From the #1 bestselling, award–winning team behind March comes the first book in their new, groundbreaking graphic novel series, Run: Book One “In sharing my story, it is my hope that a new generation will be inspired by Run to actively participate in the democratic process and help build a more perfect Union here in America.” –Congressman John LewisThe sequel to the #1 New York Times bestselling graphic novel series March—the continuation of the life story of John Lewis and the struggles seen across the United States after the Selma voting rights campaign.To John Lewis, the civil rights movement came to an end with the signing of the Voting Rights Act in 1965. But that was after more than five years as one of the preeminent figures of the movement, leading sit–in protests and fighting segregation on interstate busways as an original Freedom Rider. It was after becoming chairman of SNCC (the Student Nonviolent Coordinating Committee) and being the youngest speaker at the March on Washington. It was after helping organize the Mississippi Freedom Summer and the ensuing delegate challenge at the 1964 Democratic National Convention. And after coleading the march from Selma to Montgomery on what became known as “Bloody Sunday.” All too often, the depiction of history ends with a great victory. But John Lewis knew that victories are just the beginning. In Run: Book One, John Lewis and longtime collaborator Andrew Aydin reteam with Nate Powell—the award–winning illustrator of the March trilogy—and are joined by L. Fury—making an astonishing graphic novel debut—to tell this often overlooked chapter of civil rights history.

    Now it's up to the team of mythical pals to stop the illicit illusionist before it's too late.Collects issues 1 through 5.

    Pigeon, who wants to turn the capital into a huge nature reserve for the birds he communicates with. Will Paris ever be safe from Hawk Moth and his akuma? SPOTS ON, CLAWS OUT!

    After watching her circle of friends seemingly fade away, Lora is determined to still have fun on her own, so when a tea party leads Lora to discovering Alexa, the ghost that haunts her house, they soon become best friends.

    Exploring the anguish of immigration and the lasting effects that displacement has on a child and her family, Bui documents the story of her family's daring escape after the fall of South Vietnam in the 1970s and the difficulties they faced building new lives for themselves. At the heart of Bui's story is a universal struggle: While adjusting to life as a first-time mother, she ultimately discovers what it means to be a parent — the endless sacrifices, the unnoticed gestures, and the depths of unspoken love. Despite how impossible it seems to take on the simultaneous roles of both parent and child, Bui pushes through.With haunting, poetic writing and breathtaking art, she examines the strength of family, the importance of identity, and the meaning of home. The Best We Could Do brings to life her journey of understanding and provides inspiration to all who search for a better future while longing for a simpler past.

    

    The original appearances of the Black Orchid from Adventure Comics #428-430, The Phantom Stranger #31, 32, 35, 36, 38-41, and The Super Friends #31.

    The only alternative he sees is to willfully slip into a coma. But one year later, Miguel becomes a walking urban legend after he wakes up virtually unchanged -- except for his sloth-like pace. Soon, a haunted lemon orchard, the mysterious goat man, and murder will collide as Miguel, his girlfriend Lita and their best friend Romeo take on the teenage wasteland that is suburbia in the 21st century. Will Miguel find love? Or has he risen from his slumber just to end up another rock and roll suicide? In this hypnotic, coming-of-age tale, Gilbert Hernandez deftly defines what it means to truly be alive in a land where life is not precious.

    Home is a new house with a loving husband in 1970s California that suddenly transformed in to the frightening world of the antebellum South. Dana, a young black writer, can't explain how she is transported across time and space to a plantation in Maryland. But she does quickly understand why: to deal with the troubles of Rufus, a conflicted white slaveholder--and her progenitor. Her survival, her very existence, depends on it. This searing graphic-novel adaptation of Octavia E. Butler's science fiction classic is a powerfully moving, unflinching look at the violent disturbing effects of slavery on the people it chained together, both black and white--and made kindred in the deepest sense of the word.

    But when the girls of Vinyl Destination enter a Battle of The Bands – to investigate and, of course, win – they learn that the shadowy corporate masters of the music industry plan to destroy the fledging world of digital music and blame it on Y2K. Now it’s time for Chris and the gang to dial up 56k (or more, pretty please) of justice so they can save the day once again!The critically-acclaimed team of writer Carly Usdin (The Avant-Guards) and Russ Manning Award-nominated artist Nina Vakueva (League of Legends: Ashe) reunite for a follow-up to Heavy Vinyl: Riot on The Radio, which was recognized as one of the 2018 YALSA Great Graphic Novels for Teens.

    This tongue-in-cheek guide is full of advice designed to help you manage Aunty meddling and encourages you to pursue your passions—from someone who has been through it all. Qamar confesses to throwing sweatshirts over crop-tops to get out of the house without being questioned, hiding her boyfriend in a closet, and enduring overbearing parents endless pressuring her to become a doctor, lawyer, or engineer. Holding onto your cultural identity is tough. Always interfering Aunties make it even harder. But ultimately, Aunties keep our lives interesting. As an Aunty-survivor and a woman who has lived the cross-cultural experience, Qamar defied the advice of her aunties almost every step of the way, and she is here to remind you: Trust No Aunty.

    No one is more excited than Evie, the Villain Kids' (VKs) resident fashionista and designer extraordinaire! The other VKs roll up their sleeves to help their friend, but with another Auradon student competing for the top prize alongside her, will Evie be able to reach the top spot? And just how far are the other competitors prepared to go to win first place?This is book 1 of 2.

    Follow a woman and a man's powerful journey through this new landscape as they discover love, family and the true light in a world seemingly robbed of any. As they challenge the world's notions of identity, guilt and survival, they find that no matter the darkness, there remain sources of hope that can pierce the veil.

    . . but what happens behind the curtain is pure magic literally! When Jory transfers to an all-boys private high school, he's taken in by the only ones who don't treat him like a new kid, the lowly stage crew known as the Backstagers. Not only does he gain great, lifetime friends, Jory is also introduced to an entire magical world that lives beyond the curtain. With the unpredictable twists and turns of the underground world, the Backstagers venture into the unknown, determined to put together the best play their high school has ever seen. James Tynion IV (Detective Comics, The Woods) teams up with artist Rian Sygh (Munchkin, Stolen Forest) for an incredibly earnest story that explores what it means to find a place to fit in when you're kinda an outcast.Collects the first four issues.

    In The Good Times Are Killing Me, Lynda Barry reveals her masterful way with story, memory, and feelings, and anyone who lingers in Edna Arkins's world will be the better for it.