. . Teeny Templeton believes that her life is finally on track. She’s getting married, she’s baking her own wedding cake, and she’s leaving her troubled past behind. And then? She finds her fiancé playing naked badminton with a couple of gorgeous, skanky chicks. Add a whole lot of trouble . . . Needless to say, the wedding is off. Adding insult to injury, her fiancé slaps a restraining order on her. When he’s found dead a few days later, all fingers point to Teeny. And stir like crazy! Her only hope is through an old boyfriend-turned-lawyer, the guy who broke her heart a decade ago. But dredging up the past brings more than skeletons out of the closet, and Teeny doesn’t know who she can trust. With evidence mounting and the heat turning up, Teeny must also figure out where to live, how to support herself, how to clear her name, and how to protect her heart.

    At the turn of the millennium, we are witnessing the emergence of a vital--perhaps viral--new strain of female poetics: the "Gurlesque," a term that describes writers who perform femininity in their poems in a campy or overtly mocking manner, risking the grotesque to shake the foundations of acceptable female behavior and language. Built from the bric-a-brac of girl culture, these works charm and repel: this work is fun, subversive, and important. Poets include Brenda Coultas, Brenda Shaghnessy, Cathy Park Hong, Matthea Harvey, and Sarah Vap.

    . .Nine years after he left Shilo, New Hampshire, former Navy Seal Tom Hawkins has moved back. It's not an auspicious homecoming. Tom has returned to raise his teenage daughter, Jill, following the murder of his ex-wife, Kelly. Despite Tom's efforts to stay close to Jill by coaching her high school soccer team, Kelly's bitterness fractured their relationship. But together, they are on the mend, and life in Shilo is starting to shape up into something approaching normal.Normal doesn't last long. Shilo's police sergeant makes it clear that Tom is his chief suspect in Kelly's death. In the days that follow, an anonymous blog post alleges that Coach Hawkins is sleeping with one of his players, Internet rumors escalate, and incriminating evidence surfaces on Tom's own computer and cell phone. Soon the FBI and police are investigating Tom for what appears to be a very disturbing and unprecedented series of crimes.Someone is out to frame Tom—someone capable of destroying everything he loves without laying a finger on him. As he races to prove his innocence, he must unravel a tangle of lies about his family, the friends and colleagues he thought he knew, and about his past. For deep amid the secrets he's been keeping—from a troubled tour of duty to the reason for his ex-wife's death—is the truth that someone will gladly kill to protect. . .

    After months of isolation, Shannon imagines there's nothing he doesn't know about his older brother, or himself – until a stranger slips under their late-night watch and past their loaded guns.Reluctantly the brothers take the young woman into their fold, and the dynamic within the cabin shifts. Possessiveness takes hold, loyalties are split, and trust is shattered. Before long, all three find themselves locked into a very different battle for survival.Daring, stylish and sexy, Red Queen is a psychological thriller that will leave you breathless.'...a taut psychological thriller ... the most filmic of stories.' The Sun-Herald'HM Brown's Red Queen is a cracker of a thriller involving a peculiar menage a trois camped out in the bush. There's a good chance you may miss your train or bus stop, or show up to work with Vuitton-like bags beneath your eyes from a sleepless night trying to race to the last page.' Vogue

    Goldwyn’s incisive expose is a retrospective of the sights and spectacles of burlesque’s golden age—and an intimate look at the women whose sexuality, ambition, and verve brought the cabaret stage to life. Today, as burlesque enters a heady resurgence worldwide—with festivals around the globe, popular books like Burlesque Fetish and The Burlesque Handbook, and even a School of Burlesque in New York City—Pretty Things offers a unique and exciting look at its formative past and its earliest heroines.

    Braunbeck comes Prodigal Blues, his first foray into non-supernatural horror.After he finds himself stranded at a truck stop in Missouri, Mark Sieber gets one of the biggest shocks of his life when he recognizes the face of a little girl on a Missing poster as belonging to the same little girl he saw only a few minutes before. Looking around for some sign of her, he comes back to his table in the restaurant to find the little girl sitting there, waiting for him."I'm sorry, mister," is all she seems capable of saying.As the police and media begin to converge on the truck stop, Mark retreats back to his hotel room to call his wife and let her know what's going on, only to be taken hostage by the same people who released the little girl. But his abductors are little more than children themselves.Ranging in ages from 12 to 19, Mark's abductors are in the process of escaping from a sadistic pedophile known to them only as "Grendel" a man whose practices include torture and mutilation specifically, mutilation of the face.Mark's abductors have all been mutilated by Grendel, who may be very close behind them, and need someone with a "normal face" to help them carry out their plan for justice and return home.For the next few days, Mark will come to understand not only the inhuman horror that these children have suffered, but how they eventually learned to fight back and how they discovered that Grendel and his practices are at the center of a very complex network catering to those whose tastes run toward the molestation and mutilation of children.Prodigal Blues is perhaps Braunbeck's most suspenseful and emotionally powerful work to date; a story of suffering, depravity, redemption, and in the end the individual's compassion for his or her fellow human beings that can lead some people to find reserves of courage and determination they never thought they possessed.Terrifying, suspenseful, sometimes surprisingly funny, and ultimately moving, Prodigal Blues is quintessential Braunbeck.

    Why did the brilliant, but cruel, Dr. Gideon Wyck perform an unnecessary amputation on one of his patients? Why does that patient now insist that black devils are trying to steal his soul? What is behind the series of monster babies being born to apparently normal, healthy women? And when Wyck is found dead under peculiar and inexplicable circumstances, who is responsible--and why? The Cadaver of Gideon Wyck, Alexander Laing's odd hybrid of horror, crime and science fiction, was an unlikely bestseller and critical success when first published in 1934, and it was later selected by Karl Edward Wagner as one of the top horror novels of all time. This new edition reprints the unabridged text of the first edition along with a reproduction of its dust jacket art and frontispiece by Lynd Ward.

    She’s smart, funny, and absolutely determined to escape from her small town in the Ohio Valley, a place poisoned by fracking. She does well in school despite the cruelty of her classmates and has her eyes on a college scholarship, so she can one day become a veterinarian and make something of herself.But even as she tries to keep her head down and stay out of trouble, trouble seems to find her. Believing toxic water has poisoned her family, Amy one night becomes involved in an act of ecoterrorism against a local fracking company that goes terribly wrong. Her oldest friend Paul, as angry and defiant as she is, has drawn her into this dark world—and now a man is dead as a result. But Amy can’t—won’t—let one night’s mistake stand in the way of her plans.Touching on important topics as wide-ranging as ethnic hatred, police corruption, environmental decay, and gun violence, Lady Chevy is one girl’s story that highlights the darkest parts of modern America with surprising results.

    They are a potent blend of weird beauty and horror. Hearn, who referred to his narratives as 'stories and studies of strange things', believed that the spectral world was part of the oriental landscape. Lakes, mountains, ruined castles and terraced fields were the natural locale of ghostly spirits, and their intervention in human affairs was part of the natural order of things. Hearn's apparitions are not a violent intrusion upon everyday reality; they are already a part of that reality, co-existing with the living. This collection contains the best of the work of this neglected master of the supernatural tale. Prepare to be charmed and chilled in equal measure.

    In HAMMERTOWN, poet Peter Culley re-imagines his home town of Nanaimo, British Columbia, not as it is, but as it might be imagined in the mind of a Parisian who had rarely left his city. This is Culley's fifth book of poetry.