Raw concrete buildings front trash-strewn alleys. The narrow streets are crowded with young children and unemployed men. On the border with Egypt, swaths of Rafah have been bulldozed to rubble. Rafah is today and has always been a notorious flashpoint in this bitterest of conflicts. Buried deep in the archives is one bloody incident in 1956, that left 111 Palestinians dead, shot by Israeli soldiers. Seemingly a footnote to a long history of killing, that day in Rafah—cold-blooded massacre or dreadful mistake—reveals the competing truths that have come to define an intractable war. In a quest to get to the heart of what happened, Joe Sacco immerses himself in daily life of Rafah and the neighboring town of Khan Younis, uncovering Gaza past and present. Spanning fifty years, moving fluidly between one war and the next, alive with the voices of fugitives and schoolchildren, widows and sheikhs, Footnotes in Gaza captures the essence of a tragedy. As in Palestine and Safe Area Goražde, Sacco’s unique visual journalism has rendered a contested landscape in brilliant, meticulous detail. Footnotes in Gaza, his most ambitious work to date, transforms a critical conflict of our age into an intimate and immediate experience.

    He warned of the perils ahead, ending his note, "in the name of God, let Palestine be left alone." Thus Rashid Khalidi, al-Khalidi's great-great-nephew, begins this sweeping history, the first general account of the conflict told from an explicitly Palestinian perspective.Drawing on a wealth of untapped archival materials and the reports of generations of family members - mayors, judges, scholars, diplomats, and journalists - The Hundred Years' War on Palestine upends accepted interpretations of the conflict, which tend, at best, to describe a tragic clash between two peoples with claims to the same territory. Instead, Khalidi traces a hundred years of colonial war on the Palestinians, waged first by the Zionist movement and then Israel, but backed by Britain and the United States, the great powers of the age. He highlights the key episodes in this colonial campaign, from the 1917 Balfour Declaration to the destruction of Palestine in 1948, from Israel's 1982 invasion of Lebanon to the endless and futile peace process.Original, authoritative, and important, The Hundred Years' War on Palestine is not a chronicle of victimization, nor does it whitewash the mistakes of Palestinian leaders or deny the emergence of national movements on both sides. In reevaluating the forces arrayed against the Palestinians, it offers an illuminating new view of a conflict that continues to this day.Cover photograph Amnon Bar Or—Tal Gazit Architects LTD

    Pottery shards, stone inscriptions, ancient scrolls, and other fascinating artifacts have shed new light on the people and events of the Bible—bringing them from the realm of mystery to the world of fact.Discover what new archaeological finds have to tell us about Israel’s journey to the promised land, the fall of Jericho’s walks, the ark of the covenant, the kings and prophets of Israel, the Assyrian and Babylonian invasions, the Dead Sea Scrolls, the time and people of Jesus, and more. Includes testimonies and interviews from leading archaeologists and exciting pictures featuring the latest finds made in the lands of the Bible.The Stones Cry Out will give you a new appreciation for both the world and the Word of the Bible!

    Routledge is an imprint of Taylor & Francis, an informa company.

    Tlass pushed for conciliation but Assad decided to crush the uprising -- an act which would catapult the country into an eight-year long war, killing almost half a million and fueling terrorism and a global refugee crisis.Assad or We Burn the Country examines Syria's tragedy through the generational saga of the Assad and Tlass families, once deeply intertwined and now estranged in Bashar's bloody quest to preserve his father's inheritance. By drawing on his own reporting experience in Damascus and exclusive interviews with Tlass, Dagher takes readers within palace walls to reveal the family behind the destruction of a country and the chaos of an entire region.Dagher shows how one of the world's most vicious police states came to be and explains how a regional conflict extended globally, engulfing the Middle East and pitting the United States and Russia against one another.

    Focusing on two brothers from Mosul and their families, a charismatic Iraqi major who marched north from Baghdad to seize the city with his troops, rowdy Kurdish militiamen, and a hard-bitten American sergeant, Verini describes a war for the soul of a country, a war over and for history.Seeing the battle in a larger, centuries-long sweep, he connects the bloody-minded philosophy of the Islamic State with the ancient Assyrians who founded Mosul. He also confronts the ways that the American invasion of Iraq not only deformed that country, but also changed America like no conflict since Vietnam.

    In a country where the law punishes and outlaws all forms of sex outside marriage, as well as homosexuality and prostitution, women have only two options for their sexual identities: virgin or wife. Sex and Lies is an essential confrontation with Morocco's intimate demons and a vibrant appeal for the universal freedom to be, to love and to desire.

    From his vantage point at the break-up of the old regime, Kapuscinski gives us a compelling history of conspiracy, repression, fanatacism, and revolution.

    The Case for Israel is an ardent defense of Israel's rights, supported by indisputable evidence.Presents a passionate look at what Israel's accusers and detractors are saying about this war-torn country.Dershowitz accuses those who attack Israel of international bigotry and backs up his argument with hard facts.Widely respected as a civil libertarian, legal educator, and defense attorney extraordinaire, Alan Dershowitz has also been a passionate though not uncritical supporter of Israel.

    In this literary historical tour de force, Suad Amiry traces the lives of individual members of Palestinian families and, through them, the histories of both Palestine and the émigré Palestinian community in other countries of the Middle EastAmiry mixes nostalgia with anger while mocking Israeli doublespeak that seeks to wipe out any trace of a Palestinian past in West Jerusalem. She juxtaposes serial bombardments and personal tragedies, evokes the sights and smells of Palestinian architecture and food, and weaves for us the tapestry that is the Palestinian reality, caught between official histories and private memories. Through poetry and prose, monologue and dialogue, we glimpse the lost Palestinian landscape, obscured by the silent battle between remembering and forgetting.

    Blending allegory with historical realism and subverting expectations in an unflinching comedy of the macabre, these tales manage to be both phantasmagoric and shockingly real. For all the despair and darkness portrayed in these gripping stories—from spotlighting hostage-video makers in Baghdad to following human trafficking in Serbia's forests—what lingers more than the haunting images of war is the spirit of defiance and of indefatigable courage.

    They need not only to engage the communities surrounding them, but also to collaborate with visitors on the type and quality of experience they provide. This book -is a ground-breaking manifesto that calls for the establishment of a more inclusive, visitor-centered paradigm based on the shared experience of human habitation;-draws inspiration from film, theater, public art, and urban design to transform historic house museums;-provides a how-to guide for making historic house museums sustainable, through five primary themes: communicating with the surrounding community, engaging the community, re-imagining the visitor experience, celebrating the detritus of human habitation, and acknowledging the illusion of the shelter’s authenticity;-offers a wry, but informed, rule-breaking perspective from authors with years of experience; -gives numerous vivid examples of both good and not-so-good practices from house museums in the U.S.

    After his mother dies, he leaves the Lower East Side and moves to Jerusalem, where he ends up as an assistant to an elderly kabbalist and his wife who daily minister to the seekers who gravitate to their courtyard.One day on an errand, Isaac happens upon Mustafa, an Arab janitor who works on the Temple Mount, holy to both Jews and Muslims. Mustafa suffers from an extreme case of torticollis – his head is turned painfully and permanently to one side. He has been cast out of his own village – a mutant – unloved even by his own mother.Somehow, the luckless haberdasher from the Lower East Side has finally managed to heal someone’s wounded spirit, in this case, Mustafa, and the two men enter into an intense and fraught friendship.Though rejected by his family, Mustafa longs to return and be respected by his village. Isaac yearns to find his place, in the courtyard (where he is forever the assistant), and in the romantic realm (he goes out on innumerable blind dates to seek a wife), and is thwarted on both counts by his own anxieties and memories of past betrayals. When a beautiful young woman in the courtyard, Tamar, becomes electrified with feeling for Isaac, he is too frightened and prudish to respond.Mustafa, wishing to return Isaac’s kindness, finds an ancient shard on the Temple Mount whose value may exceed anyone’s imagination, and brings it to Isaac in gratitude. That gesture sets in a motion a series of unexpected events that land Isaac in the company of Israel’s worst criminal riff raff, put Mustafa in mortal danger, even as Tamar struggles to save them both.

    He retells their story and offers insights into the historical forces that shape Arab and Islamic consciousness today.

    In The Ayatollah Begs to Differ, he paints a portrait of a country that is fiercely proud of its Persian heritage, mystified by its outsider status, and scornful of the idea that the United States can dictate how it should interact with the community of nations.With wit, style, and an unusual ability to get past the typical sound bite on Iran, Majd reveals the paradoxes inherent in the Iranian character which have baffled Americans for more than thirty years. Meeting with sartorially challenged government officials in the presidential palace; smoking opium with an addicted cleric, his family, and friends; drinking fine whiskey at parties in fashionable North Tehran; and gingerly self-flagellating in a celebration of Ashura, Majd takes readers on a rare tour of Iran and shares insights shaped by his complex heritage. He considers Iran as a Muslim country, as a Shiite country, and, perhaps above all, as a Persian one. Majd shows that as Shiites marked by an inferiority complex, and Persians marked by a superiority complex, Iranians are fiercely devoted to protecting their rights, a factor that has contributed to their intransigence over their nuclear programs. He points to the importance of the Persian view of privacy, arguing that the stability of the current regime owes much to the freedom Iranians have to behave as they wish behind “Persian walls.” And with wry affection, Majd describes the Persian concept of ta’arouf, an exaggerated form of polite self-deprecation that may explain some of Iranian President Ahmadinejad’s more bizarre public moments. With unforgettable portraits of Iranians, from government figures to women cab drivers to reform-minded Ayatollahs, Majd brings to life a country that is deeply religious yet highly cosmopolitan, authoritarian yet with democratic and reformist traditions—an Iran that is a more nuanced nemesis to the United States than it is typically portrayed to be.