DE VEYRAhas published two books of poetry: Subterranean Thought Parade and Shadowboxing in Headphones. He has won the Don Carlos Palanca Memorial Awards for Literature, the Free Press Literary Awards, and the very first National Commission for Culture and the Arts' Writers' Prize for Poetry. He also fronts the spoken word-jazz-rock band Radioactive Sago Project and currently works as a host and writer for the News and Public Affairs programs of TV5. This is his third collection of poems.

    The present work is a painstaking and thorough-going analysis of the travails of the Aguinaldo government during the war with the United States. Agoncillo, in an impressive display of historical technique, gives the reader the struggles within the Philippine Revolutionary Government. He expands on the theme of his previous book, namely the conflict between the 'haves' and the 'have-nots', and brings into full play the economic as well as the social motivations of the parties concerned. Sparing no one, Agoncillo, with the historian's impartiality, unmasks the selfish ilustrado class in their attempts at compromise which ultimately weakened Aguinaldo's hand. After reading his chapters on the crucial period of the Malolos Republic, one gains a new attitude towards men like Paterno, Pardo de Tavera, Buencamino, Legarda, Araneta and others, whom history has hitherto presented as heroes. The well-documented account of the extended negotiations between the Americans and Aguinaldo is one of the high points of the book. The author brings into sharp relief certain American maneuvers which other historians have glossed over or chosen to overlook. In the author's skillful hands, historical events come to life. Without sacrificing impartiality, he is able to write with vigor and vividness. This is not an anemic account of the past. Events are not presented merely as so many beads strung together haphazardly on the thread of time. Agoncillo has sought to write a history which will answer more than just the who, what, when, and where of our past. He has studied the why behind major events and consequently has presented a meaningful account of one of the most important periods of Philippine history. This voluminous work is the result of months of serious study here and abroad. In writing "The Revolt of the Masses...," the author complained of lack of materials; for the present volume, he had to wade through a plethora of sources. It is an achievement of the author to have mastered so unwieldy a period with its abundance of documents and materials. Teodoro A. Agoncillo is professor of history in the state university. He is noted not only as a historian, but also as a writer in Tagalog. Before he joined the University of the Philippines in 1958, he occupied high positions in the Institute of National Language and in the Philippine Information Agency. His book, "The Revolt of the Masses" (1956) won the Republic Prize in 1948.

    A collection of the National Artist's short stories and poetry and includes the play "The Portrait of the Artist as a Filipino."

    Because of this we have no memory of ourselves: we remember only the last deluge, the last seismic upheaval. Two friends are hired by Marcos to rewrite Philippine history. Their mission: to make it appear that Marcos was destined to rule the country in perpetuity. Working from an office called Agency for the Scientific Investigation of the Absurd, they embark on a journey that will take them across a surreal panorama of Philippine politics and history, and in the process question all their morals and beliefs. This landscape includes mythological sultans, mercenaries, the Beatles, messianic Amerasian rock stars, faith healers, spies, torturers, sycophants, social climbers, sugar barons, millenarian vigilantes, generals and communists--the dizzying farrago of lovers and sinners who populate the country's incredible story. By the end of their project--and this breathtaking novel--the reader emerges from a world that is at once familiar and unbelievable. It's what real life might look like if both heaven and hell were crammed into it, and all its creatures were let loose.

    Light is shed on events surrounding the Declaration of Independence of June 1898 and the subsequent (violent) US Occupation and colonisation. Several stories focus on the role and personality of Emilio Aguinaldo, titular President of the Philippines 1898-1901. Black-and-white illustrations.

    A country of “yellow fever” victimsAs the elitist image of the Aquino regime permeated society as a whole, its propaganda experts began to shape the political landscape as well, and transformed most of the unsuspecting citizens into consumers of its own brand of illiberal democracy symbolized by the yellow banner, the yellow ribbon, and the yellow confetti.Arillo’s Greed & Betrayal relived the events that marked the Aquino regime’s bungled presidency and how it systematically and repeatedly blamed Marcos, Enrile, Honasan, Laurel, Mitra, and others as the all-purpose excuse to hide its own incompetence, failures, and perfidy.This book also inspired the writing of Arillo's latest book, A Country Imperiled: Tragic Lessons of a Distorted History.

    Santos has presented what may well be the essence of those years - the loneliness and hunger of a people who were almost all of them hurt and broken to the bone. But for an ideal, which Santos so eloquently dramatizes in this book, they would have lost their very souls. In this sense YOU LOVELY PEOPLE is a document and at once a portrait of the Filipino heart.

    

    He has big plans that could set him up financially for life. And although he spends his time trying to get a coworker to bed, he still pines for an old girlfriend from his troubled childhood.

    Because of this, the sea creatures go their separate ways. Under the leadership of Octopus, the sick are driven away and confined in a fenced area. Read in this story how the sea creatures' problem is solved and how peace and caring among them are restored under the sea.

    Pick up a copy today and find out what makes Pinoys stand out in a crowd!

    The resonance of this image grows through each section of the book as Hahn skillfully employs theme and variation, counterpoint and mirroring techniques. The ibis first appears as part of an illusion, the disappearing object in a magician’s trick, which then evokes the greatest disappearing act of all—death—where there are no tricks to bring about a reappearance. The rich complexity multiplies as the second section focuses on a disappearing lady and a dramatic final section brings together the bird and the lady in their common plight—both caged by their mortality, their assigned time and role.  All of the illusions fall away during this brilliant denouement as the two voices share a dialogue on the power of metaphor as the very essence of poetry. bird trick iv It’s all about disappearance. About a bird in a cagewith a mirror, a simple twiston the handle at the sidethat makes it come and go at the magician’s insistence. It’s all about innocence.It’s all about acceptance.It’s all about compliance.It’s all about deference.It’s all about silence. It’s all about disappearance.

    Account of the Philippine Revolution against Spain, and the Philippine-American War from the Filipino general and independence leader.

    She grew up in the house of one of the richest families in the world . . . in the servants’ quarters with her mother, the family cook. The life of luxury is all she knows, but it isn’t really her life. Unhappy in school, invisible at home, she lives inside her head, in a world made of books and movies. Outside, Manila is in turmoil: protest rallies, a bloodless revolution, coup attempts, and the Web hasn’t even arrived yet. When is Guada going to leave her imaginary shelter and get a life? Funny, caustic, and moving, The Age of Umbrage is the first novel from one of the most distinctive voices in contemporary Filipino writing.

    "Of our journalists, one of the most able in the new style is Jose F. Lacaba. As TV and newsreel do, he puts you right on the scene... [H]e communicates the emotion, even the meaning of what's happening without having to spell it out." - Quijano de Manila