Seventeen-year-old Sylvia (Harper) Kostak is caught between her mother’s regrets and the strictures of small-town life in the interior of British Columbia. When Harper meets Gabe, an intense and enigmatic young man living on the ’60s-style arts commune outside of town, she is transfixed. Gradually we learn Gabe’s story and what led him to join his estranged mother on the commune, where, in a bid for freedom, Harper eventually finds herself, setting in motion a series of events leading to tragedy. Resonant with longing and a sense of isolation, the novel brings alive the agonies and ecstasies of growing up, sexual discovery, and how the need to belong can shape both decisions and destinies.Author Biography: Laisha Rosnau was born in Pointe Claire, Quebec, and grew up in Vernon, British Columbia. She has worked as a child-care worker, a landscaper, a waitress, a fruit picker, an interpretive guide, a journalist, and an editor. She received a Master of Fine Arts in Creative Writing from the University of British Columbia, where she was the Executive Editor of PRISM international. Her poetry and short fiction have been published in literary journals and anthologies in Canada, the United States, and Australia. The Sudden Weight of Snow is her first novel. Laisha Rosnau lives in Vancouver, where she is at work on a collection of poetry and on her second novel.

    There were no roads, no cars and no telephones. The tiny village that nestled among the rocky hills of Newfoundland's desolate southern coast had existed for generations with ancient customs and patterns of speech that still endured-while the modern world waited impatiently in the wings. Drawing on a wealth of first-hand experience-the Mowats lived in the outport community for five years-Claire Mowat has written a fictional memoir that beautifully recreates an almost vanished world. A world where life revolved tightly around the home and neighbours watched over one another. A world where one's kitchen was open to anyone who might drop in, day or night. A world that Claire Mowat grew to love.

    When a series of dramatic events brings a strange man to her door, Mary emerges from the comfortable isolation that she knows to follow her dreams in Boston. Those desires do not come without sacrifice and hard choices. When her past comes back to haunt her, Mary must decide whether there is room for both her aspirations and her heart—or if she must surrender one to have the other.

    

    Yes, she is old. Yes, she sometimes forgets where she put her glasses, or her heart medication. But doesn't everyone? That doesn't give workers--paid to assist her, mind you--the right to rifle through her personal belongings, or "accidentally" forget something of hers in their pocket. It definitely does not give them the right to embezzle thousands of dollars from her family trust.Just when she is most desperate, a young neighbor takes her by surprise. Bonding over their shared love of soap operas, Jo and Toby engage in old-school reconnaissance to find answers. Together, they brave roller skates, walks along uneven ground, and even downtown parking on what may be Jo's most exciting adventure in forty years."Yes, And" is a feel-good story that explores the hearts of two misunderstood, kindred spirits, connected just when they need each other most.

    Robert Raymond Cook, Ray Cook's son from his first marriage, was convicted of the crime, and had the infamy of becoming the last man hanged in Alberta. Forty-six years later, a troublesome character named Louise in a story that Betty Jane Hegerat finds herself inexplicably reluctant to write, becomes entangled in the childhood memory of hearing about that gruesome mass murder. Through four years of obsessively tracking the demise of the Cook family, and dancing around the fate of the fictional family, the problem that will not go away is how to bring the story to the page. A work of non-fiction about the Cooks and their infamous son, or a novel about Louise and her problem stepson? Both stories keep coming back to the boy. Part memoir, part investigation, part novella, part writer's journal, The Boy, is the author's final capitulation to telling the story with all of the troublesome questions unanswered.

    Carl is determined to get justice for Kate, whatever it takes. But with few allies, he finds himself incurring the wrath of powerful enemies as he attempts to uncover the truth.

    Decisive, resourceful and independent, Sarah faces challenges in love and friendship from those around her and the wider circumstances of the war as she travels across the cities and countrysides of England and Scotland. Often described as gentle romances, D. E. Stevenson novels are neither overblown nor unduly tragic, populated with characters who quietly make those around them better simply because of their existence. Consistently satisfying, there is a good reason why Stevenson has amassed a devoted following.

    The isolation is all but unbearable until a mysterious tenant moves into the house at the bottom of the hill. James Dunford has come from America but he won’t say why. He spends his days fixing up the old cottage and walking the beach with a stray dog that showed up on his doorstep.As the weeks pass, Tara tries to get to know James, but he resists her at every turn. And it's not until a local villager recognizes him from the news that she realizes his visit might be about more than just a vacation. On the night of a big storm, Tara finally confronts James about why he is there. But how can she expect him to be honest when she, too, is hiding her own dark secret?Set against the backdrop of the Hunger Strikes in Northern Ireland, Sunsets Never Wait is a story about love, loss, and the risks of hanging on to the past. No matter how much the world has let you down, there’s always a possibility for second chances.

    For fans of Nadine Dorries, Maeve Binchy, Freda Lightfoot and Dilly Court. Lives are on the line as the workers fight back in the Welsh countryside… 1829, Wales For centuries. generations of the Jenkins family have eked out a living from their Carmarthenshire hill farm. But when a fire destroys virtually all of their possessions the children witness their lives crumbling around them. Mary and William find they have barely enough land left to provide for their basic needs. Their only option is to take on more work, but William longs for action, and Mary begins to suspect that he has become embroiled with the Rebecca-ites, a shadowy group of nationalists pitted against the English landowners whose tolls have bankrupted so many Welshman. As tensions mount, Mary becomes ever more torn between her mistrust of the rebels’ violence and her growing attraction to Jac Tŷ Isha, one of their leaders. And when the British government decides to put a stop to the revolt, the danger to the men she loves increases a hundredfold… REBECCA’S CHILDREN is a poignant, beautifully crafted saga of love and betrayal, set against the background of Wales in mid-1800s – a country aflame with political and social unrest. "An accomplished first novel." - The Times "A well-handled tale of passion, social injustice and nationalist fervour in nineteenth century Wales." - The Liverpool Post “Kate Dunn is a fine storyteller.” - Ben Elton

    When a decent, regular guy does his thieving neighbor a favor by driving him out to a long-neglected farm to steal an old panel truck, the two accidentally spark the ire of the hidden, quasi-occult residents of the place who prove eager to inflict Old Testament vengeance on just about every male within reach.  It's Me Too gone feral in a story of moral anxiety, misguided romance, and the age-old wages of sin.

    Proclaimed by reviewers to be “a rural J.D. Salinger,” Baker received the prestigious Danuta Gleed Award and her collection was listed among Maclean’s Top 10 Books of the Year.The Horseman’s Gravesreturns us to the harsh locale of Sand Hills on the Saskatchewan-Alberta border, where Baker unfolds a tale of a small German immigrant community caught between the promise of this new land and the weight of a European past, with its hatred, fear and old-country superstitions. Lathias is a half-breed farmhand, a young loner who becomes the unofficial guardian to the Schoff boy, a golden child until a terrible farm accident scars his face and his mind. Both boys are drawn to Elisabeth, a savagely beautiful girl, whose stepfather, Leo, is the local scapegrace, a man whose cruelty is both a source of amusement and shame to the townspeople. When Elisabeth, watched only by the Schoff boy, falls through the ice into the river, no one foresees how it will be the end—and the beginning—of everything. A novel so lyrical and hypnotic that it begs to be read aloud,The Horseman’s Graves is a pitch-perfect rendering of small-town immigrant life. Told through the unforgettable narrative voice of a seeall neighbour, it is filled with memorable characters: a blustering, pious priest; a mysterious “witch” faith healer; the town busybody; a fearful young farm wife who is virtually worked to death. An extraordinarily accomplished work, The Horseman’s Graves is a profound testament to our universal search for love and redemption.

    Sometimes they succeed and sometimes they fail, and sometimes they end up in a slapstick sex scene that climaxes with a broken table. The book embraces characters who are flawed, emotional, and who care too much about things that are ridiculous.

    Wandering there, she uncovers, in the ruins of a log cabin, the writings of a young woman who lived more than a hundred years before. Into Alyson's story Merilyn Simonds weaves the moving tale of Margaret MacBayne, who, with her family, left behind hardship in a seaside Scottish town in the hope of building a new home in the Canadian wilderness. Margaret, an expert on herbs, contemplates revenge when her brothers rob her of her happiness. When Alyson too suffers great loss, she must decide if retribution is worth the price. Taut and uplifting, sensuous and astute, The Holding is psychologically complex and beautifully rendered. Simonds brings us an intimate journey of discovery into the things we keep most guarded, whose truths often lie in unexpected places.

    An older married man.  Their haunted relationship evolves in a floating melange of restaurants and hotel rooms against the looming backdrop of their separate, anonymous cities.  Although erotically charged, the affair is never consummated - yet the love Fiona feels intensifies into an obsession that continues to possess her long after Raymond leaves her.  Along the way, at receptions and restaurant tables, at dinner parties and on trips, Fiona meets other men and women in relationships that are coming together or falling apart-friendships, marriages, love affairs - each offering their own version of love's nature.  And, throughout, Raymond's wife Helen holds a central place.  For Fiona, Helen herself is "the other woman" - mysterious, enviable and untouchable.