Holly saw it all. In one violent moment, a hit-and-run accident turns Holly’s life upside down. Then a fixer for the high-powered guilty party approaches Holly with an offer she is in no position to refuse. Holly and her daughter, Savannah, will want for nothing, beginning with a luxury dream house—all for the price of their silence. But when their sudden appearance in privileged Calabasas, California, piques the curiosity of neighbors, the price becomes greater than they imagined. Because Holly and Savannah aren’t the only ones in the neighborhood with something to hide.Told from alternating points of view, Good as Dead draws together an unlikely group of people bound to one another by a crime, a cover-up, and compounding deceptions. As carefully constructed lives begin to crumble, how far will everyone be willing to go to bury the truth and protect the people they love?

    Since his death, she’s been sleepwalking through life, barely holding on for the sake of her teenage son. Her house is a wreck, the grass is overrun with weeds, and she’s at risk of losing her job. As Paige stares at her neglected lawn, she knows she’s hit rock bottom. So she does something entirely unexpected: she begins to dig.As the hole gets bigger, Paige decides to turn her entire yard into a vegetable garden. The neighbors in her tidy gated community are more than a little alarmed. Paige knows nothing about gardening, and she’s boldly flouting neighborhood-association bylaws. But with the help of new friends, a charming local cop, and the transformative power of the soil, Paige starts to see potential in the chaos of her life. Something big is beginning to take root—both in her garden and in herself.

    He travels for work and plays the carefree bachelor when he can. But now, on a solo business trip, in a remote coastal hotel, he’s surprised to find Lisa in his bathroom. She’s dead.He has no idea how she got there but one chilling fact is clear: everything points to Dan having murdered her. Someone is trying to frame him. Someone who might still be watching. In a panic, he goes on the run. But even as he flees across Europe, his unknown enemy stacks up the evidence against him.Dan is determined to clear his name and take revenge on Lisa’s killer, but the culprit is closing in. And then there’s the agony of his own guilty conscience. No, he didn’t kill her—but is it all his fault?

    Now, with his brilliant portrait of Luce, a young woman who inherits her murdered sister's troubled twins, Frazier has created his most memorable heroine.Before the children, Luce was content with the reimbursements of the rich Appalachian landscape, choosing to live apart from the small community around her. But the coming of the children changes everything, cracking open her solitary life in difficult, hopeful, dangerous ways.Charles Frazier is known for his historical literary odysseys, and for making figures in the past come vividly to life. Set in the twentieth century, Nightwoods resonates with the timelessness of a great work of art.

    He had a solid job. He ran 5Ks for charity. He was living a nice, safe Midwestern existence. And then his wife left him for a handsome paramedic down the street.We’re All Damaged begins after Andy has lost his job, ruined his best friend’s wedding, and moved to New York City, where he lives in a tiny apartment with an angry cat named Jeter that isn’t technically his. But before long he needs to go back to Omaha to say good-bye to his dying grandfather.Back home, Andy is confronted with his past, which includes his ex, his ex’s new boyfriend, his right-wing talk-radio-host mother, his parents’ crumbling marriage, and his still-angry best friend.As if these old problems weren’t enough, Andy encounters an entirely new complication: Daisy. She has fifteen tattoos, no job, and her own difficult past. But she claims she is the only person who can help Andy be happy again, if only she weren’t hiding a huge secret that will mess things up even more. Andy Carter needs a second chance at life, and Daisy—and the person Daisy pushes Andy to become—may be his last chance to set things right.

    Theirs is a seemingly idyllic life of summer softball games and Labor Day cookouts, snow days and skating on the pond. But when a tragic accident permanently injures the family’s youngest child, Eleanor blames Cam. Her inability to forgive him leads to a devastating betrayal: an affair with the family babysitter that brings about the end of their marriage.Over the decades that follow, the five members of this fractured family—and the many others who make up their world—make surprising discoveries and decisions that occasionally bring them together, and often tear them apart. As we follow the family from the days of illegal abortion and the draft through the early computer age, the Challenger explosion, the AIDS epidemic, the early awakenings of the #MeToo era, and beyond, through the gender transition of one of the children and another’s choice to cease communication with her mother, we witness a family forced to confront essential, painful truths of its past and find redemption in the face of unanticipated disaster.With endearingly flawed characters and a keen eye for detail, Joyce Maynard transforms the territory she knows best—home, family, parenthood, love, and loss—into the stuff of a page-turning thriller. In this achingly beautiful novel, she reminds us how great sorrow and great joy may coexist—and frequently do.

    They are happy, and the day has been close to perfect. But what Joan sees as she hustles her son toward the exit gate minutes before closing time sends her sprinting back into the zoo, her child in her arms. And for the next three hours—the entire scope of the novel—she keeps on running. Joan’s intimate knowledge of her son and of the zoo itself—the hidden pathways and under-renovation exhibits, the best spots on the carousel and overstocked snack machines—is all that keeps them a step ahead of danger.A masterful thrill ride and an exploration of motherhood itself—from its tender moments of grace to its savage power—Fierce Kingdom asks where the boundary is between our animal instinct to survive and our human duty to protect one another. For whom should a mother risk her life?

    Natalie is headstrong, manipulative—and beautiful; Alice is a dreamer who loves books and birds. During their family’s summer holiday at the lake, Alice falls under the thrall of a struggling young painter, Thomas Bayber, in whom she finds a kindred spirit. Natalie, however, remains strangely unmoved, sitting for a family portrait with surprising indifference. But by the end of the summer, three lives are shattered.Decades later, Bayber, now a reclusive, world-renowned artist, unveils a never-before-seen work, Kessler Sisters—a provocative painting depicting the young Thomas, Natalie, and Alice. Bayber asks Dennis Finch, an art history professor, and Stephen Jameson, an eccentric young art authenticator, to sell the painting for him. That task becomes more complicated when the artist requires that they first locate Natalie and Alice, who seem to have vanished. And Finch finds himself wondering why Thomas is suddenly so intent on resurrecting the past.In The Gravity of Birds histories and memories refuse to stay buried; in the end only the excavation of the past will enable its survivors to love again.

    She knows her cousin is hiding her desire for another baby from her spouse, Bill Horton's wife is mysteriously missing, and now this...After the shock of seeing Anne Porter in all her extramarital glory, Frances vows to stay in her own lane. But that's a notion easier said than done when Anne's husband throws her out a couple of days later. The repercussions of the affair reverberate through the four carpool families--and Frances finds herself navigating a moral minefield that could make or break a marriage.

    After years of research, Eli is on the cusp of a groundbreaking discovery that could light the way for the future. But, as Eli will soon learn, today's medicine has a dark side.While investigating the suspicious death of one of his patients, Eli uncovers an elaborate web of lies spun by his late father, a longtime professor of anatomy at Mid-South Medical College in Memphis. Instead of finding answers, Eli only finds more questions-and more victims, each meeting a sudden, violent end.Eli joins forensic pathologist Meg Daily to find a common thread among the victims. As they piece together the chilling puzzle, Eli and Meg plunge headfirst into the world of deadly medicine-a world way too close to home.Trapped in the paradox of ending one life to save another, Eli and Meg find that in this life-or-death race against time, one false step could be fatal.

    Every night, before she puts them to bed, she whispers to them: “You are good, you are kind, you are clever, you are funny.” She’s determined that they never doubt for a minute that their mother loves them unconditionally. After all, her own mother Jeanie had died when she was only seven years old and Faye has never gotten over that intense pain of losing her.But one day, her life is turned upside down when she finds herself in 1977, the year before her mother died. Suddenly, she has the chance to reconnect with her long-lost mother, and even meets her own younger self, a little girl she can barely remember. Jeanie doesn’t recognize Faye as her daughter, of course, even though there is something eerily familiar about her...As the two women become close friends, they share many secrets—but Faye is terrified of revealing the truth about her identity. Will it prevent her from returning to her own time and her beloved husband and daughters? What if she’s doomed to remain in the past forever? Faye knows that eventually she will have to choose between those she loves in the past and those she loves in the here and now, and that knowledge presents her with an impossible choice.Emotionally gripping and ineffably sweet Faye, Faraway is a brilliant exploration of the grief associated with unimaginable loss and the magic of being healed by love.

    Both Lila and her brother, Henry, fled north after high school, establishing fulfilling lives of their own. In contrast, their younger sister, Abigail, opted to remain behind to dote on their domineering, larger-than-life mother, Geneva. Yet despite their independence, Lila and Henry know deep down that they've never quite reckoned with their upbringing.When their elderly mother dies suddenly and suspiciously in the muscadine arbor behind the family estate, Lila and Henry return to the town that essentially raised them. But as they uncover more about Geneva's death, shocking truths are revealed that overturn the family's history as they know it, sending the pair on an extraordinary journey to chase a truth that will dramatically alter the course of their lives. The Sweet Taste of Muscadines reminds us all that true love never dies.

    A lifetime of regrets.Sweet sixteen. It’s an exciting coming of age, a milestone, and a rite of passage. Jeff and Kim Sanders plan on throwing a party for their daughter, Hannah—a sweet girl with good grades and nice friends. Rather than an extravagant, indulgent affair, they invite four girls over for pizza, cake, movies, and a sleepover. What could possibly go wrong?But things do go wrong, horrifically so. After a tragic accident occurs, Jeff and Kim’s flawless life in a wealthy San Francisco suburb suddenly begins to come apart. In the ugly aftermath, friends become enemies, dark secrets are revealed in the Sanders’ marriage, and the truth about their perfect daughter, Hannah, is exposed.Harkening to Herman Koch’s The Dinner, Christos Tsiolkas’s The Slap, and Liane Moriarty’s Big Little Lies, The Party takes us behind the façade of the picture-perfect family, exposing the lies, betrayals, and moral lapses that neighbors don’t see—and the secrets that children and parents keep from themselves and each other.

     Arlo Wilde, a gruff has-been rock star who’s got nothing to show for his fame but track marks, is always two steps behind the other dads. His wife, beautiful ex-pageant queen Gertie, feels socially ostracized and adrift. Spunky preteen Julie curses like a sailor and her kid brother Larry is called “Robot Boy” by the kids on the block. Their next-door neighbor and Maple Street’s Queen Bee, Rhea Schroeder—a lonely community college professor repressing her own dark past—welcomes Gertie and family into the fold. Then, during one spritzer-fueled summer evening, the new best friends share too much, too soon. As tensions mount, a sinkhole opens in a nearby park, and Rhea’s daughter Shelly falls inside. The search for Shelly brings a shocking accusation against the Wildes that spins out of control. Suddenly, it is one mom’s word against the other’s in a court of public opinion that can end only in blood. A riveting and ruthless portrayal of American suburbia, Good Neighbors excavates the perils and betrayals of motherhood and friendships and the dangerous clash between social hierarchy, childhood trauma, and fear.

    Now Margaret is steadfast, resolved to find and retrieve her grandson Jimmy—the one person in this world keeping her son’s memory alive—while George, a retired sheriff, is none too eager to stir up trouble with Donnie Weboy. Unable to sway his wife from her mission, George takes to the road with Margaret by his side, traveling through the Dakota badlands to Bentrock, Montana, in unstoppable pursuit. When Margaret tries to convince Lorna to return home to North Dakota, bringing little Jimmy with her, the Blackledges find themselves mixed up with the entire Weboy clan, a fearsome family determined not to give the boy up without a fight.With gutsy characters and suspense-filled prose, Bring Him Back speaks to the extraordinary measures we take for family and the overpowering instinct to protect those we love. From the award-winning author who gave us Montana 1948, Justice, and American Boy, Larry Watson is at his storytelling finest in this unforgettable return to the American West.