Perhaps they married too young and started a family too early. Maybe Frank's job is dull. And April never saw herself as a housewife. Yet they have always lived on the assumption that greatness is only just around the corner. But now that certainty is now about to crumble. With heartbreaking compassion and remorseless clarity, Richard Yates shows how Frank and April mortgage their spiritual birthright, betraying not only each other, but their best selves.

    Even Emma and Andrew’s elder daughter—who is usually off saving the world—will be joining them at Weyfield Hall, their aging country estate. But Olivia, a doctor, is only coming home because she has to. Having just returned from treating an epidemic abroad, she’s been told she must stay in quarantine for a week…and so too should her family. For the next seven days, the Birches are locked down, cut off from the rest of humanity—and even decent Wi-Fi—and forced into each other’s orbits. Younger, unabashedly frivolous daughter Phoebe is fixated on her upcoming wedding, while Olivia deals with the culture shock of being immersed in first-world problems. As Andrew sequesters himself in his study writing scathing restaurant reviews and remembering his glory days as a war correspondent, Emma hides a secret that will turn the whole family upside down. In close proximity, not much can stay hidden for long, and as revelations and long-held tensions come to light, nothing is more shocking than the unexpected guest who’s about to arrive…

    Drawing on her love of Christmas, she begins charging for small things: wrapping presents; writing cards; tree-decorating. She's soon in huge demand and Cassie's business, Calling Mrs Christmas, is born.Carter Randall wants to make Christmas special for his children so he enlists Cassie's help, and his lavish requests start taking up all her time. Thank goodness she can rely on her partner Jim to handle the rest of her clients.When Carter asks Cassie to join them on a trip to Lapland, she knows she shouldn't go. As much as tries, Cassie can't deny how drawn she is to Carter and everything he has to offer, but she still loves her warm-hearted Jim. Suddenly Cassie finds herself facing a heart-breaking choice that could change her entire life.

    The novel is told in a kaleidoscope of seamlessly woven voices and centers around an incendiary romance that consumes everyone in its path: Myra Lamb, a wild young girl with mysterious, haint blue eyes who grows up on remote Bloodroot Mountain; her grandmother Byrdie Lamb, who protects Myra fiercely and passes down “the touch” that bewitches people and animals alike; the neighbor boy who longs for Myra yet is destined never to have her; the twin children Myra is forced to abandon but who never forget their mother’s deep love; and John Odom, the man who tries to tame Myra and meets with shocking, violent disaster. Against the backdrop of a beautiful but often unforgiving country, these lives come together—only to be torn apart—as a dark, riveting mystery unfolds. With grace and unflinching verisimilitude, Amy Greene brings her native Appalachia—and the faith and fury of its people—to rich and vivid life. Here is a spellbinding tour de force that announces a dazzlingly fresh, natural-born storyteller in our midst.

    But the thirteen chapters, each a short story in its own right, create an exquisitely observed world that is anything but sleepy. A world of Kissingeresque realpolitik enacted in boys’ games on a frozen lake; of “nightcreeping” through the summer backyards of strangers; of the tabloid-fueled thrills of the Falklands War and its human toll; of the cruel, luscious Dawn Madden and her power-hungry boyfriend, Ross Wilcox; of a certain Madame Eva van Outryve de Crommelynck, an elderly bohemian emigré who is both more and less than she appears; of Jason’s search to replace his dead grandfather’s irreplaceable smashed watch before the crime is discovered; of first cigarettes, first kisses, first Duran Duran LPs, and first deaths; of Margaret Thatcher’s recession; of Gypsies camping in the woods and the hysteria they inspire; and, even closer to home, of a slow-motion divorce in four seasons.Pointed, funny, profound, left-field, elegiac, and painted with the stuff of life, Black Swan Green is David Mitchell’s most subtlest and effective achievement to date.

    How it was lost is a mystery that Ren has been trying to solve for his entire life, as well as who his parents are, and why he was abandoned as an infant at Saint Anthony’s Orphanage for boys. He longs for a family to call his own and is terrified of the day he will be sent alone into the world. But then a young man named Benjamin Nab appears, claiming to be Ren’s long-lost brother, and his convincing tale of how Ren lost his hand and his parents persuades the monks at the orphanage to release the boy and to give Ren some hope. But is Benjamin really who he says he is? Journeying through a New England of whaling towns and meadowed farmlands, Ren is introduced to a vibrant world of hardscrabble adventure filled with outrageous scam artists, grave robbers, and petty thieves. If he stays, Ren becomes one of them. If he goes, he’s lost once again. As Ren begins to find clues to his hidden parentage he comes to suspect that Benjamin not only holds the key to his future, but to his past as well.

    At first, with no adult supervision, their freedom is something to celebrate; this far from civilization the boys can do anything they want. Anything. They attempt to forge their own society, failing, however, in the face of terror, sin and evil. And as order collapses, as strange howls echo in the night, as terror begins its reign, the hope of adventure seems as far from reality as the hope of being rescued. Labeled a parable, an allegory, a myth, a morality tale, a parody, a political treatise, even a vision of the apocalypse, Lord of the Flies is perhaps our most memorable novel about “the end of innocence, the darkness of man’s heart.”

    who becomes the sole survivor of a family tragedy. With her strict African American grandmother as her new guardian, Rachel moves to a mostly black community, where her light brown skin, blue eyes, and beauty bring mixed attention her way. Growing up in the 1980s, she learns to swallow her overwhelming grief and confronts her identity as a biracial young woman in a world that wants to see her as either black or white. In the tradition of Jamaica Kincaid's Annie John and Toni Morrison's The Bluest Eye, here is a portrait of a young girl - and society's ideas of race, class, and beauty.

    This remarkable and heart-warming prequel to the classic Anne of Green Gables was specially authorized by L.M. Montgomery's heirs to celebrate the 100th anniversary of the publication of the original novel. Before Green Gables is the story of Anne Shirley's life before her arrival at Green Gables-a heartwarming tale of a precocious child whose lively imagination and relentless spirit help her to overcome difficult circumstances and of a young girl's ability to love, learn, and above all, dream. Published in 1908, L. M. Montgomery's coming-of-age classic Anne of Green Gables has enchanted generations of readers, both children, and adults. The story of the spunky red-haired orphan from Prince Edward Island is known to millions, and copies of the eight titles in the series have never gone out of print. But when readers first meet Anne, she is eleven and has just been sent from an orphanage to meet her new family. No one ever learned the events of Anne's life before she arrived at Green Gables. Until now. For the millions of readers who devoured the Green Gables series, Before Green Gables is an irresistible treat; the account of how one of literature's most beloved heroines became the girl who captivated the world.

    She sees the figure of an unknown man on the tower and his face at the window. It is Peter Quint, the master's dissolute valet, and he has come for little Miles. But Peter Quint is dead.Like the other tales collected here - 'Sir Edmund Orme', 'Owen Wingrave', and 'The Friends of the Friends' - 'The Turn of the Screw' is to all immediate appearances a ghost story. But are the appearances what they seem? Is what appears to the governess a ghost or a hallucination? Who else sees what she sees? The reader may wonder whether the children are victims of corruption from beyond the grave, or victims of the governess's `infernal imagination', which torments but also entrals her?'The Turn of the Screw' is probably the most famous, certainly the most eerily equivocal, of all ghostly tales. Is it a subtle, self-conscious exploration of the haunted house of Victorian culture, filled with echoes of sexual and social unease? Or is it simply, 'the most hopelessly evil story that we have ever read'?

    The first and most terrifying monster in English literature, from the great early epic Beowulf, tells his side of the story in a book William Gass called "one of the finest of our contemporary fictions."

    Even if they don't have much money for presents, they always have one another, and that's enough to make any Christmas merry. This lavish gift book gathers together five of Laura's classic Christmas stories from Little House in the Big Woods, Little Houes on the Prairie, and On the Banks of Plum Creek, and is illustrated with gently colorized versions of Garth Williams' original art. Bring these stories home with you as part of your own Christmas celebration!And, this Christmas, you can also be Laura with the Little House Christmas Theater Kit! Inside this wonderful new kit is everything you need to put on two Christmas plays adapted from the Little House books. Ask for this kit at a bookstore near you, and make your Christmas this year a Little House Christmas!1994 "Pick of the Lists" (ABA)

    With flaming idealism and stirring slogans, they set out to create a paradise of progress, justice, and equality. Thus the stage is set for one of the most telling satiric fables ever penned –a razor-edged fairy tale for grown-ups that records the evolution from revolution against tyranny to a totalitarianism just as terrible. When Animal Farm was first published, Stalinist Russia was seen as its target. Today it is devastatingly clear that wherever and whenever freedom is attacked, under whatever banner, the cutting clarity and savage comedy of George Orwell’s masterpiece have a meaning and message still ferociously fresh.

    Sculptor Jude Martland is determined that this year there will be no Christmas after his brother runs off with his fiancee and he is keen to avoid the family home. However, he will have to return by the twelfth night of the festivities, when the hamlet of Little Mumming hold their historic festivities and all of his family are required to attend. Meanwhile, Holly is finding that if she wants to avoid Christmas, she has come to the wrong place. When Jude unexpectedly returns on Christmas Eve he is far from delighted to discover that Holly seems to be holding the very family party he had hoped to avoid. Suddenly, the blizzards come out of nowhere and the whole village is snowed in. With no escape, Holly and Jude get much more than they bargained for -- it looks like the twelve days of Christmas are going to be very interesting indeed!

    In James Goldman’s classic play The Lion in Winter, domestic turmoil rises to an art form. Keenly self-aware and motivated as much by spite as by any sense of duty, Henry II and Eleanor of Aquitaine maneuver against each other to position their favorite son in line for succession. By imagining the inner lives of Henry, Eleanor, and their sons, John, Geoffrey, and Richard, Goldman created the quintessential drama of family strife and competing ambitions, a work that gives visceral, modern-day relevance to the intrigues of Angevin England. Combining keen historical and psychological insight with delicious, mordant wit, the stage play has become a touchstone of today’s theater scene, and Goldman’s screenplay for the 1968 film adaptation won him an Academy Award. Told in “marvelously articulate language, with humor that bristles and burns” (Los Angeles Times), The Lion in Winter is the rare play that bursts into life on the printed page.