She gets drugged, does enema shows, and unionizes the club. When she tries to quit and go to graduate school, her mother is diagnosed with terminal cancer. Broke and broken, she returns to sex work, which leads to her arrest and a new resilience. Spent is a memoir about a woman’s journey through the sex industry, but it’s also a story of family, community, and our constant struggle against loneliness.

    Not stories of triumph over adversity, but something completely other. Described in language that is brilliantly sardonic, Woods's characters return repeatedly to places where they don't belong—often the places where they were born. In "Zombie," a coming-of-age story like no other, two young girls find friendship with a mysterious woman in the local cemetery. "Take the Way Home That Leads Back to Sullivan Street" describes a lesbian couple trying to repair their relationship by dropping acid at a Mensa party. In "A New Mohawk," a man in romantic pursuit of a female political activist becomes inadvertently much more familiar with the Palestine/Israel conflict than anyone would have thought possible. And in the title story, Woods brings us into the mind of a queer goth teenager who faces ostracism from her small-town evangelical church.In the background are the endless American wars and occupations and too many early deaths of friends and family. This is fiction that is fresh and of the moment, even as it is timeless.

    Mueller captures the glamour and grittiness of Cookie Mueller?s life and times. Here are previously unpublished stories - wacky as they are enlightening - along with favorites from Walking Through Clear Water in a Pool Painted Black and other publications. Also the best of Cookie?s art columns from Details magazine, and the funniest of her advice columns from the East Village Eye, on everything from homeopathic medicine to how to cut your cocaine with a healthy substance. This collection is as much an autobiography as it is a map of downtown New York in the early ?80s - that moment before Bright Lights, Big City, before the art world exploded, before New York changed into a yuppie metropolis, while it still had a glimmer of bohemian life.

    True stories that give voice to the thoughts we all have but dare not mention. It begins with a Tang Instant Breakfast Drink television commercial when Augusten was seven. Then there is the contest of wills with the deranged cleaning lady. The execution of a rodent carried out with military precision and utter horror. Telemarketing revenge. Dating an undertaker and much more. A collection of true stories that are universal in their appeal yet unabashedly intimate and very funny.

    The writers and artists featured in High Risk share one strong conviction: that art must be bound only by the limits of the imagination. Here is the so called dark side of life beckoning in all its manifestations - sadomasochism, prostitution, incest, drug use, bondage, transsexuality. Filled with tenderness and brutality, with wit and sensuality, these are works by writers on the cutting edge of contemporary American literature. This is writing that dares to give voice to the shadow regions of the heart, to the most subversive desires of the body, and to a politics that unabashedly defies convention.

    Street life, drugs, art and nature, family, AIDS, politics, friendship and acceptance: Wojnarowicz challenges us to examine our lives -- politically, socially, emotionally, and aesthetically.

    Unable to kick her drug habit, Jim ends up unemployed and alone, so as a newly hired band roadie, she takes off for New York from San Francisco and starts to finally clean up. But even after changing her ways, Jim still finds herself dissatisfied and in desperate search of the ultimate rush.

    When Sarah reclaims Jeremiah from his foster parents, he finds himself catapulted into her world of motels and truck stops, exposed to the abusive, exploitative men she encounters. As he learns to survive in this harrowing environment, Jeremiah also learns to love his mother, even as she descends into drug-fueled madness. Told in spare, lyrical prose, rich with imagination and dark humor, The Heart Is Deceitful Above All Things transforms the savagery of Jeremiah's world into an indelible experience of compassion. This special edition includes an additional seven stories, previously uncollected, by JT LeRoy, the literary persona of Laura Albert.

    The result is Persistence: All Ways Butch and Femme. The stories in these pages resist simple definitions. The people in these stories defy reductive stereotypes and inflexible categories. The pages in this book describe the lives of an incredible diversity of people whose hearts also pounded for some reason the first time they read or heard the words "butch" or "femme."Contributors such as Jewelle Gomez (The Gilda Stories), Thea Hillman (Intersex), S. Bear Bergman (Butch is a Noun), Chandra Mayor (All the Pretty Girls), Amber Dawn (Sub Rosa), Anna Camilleri (Brazen Femme), Debra Anderson (Code White), Anne Fleming (Anomaly), Michael V. Smith (Cumberland), and Zoe Whittall (Bottle Rocket Hearts) explore the parameters, history, and power of a multitude of butch and femme realities. It's a raucous, insightful, sexy, and sometimes dangerous look at what the words butch and femme can mean in today’s ever-shifting gender landscape, with one eye on the past and the other on what is to come.Includes a foreword by Joan Nestle, renowned femme author and editor of The Persistent Desire: A Femme-Butch Reader, a landmark anthology originally published in 1992.Ivan E. Coyote is the author of seven books (including the novel Bow Grip, an American Library Association Stonewall Honor Book) and a long-time muser on the trappings of the two-party gender system.Zena Sharman is the assistant director of Canada's national Institute of Gender and Health.

    Things like that had been happening a lot since Mark had been diagnosed with HIV, three years earlier.Jason’s life with Mark was full of secrets—about drugs, crime, and sex. If the straights—people with normal lives—ever found out any of those secrets, the police would come. Jason’s home would be torn apart. So the rule, since Jason had been in preschool, was never to tell the straights anything.A List of Things That Didn’t Kill Me is a funny, disturbing memoir full of brutal insights and unexpected wit that explores the question: How do you find your moral center in a world that doesn't seem to have one?

    Goth. Dykling. Desiree Garcia knows she’s weird and a weirdo magnet. To extinguish her strangeness, her parents ship her to Saint Michael’s Catholic High School, then to Mexico, but neurology can’t be snuffed out so easily: Screwy brain chemistry holds the key to Desiree’s madness. As fellow crazies sense a kinship with her, Desiree attracts a coterie of both wanted and unwanted admirers, including a pair of racist deathrock sisters, a pretty Hispanic girl who did time in California’s most infamous mental asylum, and a transnational stalker with a pronounced limp.As high school graduation nears, Desiree’s weirdness turns from charming to alarming. Plagued by increasingly bizarre thoughts and urges, Desiree convinces herself she’s schizophrenic, despite assurance otherwise. In college, she finds Rae, an ex-carnie trannyboi, who becomes the June Carter to her Johnny Cash. With Rae’s help, Desiree answers the riddle of her insanity and names her disease.Combining the spark of Michelle Tea, the comic angst of Augusten Burroughs, and the warmth of Sandra Cisneros, Mexican American author Myriam Gurba has created a territory all her own. Dahlia Season not only contains the title novella, but also several of Gurba’s acclaimed stories.Myriam Gurba is a high school teacher who lives in Long Beach, California, home of Snoop Dogg and the Queen Mary. She graduated from UC Berkeley, and her writing has appeared in anthologies like The Best American Erotica (St. Martin’s Press), Bottom’s Up (Soft Skull Press), Secrets and Confidences (Seal Press), and Tough Girls (Black Books).

    The limitless scope of human emotion and experience are depicted in stories that give aching and eloquent voice to the terrible wounds we inflict on those closest to us. These are tales of loss and redemption; of shame and forgiveness; of love and abuse and the healing power of storytelling. A book that resonates with uncompromising candor and incandescence, Trash is sure to captivate Allison's legion of readers and win her a devoted new following.

    These thematically linked stories depict a contemporary Gothic world in which body parts are traded for love, wounds never heal, and self-sacrifice is often the only way out."In this brilliantly original work, Rebecca Brown gives us haunting parables of betrayal and love, of loss and resurrection, of loneliness and solidarity. Like a modern Djuna Barnes, Brown creates a language of telling that is fiercely beautiful and honest. This book is a love story unlike any you have read before. Its subversive and passionate transformation carry the lesbian literary voice onto the 21st century." —Joan Nestle"A dry, witty, graceful–if savage–gift." —Mary Gaitskill"The Terrible Girls comes from one of the fiercest, most potent, original writers around: a bloody flayer of skins, both other's and her own . . . a work of possessed and persuasive visionary power." —The Listener"The Terrible Girls is a powerful account of erotic love which exchanges the comforts of illusion for more complex and less certain rewards." —The Times Literary SupplementRebecca Brown is the winner of the 2003 Washington State Book Award. Her books, which are all published by City Lights, include: The Haunted House, The Terrible Girls, The End of Youth, The Last Time I Saw You, and The Dogs, Annie Oakley's Girl. She was awarded a Genius Award and grant from Seattle's weekly magazine, The Stranger.

    It explores the use of art to survive abuse, incest, madness and depression, and the often deep-seated impulse toward self-destruction including cutting, eating disorders, and addiction. Here, some of our most compelling cartoonists, novelists, poets, dancers, playwrights, and burlesque performers traverse the pains and passions that can both motivate and destroy women artists, and mark a path for survival. Taken together, these artful reflections offer an honest and hopeful journey through a woman's silent rage, through the power inherent in struggles with destruction, and the ensuing possibilities of transforming that burning force into the external release of art. With contributions by Nan Goldin, bell hooks, Patricia Smith, Cristy C. Road, Carol Queen, Annie Sprinkle, Elizabeth Stephens, Carolyn Gage, Eileen Myles, Fly, Diane DiMassa, Bonfire Madigan Shive, Inga Muscio, Kate Bornstein, Toni Blackman, Nicole Blackman, Silas Howard, Daphne Gottleib, and Stephanie Howell.

    A graphic and uncompromising autobiographical bender, the story of Tea's years as a prostitute, with provocative illustrations by Laurenn McCubbin.