The Geek Feminist Revolution also features several entirely new essays written specifically for this volume.Unapologetically outspoken, Hurley has contributed essays to The Atlantic, Locus, Tor.com, and elsewhere on the rise of women in genre, her passion for science fiction and fantasy, and the diversification of publishing.

    From her first frightening night at a shelter, Janice knew she was in over her head. She was beaten up, shaken down, and nearly stabbed by a pregnant girl. But it was still better than living at home. As Janice slipped further into street life, she nevertheless attended high school, harbored crushes, and even played the lead in the spring musical. She also roamed the streets, clubs, bars, and parks of New York City with her two best girlfriends, on the prowl for hard drugs and boys on skateboards. Together they scored coke at Danceteria, smoked angel dust in East Village squats, commiserated over their crazy mothers, and slept with one another’s boyfriends on a regular basis. A wry, mesmerizing portrait of being underprivileged, underage, and underdressed in 1980s New York City, Girlbomb provides an unflinching look at street life, survival sex, female friendships, and first loves.“A fast and engrossing read in the spirit of Girl, Interrupted.”–Entertainment Weekly“Gripping . . . a wry, compelling memoir of what it means to stand up for yourself, especially when no one else will.”–Bust“How satisfying to watch Erlbaum survive adolescence and produce a smart, engaging book.”–The New York Times Book Review“Erlbaum’s survival is hard-won, the journey rendered with page-turning intensity.”–New York Post“A fast and engrossing read in the spirit of Girl, Interrupted.”–Entertainment Weekly“Gritty . . . perversely riveting. You want her to survive.”–The Washington Post Book World

    Before the Great Smoky Mountains became a national park, the region was a lush wilderness dotted with isolated farms.  Into this land of unspoiled beauty, Dorie Woodruff Cope was born in 1899.  In this evocative memoir, Dorie's daughter, Florence Cope Bush, traces a life at once extraordinary and yet typical of the many Appalachian farm families forced to leave their simple mountain homes for the cities; abandoning traditional ways for those born of "progress."Dorie's story begins with her childhood on an isolated mountain farm, where we see first hand how her parents combined back-breaking labor with intense personal pride to produce everything their family needed—from food and clothing to tools and toys—from the land.  Lumber companies began to invade the mountains, and Dorie's family took advantage of the financial opportunities offered by the lumber industry, not realizing that in giving up their lands they were also letting go of a way of life.  Along with their machinery, the lumber companies brought in many young men, one of whom, Fred Cope, became Dorie's husband.  After the lumber companies stripped the mountains of their timber, outsiders set the area aside as a national park, requiring Dorie, now married with a family of her own, to move outside of her beloved mountains.Through Dorie's eyes, we see how the mountain farmers were forced to abandon their beloved rural life-style and customs and assimilate into cities like Knoxville, Tennessee.  Her experiences were shared by hundreds of Appalachians during the early twentieth century.  However, Dorie's perseverance, strength of character, and deep love of the Smokies make this a unique and moving narrative.The Author: Florence Cope Bush is a former newspaper reporter and freelance writer in Knoxville, Tennessee.  She is the author of Ocona Lufte Baptist—Pioneer Church of the Smokies, and a regular contributor to Smoky Mountain Historical Society publications.Durwood Dunn is professor history at Tennessee Wesleyan College.  He is author of Cades Cove: The Life and Death of a Southern Appalachian Community, 1818-1937.

    Her exploits grabbed headlines throughout the world but, beneath the public persona, she was forced to hide vital aspects of her own identity in order to thrive in a class-obsessed and male-dominated world. And – as Susannah Stapleton reveals – she was a most unreliable witness to her own life.Who was Maud? And what was the reality of being a female private detective in the Golden Age of Crime?Interweaving tales from Maud West’s own ‘casebook’ with social history and extensive original research, Stapleton investigates the stories Maud West told about herself in a quest to uncover the truth.With walk-on parts by Dr Crippen and Dorothy L. Sayers, Parisian gangsters and Continental blackmailers, The Adventures of Maud West, Lady Detective is both a portrait of a woman ahead of her time and a deliciously salacious glimpse into the underbelly of ‘good society’ during the first half of the twentieth century.

    He sheds light on Diana Ross’s relationship with Berry Gordy and her cutthroat rise to top billing in the group, as well as Florence Ballard’s corresponding decline. He also takes us inside the studio, examining how timeless classics were conceived and recorded on the Motown “assembly line,” and considers the place of Motown in an era of cultural upheaval, when not being “black enough” became a fierce denunciation within the black music industry.Deftly combining personal testimony, history, and expert analysis, Ribowsky not only tells the full, heartbreaking story of the Supremes, but shows why Gordy’s revolutionary concept of “blacks singing white” was essential to the modern evolution of music.

    For the very first time, this book prints Agatha's original ending, painstakingly transcribed from the hand-written draft in one of her earliest notebooks.Every decade saw Agatha Christie's success grow to new heights. The emergence of the world-famous Collins Crime Club in 1930 brought with it the very first Miss Marple novel; the austerity of the 1940s had Agatha Christie preparing to kill off Hercule Poirot; and the 1950s saw her experiment increasingly with stories influenced by more modern thrillers. Focusing on more than 20 Christie novels as detailed evidence, John Curran demonstrates the evolution of Agatha's writing through the decades, including her perseverance through the Swinging Sixties and Seventies into old age, concluding with a look at Agatha's last notebook and her ideas for an unwritten final book.As well as revealing more than a dozen unpublished book ideas, 'Agatha Christie's Murder in the Making' contains two new short stories from her archives - 'The Man Who Knew' and an early Miss Marple draft, 'The Case of the Caretaker's Wife'.NB: The first edition, first printing, has the ISBN on the reverse of the title page as in this record of the book but the back of the dust wrapper carries a different ISBN - 9780007908561! In addition there seems to be a variant title in that in some editions the last word of the sub-title is 'Notebooks' as opposed to 'Archive'.

    The targets in the first instance were banks and in the second, prisons. Unarguably America’s most famous bank robber, Willie never injured a soul, but took on almost a hundred banks and departed three of America’s most escape-proof penitentiaries. This is the stuff of myth—rascally and cautionary by turns—yet true in every searing, diverting, and brilliantly recalled detail.

    Malala Yousafzai refused to be silenced and fought for her right to an education.On Tuesday, October 9, 2012, when she was fifteen, she almost paid the ultimate price. She was shot in the head at point-blank range while riding the bus home from school, and few expected her to survive. Instead, Malala's miraculous recovery has taken her on an extraordinary journey from a remote valley in northern Pakistan to the halls of the United Nations in New York. At sixteen, she has become a global symbol of peaceful protest and the youngest nominee ever for the Nobel Peace Prize.I AM MALALA is the remarkable tale of a family uprooted by global terrorism, of the fight for girls' education, of a father who, himself a school owner, championed and encouraged his daughter to write and attend school, and of brave parents who have a fierce love for their daughter in a society that prizes sons.I AM MALALA will make you believe in the power of one person's voice to inspire change in the world.

    Her work has influenced filmmakers (the Tree of Souls of James Cameron's Avatar) and her TED talks have been viewed by more than 10 million people worldwide.Now, in her first book, Simard brings us into her world, the intimate world of the trees, in which she brilliantly illuminates the fascinating and vital truths--that trees are not simply the source of timber or pulp, but are a complex, interdependent circle of life; that forests are social, cooperative creatures connected through underground networks by which trees communicate their vitality and vulnerabilities with communal lives not that different from our own.Simard writes--in inspiring, illuminating, and accessible ways--how trees, living side by side for hundreds of years, have evolved, how they perceive one another, learn and adapt their behaviors, recognize neighbors, and remember the past; how they have agency about the future; elicit warnings and mount defenses, compete and cooperate with one another with sophistication, characteristics ascribed to human intelligence, traits that are the essence of civil societies--and at the center of it all, the Mother Trees: the mysterious, powerful forces that connect and sustain the others that surround them.Simard writes of her own life, born and raised into a logging world in the rainforests of British Columbia, of her days as a child spent cataloging the trees from the forest and how she came to love and respect them--embarking on a journey of discovery, and struggle. And as she writes of her scientific quest, she writes of her own journey--of love and loss, of observation and change, of risk and reward, making us understand how deeply human scientific inquiry exists beyond data and technology, that it is about understanding who we are and our place in the world, and, in writing of her own life, we come to see the true connectedness of the Mother Tree that nurtures the forest in the profound ways that families and human societies do, and how these inseparable bonds enable all our survival.

    Joyce Maynard's memoir broke a silence concerning her relationship--at age eighteen--with the famously reclusive author J.D. Salinger, then age fifty-three, who had read a story she wrote for "The New York Times" in her freshman year of college and sent her a letter that changed her life.With what some have viewed as shocking honesty, Maynard explores her coming of age in an alcoholic family, her mother's dream to mold her into a writer, her self-imposed exile from the world of her peers when she left Yale to live with Salinger, and her struggle to reclaim her self of sense in the crushing aftermath of his dismissal of her not long after her nineteenth birthday. A quarter of a century later--having become a writer, survived the end of her marriage and the deaths of her parents, and with an eighteen-year-old daughter of her own--Maynard pays a visit to the man who broke her heart. The story she tells--of the girl she was and the woman she became--is at once devastating, inspiring, and triumphant.

    As a direct descendant of Jane's brother, Edward Knight, Caroline is the last of the Austen Knight family to grow up at Chawton House on the estate where Jane Austen lived and enjoyed the most productive period of her writing career. Caroline explored the same places around Chawton House and its grounds as Jane did, dined at the same table in the same dining room, read in the same library and shared the same dream of independence.Caroline's early life was filled with the delights of living in a sixteenth-century English manor, the good cheer of family gatherings and centuries-old Christmas traditions in the Great Hall of Chawton House, the beauty of a country life, and the joys of helping her Granny bake cakes and serve Jane Austen devotees in the Chawton House tea room. But when she was seventeen, Caroline and her family were forced to leave the home her family had lived in for centuries. Heartbroken, but determined to leave all things Austen behind her, Caroline eventually carved out a highly successful career in business.This is the story of Caroline's tumultuous journey to success, her ultimate crisis, her rediscovery and embrace of her Austen heritage, and the creation of the Jane Austen Literacy Foundation.

     While most of us might take dictionaries for granted, the process of writing them is in fact as lively and dynamic as language itself. With sharp wit and irreverence, Kory Stamper cracks open the complex, obsessive world of lexicography--from the agonizing decisions about what and how to define, to the knotty questions of usage in an ever-changing language. She explains why small words are the most difficult to define (have you ever tried to define is ?), how it can take nine months to define a single word, and how our biases about language and pronunciation can have tremendous social influence. Throughout, Stamper brings to life the hallowed halls (and highly idiosyncratic cubicles) of Merriam-Webster, a world inhabited by quirky, erudite individuals who quietly shape the way we communicate. A sure delight for all lovers of words, Word by Word might also quietly improve readers grasp and use of the English language."

    The story recounts of Warhol, a shy, bald, myopic, gay albino from an ethnic Pittsburgh suburb and the "Girl in Andy's Soup," Isabelle Collin Dufresne, a.k.a. Ultra Violet, a convent educated heiress from France. Salvador Dali, her companion for five years, introduced her to Andy in 1963. The book won the Deutsche Bibliothek Frankfurt Award, and has been published in 14 languages.

    Mothers, daughters, sisters and grandmothers-fiendish killers all. Society is conditioned to think of murderers and predators as men, but in this fascinating book, Peter Vronsky exposes and investigates the phenomenon of women who kill-and the political, economic, social, and sexual implications. From history's earliest recorded cases of homicidal females to Irma Grese, the Nazi Beast of Belsen, from Britain's notorious child-slayer Myra Hindley to 'Honeymoon Killer' Martha Beck, from the sensational murder-spree of Aileen Wournos, to cult killers, homicidal missionaries, and the sexy femme fatale, Vronsky challenges the ordinary standards of good and evil and defies the accepted perceptions of gender role and identity.

    S. Lewis's adult religious books, a repackaged edition of the revered author’s treasury of essays and stories which examine the value of creative writing and imaginative exploration.C. S. Lewis—the great British writer, scholar, lay theologian, broadcaster, Christian apologist, and bestselling author of Mere Christianity, The Screwtape Letters, The Great Divorce, The Chronicles of Narnia, and many other beloved classics—presents a well-reasoned case for the importance of story and wonder, elements often ignored by critics of his time. He also discusses his favorite kinds of stories—children’s stories and fantasies—and offers insights into his most famous works, The Chronicles of Narnia and the Space Trilogy.