The collection begins with a summation of the costumes created for Disney animation, early live action, and television, along with show wardrobes sported at the Disney Parks by Audio-Animatronics figures and Cast Members. The next section details a timeless case study: Cinderella's ball gown. A diverse group of designers has been called upon over the years to address and improvise the creative and practical needs each time the fairy tale Cinderella has been reimagined. Each project has brought with it inherent cultural challenges when bringing a familiar and beloved tale to life again and again, and all have yielded stunning and distinct results. At last, the full galleries (organized by the character archetypes of heroes and villains, and those complex, always interesting, "spaces between") showcase costumes across more than thirty Disney films. At each turn, this volume offers a one-of-a-kind backstage view of remarkable works of art, and it inspires a true appreciation for the highly skilled and talented costumers who created them.

    Following an illuminating discussion of the style and construction of costumes worn in the thirteenth, fourteenth, and fifteenth centuries, noted costume historian Mary G. Houston provides detailed descriptions and illustrations of actual apparel worn by all classes and sectors of society. Included are elaborate royal, academic, and legal costumes; Eucharistic vestments and garments of religious orders; working class apparel; civilian dress; and more. Also examined is a wide variety of accessories and ornaments, jewelry, armor, textiles, embroidery, coiffures, and other items.The clear, succinct text is splendidly documented by 350 black-and-white line illustrations based on contemporary books and manuscripts as well as representations in paintings and sculpture. Indispensable for students of costume history, medievalists, illustrators, and fashion historians, Medieval Costume in England and France will delight anyone interested in the medieval period and its dress.

    A person's clothing, whether it's a sari, kimono, or business suit, is an essential key to his or her culture, class, personality, or even religion. The Kyoto Costume Institute recognizes the importance of understanding clothing sociologically, historically, and artistically. Founded in 1978, the KCI holds one of the world's most extensive clothing collections and has curated many exhibitions worldwide. With an emphasis on Western women's clothing, the KCI has amassed a wide range of historical garments, underwear, shoes, and fashion accessories dating from the 18th century to the present day. Showcasing a vast selection of skilled photographs from the Institute's archives, depicting the clothing expertly displayed and arranged on custom-made mannequins, Fashion is a fascinating excursion through the last three centuries of clothing trends.From a rare treasure such as a 17th century iron corset with embroidered bodice to modern-day outfits by such designers as Yves Saint Laurent and Calvin Klein, the collection provides an extensive overview of the evolution of women's fashion. The KCI believes that "clothing is an essential manifestation of our very being" and their passion and dedication positively radiate from every page of this book. It offers an opportunity to see how our ancestors dressed, to consider the amazing accomplishments of contemporary fashion, and to imagine how our descendants may dress in the distant future as clothing design continues on its tireless evolutionary path.

    Father Driscoll pursues Ethan, along with journalist Pamela Hutchins; their intentions differing. After worldwide publicity, the Church and various religious leaders attempt to thwart the man who claims he can heal the sick. Ethan alleges he is visited by Moroni, an apparent holy vision. Gangster, Abdul Rahim sees the financial potential and pursues Ethan to India and Africa, where his cult is thriving. A series of macabre deaths follow Ethan in his quest. Is he really heaven sent, or is he a servant of evil? A frightening tale of deceit, treachery and dishonour. Not for the faint-hearted.

    In this book, Gail Marsh looks at some of the techniques and tools that embroiderers of the day used to create their stunning items of clothing.

    The sting of their prince's firm hand on my bare bottom taught me my place in his world, but it was what came after that truly demonstrated his mastery over me.This alien brute has granted me his protection and his help with my mission, but the price was my total submission to both his shameful demands and those of his second in command as well.But it isn't the savage way they make use of my quivering body that terrifies me the most. What leaves me trembling is the thought that I may never leave this place... because I won't want to.

    Their works are presented first by chronology and then by subject, so that illustrators, historians, and students alike can choose to follow the path of fashion through the centuries, or study in detail the contrasting styles of individual clothing and accessories. Silhouettes reveal the shape of style through the ages, detailed cross-references draw attention to recurring motifs, and navigation bars help the researcher to travel the complex chronology of costume.With authoritative narrative from leading experts in the history of costume, extraordinary contemporary quotes that reveal the impact of style in its day, detailed annotation, and an extensive glossary, the book provides a magnificent study of the rich vocabulary of style through the ages.

    Crafters with a sense of humor, a taste for the weird, wacky, and way-out, and a hunger for the outrageous will find themselves captured by this wildly creative menagerie of sock monsters.Possessed of irresistible charm, these creatures offer all the inspiration anyone needs to transform cast-off socks into wickedly funny toys. There's Claude with his perplexed expression and tiny tail that stands at full attention. Jordan's always on the prowl; he's got three eyes, so nothing escapes him. And there's something really odd about Estelle. Maybe it's her silly conical head balanced precariously on four tiny feet--or perhaps it's just that she's always sticking out her bright red tongue. Great instructions and charming illustrations make it easy to bring these unique personalities to life. A Selection of the Crafters Choice Book Club.

    As a man named "Ed," she had everything anyone could ever want: a soul mate's love, two beautiful daughters, a house in the best neighborhood, a successful trial lawyer's career - a "Grand Plan" life so picture-perfect it inspired a beautiful pastel drawing,But there was a problem: "Ed" was a woman born into a male body. Finding inner peace meant Ed would have to become Ellen. It also meant losing that picture-perfect life.How could anyone make that choice, pay that kind of price? Then again, how could anyone not? Through what became a "gender journey," Ellen Krug discovered her true self and the honesty it takes to make life-changing decisions."Getting to Ellen" is much more than one person's story about some things lost and others gained. It's a glimpse into the life choices that all of us make --whether or not we're transgender.

    The nearly 25,000-object collection comprises fashionable women’s and men’s garments and accessories from the 18th through the 20th century. It features sumptuous 19th-century gowns from the House of Worth, exquisite works by the great 20th-century French couturiers, iconic Surrealist-based designs of Elsa Schiaparelli, sportswear classics from pioneer American women designers, and the incomparable draped and tailored creations of Charles James.In 2009, the Brooklyn Museum and The Metropolitan Museum of Art entered into a groundbreaking long-term partnership to steward Brooklyn’s collection. The objects were transferred to The Costume Institute at the Metropolitan, with Brooklyn maintaining curatorial access. Exhibitions of costumes from the collection will be held at both institutions in early May 2010.

    Colonial Williamsburg owns one of the most outstanding collections of period costumes in the world, numbering almost 900 costumes and more than 2,400 accessories.There are 25 full-page patterns in inches and centimeters for women's and men's clothing and accessories accompanied by photographs.

    Her two little daughters decide to do something about it—break their piggy bank! But when there isn’t enough money to buy Ammi a sari, the two girls must work together to find a solution. Will they be able to buy Ammi the gift she so deserves? With a text full of heart, and bright, cheerful artwork, this story brings readers into the home of a weaver’s family in Kaithoon, India, where the creation of saris is an art form. The book includes a glossary of Indian terms and a note about the saris made in this region.

    Featuring beautiful color photographs of the exhibition’s installation, details of the garments, and supplementary historical material, the book demonstrates how the extravagant clothing of the period reiterated the splendor of Rococo and Neoclassical interiors.

    When my grandfather came to Americahe made himself a handsome coat!Then he wore it and he wore it and he wore it--until it was all worn out!So what did he do?He snipped and he clipped--and he stitched and he sewed...and out of the still-good cloth of his coat--he made himself a smart jacket!How many things can Grandfather makeout of that old frayed coat?

    Happy spring break! Mark Fuller’s world is falling apart. His marriage is on the rocks and his insurance business is on life-support. To top it off, he’s agreed to spend Easter weekend in a remote lake house with his overbearing business partner and his partner’s alcoholic wife. Mark thinks his life can’t get any worse, but when a freak spring storm brings nearly two feet of snow, the power goes, and two escaped federal prisoners show up on their doorstep, he realizes it's not only the weather that can kill!