Howe is a poet of language in history whose work resonates back through Melville, Dickinson, and Shelley to the seventeenth-century Metaphysicals and Puritans (the nonconformism of the title), and forward again to T. S. Eliot and the abstract expressionists. The sequences fall into two sections, "Turning" and "Conversion," in half-ironic nonconforming counterpart to Eliot's Four Quartets. Her collaging and mirror-imaging of words are concretions of verbal static, visual meditations on what can and cannot be said. For Howe, "Melville's Marginalia" is the essential poem in the collection, an approach to an elusive and allusive mind through Melville's own reading and the notations in his library books. This, says Howe, is "Language a wood for thought."

    Originally published in 1967 and Winner of the National Book Award in that year.

    Readers' Favorite Silver Medal Winner Best Southern Fiction. A sweeping, moving historical novel set before the Civil War about secrets, freedom, and the power of love.Growing up in the Deep South during the years leading to the Civil War, two young girls find freedom on a hillside overlooking Westland, an Alabama plantation. Essie Mae, an intuitive, intelligent slave girl, and Evie Winthrop, the sheltered, imaginative dreamer and planter’s daughter, strike up a secret friendship that thrives amidst the shadows of abuse.Told from the viewpoint of four women: Katherine Winthrop, kind mistress and unexpected heiress to her father’s small, cotton plantation; Delly, her sassy and beloved house slave; Essie Mae, her slave girl; and Evie Winthrop, Katherine’s only child, Essie’s Roses tells of forbidden relationships flourishing in secret behind Westland’s protective trees and treasured roses.After scandal befalls Westland, Evie and Essie, aged nineteen, travel to Richmond, Virginia, to escape their abusive pasts. There, they face the gross indecencies and divisions leading to the War Between the States. Though the horrors of slavery and discrimination prompt action, Evie and Essie’s struggles lie within. The secrets they hold and the pain of the past lead them away from one another and back home again.A story about a black slave who frees a white woman, Essie’s Roses reveals the diverse meanings of freedom, the significance of a dream, and the power of love. In their efforts to save each other, will the women of Westland find the true freedom they desire?"Impressively well written from beginning to end, Essie's Roses is an inherently absorbing and skillfully presented read, establishing author Michelle Muriel as an exceptionally talented novelist." -Midwest Book Review "...tremendously impressive debut novel ... A richly moving reading experience." -Historical Novel Society

    What she seeks is adventure. What she finds is much more.Rose is thrown into the lives of the varied people and towns of the Mississippi while working on river boats, going to a prep school in St. Louis where she lives with a black family in the Ville, and working in a bordello in New Orleans (not as a call girl, of course. She is a Catholic girl from the Midwest after all). What she doesn't anticipate are the close relationships that develop with many of the women she encounters. She also discovers the harshness of the world far away from the security of home. Ultimately, Rose realizes what is most important in her life: her family and her friends.Rosebloom takes place at a time in history that buffets Rose between the great depression and the coming wave of World War II. She gets herself into situations through her naiveté and also just by chance that test her resolve and teach her not only about herself but about the world of others which she would have never know if she hadn't left her small farm in Southwest Wisconsin.A percentage of the profits of each book sold will be donated to help in the education of disadvantaged children, because Christine believes that knowledge is a powerful tool.

    I want nothingto reveal feeling but feeling--as in freedom,or the knowledge of peace in a realm beyond,or the sound of water poured in a bowl.--from "Gravity and Center" In his sixth collection of poetry, Henri Cole deepens his excavations of autobiography and memory. "I don't want words to sever me from reality," he asserts, and these poems--often hovering within the realm of the sonnet--combine a delight in the senses with the rueful, the elegiac, the harrowing. Many confront the human need for love, the highest function of our species. But whether writing about solitude or the desire for unsanctioned love, animals or flowers, the dissolution of his mother's body or war, Cole maintains a style that is neither confessional nor abstract. And in Blackbird and Wolf, he is always opposing disappointment and difficult truths with innocence and wonder.

     Worlds of achievement out of mind and remembering,           just as the poem lasts. In the concert of being present.                                                           —from “Arriving” Linda Gregg’s abiding presence in American poetry for more than thirty years is a testament to the longevity of art and the spirit. All of It Singing: New and Selected Poems for the first time collects the ongoing work of Gregg’s career in one book, including poetry from her six previous volumes and thirty remarkable new poems.

    These poems offer a similarly potent and sensory multiplicity, unified through the formal constraint of 150 poems of 15 lines.Like the medieval psalters echoed in its title, this collection contains both the sacred and profane. Here are hymns of praise and lamentation, songs of wonder and despair, journeying effortlessly through physical and metaphysical landscapes, from financial markets and urban sprawl to deserts and dark nights of the soul.From an encomium to a karaoke booth to a conjuration of an inverse Antarctica, this collection is a compelling, powerful search for meaning, truth and falsehood. But, as ever in Roberts’ work – notably the Whitbread Award-winning Corpus – this search is rooted in the tangible world, leavened by wit, contradiction, tenderness and sensuality.This is Roberts’ most expansive writing yet: mystical, philosophical, earthy and elegiac. Drysalter sings of the world’s unceasing ability to surprise, and the shock and dislocation of catching your own life unawares.

    Rooted in an honest, harrowing, but ally ecstatic confrontation of the mother / daughter relationship in all its complexity and intimacy, it is at the same time an affirmation of continuity and identification."The Chuppah" comprises poems actually used in her wedding ceremony with Ira Wood. This section sings with powerfully female love poetry. There is also a sustained and direct use of her Jewish identity and faith in these poems, as there is in a number of other poems throughout the volume.Readers of Piercy's previous collections will not be surprised to encounter her mixture of the personal and the political, her love of animals and the Cape landscape. There are poems about doing housework, about accidents, about dreaming, about bag ladies, about luggage, about children's fears of nuclear holocaust; about tomcats, insects in the rafters, the influence of a name, appleblossoms and blackberries, pollution, and some of the ways women objectify one another. In "Does the light fail us, or do we fail the light?" Piercy writes with lacerating honesty about our relationships with the elderly and about hers with her father.Some of the most moving poems are domestic, as in the final sequence, "Six underrated pleasures," which finds in daily women's tasks both pleasure and mystery, affirmation of serf and connection with the mother.In all, My Mother's Body is one of Piercy's most powerful and balanced collections.

    The historical body of evidence that remains from the Salem witch trials of 1692 touched the hands, mind, and imagination of poet Nicole Cooley, compelling her to seek entry to an inaccessible past of lies. The Afflicted Girls, so named after the young women who claimed to be victims of witchcraft, spans the centuries to give voice to those both audible and silent on history's pages--accusers and accused of several kinds: wife and husband, servant and master, congregant and minister, and, not least, bewitched and witch. Piercing, enchanting, Cooley's poems form a remarkable narrative, one that displays the enormous cultural power the Salem witch trials retain in twenty-first-century America.

    With formal invention and a wild personae, ZIRCONIA compels one to follow gem-strewn trails of feminine intuition, savagery, ennui, fantasy, and intimacy to their diabolically fruitful conclusions.

    It can often seem like there's no way things will ever get better. I wrote this book to remind you that it will, and to give you some comfort and hope along the way. May you find the healing and love your heart deserves. -Illiana Cenjur

    Bergin.Illustrated with drawings by Aldo Salvadori

    Mr. Brown has performed works from herein on The Tonight Show with Jay Leno and as the opening act for rock bands such as Cold War Kids and The White Stripes. It contains 204 pages of work spanning 1994-2004. Derrick Brown's large cult following has sent him on tours through twelve countries. He continues to tour to this day. Paperback. www.brownpoetry.com

    Howe's theme is the exile of the spirit in this world and the painfully exciting, tiny margin in which movement out of exile is imaginable and perhaps possible. Her best poems are simultaneously investigations of that possibility and protests against the difficulty of salvation. Boston is the setting of some of the early poems, and Ireland, the birthplace of Howe's mother, is the home of O'Clock, a spiritually piquant series of short poems included in Selected Poems. The metaphysics and the physics of this world play off each other in these poems, and there is a toughness to Howe's unique, fertile nervousness of spirit. Her spare style makes a nest for the soul: Zero built a nest in my navel. Incurable Longing. Blood too— From violent actions It's a nest belonging to one But zero uses it And its pleasure is its own—from The Quietist

    Everything you need to hear, but already know.