Will I still want to touch you when your blood is on my hands? Or will it chase your ghost from my thoughts?" He held his hands out and considered his open palms for a moment, shaking his head. "I think not. I think still you would haunt me." TIME WALKERSMaggie is a modern day woman with all her flaws, thrust back into a time when men were carving out the history of America. She has just enough knowledge of the past to know trouble is coming, yet soon she is kicking herself for not paying better attention in history class. When she is captured by Winn, a warrior who is torn between his duty to kill her and his desire to keep her, she must adapt to a life she had only read about in history books.Winn is a seventeenth century Paspahegh warrior, born in a time before the English settlers arrived on the shores of Tsenacomoco. He has learned the ways of the English and uses his knowledge to ensure the survival of his people, but when he finds a wounded woman in the woods his loyalty is put to the ultimate test.Hunted and feared by both the Powhatan and the English, Maggie struggles to find a way home while Winn plots to keep her there. Maggie fights to survive as she finds herself entangled in the Massacre of 1622, and Winn sees everything he ever believed in shattered by the knowledge she holds. With ties to both the past and future, their lives unfold among the stirrings of a new nation. Maggie and Winn risk everything to survive as the once powerful Powhatan Nation crumbles and the English build a country from the ashes.Praise for the Time Walkers series: The Legend of the Bloodstone - 2013 Amazon Breakthrough Novel Award, QuarterfinalistA Tale of Oak and Mistletoe - 2013 RWA/NYC We Need a Hero Contest, Finalist"Time travel and romance converge in this tale of star-crossed love" - Publishers Weekly on The Legend of the Bloodstone"This was beautiful! Time Travel at its best!"- Romance Novels in Color"Absolutely consuming" - Amazon reviewer"I love this series. I didn't want it to end!" - Amazon Reviewer"I can easily see where this story could be a fantastic movie." - Amazon Reviewer"My complaint with this book is I couldn't stop reading this one and the next one in the series which resulted in late nights and tired mornings!!" - Amazon Reviewer"An epic historical saga in brilliant cinematic technicolor" - Amazon reviewer

    dive headfirst into the small town with an enormous heart.Daisy Creek is a small and simple town… but for four determined women, it’s the backdrop for romance and adventure.Follow Jill, Mary, Daphne, and Eloise as they fight for love in four captivating stories of passion.A glimmer of hope lights Jill’s path to Daisy Creek, where she meets widower and deputy Bill Paulson, and their love blossoms instantly.But sometimes reality is hell-bent on testing even the strongest bond, and their love is soon put to the ultimate test.Mary longs for a fresh start, but she’s soon met with the devastating news that sends all her plans into turmoil.Pastor John is a shining light in the darkness -- and a surprising twist in Mary’s story. A love story is about to unfurl… but it isn’t the one she expected, and she will have to deal with far more heartache before she can find happiness.Daphne’s hopes of a happy marriage are short-lived, and her husband-to-be skips town with another woman.Her runaway-groom’s brother, Parker, is Daphne’s rock, and she’s immediately drawn to him as he fights to track down his older brother.But Daphne’s heart is full... When he succeeds, which brother will she choose?Eloisa arrives in Daisy Creek looking for a simpler life. Responding to an ad placed by a small-town banker, she’s determined to follow her heart.But Eloisa soon learns that David might not be the charming and principled man she imagined. Will he ever change his ways, or is she about to make the biggest mistake of her life?In Daisy Creek Brides: Books 1-4, you’ll find four captivating stories of love, heartbreak, and determination. Follow these strong brides as they seek happiness in small-town life, and immerse yourself in the whispers of romance rippling through Daisy Creek.Lose yourself in passion, tragedy, and inspirational romance: click “Add to Cart” right now.

    He aims an anthropological eye at the realities of everyday life to show how they house the violence that continues to reverberate from the long twentieth century. In a genre-bending constellation of poetry, photography, redaction, and poetics, Belcourt ultimately argues that if signifiers of Indigenous suffering are everywhere, so too is evidence of Indigenous peoples’ rogue possibility, their utopian drive.In NDN Coping Mechanisms: Notes from the Field, the poet takes on the political demands of queerness, mainstream portrayals of Indigenous life, love and its discontents, and the limits and uses of poetry as a vehicle for Indigenous liberation. In the process, Belcourt once again demonstrates his extraordinary craft, guile, and audacity, and the sheer dexterity of his imagination.

    I read his work with awe and admiration.”—Ben Marcus “Joe Wenderoth's brave new poetic talent is like nothing so much as a live wire writing its own epitaph in sparks. [His poems] throb brilliantly with a sense of the 'too much.' . . . But in Wenderoth's case the too much is the too little or the too ordinary—a very remarkable discovery to have made so late in the history of poetry. Philip Larkin and a few American poets have approached it, but Wenderoth's instrument is sharper than theirs; he makes quick cuts in the meat of the ordinary, which is the meat of the impossible.”—Cal Bedient This clear-eyed new work from a favorite young poet is searching and solemn, dissatisfied with artificial condolences and pat maxims. Joe Wenderoth’s determination in the face of harsh realities is what rescues us, and him, from hopelessness. “Luck” So a screaming woke you just in time An animal’s scream, or animals’. What kind of animal it was doesn’t matter, and cannot, in any case, be determined. The point is you are saved. Your mouth has been opened. Joe Wenderoth grew up near Baltimore and is the author of five books of prose and poetry. He teaches at the University of California, Davis.

    Starting there, this extended poem—part art criticism, part history—considers the phenomenon of glass, revealing the strength and fragility of our age in the minimalist style that has won Cole Swensen such acclaim.

                         —from “The Return of Colored Only” Skin, Inc. is Thomas Sayers Ellis’s big, ambitious argument in sound and image for an America whose identity is in need of repair. In lyric sequences and with his own photographs, Ellis traverses the African American and American literary landscapes—along the way adding race fearlessness to past and present literary styles and themes, and perform-a-forming tributes for the Godfather of Soul, James Brown; the King of Pop, Michael Jackson; and the election of President Barack Obama. Part manifesto, part identity repair kit, part plea for poetic wholeness, this collection worries and self-defends, eulogizes and casts a vote, raises a fist and, often, an intimidating song. One sequence is written as a sonic/ visual diagram of pronouns and vowels; another quotes from editors’ rejections of his own poetry included in the book; another poem, “Race Change Operation,” begins: “When I awake I will be white, the color of law.” Skin, Inc. is the latest work by one of the most audacious and provocative poets now writing.

    As a poet who has achieved success in the realms of both grassroots popularity and national critical attention, Kocot is poised to claim her place as America’s boldest new poetic voice.

    Tap Out, Edgar Kunz’s debut collection, reckons with his working‑poor heritage. Within are poignant, troubling portraits of blue‑collar lives, mental health in contemporary America, and what is conveyed and passed on through touch and words―violent, or simply absent.   Yet Kunz’s verses are unsentimental, visceral, sprawling between oxys and Bitcoin, crossing the country restlessly. They grapple with the shame and guilt of choosing to leave the culture Kunz was born and raised in, the identity crises caused by class mobility. They pull the reader close, alternating fierce whispers and proud shouts about what working hands are capable of and the different ways a mind and body can leave a life they can no longer endure. This hungry new voice asks: after you make the choice to leave, what is left behind, what can you make of it, and at what cost?

    But the handsome warrior also exudes an aura of dangerous sensuality... and soon Alanna realizes that for this hunter, she is the irresistible prey. HE WAS DESIRE Then war rages across the land, sweeping Alanna from a sprawling Virginia estate to the rugged Ohio Valley. Here, in the deep forests of frontier America, she will find Hunter again - and discover a love as wild as it is forbidden...Previously Titled: Beloved

    Eager to leave her grief behind, she sets off with her family for a life out West. On the trail, she forms an instant connection with John Lowry, a half-Pawnee man straddling two worlds and a stranger in both.But life in a wagon train is fraught with hardship, fear, and death. Even as John and Naomi are drawn to each other, the trials of the journey and their disparate pasts work to keep them apart. John’s heritage gains them safe passage through hostile territory only to come between them as they seek to build a life together.When a horrific tragedy strikes, decimating Naomi’s family and separating her from John, the promises they made are all they have left. Ripped apart, they can’t turn back, they can’t go on, and they can’t let go. Both will have to make terrible sacrifices to find each other, save each other, and eventually…make peace with who they are.

    Mythologized as Custer's Last Stand, the June 1876 battle has been equated with other famous last stands, from the Spartans' defeat at Thermopylae to Davy Crockett at the Alamo.In his tightly structured narrative, Nathaniel Philbrick brilliantly sketches the two larger-than-life antagonists: Sitting Bull, whose charisma and political savvy earned him the position of leader of the Plains Indians, and George Armstrong Custer, one of the Union's greatest cavalry officers and a man with a reputation for fearless and often reckless courage. Philbrick reminds readers that the Battle of the Little Bighorn was also, even in victory, the last stand for the Sioux and Cheyenne Indian nations. Increasingly outraged by the government's Indian policies, the Plains tribes allied themselves and held their ground in southern Montana. Within a few years of Little Bighorn, however, all the major tribal leaders would be confined to Indian reservations.Throughout, Philbrick beautifully evokes the history and geography of the Great Plains with his characteristic grace and sense of drama. "The Last Stand" is a mesmerizing account of the archetypal story of the American West, one that continues to haunt our collective imagination.

    We used to be from New York. We had a little real estate problem.” In We Had a Little Real Estate Problem, acclaimed comedy historian Kliph Nesteroff focuses on one of comedy’s most significant and little-known stories: how, despite having been denied representation in the entertainment industry, Native Americans have influenced and advanced the art form. The account begins in the late 1880s, when Native Americans were forced to tour in wild west shows as an alternative to prison. (One modern comedian said it was as “if a Guantanamo detainee suddenly had to appear on X-Factor.”) This is followed by a detailed look at the life and work of seminal figures such as Cherokee humorist Will Rogers and Hill, who in the 1970s was the first Native American comedian to appear The Tonight Show. Also profiled are several contemporary comedians, including Jonny Roberts, a social worker from the Red Lake Nation who drives five hours to the closest comedy club to pursue his stand-up dreams; Kiowa-Apache comic Adrianne Chalepah, who formed the touring group the Native Ladies of Comedy; and the 1491s, a sketch troupe whose satire is smashing stereotypes to critical acclaim. As Ryan Red Corn, the Osage member of the 1491s, says: “The American narrative dictates that Indians are supposed to be sad. It’s not really true and it’s not indicative of the community experience itself…Laughter and joy is very much a part of Native culture.” Featuring dozens of original interviews and the exhaustive research that is Nesteroff’s trademark, We Had a Little Real Estate Problem is a powerful tribute to a neglected legacy.

    Dorn is one of the few political poets in America; this fantasy about a demigod cowboy, a saloon madam, and a talking horse named Claude Levi-Strauss, who travel the Southwest in search of Howard Hughes, has become a minor classic.

    As young women, all three leave their homes. Margie and Theresa go to Duluth for college and work; there Theresa gets to know a handsome Indian boy, Michael Washington, who invites her home to the Sweetgrass land allotment to meet his father, Zho Wash, who lives in the original allotment cabin. When Margie accompanies her, complicated relationships are set into motion, and tensions over “real Indian-ness” emerge.Dale Ann, Margie, and Theresa find themselves pulled back again and again to the Sweetgrass allotment, a silent but ever-present entity in the book; sweetgrass itself is a plant used in the Ojibwe ceremonial odissimaa bag, containing a newborn baby’s umbilical cord. In a powerful final chapter, Zho Wash tells the story of the first days of the allotment, when the Wazhushkag, or Muskrat, family became transformed into the Washingtons by the pen of a federal Indian agent. This sense of place and home is both tangible and spiritual, and Linda LeGarde Grover skillfully connects it with the experience of Native women who came of age during the days of the federal termination policy and the struggle for tribal self-determination.The Road Back to Sweetgrass is a novel that that moves between past and present, the Native and the non-Native, history and myth, and tradition and survival, as the people of Mozhay Point navigate traumatic historical events and federal Indian policies while looking ahead to future generations and the continuation of the Anishinaabe people.

    So when the beautiful and wily Charlotte steps off the train looking for a new life he jumps at the business opportunity she presents. Engaged forty-five minutes after meeting, married the next day, Michael thinks he’s found everything a respectable man should have. Except that Michael is as far from respectable as they come. They agreed not to ask questions about each other’s pasts, but when the past seeps into their present Michael suspects his passionate new wife is not who she says she is. Too bad he’s already fallen in love with her.Charlotte Baldwin has a secret. She fled Philadelphia to escape the sins of her past but someone is following her. What better way to hide than by marrying Michael West, Cold Springs, Montana’s enigmatic shopkeeper? A new name, a new life, and a passionate husband is exactly what she needs to leave her sins behind. But when it comes to keeping secrets Charlotte may have met her match in Michael. When a connection neither of them expects catches up with them, the shocking revelation means Charlotte may have run right into the arms of her enemy.No sin stays a secret forever…