Having found out that the baby’s not his, Wallace has sworn vengeance. Pearce declines the job: He’s no babysitter. But when Wallace kills Pearce’s dog, he goes too far. Now it’s personal.Revenge is part of the grieving process. But has Pearce finally met his match?Time to find out how many psychedelic drugs one man can take.Time to find out why Jesus is living in a cage in Wallace’s basement.Time to find out who the real hard man is.

    Higgins, Patricia Highsmith, and David Mamet. Rick and Frank are recovering addicts and accomplished house thieves whose partnership extends beyond their professional lives. They do not steal randomly - - they steal according to order, hired by a mysterious handler who assigns the work to them. The jobs run routinely until they're tasked with breaking into a home and taking a seemingly worthless trophy: an object that generates interest and obsession out of proportion to its apparent value.Just as the robbery is completed, the two are involved in a freak car accident that sets off a chain of events and Frank disappears with the trophy. As Rick tries to find Frank, and the missing haul, he is forced to confront his past, upending both his livelihood and his sense of reality. The narrative builds steadily into a powerful and satisfyingly shocking climax. Reveling in its con-artistry and double-crosses, Just Thieves is a nail-biting, eerily existential and noirish exploration of the working lives of two unforgettable crooks and the hidden forces that rule and ruin their lives.

    Turning on the lights after the scuffle, Simon realizes two things: one, he has killed his attacker; two, the resemblance of the man to himself is uncanny. Over the coming days, Simon's lonely life will spiral out of control. With his pet goldfish Francine in tow, he embarks on a gripping existential investigation into his own murky past as well as that of Jeremy Shackleford, the (apparently) happily married math teacher whose body is now lying in Simon's bathtub under 40 gallons of ice. But Simon has a plan. Gradually, he begins to assume the dead man's identity, fooling Shackleford's colleagues, and even his beautiful wife. However, when mysterious messages appear on the walls around Simon's apartment, he realizes that losing his old self will be more difficult than he'd imagined. Everything points to a long forgotten date the previous spring when his life and Shackleford's first collided. As the contradictions mount, and the ice begins to melt, the events of the past year will resolve themselves in the most catastrophic way.

    A scorching heatwave is suffocating L.A. PI John Keegan is offered a small fortune to find a beautiful woman from a set of photographs. He refuses; the job seems suspicious.But the next day the same woman, Eve, turns up, unbidden, on his doorstep. Eve fears for her safety. She is being watched. Before Keegan knows it, someone has been killed with Keegan s own gun, and he gets sucked into a world of suspicion and betrayal where he s never quite sure where the truth lies. Before long he s the prime suspect in a murder he didn't commit, and all the evidence seems to point in his direction.It s almost like someone planned it that way.

    . . .

    This collection includes thirteen lean and mean stories from the fingertips of Garnett Elliott, Glenn Gray, John Hornor Jacobs, Patricia Abbott, Thomas Pluck, Brad Green, Ron Earl Phillips, Kent Gowran, Amy Grech, Benoit Lelievre, Kieran Shea, David Cranmer, and Wayne D. Dundee and a boiled down look at hardboiled fiction in an introduction by Ron Scheer. Edited by David Cranmer and Scott D. Parker.

    Even though they had a thousand dollars with them, they were good boys. Everyone says, “They were good boys.”

    Ida clings to her dream of returning to New York while weathering storms both meteorological and emotional, and comes to understand that nobody's luck—even hers—is all bad.Claudia Zuluaga's fiction has appeared in Narrative Magazine, Lost Magazine, JMWW, Linnaean Street, and the Best of the Web series. Zuluaga is a lecturer in the English department at John Jay College of Criminal Justice (CUNY) in New York City.

    Not a good sign for Andrew Kindler, who just came from back east to get away from his past–as an arsonist. In fact, almost from the moment he sets foot in his cousin’s Santa Monica beach house, the heat starts swirling around him. First there’s the cop who thinks Andrew might know something about a murder suspect. Then there’s the suspect’s beautiful sister, who is willing to pay Andrew $5,000 for the same information.But Andrew really uninformed. And with a sensational murder case burning a hole in the gut of the LAPD–as well as the star-studded L.A. fitness industry–ignorance is dangerous. Now Andrew must solve a murder he knows nothing about, find a killer he’s never met, and unravel a family’s explosive secret. His reward for success? To live another day: one step ahead of his burning past... “An exceptionally well-crafted and well-told tale of arson, police work, misplaced zeal, bad relationships, good relationships, family bonds and, oh yes, exercise videos. Quirky, compelling, intelligent, and funny ... If you like Elmore Leonard, do yourself a favor and pick up BURN.”–Lincoln Journal Star “A cult writer for the masses–hip, smart and so mordantly funny that the casual reader might be laughing too hard to realize just how thoughtful Doolittle’s work is. Get on the bandwagon now.”–Laura Lippman, author of By a Spider’s Thread “Sean Doolittle combines wit, good humor, and a generosity of spirit rare in mystery fiction to create novels that are both engrossing and strangely uplifting. He deserves to take his place among the best in the genre.”–John Connolly, author of The White Road“An estimable addition not only to the publisher’s list but also to crime fiction ... Doolittle delivers a briskly plotted, hard-boiled mystery that has its roots in the Elmore Leonard school of dark comedy.”–South Florida Sun-Sentinel·Gold medal winner for mystery in ForeWord Magazine’s Book of the Year Award·A Best Crime Fiction of 2003 pick from January Magazine

    He intends to work hard and one day be wealthy just like Ryan promises everyone who moves to Rapture. He opens a small business. For a few years things are good, almost idyllic. The good life is shattered when one day his daughter mysteriously vanishes without trace. The police of Rapture don't seem to want to help. So Arthur sets out to find her himself. He is lead down into a seedy underworld that exists below the upmarket façade of Rapture. But can he find her in time? Would you kindly like to know more? Download now to find out for yourself. Scroll to the top of the page and select the buy now button. Product Tags: Rapture, The Big Daddy, Andrew Ryan, Rapture The Big Daddy,

    Death stalks these streets in the form of a hired killer named Rawhead--a shadowy yet powerful figure desperate to control a ruthless mob family called The Priesthood. He will stop at nothing to invade their inner sanctum.Author Billy Dye has finally found success after years of struggle. But now Rawhead, his childhood friend turned maniacal assassin, has reentered his life and involved him in a plot to take over The Priesthood and wrest control of the Manchester underworld. Nobody is safe in this action-packed, violent, and often hilarious crime novel.David Bowker is the new voice of British crime and the most original author to burst on the scene in years.

    In stylistic brilliance, he renders their conditions with grace and compassion, and redeems and transports their tragedy with wicked humor.In the much-anthologized "The Birds for Christmas," two hospitalized boys beg a night nurse to let them watch Hitchcock's classic thriller film on television, believing it will relieve their Yuletide loneliness. "Gentleman's Agreement" is a classic father-son story of fear and the violence of love. In "Memorial Day," a bayou boy learns the lessons of living from Death himself, a fortune cookie-eating phantom who claims to be "a people person." From charity ward to outrageous beach bungalow, Richard visits the overlooked corners of America, making them unforgettably visible.Richard has been rightly compared to Faulkner for his language and to Flannery O'Connor for his stark moral vision, but his force and sensibility remain his own. Charity is a powerful reading experience, a true accomplishment in an already stunning literary career.

    Sin City: The Babe Wore Red and Other Stories is a collection of three complete tales of the town without pity and the tough guys and hot dames who live there.In The Customer is Always Right, a man and woman fall in love, but one falls harder than the other. It's true love Sin City style. On the opposite side of the coin, a working girl from Old Town gives her client a quick lesson in business, And What's Behind Door Number Three... isn't something you should negotiate for. And in the lead story, The Babe Wore Red, Dwight finds himself in frighteningly familiar territory with a too-much woman with too few answers, and a fully loaded shotgun aimed at his skull. Sex always makes Dwight stupid, so is he setting himself up for an idiot's death? God only knows.All three stories have appeared in quiet, little places where you probably couldn't find them, and all three are self-contained. For introducing new readers to the streets of Sin City, or for filling the weeks between issues of The Big Fat Kill, Sin City: The Babe Wore Red can't be beat.

    An obnoxious, toothy, foul-mouthed, pig of a mouth. Luckily, his girlfriend doesn't seem to mind. Marie, the one-legged stripper and cyber-prostitute love of his life is very accepting of it. And then a little too accepting. What would you do if your girlfriend cheated on you with the voracious yapper under your belly button? If you live in Gutmouth's world-a bleak city where gruesome, spontaneous mutations are no big deal, klepto-roaches take anything not tied-down, drugs turn pain into pleasure, consumers are tortured for growing food, and your best friend is a misogynistic rat-man-you might do something crazy. And what if you got caught?

    A prize-winning new voice in fiction slinks into San Juan after dark, behind the doors of a motel on the border of nowhere, and into the lives of four toners on the edge.