The study places Richard in Europe, the Mediterranean and Palestine and demonstrates that few rulers had more enemies or more influence. The paperback edition includes an updated bibliography.

    Queen. Saint. In eleventh-century Scotland, a young woman strives to fulfill her destiny despite the risks . . . Shipwrecked on the Scottish coast, a young Saxon princess and her family—including the outlawed Edgar of England—ask sanctuary of the warrior-king Malcolm Canmore, who shrewdly sees the political advantage. He promises to aid Edgar and the Saxon cause in return for the hand of Edgar’s sister, Margaret, in marriage.A foreign queen in a strange land, Margaret adapts to life among the barbarian Scots, bears princes, and shapes the fierce warrior Malcolm into a sophisticated ruler. Yet even as the king and queen build a passionate and tempestuous partnership, the Scots distrust her. When her husband brings Eva, a Celtic bard, to court as a hostage for the good behavior of the formidable Lady Macbeth, Margaret expects trouble. Instead, an unlikely friendship grows between the queen and her bard, though one has a wild Celtic nature and the other follows the demanding path of obligation. Torn between old and new loyalties, Eva is bound by a vow to betray the king and his Saxon queen. Soon imprisoned and charged with witchcraft and treason, Eva learns that Queen Margaret—counseled by the furious king and his powerful priests—will decide her fate and that of her kinswoman Lady Macbeth. But can the proud queen forgive such deep treachery?Impeccably researched, a dramatic page-turner, Queen Hereafter is an unforgettable story of shifting alliances and the tension between fear and trust as a young woman finds her way in a dangerous world.From the Hardcover edition.

    King Henry the Eighth of England that day once more pronounced himself the happiest and most enviable man in his kingdom, for to-day he was once more a bridegroom, and Catharine Parr, the youthful widow of Baron Latimer, had the perilous happiness of being selected as the king's sixth consort.

    At Poitiers, in 1356, his victory over King John II of France forced the French into a humiliating surrender that marked the zenith of England’s dominance in the Hundred Years War. As lord of Aquitaine, he ruled a vast swathe of territory across the west and southwest of France, holding a magnificent court at Bordeaux that mesmerized the brave but unruly Gascon nobility and drew them like moths to the flame of his cause.He was Edward of Woodstock, eldest son of Edward III, and better known to posterity as “the Black Prince.” His military achievements captured the imagination of Europe: heralds and chroniclers called him “the flower of all chivalry” and “the embodiment of all valor.” But what was the true nature of the man behind the chivalric myth, and of the violent but pious world in which he lived? This exemplary new history uses contemporary chronicles plus a wide range of documentary material—including the Prince's own letters and those of his closest followers—to tell the tale of an authentic English hero and to paint a memorable portrait of society in the tumultuous fourteenth century.

    Its gruesome history includes witchcraft, body-snatching, desecration, corpse dumping, and live burial. In 1998, something new and inexplicable began occurring in the graveyard. Visitors encountered “cold spots,” strange smells, and banging noises. They found themselves overcome by nausea, or cut and bruised by something they couldn’t see. Over a period of two years, 24 people were knocked unconscious. Homes next to the graveyard were plagued by smashing crockery, moving objects, and unidentified laughter. Witnesses to these incidents ran into the hundreds. The section of Greyfriars where the attacks occurred is now chained shut, but the poltergeist still grows stronger.

    It is an undoubted fact that, were it not for the work of Alfred, there might never have been the possibility of an English kingdom in the sense that we now understand it. It is also true that Athelstan was the first explicitly to rule over an English kingdom in roughly its present shape and extent. What, then, was the contribution of Edward to the evolution of what his son was to inherit? As a child, he saw his father at the lowest point of his fortunes; as a boy, he grew up under the constant threat of further Danish invasion. Edward came to adulthood in the knowledge that it was his responsibility to safeguard his country. By his death, he was undoubtedly the most powerful and respected ruler, not only in England but in western Europe, and he achieved this through both martial and legislative prowess. Edward built on his father’s work but he immeasurably expanded it, and the chroniclers who wrote in the centuries which immediately followed his death remembered him as ‘greatly excelling his father in extent of power’. Edward the Elder succeeded Alfred as king of the Anglo-Saxons; he died as king of the English. And yet virtually nothing has been written about him. Until now. While biographies of Alfred and studies of the achievements of Athelstan pour from the press, Edward is forgotten. Yet he was the first ruler to leave behind him the possibility of a united England, a country in which men thought of themselves as English, speaking a language which all would have described as English, which had never existed in quite this form before. Anyone looking to fully understand and appreciate the making of medieval England must look to understand and appreciate Edward the Elder and his reign.

    Two families - the Bruces and the Balliols - vie for the throne. Robert the Bruce is in love with Elizabeth de Burgh, the daughter of an adherent of the ruthless Longshanks, King of England. In order to marry her and not give up his chances of someday becoming King of Scots, Robert must abandon his rebel ways and bide his time as Longshanks' vassal. But Edward, Longshanks' heir, doesn't trust the opportunistic Scotsman and vows to one day destroy him. While quietly plotting his rebellion, Robert is betrayed by one of his own and must flee Longshanks' vengeance. Aided by the unlikely brilliance of the soft-spoken young nobleman, James Douglas, Robert battles for his throne. Victory, though, is never certain and Robert soon learns that keeping his crown may mean giving up that which he loves most-his beloved Elizabeth.

    Sharing some of the recipes that they brought over, the tomatoes, the garlic, the sausage, the wine, this is a mouthwatering memoir of family and food. It is also a brilliant evocation of life between the wars, a triumphant story of survival against all the odds, that captures the sights and smells of Italian life and culture, at home and abroad.

    The way in which their stories intersect with real places offers potential for a richly textured narrative. By drawing together narrative history, new academic research and first-hand experience, Tom Williams offers a vital evocation of a forgotten world, its echoes in later history and its implications for the present.A Viking Britain truly existed, and its historical and cultural footprint is in many ways broader and deeper than Rome’s. Between the conventional beginning of the Viking Age in the late eighth century and its close in the eleventh, Scandinavian people and culture were involved with Britain to a degree that has left a permanent impression on these islands. They came to plunder and, ultimately, to settle, to colonize and to rule. By the time of the Norman Conquest, much of Britain might justifiably be described as ‘Viking’, and in language, literature, place-names and folklore, the presence of Scandinavian settlers can still be felt. Indeed, the Vikings have been a powerful cultural force in modern times. Their representation in paintings, novels and operas – from the music of Elgar to the writing of Kipling, Morris and Tolkien – has had a profound impact on the British psyche. Much of what we imagine when we think of the Vikings – even the word ‘Viking’ itself – grew, not form the Viking Age itself, but from the political, literary and artistic currents of the nineteenth and early twentieth centuries. Here, too, a Viking Britain came alive.

    

    But he was not always a hero - as he was not always a king. He grew towards both under the shadow of a still greater hero - William Wallace - in that terrible forcing-ground of heroism and treachery alike, the Wars of Independence which, from 1296 to 1314, hammered Scotland into the very dust until only the enduring idea of freedom remained in her.Edward Longshanks, King of England, was the Hammer of the Scots, a great man gone wrong, a magnificent soldier flawed by consuming hatred and lust for power.These two fought out their desperate, appalling duel, with Scotland as prize - should any of Scotland survive.Not only these. To John Comyn, Lord of Badenoch, head of the most powerful house in Scotland and nephew of the deposed and discredited King John Baliol, Bruce was as spark to tinder. Their friction blazed to flame that shocking day when blood soaked the high altar at Dumfries, and a new Bruce was born.But this tremendous story is not all blood and fire. Elizabeth de Burgh saw to that. Humour and laughter are here too, colour and beauty, faith and love.This enormous and ambitious theme of Bruce the hero king is no light challenge for a writer. Nigel Tranter has waited through nearly thirty years of novel-writing to tackle it. In this, the first of a trilogy, he ends that long apprenticeship and takes up the challenge.

    A man who against expedition orders drove his tractor to the South Pole; a man honoured around the world for his pioneering climbs yet who collapsed on more than one occasion on a mountain, and a man who gave so much to Nepal yet lost his family to its mountains.The author, Michael Gill, was a close friend of Hillary’s for nearly 50 years, accompanying him on many expeditions and becoming heavily involved in Hillary’s aid work building schools and hospitals in the Himalaya. During the writing of this book, Gill was granted access to a large archive of private papers and photos that were deposited in the Auckland museum after Hillary’s death in 2008. Building on this unpublished material, as well as his extensive personal experience, Michael Gill profiles a man whose life was shaped by both triumph and tragedy.Gill describes the uncertainties of the first 33 years of Hillary’s life, during which time he served in the New Zealand air force during the Second World War, as well as the background to the first ascent of Mount Everest in 1953, when Hillary and Tenzing Norgay became the first climbers to reach the summit – a feat that brought the pair instant worldwide fame. He reveals the loving relationship Hillary had with his wife Louise, in part through their touching letters to each other. Her importance to him during their 22 years of marriage only underlines the horror of her death, along with that of their youngest daughter, Belinda, in a plane crash in 1975. Hillary eventually pulled out of his subsequent depression to continue his life’s work in the Himalaya.Affectionate, but scrupulously fair, in Edmund Hillary – A Biography Michael Gill has gone further than anyone before to reveal the humanity of this remarkable man.

    Many pilots, including Douglas Bader, thought it was superior to the Spit--but together they saved Britain from Nazi invasion and possible defeat.Adrian Stewart has produced a gloriously atmospheric and nostalgic book capturing the spirit of these great aircraft and the pilots who flew them. It tracks the aircraft as it was developed and improved, and follows it to the many theaters of the war where it saw service. Among the lesser-known are Burma and hazardous convoy protection in the Arctic and Mediterranean, flying from makeshift carriers. This book will fascinate specialist aviation historians and those who enjoy a rattling good war story, and includes a superb selection of rare photographs.

    These include not only historic moments from Bannockburn to the opening of the new parliament in 1999 but also testimonies like that of the eight year- old factory worker who was dangled by his ear out of a third-floor window for making a mistake; the survivors of the 1746 Battle of Culloden, who wished perhaps that they had died on the field; the breakthrough moment for John Logie Baird, inventor of television; and, the genesis of great works of literature recorded by Conan Doyle, Stevenson, and the editor of Encyclopaedia Britannica. From the battlefield to the sports field, this is living, accessible history told by crofters, criminals, servants, housewives, poets, journalists, nurses, politicians, prisoners, comedians, sportsmen, and many more.

    Elizabeth and Mary were cousins and queens, but eventually it became impossible for them to live together in the same world. This is the story of two women struggling for supremacy in a man's world, when no one thought a woman could govern. They both had to negotiate with men--those who wanted their power and those who wanted their bodies--who were determined to best them. In their worlds, female friendship and alliances were unheard of, but for many years theirs was the only friendship that endured. They were as fascinated by each other as lovers; until they became enemies. Enemies so angry and broken that one of them had to die, and so Elizabeth ordered the execution of Mary. But first they were each other's lone female friends in a violent man's world. Their relationship was one of love, affection, jealousy, antipathy--and finally death.