But instead of a joyful reunion, Erin unearths a dispute that forces her to navigate the increasingly bitter crossroads between memory and truth.To a young newspaper reporter, it was the story of a lifetime: a Jewish infant born in the ghetto, saved from the Nazis by a Polish family, uprooted to Sweden after the war, repeatedly torn away from the people she knew as family -- all to take a transatlantic journey with a father she'd barely known toward a new life in the United States.Who wouldn't want to tell that tale? Growing up in suburban Detroit, Erin Einhorn pestered her mother to share details about the tumultuous, wartime childhood she'd experienced. "I was always loved," was all her mother would say, over and over again. But, for Erin, that answer simply wasn't satisfactory. She boarded a plane to Poland with a singular mission: to uncover the truth of what happened to her mother and reunite the two families who once worked together to save a child. But when Erin finds Wieslaw Skowronski, the elderly son of the woman who sheltered her mother, she discovers that her search will involve much more than just her mother's childhood.Sixty years prior, at the end of World War II, Wieslaw Skowronski claimed that Erin's grandfather had offered the Skowronskis his family home in exchange for hiding his daughter. But for both families, the details were murky. If the promise was real, fulfilling it would be arduous and expensive. To unravel the truth and resolve the decades-old land dispute, Erin must search through centuries of dusty records and maneuver an outdated, convoluted legal system.As she tries to help the Skowronski family, Erin must also confront the heart-wrenching circumstances of her family's tragic past while coping with unexpected events in her own life that will alter her mission completely.Six decades after two families were brought together by history, Erin is forced to separate the facts from the glimmers of fiction handed down in the stories of her ancestors. In this extraordinarily intimate memoir, journalist Erin Einhorn overcomes seemingly insurmountable barriers -- legal, financial, and emotional -- only to question her own motives and wonder how far she should go to right the wrongs of the past.

    The story of an adolescent whose life has been changed forever by his mother's suicide when he was twelve years old. The story of a man who leaves the constraints of his family and its community of dreamers, scholars, and failed businessmen to join a kibbutz, change his name, marry, have children. The story of a writer who becomes an active participant in the political life of his nation.(back cover)

    Anne-Marie O'Connor, writer for the Washington Post, formerly of the Los Angeles Times, tells the galvanizing story of the Lady in Gold, Adele Bloch-Bauer, a dazzling Viennese Jewish society figure; daughter of the head of one of the largest banks in the Hapsburg Empire, head of the Oriental Railway, whose Orient Express went from Berlin to Constantinople; wife of Ferdinand Bauer, sugar-beet baron. The Bloch-Bauers were art patrons, and Adele herself was considered a rebel of fin de siècle Vienna (she wanted to be educated, a notion considered "degenerate” in a society that believed women being out in the world went against their feminine "nature"). The author describes how Adele inspired the portrait and how Klimt made more than a hundred sketches of her-simple pencil drawings on thin manila paper. And O'Connor writes of Klimt himself, son of a failed gold engraver, shunned by arts bureaucrats, called an artistic heretic in his time, a genius in ours. She writes of the Nazis confiscating the portrait of Adele from the Bloch-Bauers' grand palais; of the Austrian government putting the painting on display, stripping Adele's Jewish surname from it so that no clues to her identity (nor any hint of her Jewish origins) would be revealed. Nazi officials called the painting, "The Lady in Gold" and proudly exhibited it in Vienna's Baroque Belvedere Palace, consecrated in the 1930s as a Nazi institution. The author writes of the painting, inspired by the Byzantine mosaics Klimt had studied in Italy, with their exotic symbols and swirls, the subject an idol in a golden shrine. We see how, sixty years after it was stolen by the Nazis, the Portrait of Adele Bloch-Bauer became the subject of a decade-long litigation between the Austrian government and the Bloch-Bauer heirs, how and why the U.S. Supreme Court became involved in the case, and how the Court's decision had profound ramifications in the art world. In this book listeners will find riveting social history; an illuminating and haunting look at turn-of-the-century Vienna; a brilliant portrait of the evolution of a painter; a masterfully told tale of suspense. And at the heart of it, The Lady in Gold-the shimmering painting, and its equally irresistible subject, the fate of each forever intertwined.

    As deep-seated anti-Semitism and isolationism gripped much of the country, neither President Roosevelt nor Congress rallied to their aid.Yet one brave Jewish couple from Philadelphia refused to silently stand by. Risking their own safety, Gilbert Kraus, a successful lawyer, and his stylish wife, Eleanor, traveled to Nazi-controlled Vienna and Berlin to save fifty Jewish children. Steven Pressman brought the Kraus's rescue mission to life in his acclaimed HBO documentary, 50 Children. In this book, he expands upon the story related in the hour-long film, offering additional historical detail and context to offer a rich, full portrait of this ordinary couple and their extraordinary actions.Drawing from Eleanor Kraus's unpublished memoir, rare historical documents, and interviews with more than a dozen of the surviving children, and illustrated with period photographs, archival materials, and memorabilia, 50 Children is a remarkable tale of personal courage and triumphant heroism that offers a fresh, unique insight into a critical period of history.

    When Henry Orenstein and his siblings end up in a series of concentrations camps, Orenstein's bravery and quick thinking help him to save himself and his brothers from execution by playing a role in the greatest hoax ever pulled on the upper echelons of Nazi command. Orenstein's lucid prose recreates this horrific time in history and his constant struggle for survival as the Nazis move him and his brothers through five concentration camps. His description of their roles in the fake Chemical Commando sheds new light on an incredible and generally unknown event in the history of the Holocaust. This edition of I Shall Live contains new evidence about this false Commando, including letters signed to and from Himmler himself.

    By sharing her own story, Lydia Kukoff creates a remarkable work about what it means to make this significant choice. Years after her own conversion she continues to question, grow, and learn, and encourages others to do the same.

    As two of his three sons faced danger and death on the battlefield, Gerecke tended to the battered bodies and souls of wounded and dying GIs outside London. At the war’s end, when other soldiers were coming home, Gerecke was recruited for the most difficult engagement of his life: ministering to the twenty-one Nazis leaders awaiting trial at Nuremburg.Based on scrupulous research and first-hand accounts, including interviews with still-living participants and featuring sixteen pages of black-and-white photos, Mission at Nuremberg takes us inside the Nuremburg Palace of Justice, into the cells of the accused and the courtroom where they faced their crimes. As the drama leading to the court’s final judgments unfolds, Tim Townsend brings to life the developing relationship between Gerecke and Hermann Georing, Albert Speer, Wilhelm Keitel, Joachim von Ribbentrop, and other imprisoned Nazis as they awaited trial.Powerful and harrowing, Mission at Nuremberg offers a fresh look at one most horrifying times in human history, probing difficult spiritual and ethical issues that continue to hold meaning, forcing us to confront the ultimate moral question: Are some men so evil they are beyond redemption?

    Army officer and his infantry unit as they fought from the invasion of Italy to the liberation of Dachau at war's end.From July 10, 1943, the date of the Allied landing in Sicily, to May 8, 1945, when victory in Europe was declared-roughly 500 days-no regiment saw more action, and no single platoon, company, or battalion endured worse, than the one commanded by Felix Sparks, a greenhorn second lieutenant when The Liberator begins. Historian Alex Kershaw vividly portrays the immense courage and stamina of Sparks and his men as they fought terrifying engagements against Hitler's finest troops in Sicily and Salerno and as they endured attack after attack on the beaches of Anzio (with Sparks miraculously emerging as his 200-man company's sole survivor). In the bloody battle for southern France, Sparks led his reconstituted unit into action against superbly equipped and trained die-hard SS troops and demonstrated how the difference between defeat and victory would be a matter of character, not tactics or hardware. Finally, he and his men were ordered to liberate Dachau, the Nazis' first concentration camp. It would be their greatest challenge, a soul-searing test of their humanity.

    He was an ardent member of the Hitler Youth. This is the story of their pareallel journey through World War II. Helen Waterford and Alfons Heck were born just a few miles from each other in the German Rhineland. But their lives took radically different courses: Helen's to the Auschwitz extermination camp; Alfons to a high rank in the Hitler Youth. While Helen was hiding in Amsterdam, Alfons was a fanatic believer in Hitler's "master race." While she was crammed in a cattle car bound for the death camp Aushchwitz, he was a teenage commander of frontline youth troops, ready to fight and die for the glory of Hitler and the Fatherland. This book tells both of their stories, side-by-side, in an overwhelming account of the nightmare that was WWII. The riveting stories of these two remarkable people must stand as a powerful lesson to us all.

    But in 1997, in the face of personal crisis, he turned to his Jewish heritage for guidance. In his reading he happened upon a Jewish spiritual tradition called Mussar. Gradually he realized that he had stumbled upon an insightful discipline for self-development, complete with meditative, contemplative, and other well-developed transformative practices designed to penetrate the deepest roots of the inner life. Eventually reaching the limits of what he could learn on his own, he decided to seek out a Mussar teacher. This was not an easy task, since almost the entire world of the Mussar tradition had been wiped out in the Holocaust. In time, he found an accomplished master who stood in an unbroken line of transmission of the Mussar tradition, and who lived in the center of a community of Orthodox Jews on Long Island. This book tells the story of Morinis’s journey to meet his teacher and what he learned from him, revealing the central teachings and practices that are the spiritual treasury and legacy of Mussar.

    Relying on his own letters home and recollections he penned just after his discharge, Webster gives a first hand account of life in E Company, 101st Airborne Division, crafting a memoir that resonates with the immediacy of a gripping novel. From the beaches of Normandy to the blood-dimmed battlefields of Holland, here are acts of courage and cowardice, moments of irritating boredom punctuated by moments of sheer terror, and pitched urban warfare. Offering a remarkable snapshot of what it was like to enter Germany in the last days of World War II, Webster presents a vivid, varied cast of young paratroopers from all walks of life, and unforgettable glimpses of enemy soldiers and hapless civilians caught up in the melee. Parachute Infantry is at once harsh and moving, boisterous and tragic, and stands today as an unsurpassed chronicle of war--how men fight it, survive it, and remember it.

    Sworn to secrecy, he began revealing details of his wartime activities only in the last years of his life as he became afflicted with Alzheimer's. His exploits revealed a man of remarkable bravado -- posing as a Nazi guard, slipping behind enemy lines to blow up ammunition dumps, and being flown to one of the first concentration camps liberated by the Allies to report on the atrocities found there.My Father's Secret War is an intimate account of Franks coming to know her own father after years of estrangement. Looking back at letters he had written her mother in the early days of WWII, Franks glimpses a loving man full of warmth. But after the grimmest assignments of the war his tone shifts, settling into an all-too-familiar distance. Franks learns about him -- beyond the alcoholism and adultery -- and comes to know the man he once was.Her story is haunting, and beautifully told, even as the tragedy becomes clear: Franks finally comes to know her father, but only as he is slipping further into his illness. Lucinda Franks understands her father as the disease claims him. My Father's Secret War is a triumph of love over secrets, and a tribute to the power of the connection of family.

    Later that year, the Jdische Kulturbund, or Jewish Cultural Association, was created to allow Jewish artists to perform for Jewish audiences. Here is the riveting and emotional story of Gunther Goldschmidt and Rosemarie Gumpert, two courageous Jewish musicians who struggled to perform under unimaginable circumstances and found themselves falling in love in a country bent on destroying them.

    Casts light into dark and previously neglected corners of the horror that was the Third Reich.'' —Richard John Neuhaus, Editor in Chief First Things ''Father Jean Bernard's portrait of survival in a German concentration camp is simple, forceful and vivid and therefore impossible to put down or forget. It ranks with the great 20th Century personal testimonies against totalitarian violence... Priestblock 25487 is a diary of Catholic discipleship under extreme conditions that will deeply move all persons of conscience.'' —Charles J. Chaput, Archbishop of Denver ''Gripping! This crisp story of the 3,000-plus Christian clergy at Dachau in 1941 forces me to turn pages quickly, in horror... In its understated power, this brief book is unforgettable.'' —Michael Novak, author of Washington's God (with Jana Novak) ''Many hundreds of books have been written and published about German concentration and extermination camps during World War II, including at least two or three dozens written or dictated by their actual survivors. Of these, Father Jean Bernard's Priestblock 25487 is among the very best, because of the exceptional intelligence and honesty of its author. Dachau, where he was imprisoned, was not the worst of all those camps, and Father Bernard was, surprisingly, released after two years of imprisonment: but perhaps because of these very circumstances his diary is extraordinarily telling, convincing, and graphic. Every scholar and student of that dreadful chapter of twentieth-century history ought to read—and ponder—its contents.'' —John Lukacs, author of The Hitler of History; and Five Days in London: May 1940 ''Father Bernard has left readers with a gripping testimony of the brutal treatment the Catholic clergy received at the hands of the Nazis in Dachau. Despite t

    Nancy Wake, a New Zealander who became one of the most highly decorated women of WW II, here she tells her own story.