A wild thriller and deadly game of cat-and-mouse from one of China's most popular authors. For fans of Jo Nesbo, Se7en, and Hong Kong police cinema.The brutal murder of respected police officer Sergeant Zheng Haoming sends shock waves through Chengdu, a modern metropolis in the heart of China's stunning Sichuan province. He had been obsessed by an unsolved, eighteen-year-old murder case until an entity calling itself Eumenides (after the Greek goddess of vengeance and retribution) releases a terrifying manifesto. Is the manifesto a sick joke, or something more sinister? Soon, the public starts nominating worthy targets for Eumenides to kill, and, two days later, Sergeant Zheng is dead. Eumenides' cunning game is only getting started. The police receive a "death notice," a chilling note announcing the the killer's next target, the crimes they have committed, and the date of their execution. The note is both a challenge and a taunt to the police. When the first victim dies in public, under their complete protection, the police are left stunned. More death notices are coming. The chase is on.Death Notice is an explosive, page-turning thriller filtered through a vibrant cultural lens. Zhou Haohui expertly adds an exhilarating new perspective to the twists and tropes of the genre all fans love, making for a uniquely propulsive and entertaining read.

    Use me as you wish. I am a twenty-seven-year-old male. Discretion guaranteed. Will cause no bother at all.'When Hanio Yamada realizes the future holds nothing of worth to him, he puts his life for sale in a Tokyo newspaper, thus unleashing a series of unimaginable exploits.A world of revenge, murderous mobsters, hidden cameras, a vampire woman, poisonous carrots, espionage and code-breaking, a junkie heiress, home-made explosives and decoys reveals itself to the unwitting Hanio. Is there anything he can do to stop it?

    Along with a purse and a lock of hair that may have belonged to his recently deceased mother, Ryosuke finds three journals with notes that seem to be the confessions of a murderer.Now, he has to figure out what’s fact, what’s fiction...and who are these people he’s called “Mom” and “Dad.”

    The first English language translation of a chilling murder mystery by a prolific Japanese detective novelist both psychological and legal.

    Raised by a philosophical and cantankerous killer named Old Raccoon in his crime headquarters, The Library, Reseng has always been surrounded by plots--and by books that no one ever reads. But, when Reseng steps out of line on a job, he risks his future. And when he uncovers an extraordinary plot being cooked up by an eccentric trio of young women--a convenience store clerk, her wheelchair-bound sister, and a cross-eyed obsessive knitter--he will have to decide whether he will be used as a pawn, or if he can take control of the game.Un-su Kim has written that rarest of novels, a cracking commercial crime novel that sings with the soul, wit, and lyricism of real literary craft. The Plotters is page-turning, hilarious, soul-searching, and deeply entertaining. It is a wake-up call to genre lovers and literary readers alike.

    With a midlife crisis looming, Kido’s life is upended by the reemergence of a former client, Rié Takemoto. She wants Kido to investigate a dead man—her recently deceased husband, Daisuké. Upon his death she discovered that he’d been living a lie. His name, his past, his entire identity belonged to someone else, a total stranger. The investigation draws Kido into two intriguing mysteries: finding out who Rié’s husband really was and discovering more about the man he pretended to be. Soon, with each new revelation, Kido will come to share the obsession with—and the lure of—erasing one life to create a new one.In A Man, winner of Japan’s prestigious Yomiuri Prize for Literature, Keiichiro Hirano explores the search for identity, the ambiguity of memory, the legacies with which we live and die, and the reconciliation of who you hoped to be with who you’ve actually become.

    As part of their correspondence, Goro sends Kogito a trunk of tapes he has recorded of reflections about their friendship. But as Kogito is listening one night, he hears something odd. "I'm going to head over to the Other Side now," Goro says, and then Kogito hears a loud thud. After a moment of silence, Goro's voice continues, "But don't worry, I'm not going to stop communicating with you." Moments later, Kogito's wife rushes in; Goro has jumped to his death from the roof of a building.With that, Kogito begins a far-ranging search to understand what drove his brother-in-law to suicide. The quest takes him to Berlin, where he confronts ghosts from both his own past, and that of his lifelong, but departed, friend.

    As Inspector Chen Cao of the Shanghai Special Cases Bureau struggles to trace the hidden threads of her past, he finds himself challenging the very political forces that have guided his life since birth. Chen must tiptoe around his superiors if he wants to get to the bottom of this crime, and risk his career—perhaps even his life—to see justice done.

    When it won the Carlos Palanca Grand Prize for the English Novel in 1999, it proved that fiction can be both popular and literary.F.H. Batacan has a degree in Broadcast Communication and a master's degree in Art Studies, both from the University of the Philippines in Diliman. She has worked as a policy researcher, broadcast journalist, web designer, and musician, and is currently a journalist based in Singapore. She previously won a prize for her short story "Door 59" in the 1997 Palanca awards, and her work has appeared in local magazines, as well as in the online literary magazine Web del Sol.

    Four disillusioned Tokyo teenagers who have never met are suddenly drawn together by a mysterious chain mail message sent to their cell phones.

    Nevertheless, they stake out the secret location, and through tiny peepholes in the knotted wood, become voyeurs at the scene of a shocking crime…Atmospheric, erotic, and tense, Devils in Daylight is an early work by the master storyteller who “created a lifelong series of ingenious variations on a dominant theme: the power of love to energize and destroy” (Chicago Tribune).

    Yi Byeongdo, a serial killer whose gruesome murders shook the world, wants to be interviewed. Yi Byeongdo, who has refused to speak to anyone until now, asks specifically for her. Seonkyeong agrees out of curiosity. That same day Hayeong, her husband’s eleven-year-old daughter from a previous marriage, shows up at their door after her grandparents, with whom she lived after her mother passed away, die in a sudden fire. Seonkyeong wants her to feel at home, but is gradually unnerved as the young girl says very little and acts strangely. At work and at home, Seonkyeong starts to unravel the pasts of the two new arrivals in her life and begins to see startling similarities. Hayeong looks at her the same way Yi Byeongdo does when he recounts the abuse he experienced as a child; Hayeong’s serene expression masks a temper that she can’t control. Plus, the story she tells about her grandparents’ death, and her mother’s before that, deeply troubles Seonkyeong. So much so that Yi Byeongdo picks up on it and starts giving her advice. Written with exquisite precision and persistent creepiness, The Only Child is psychological suspense at its very best.

    New life begins at the cellular level, but when that cell contains restless mitochondria, it will aspire to be much more than just a speck in a petri dish. Parasite Eve was the basis of the hugely popular video game of the same name and has been cinematized in Japan, where the novel’s smashing success helped set off a horror boom that has only been intensifying ever since.When Dr. Nagashima loses his wife in a mysterious car crash, he is overwhelmed with grief but also an eerie sense of purpose; he becomes obsessed with the idea that he must reincarnate his dead wife. Her donated kidney is transplanted into a young girl with a debilitating disorder, but the doctor also feels compelled to keep a small sample of her liver in his laboratory. When these cells start mutating rapidly, a consciousness bent on determining its own fate awakens from an eonic sleep.

    Most of the island's inhabitants are oblivious to these changes, while those few imbued with the power to recall the lost objects live in fear of the draconian Memory Police, who are committed to ensuring that what has disappeared remains forgotten.When a young woman who is struggling to maintain her career as a novelist discovers that her editor is in danger from the Memory Police, she concocts a plan to hide him beneath her floorboards. As fear and loss close in around them, they cling to her writing as the last way of preserving the past.A surreal, provocative fable about the power of memory and the trauma of loss, The Memory Police is a stunning new work from one of the most exciting contemporary authors writing in any language.

    Children are so weak they can barely stand or walk: the only people with any get-go are the elderly. Mumei lives with his grandfather Yoshiro, who worries about him constantly. They carry on a day-to-day routine in what could be viewed as a post-Fukushima time, with all the children born ancient—frail and gray-haired, yet incredibly compassionate and wise. Mumei may be enfeebled and feverish, but he is a beacon of hope, full of wit and free of self-pity and pessimism. Yoshiro concentrates on nourishing Mumei, a strangely wonderful boy who offers “the beauty of the time that is yet to come.”A delightful, irrepressibly funny book, The Emissary is filled with light. Yoko Tawada, deftly turning inside-out “the curse,” defies gravity and creates a playful joyous novel out of a dystopian one, with a legerdemain uniquely her own.