P. Lovecraft’s shocking, terrifying, and eerily prescient Cthulhu Mythos. In twenty-one dark visions, a host of outstanding contemporary writers tap into our innermost fears, with tales set in a misbegotten new world that could have been spawned only by the master of the macabre himself, H. P. Lovecraft. Inside you’ll find:DETAILS by China Miéville: A curious boy discovers that within the splinters of cracked wood or the tangle of tree branches, the devil is in the details.VISITATION by James Robert Smith: When Edgar Allan Poe arrives, a callow man finally gets what he always wanted—and what he may eternally despise. MEET ME ON THE OTHER SIDE by Yvonne Navarro: A couple in love with terror travels beyond their wildest dreams—and into their nightmares.A FATAL EXCEPTION HAS OCCURRED AT . . . by Alan Dean Foster: Internet terrorism extends far beyond transmitting threats of evil.AND SEVENTEEN MORE HARROWING TALESFrom the Trade Paperback edition.vii • Introduction: The Call of Lovecraft • essay by Benjamin Adams and John Pelan1 • Details • short story by China Miéville21 • Visitation • short story by James Robert Smith33 • The Invisible Empire • novelette by James Van Pelt57 • A Victorian Pot Dresser • novelette by L. H. Maynard and M. P. N. Sims85 • The Cabin in the Woods • novelette by Richard Laymon109 • The Stuff of the Stars, Leaking • short story by Tim Lebbon125 • Sour Places • short story by Mark Chadbourn141 • Meet Me on the Other Side • short story by Yvonne Navarro161 • That's the Story of My Life • short story by Benjamin Adams and John Pelan181 • Long Meg and Her Daughters • novella by Paul Finch243 • A Fatal Exception Has Occurred At ... • short story by Alan Dean Foster261 • Dark of the Moon • short story by James S. Dorr275 • Red Clay • short story by Michael Reaves [as by J. Michael Reaves]291 • Principles and Parameters • novelette by Meredith L. Patterson325 • Are You Loathsome Tonight? • (1998) • short story by Poppy Z. Brite331 • The Serenade of Starlight • short story by W. H. Pugmire (variant of Serenade of Starlight) [as by W. H. Pugmire, Esq.]345 • Outside • short story by Steve Rasnic Tem355 • Nor the Demons Down Under the Sea • [Dandridge Cycle] • short story by Caitlín R. Kiernan371 • A Spectacle of a Man • short story by Weston Ochse389 • The Firebrand Symphony • (2001) • novelette by Brian Hodge437 • Teeth • novelette by Matt Cardin463 • Notes on the Contributors (Children of Cthulhu: Chilling New Tales Inspired by H.P. Lovecraft) • essay by Benjamin Adams and John Pelan

    A version of the story was published in the magazine Whirlwind in 1890, and Machen revised and extended it for its book publication (together with another story, "The Inmost Light") in 1894. On publication it was widely denounced by the press as degenerate and horrific because of its decadent style and sexual content, although it has since garnered a reputation as a classic of horror. Machen’s story was only one of many at the time to focus on Pan as a useful symbol for the power of nature and paganism. The title was taken from the poem "A Musical Instrument" published in 1862 by Elizabeth Barrett Browning, in which the first line of every stanza ends "... the great god Pan.

    Lovecraft's Cthulhu Mythos relate to what will happen after the Old Ones return and take over the earth. In "The Dunwich Horror," the semi-human half-breed Wilbur Whateley speaks in his diary of travelling to nonhuman cities at the Earth's magnetic poles "when the Earth is cleared off," and hints at his own promised "transfiguration." Very few Mythos stories have ever touched on this. What happens when the Stars Are Right, the sunken city of R'lyeh rises from beneath the waves, and Cthulhu is unleashed upon the world for the last time? What happens when the other Old Ones, long since banished from our universe, break through and descent from the stars? What would the reign of Cthulhu be like, on a totally transformed planet where mankind is no longer the master?It won't be simply the end of everything. It will be a time of new horrors and of utter strangeness. It will be a time when humans with a "taint" of unearthly blood in their ancestry may come into their own. It will be a time foreseen only by authors with the kind of finely honed imaginative visions as those included in Cthulhu's Reign

    P. Lovecraft was the eerily prescient genius who first electrified readers in Weird Tales magazine. His tales changed the face of horror forever and inspired the bloodcurdling offerings of a new generation. These brilliant dark visionaries forge grisly trails through previously uncharted realms of mortal terror.  THE PLAIN OF SOUND by Ramsey Campbell: In the beginning they could find no source for the throbbing vibrations; in the end they could find no escape. THE HORROR ON THE BEACH by Alan Dean Foster: Along the coast of Santa Barbara, the mighty Pacific Ocean can no longer contain—or conceal—an ancient, insatiable evil stirring in its depths.THE KISS OF BUGG-SHASH by Brian Lumley: It mattered not how innocent the students’ motives seemed; the demon had been summoned, and the price had to be paid—every last red drop of it.THE FISHERS FROM OUTSIDE by Lin Carter: A man obsessed with unlocking the secrets of a race older than time would not be disappointed—doomed perhaps, devoured possibly, but definitely not disappointed.  AND TWENTY-ONE MORE TALES OF FEAR . . .  THE STONE ON THE ISLAND by Ramsey Campbell THE STATEMENT OF ONE JOHN GIBSON by Brian Lumley DEMONIACAL by David Sutton THE SLITHERER FROM THE SLIME by H. P. Lowcraft THE DOOM OF YAKTHOOB by Lin Carter THE KEEPER OF THE FLAME by Gary Myers DEAD GIVEAWAY by J. Vernon Shea THOSE WHO WAIT by James Wade THE KEEPER OF DARK POINT by John Glasby THE BLACK MIRROR by John Glasby I’VE COME TO TALK WITH YOU AGAIN by Karl Edward Wagner THE HOWLER IN THE DARK by Richard L. Tierney THE WHISPERERS by Richard A. Lupoff LIGHTS! CAMERA! SHUB-NIGGURATH! by Richard A. Lupoff SAUCERS FROM YADDITH by Robert M. Price VASTARIEN by Thomas Ligotti THE MADNESS OUT OF SPACE by Peter H. Cannon ALIAH WARDEN by Roger Johnson THE LAST SUPPER by Donald R. Burleson THE CHURCH AT GARLOCK’S BEND by David Kaufman THE SPHERES BEYOND SOUND (THRENODY) by Mark Rainey

    Lovecraft: a brand new anthology that collects the twelve principal deities of the Lovecraftian Mythos and sets them loose within its pages. Featuring the biggest names in horror and dark fantasy, including many NY Times bestsellers, full of original fiction and artwork, and individual commentary on each of the deities by Donald Tyson.About the book: Lovecraft’s bestiary of gods has had a major influence on the horror scene from the time these sacred names were first evoked. Cthulhu, Azathoth, Nyarlathotep, Yog-Sothoth—this pantheon of the horrific calls to mind the very worst of cosmic nightmares and the very darkest signs of human nature. The Gods of H.P. Lovecraft brings together twelve all-new Mythos tales from:Cthulhu (Adam Nevill) – Yog-Sothoth (Martha Wells) – Azathoth (Laird Barron) – Nyarlathotep (Bentley Little) – Shub-Niggurath (David Liss) – Tsathoggua (Brett Talley) – The Mi-Go (Christopher Golden & James A. Moore) – Night-gaunts (Jonathan Maberry) – Elder Things (Joe Lansdale) – Great Race (Rachel Caine) – Yig (Douglas Wynne) – The Deep Ones (Seanan McGuire)With commentary on each deity by Donald Tyson

    P. Lovecraft wrote “The Call of Cthulhu” in 1926, initiating the Cthulhu Mythos, one of the most widely imitated shared-world universes in weird fiction. Even in his lifetime, many other writers added to the Mythos, and after his death hundreds if not thousands of authors of weird, fantasy, and science fiction have added their distinctive elaborations on Lovecraft’s basic themes and ideas. This volume features some of the best Cthulhu Mythos writing over the past century. Beginning with such rare but classic stories as Mearle Prout’s “The House of the Worm” and Robert Barbour Johnson’s “Far Below,” from the pages of Weird Tales, the anthology moves on to James Wade’s novella “The Deep Ones” and Ramsey Campbell’s refreshing riff on the “forbidden book” motif, “The Franklyn Paragraphs.” Acclaimed stories by T. E. D. Klein, Thomas Ligotti, Neil Gaiman, and W. H. Pugmire are also included. The book includes an array of original stories by such leading authors of Lovecraftian fiction as Caitlín R. Kiernan, Joseph S. Pulver, Sr., Donald Tyson, Cody Goodfellow, and Michael Shea. Gemma Files contributes a richly textured novella, while Jonathan Thomas offers a story full of his distinctive melding of horror and satire. A Mountain Walked is chock-full of stories old and new that highlight the endless variations that can be played on H. P. Lovecraft’s signature creation. S. T. Joshi is the leading authority on H. P. Lovecraft. He is the author of I Am Providence: The Life and Times of H. P. Lovecraft and the editor of the Black Wings series of Lovecraftian fiction. He edits the Lovecraft Annual and the Weird Fiction Review.

    From the faculty to the students, the fascination with other-worldly legends and objects runs rampant. So, when Carter Weston’s professor Dr. Thayerson asks him to search a nearby village for a book that is believed to control the inhuman forces that rule the Earth, Incendium Maleficarum, The Inferno of the Witch, the student doesn’t hesitate to begin the quest.Weston’s journey takes an unexpected turn, however, when he ventures into a tavern in the small town of Anchorhead. Rather than passing the evening as a solitary patron, Weston joins four men who regale him with stories of their personal experiences with forces both preternatural and damned. Two stories hit close to home as they tie the tellers directly to Weston’s current mission.His unanticipated role as passive listener proves fortuitous, and Weston fulfills his goal. Bringing the book back to Miskatonic, though, proves to be a grave mistake. Quickly, Weston realizes he has played a role in potentially opening the gate between the netherworld and the world of Man. Reversing the course of events means forgetting all he thought he knew about Miskatonic and his professor and embracing an unknown beyond his wildest imagination.

    Howard Phillips Lovecraft may have been a writer for only a short time, but the creations he left behind after his death in 1937 have shaped modern horror more than any other author in the last two centuries: the shambling god Cthulhu, and the other deities of the Elder Things, the Outer Gods, and the Great Old Ones, and Herbert West, Reanimator, a doctor who unlocked the secrets of life and death at a terrible cost. In Lovecraft Unbound, more than twenty of today's most prominent writers of literature and dark fantasy tell stories set in or inspired by the works of H. P. Lovecraft. 9 • Introduction (Lovecraft Unbound) • essay by Ellen Datlow 11 • The Crevasse • short story by Dale Bailey and Nathan Ballingrud 31 • The Office of Doom • [Dust Devil] • short story by Richard Bowes 43 • Sincerely, Petrified • short fiction by Anna Tambour 73 • The Din of Celestial Birds • (1997) • short story by Brian Evenson 85 • The Tenderness of Jackals • short fiction by Amanda Downum 99 • Sight Unseen • short fiction by Joel Lane 113 • Cold Water Survival • short story by Holly Phillips 139 • Come Lurk With Me and Be My Love • short fiction by William Browning Spencer 161 • Houses Under the Sea • (2006) • novelette by Caitlín R. Kiernan 195 • Machines of Concrete Light and Dark • short story by Michael Cisco 213 • Leng • short fiction by Marc Laidlaw 239 • In the Black Mill • (1997) • short story by Michael Chabon 267 • One Day, Soon • short fiction by Lavie Tidhar 277 • Commencement • (2001) • novelette by Joyce Carol Oates 305 • Vernon, Driving • short fiction by Simon Kurt Unsworth 315 • The Recruiter • short fiction by Michael Shea 331 • Marya Nox • short fiction by Gemma Files 347 • Mongoose • [Boojum] • novelette by Elizabeth Bear and Sarah Monette 375 • Catch Hell • short fiction by Laird Barron 413 • That of Which We Speak When We Speak of the Unspeakable • short fiction by Nick Mamatas

    Inexorably drawn into investigating a rash of grisly deaths, he soon finds himself embroiled in something far beyond mortal understanding.Doggedly pursuing his investigations, he meets the mysterious and seductive April Bell and starts having disturbing, tantalizing dreams in which he does terrible things--things that are stranger and wilder than his worst nightmares. then his friends being dying one by one and he slowly realizes that an unspeakable evil has been unleashed.As Barbee's world crumbles around him in a dizzying blizzard of madness, the intoxicating, dangerous April pushes Barbee ever closer to the answer to the question "Who is the Child of Night?"When Barbee finds out, he'll wish he'd never been born.

    Together these stories form The Weird, and its practitioners include some of the greatest names in twentieth and twenty-first century literature.Exotic and esoteric, The Weird plunges you into dark domains and brings you face to face with surreal monstrosities. You won't find any elves or wizards here... but you will find the biggest, boldest, and downright most peculiar stories from the last hundred years bound together in the biggest Weird collection ever assembled. The Weird features 110 stories by an all-star cast, from literary legends to international bestsellers to Booker Prize winners: including William Gibson, George R. R. Martin, Stephen King, Angela Carter, Kelly Link, Franz Kafka, China Miéville, Clive Barker, Haruki Murakami, M. R. James, Neil Gaiman, Mervyn Peake, and Michael Chabon.

    Though known by many for novels like I Am Legend and his sixteen Twilight Zone episodes, Matheson truly shines in his chilling, masterful short stories. Since his first story appeared in 1950, virtually every major writer of science fiction, horror, and fantasy has fallen under his influence, including Stephen King, Neil Gaiman, Peter Straub, and Joe Hill, as well as filmmakers like Stephen Spielberg and J.J. Abrams. Matheson revolutionized horror by taking it out of Gothic castles and strange cosmos and setting it in the darkened streets and suburbs we recognize as our own. He infused tales of the fantastic and supernormal with dark explorations of human nature, delving deep into the universal dread of feeling alone and threatened in a dangerous world. The Best of Richard Matheson brings together his greatest hits as chosen by Victor LaValle, an expert on horror fiction and one of its brightest talents, marking the first major overview of Matheson's legendary career.

    Strange light fixtures. Mutant cockroaches. There are some odd things about Nate’s new apartment.Of course, he has other things on his mind. He hates his job. He has no money in the bank. No girlfriend. No plans for the future. So while his new home isn’t perfect, it’s livable. The rent is low, the property managers are friendly, and the odd little mysteries don’t nag at him too much.At least, not until he meets Mandy, his neighbour across the hall, and notices something unusual about her apartment. And Xela’s apartment. And Tim’s. And Veek’s. Because every room in this old Los Angeles brownstone has a mystery or two. Mysteries that stretch back over a hundred years. Some of them are in plain sight. Some are behind locked doors. And all together these mysteries could mean the end of Nate and his friends. Or the end of everything...

    He’s been hired by a ten-year-old to kill the kid’s stepdad, McKinsey. The man in question is abusive, abrasive, and abominable. He’s also a monster, which makes Persons the perfect thing to hunt him. Over the course of his ancient, arcane existence, he’s hunted gods and demons, and broken them in his teeth.As Persons investigates the horrible McKinsey, he realizes that he carries something far darker. He’s infected with an alien presence, and he’s spreading that monstrosity far and wide. Luckily Persons is no stranger to the occult, being an ancient and magical intelligence himself. The question is whether the private dick can take down the abusive stepdad without releasing the holds on his own horrifying potential.At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

    P. Lovecraft, the seminal, enigmatic horror writer of the early 20th century. Houellebecq’s insights into the craft of writing illuminate both Lovecraft and Houellebecq’s own work. The two are kindred spirits, sharing a uniquely dark worldview. But even as he outlines Lovecraft’s rejection of this loathsome world, it is Houellebecq’s adulation for the author that drives this work and makes it a love song, infusing the writing with an energy and passion not seen in Houellebecq’s other novels to date.

    Madness. Transhumanism.This is the dawn of posthumanity. Some things can’t be unlearned. Gleaming labs whir with the hum of servers as scientists unravel the secrets of the universe. But as we peel away mysteries, the universe glances back at us. Even now, terrors rise from the Mariana Trench and drift down from the stars. Scientists are disappearing—or worse. Experiments take on minds of their own. Some fight back against the unknown, some give in, some are destroyed, and still others are becoming… more. The human and inhuman are harder and harder to distinguish. Mankind is changing, whether it wants to or not, with brand new ways of thinking. What havoc is wreaked by those humans trying to harness and control their discoveries? As big science progresses and the very fundamentals of this universe are understood, what stories are being hushed up? Of course, the Old Ones laugh at our laws, scientific and otherwise. These are transhumanist near-future science fiction tales of the Cthulhu Mythos. These are tales of more than merely cosmic dread. They exist in our world of the next couple years. This is the era of big science and—what is that? We’ll be right back. ​​