World War Three? Wonder no more, for these questions, along with many others, are answered within the pages of this book. Told by a variety of award-winning authors, like Sarah Hoyt, the 2018 Dragon Award Winner for Alternate History, and Kacey Ezell, the winner of the 2018 Baen Reader’s Choice Award, “Those in Peril,” deals with naval warfare that never happened in our world…but easily could have. The first book in the exciting new “Phases of Mars” anthology series, there is something for everyone inside! From sailing ships, to steam, to today’s modern aircraft carriers, “Those in Peril” traces several centuries of naval warfare…that wasn’t. From adding a psychic…to making a different choice of friend or foe…to something insignificant toppling a kingdom, this book has it, so come aboard and find out “what if” all of these things had changed history…just a little. You’ll be glad you did! Inside you'll find: Naked by Kacey Ezell Captain Bellamy’s War by Stephen J. Simmons A Safe Wartime Posting by Joelle Presby Beatty’s Folly by Philip Wohlrab Martha Coston and the Farragut Curse by Day Al-Mohamed The Blue and the Red: Palmerston’s Ironclads by William Stroock Far Better to Dare by Rob Howell Off Long Island: 1928 by Doug Dandridge For Want of a Pin by Sarah Hoyt Nothing Can Be Said Sufficient to Describe It by Meriah Crawford Corsairs and Tenzans by Philip S. Bolger For a Few Camels More by Justin Watson Per Mare Per Terram by Jan Niemczyk Fate of the Falklands by James Young

    The book is part of a series on myths and legends.

    Until recently historians often dismissed these descriptions as elaborate fictions created by judicial interrogators eager to find evidence of stereotypical pacts with the Devil. Although this paradigm is now routinely questioned, and most historians acknowledge that there was a folkloric component to familiar lore in the period, these beliefs and the experiences reportedly associated with them, remain substantially unexamined. Cunning-Folk and Familiar Spirits examines the folkloric roots of familiar lore from historical, anthropological and comparative religious perspectives. It argues that beliefs about witches' familiars were rooted in beliefs surrounding the use of fairy familiars by beneficent magical practitioners or 'cunning folk', and corroborates this through a comparative analysis of familiar beliefs found in traditional native American and Siberian shamanism. The author explores the experiential dimension of familiar lore by drawing parallels between early modern familiar encounters and visionary mysticism as it appears in both tribal shamanism and medieval European contemplative traditions. These perspectives challenge the reductionist view of popular magic in early modern British often presented by historians.

    Three teenagers from Newcastle had taken the world by storm within the time it typically takes most bands to record their first single. Over their stratospheric career, Daniel Johns developed into a performer and songwriter with few peers in modern music.Shortly after the break-up of the band, Johns's marriage to pop star Natalie Imbruglia also ended. He became the focus of sordid headlines and whispers of wayward behaviour. People feared what might happen next.But at the same time a new Daniel Johns emerged. His debut solo album, Talk, appeared to rapturous reviews in 2015 and raced to the top of the Australian charts, and then 2018 saw the advent of DREAMS, his long-awaited collaboration with Luke Steele,. This was a vastly different Daniel Johns to the grungy, guitar-blazing teen of the 1990s. His new sound and image were sophisticated, brilliant and sexy as hell. It was a remarkable creative makeover, perhaps the most ambitious ever undertaken by an Australian rockstar. Former rockstar.The Book of Daniel documents how the reclusive Johns also battled many personal demons, including life-threatening anorexia and crippling reactive arthritis. Drawing on more than fifteen years of documenting the life and times of Daniel Johns, author Jeff Apter has brought his story to life, revealing the struggles and triumphs of one of Australia's most distinctive and dazzling talents. The book also includes a collection of exclusive photographs of Johns by eminent rock photographer Tony Mott.

    It speaks to something deep and primal within us-something we don't hear as often as we should.By exploring a variety of mysteries and traditions of trees, Whispers from the Woods helps readers get reacquainted with the natural world and find their place in the earth's rhythm. Covering more than just Celtic Ogham and tree calendars, this book includes meditation, shamanic journeys, feng shui, spellcraft, and ritual. In addition, it has a reference section with detailed information on fifty trees, which includes seasonal information, lore, powers, attributes, and more.Finalist for the Coalition of Visionary Resources Award for Best Wiccan/Pagan Book

    Completely unprepared and suffering an acute sense of loss, she and her father continue quietly, trying to live by the well-intentioned advice of friends, hoping that time really is a great healer and that they will, eventually, move on. Life changes very little until Sarah leaves for university and begins her first serious relationship. Along with her new boyfriend comes his mother, the indomitable Hazel Poole. Despite some misgivings, Sarah finds herself drawn into the matriarchal Poole family and discovers that gaining a mother figure in her life brings mixed blessings. A mother-in-law who just can't let her sons grow up, a midwife who treats her charges like girls in a private school dormitory. These are some of the people who Sarah must deal with as her own pregnancy turns to motherhood and she realises that she must find her own two feet. Looking Past is a tale of family, friendship, love, life and death – not necessarily in that order. This is the second novel from Katharine E. Smith, author of Writing the Town Read. The narrator’s voice is clear and strong, with vivid descriptions and intelligent observations. Readers will quickly empathise with Sarah, whose grief and confusion at the loss of her mother at key moments in her life is contrasted with a dry and sometimes subtle humour derived from situations and characters which help colour the book. The father-daughter relationship which develops between the bereaved husband and daughter feels very real, as both come to terms with their grief and learn how best to live together. Sarah's father is unassuming and appealing, as he struggles to find a way to deal with his broken heart and support his daughter throughout school, puberty and on into adulthood. Smith's readers have praised her honesty, realism, warmth and humour. Both Looking Past and Writing the Town Read - Katharine's first novel - are written from a strong female first person perspective. However, don't be fooled into thinking this is chick lit - or indeed exclusively women's fiction. Looking Past has received praise from a number of male readers, including an ex-US Marine. You don't get much more macho than that! Nevertheless, this is a story guaranteed to strike a chord with mothers, daughters - and daughters-in-law - everywhere. The dual settings of Yorkshire and Cornwall will interest people with strong links to those places but the characters and events hold universal appeal. This is a book for people who like people. Looking Past was selected for the People's Book Prize Winter 2015 Collection.

    This is no neo-pagan or modern wiccan manual, but rather a deep drawing up into modern times of some of the ancient practices of lore and magic practiced by the white witches, charmers, conjurers and pellars of the Cornish villages. Their presence was still current when the 18th and 19th century antiquarians and collectors recorded them, and, although the 20th century largely put paid to their activities, nevertheless their lore never completely disappeared, and it continues to provide inspiration for practitioners today. Gemma draws on this knowledge, not only from published material, but also from the experiences and workings of ‘wise women’ and country witches living today. Topics include the Cunning Path, the Dead and the Underworld (Fairy Faith), the Bucca, Places of Power in the villages and landscape, the Tools used by Cunning Folk (working versions of what can be seen, for example, in the Museum of Witchcraft), Village cunning, substances and charms, and Rites of the Year’s Round. This book gathers much material together, some of which has not been seen in print before, and thus provides a sourcebook of magical workings in Cornwall today, which will be an invaluable reference.

    But is it something more than myth? Solid facts have emerged through the recent work of archaeologists. This book examines the historical foundations of the Arthurian tradition, and then presents the results of excavations to date at Cadbury (reputed site of Camelot), Tintagel, Glastonbury and less-known places.