Beginning with a frank examination of the tragedy of the Catholic clergy abuse scandal, Coren addresses some of them most common attacks on Catholics and Catholicism. Tracing Catholic history, he deconstructs popular and frequent anti-Catholic arguments regarding the Church and the Crusades, the Inquisition, Galileo, and the Holocaust. He examines Catholic theology and central pillars of Catholic belief, explaining why Catholics believe what they do: papal infallibility, immaculate conception, the Church rather than Bible alone. Finally, he explores the dignity of life argument and why it is so important to Catholicism. In this challenging and thought-provoking book, Michael Coren demolishes often propagated myths about the Church's beliefs and teachings, and in doing so, opens a window onto Catholicism, which, he writes, "is as important now as it ever was and perhaps even more necessary."

    Compiled by an international team of experts, each entry is given its complete range of interpretations - sexual and spiritual, official and subversive, cultural and religious - to bring meaning and insight to the symbol.

    Here is the Creator who nearly destroys his chief creation; the bloodthirsty warrior and the protector of the downtrodden; the lawless law-giver; the scourge and the penitent. Profoundly learned, stylishly written, the resulting work illuminates God and man alike and returns us to the Bible with a sense of discovery and wonder.

    In the introduction portion of this two-part book, Geisler examines the realities of the Christian faith, including the existence of God, the reality of truth, the nature of revelation, and guidelines for interpretation. Part two presents the origin of Scripture, its inspiration, inerrancy, and much more. (July)

    This exceptional work, by one of the world's leading Biblical scholars, provides a full account of how the different parts of the Bible came to be written; how some writings which were regarded as holy became canonical and were included in the Bible, and others were not; what the relationship is of the different parts of the Bible to each other; and how, once it became a stable text, the Bible has been disseminated and interpreted around the world. It gives full weight to discussion of the importance of the Tanakh (Old Testament) in Judaism as in Christianity. It also demonstrates the degree to which, contrary to widespread belief, both Judaism and Christianity are not faiths drawn from the Bible texts but from other sources and traditions. It shows that if we are to regard the Bible as 'authoritative' it cannot be as believers have so often done in the past.

    __________'I love it. Will make you see the world differently' - 5* reader review'This book can and will change your life' - 5* reader review 'Anyone who has ever sensed that pull against the ego for a greater understanding and meaning to life, will feel blessed to have discovered this great work.' - 5* reader review

    This infinity of lists is no coincidence: a culture prefers enclosed, stable forms when it is sure of its own identity, while when faced with a jumbled series of ill-defined phenomena, it starts making lists. The poetics of lists runs throughout the history of art and literature. We do not only see it at work in ancient bestiaries, the celestial hosts of angels or the naturalist collections of the 16th century. We also find it more obliquely from Homer to Joyce, from the treasures of Gothic cathedrals to the fantastic landscapes of Bosch and cabinets of curiosities, until we get to Andy Warhol and Arman in the 20th century. In this 5-colour illustrated edition, Umberto Eco reflects on how the idea of catalogues has changed over the centuries and how, from one period to another, it has expressed the spirit of the times. His essay is accompanied by a literary anthology and a wide selection of works of art illustrating and analysing the texts presented. This new illustrated essay is a companion volume to On Beauty and On Ugliness.

    Both a comical read, as well as an indispensable resource for observing the Feast Days of the Saints, The Bad Catholic's Guide to Good Living is for anyone who is interested in celebrating the history and humor behind the Catholic faith.

    To be found in this volume are the Apostles' Creed, the Psalms and Odes of Solomon, and other Apocryphal writings that have become part of our religious heritage. The story of Joseph and Potiphar's wife, of Adam and Eve, of the girlhood and betrothal of Mary, of the childhood of Jesus, are here in all the warmth, intimacy, and humanity of their first telling.

    "When someone tells me yet another horror story about the church, I respond, 'Oh, it's even worse than that. Let me tell you my story.'I have spent most of my life in recovery from the church."Yancey acknowledges that many spiritual seekers find few answers and little solace in the institutional church. "I have met many people, and heard from many more, who have gone through a similar process of mining truth from their religious past: Roman Catholics who flinch whenever they see a nun or priest, former Seventh Day Adventists who cannot drink a cup of coffee without a stab of guilt, Mennonites who worry whether wedding rings give evidence of worldliness."How did Yancey manage to survive spiritually despite early encounters with a racist, legalistic church that he now views as almost cultic? In this, his most soul-searching book yet, he probes that very question. He tells the story of his own struggle to reclaim belief, interwoven with inspiring portraits of notable people from all walks of life, whom he calls his spiritual directors. Soul Survivor is his tribute to thirteen remarkable individuals, mentors who transformed his life and work.Besides recalling their effect on him, Yancey also provides fresh glimpses of the lives and faith journeys of each one. From the scatterbrained journalist G. K. Chesterton to the tortured novelists Tolstoy and Dostoevsky, to contemporaries such as Martin Luther King, Jr., Annie Dillard, and Robert Coles, Yancey gives inspiring portraits of those who modeled for him a life-enhancing rather than a life-constricting faith."I became a writer, I now believe, to sort out and reclaim words used and misused by the Christians of my youth," Yancey says. "These are the people who ushered me into the Kingdom. In many ways they are why I remain a Christian today, and I want to introduce them to other spiritual seekers."Soul Survivor offers illuminating insights that will enrich the lives of veteran believers and cautious seekers alike. Yancey's own story, unveiled here as never before, is a beacon for those who seek to rejuvenate their faith, and for those who are still longing for something to have faith in.

    He then describes the Church's developing self-awareness of its dual elements of the human and divine. Concerned with verifying the Church's claim to embody Christ, Giussani situates the locus of verification in human experience, arguing that a different type of life is born in those who try to live the life of the Church. Why the Church? is a seminal study that will engage both the scholar and the general reader.

    It is also the world’s most widely distributed book, translated into over two thousand languages, and the world’s best selling book, year after year. But the Bible is a complex work with a complicated and obscure history. Made up of sixty-six “books” written by various authors and divided into two testaments, its contents have changed over the centuries. The Bible has been transformed by translation and, through interpretation, has developed manifold meanings to various religions, denominations, and sects. In this seminal account, acclaimed historian Karen Armstrong discusses the conception, gestation, and life of history’s most powerful book. Armstrong analyzes the social and political situation in which oral history turned into written scripture, how this all-pervasive scripture was collected into one work, and how it became accepted as Christianity’s sacred text. She explores how scripture came to be read for information, and how, in the nineteenth century, historical criticism of the Bible caused greater fear than Darwinism. This is a brilliant, captivating book, crucial in an age of declining faith and rising fundamentalism.

    In About Looking he explores our role as observers to reveal new layers of meaning in what we see. How do the animals we look at in zoos remind us of a relationship between man and beast all but lost in the twentieth century? What is it about looking at war photographs that doubles their already potent violence? How do the nudes of Rodin betray the threats to his authority and potency posed by clay and flesh? And how does solitude inform the art of Giacometti? In asking these and other questions, Berger quietly -- but fundamentally -- alters the vision of anyone who reads his work.

    This was the England of Shakespeare, Jonson, and Bacon; the era of the Gunpowder Plot and the worst outbreak of the plague. Jacobean England was both more godly and less godly than the country had ever been, and the entire culture was drawn taut between these polarities. This was the world that created the King James Bible. It is the greatest work of English prose ever written, and it is no coincidence that the translation was made at the moment "Englishness," specifically the English language itself, had come into its first passionate maturity. The English of Jacobean England has a more encompassing idea of its own scope than any form of the language before or since. It drips with potency and sensitivity. The age, with all its conflicts, explains the book.This P.S. edition features an extra 16 pages of insights into the book, including author interviews, recommended reading, and more.

    Beginning with the "Christian declaration of independence from Judaism," the years 100 to 600 were a period of Greg ferment and vitality when the fundamental affirmations of Christian dogma emerged from a welter of beliefs and teachings.The Emergence of the Catholic Tradition is the history of this critical, troubled time. Pelikan focuses upon what the faithful believed, what teachers—both orthodox and heretical—taught, and what the church confessed as dogma during its first six centuries of growth. In constructing his work, Pelikan has made use of exegetical and liturgical sources in addition to the usual polemical, apologetic, and systematic or speculative materials.