Drawing on a rich seam of historical sources Lavinia Collins has created a fictional masterpiece, and epic romance that will stand the test of time.The Warrior Queen is the first full novel length instalment of the Guinevere Trilogy. A Champion's Duty and The Day of Destiny will be released by Spring, 2014.

    He announces he is the Lord of Misrule and appoints his Court of Fools.Very quickly odd things start to happen.Previously unseen magic is revealed, and paranormal characteristics are unveiled.And unfortunately, darker events occur, too.Unless Avery, Alex, and the other witches can find a solution, Yuletide may not be as joyous as they hoped.

    The tales draw on pre-Christian Celtic mythology, international folktale motifs and early medieval historical traditions. While some details may hark back to older Iron Age traditions, each of the tales is the product of a developed medieval Welsh narrative tradition, both oral and written.Lady Charlotte Guest in the mid 19th century was the first to publish English translations of the collection, popularising the name "Mabinogion". The stories appear in either or both of two medieval Welsh manuscripts, the White Book of Rhydderch or Llyfr Gwyn Rhydderch, written c.1350, and the Red Book of Hergest or Llyfr Coch Hergest, written c.1382 – 1410, tho texts or fragments of some of the tales have been preserved in earlier 13th century and later mss.Scholars agree that the tales are older than the existing mss, but disagree over just how much older. The different texts originated at different times. Debate has focused on the dating of the Four Branches of the Mabinogi. Sir Ifor Williams offered a date prior to 1100, based on linguistic and historical arguments, while later Saunders Lewis set forth a number of arguments for a date between 1170 and 1190; Th Charles-Edwards, in a paper published in 1970, discussed both viewpoints, and while critical of the arguments of both scholars, noted that the language of the stories fits the 11th century. More recently, Patrick Sims-Williams argued for a plausible range of about 1060 to 1200, the current scholarly consensus.

    Enemies stalk the fringes of Britain. And Uther Pendragon is dying. Into this fractured and uncertain world the boy is cast, a refugee from fire, murder and betrayal. An outsider whose only companions are a hateful hawk and memories of the lost. Yet he is gifted, and under the watchful eyes of Merlin and the Lady Nimue he will hone his talents and begin his journey to manhood. He will meet Guinevere, a wild, proud and beautiful girl, herself outcast because of her gift. And he will be dazzled by Arthur, a warrior who carries the hopes of a people like fire in the dark. But these are times of struggle and blood, when even friendship and love seem doomed to fail. The gods are vanishing beyond the reach of dreams. Treachery and jealousy rule men’s hearts and the fate of Britain itself rests on a sword’s edge.But the young renegade who left his home in Benoic with just a hunting bird and dreams of revenge is now a lord of war. He is a man loved and hated, admired and feared. A man forsaken but not forgotten. He is Lancelot.Set in a 5th century Britain besieged by invading bands of Saxons and Franks, Irish and Picts, Giles Kristian's epic new novel tells - through the warrior's own words - the story of Lancelot, that most celebrated of all King Arthur's knights. It is a story ready to be re-imagined for our times.

    It is based primarily on the 538-line Middle English poem Sir Landevale, which in turn was based on Marie de France's lai Lanval, written in a form of French understood in the courts of both England and France in the 12th century. Sir Launfal retains the basic story told by Marie de France and retold in Sir Landevale, augmented with material from an Old French lai Graelent and a lost romance that possibly featured a giant named Sir Valentyne. This is in line with Thomas Chestre's eclectic way of creating his poetry.In the tale, Sir Launfal is propelled from wealth and status – the steward at King Arthur's court – to being a pauper and a social outcast. He is not even invited to a feast in his home town of Caerleon in South Wales when the king visits, although Arthur knows nothing of this. Out in the forest alone, he meets with two damsels who take him to their mistress, the daughter of the King of Faerie. She gives him untold wealth and a magic bag in which money can always be found, on the condition that he becomes her lover. She will visit him whenever he wants and nobody will see her or hear her. But he must tell nobody about her, or her love will vanish at that instant.The story of a powerful (fairy) woman who takes a lover on condition that he obey a particular prohibition is common in medieval poetry: the French lais of Desiré, Graelant, and Guingamor, and Chrétien de Troyes's romance Yvain, the Knight of the Lion, all share similar plot elements. The presence of a Land of Faerie, or an Otherworld, betrays the story's Celtic roots. A final court scene may be intended by Chestre as criticism of the contemporary legal and judicial framework in late-fourteenth century England.[4] The equation of money with worth in the tale may satirize a late-fourteenth century bourgeois mentality.

    There, housed in royal splendor, its awesome powers will be freely available to Arthur's suffering people, becoming the symbol of Arthur's reborn realm. But mysteriously, the Grail disappears. Missing as well is one of Arthur's most trusted men, who has not only taken the Grail but kidnapped Arthur's queen, Guinevere. A desperate search ensues, and a diabolical plot is uncovered, masterminded by none other than the evil Morgian, Queen of Air and Darkness.-- The epic tale of the legendary King Arthur, his lady love guinevere, stalwart advisor Merlin and loyal companion Sir Galahad has entertained and delighted people around the world for generations.

    If he fails, he risks his name being erased from the history of the tribes.With the support of his mother, a powerful witch whose name is whispered in fear across the lands of the tribes, the outcast Olise now seems unstoppable in achieving his goal.Facing overwhelming military might and dark forces that he cannot comprehend, Jide must either choose to ignore the warnings of the gods, and seek help from those who also practice dark arts; or risk losing his kingdom.

    Now, combined into a single convenient volume, the New, Expanded Edition of "The Romance of Arthur" covers nearly a thousand years of translated texts in a broad range of genres, from the early chronicles and Welsh verse through Sir Thomas Malory. A new section on lyrics has been added. The translations from Latin, French, German, Spanish, Welsh, Middle English, and Italian were freshly done for the original anthologies and have now been updated. As before, complete text are presented whenever possible.

    Many have large casts and an equal mix of boy and girl parts. Set in the Malayan jungle in 1942, this play explores what happens when soldiers have to confront the reality of war.

    Lanier said of the Malory work, "I suspect there are few books in our language which lead a reader - whether young or old - on from one paragraph to another with such strong and yet quiet seduction as this."

    She never overcame her humble beginnings and when Willie Eubanks rescued her from the orphanage by marrying her, she ended up right back where she started. Living in the same cabin, she was born in twelve and a half years earlier. However, she grew to love Willie and was determined that she and Willie were not going to end up as her parents had. In addition, she wanted to make sure her children were not going to have to suffer through the same experiences she had.

    When Jill's stoical stepgrandmother tells her the harrowing tale of her tragic past, Jill must learn the price of forgiveness and the power of love.

    They can be read in any order with or without prior knowledge of The Foreworld Saga. In this quick-witted and action-packed addition to The Foreworld Saga series, the leader of the Shield-Brethren has dispatched two of his men northward to secure land for a new citadel. When Tyr and his companion come upon the perfect spot, they discover that it is owned by Voldrun, a northern king with a questionable sense of justice. Although he welcomes the travelers, the king's true motives eventually become clear. Determined to be compensated for his hospitality, Voldrun subjects the duo to several challenges, culminating in a game more dangerous than either warrior could ever have imagined. Steadfast and brave to the end, Tyr must draw upon all of his considerable skill and cunning as he endeavors to outwit the sly Voldrun and strives to secure a bright future for the order.

    Reprint.

    Shaped by a profound sense of tragic irony, it is a work that gives full play to Victor Hugo's brilliant historical imagination and his remarkable powers of description.