Stories include at-a-glance flowcharts that show how Holmes reaches his conclusions through deductive reasoning, and character guides provide handy reference for readers and an invaluable resource for fans of the Sherlock Holmes films and TV series.The Sherlock Holmes Book holds a magnifying glass to the world of Sir Arthur Conan Doyle's legendary detective.

    Examining heroic myths in the light of modern psychology, it considers not only the patterns and stages of mythology but also its relevance to our lives today--and to the life of any person seeking a fully realized existence.Myth, according to Campbell, is the projection of a culture's dreams onto a large screen; Campbell's book, like Star Wars, the film it helped inspire, is an exploration of the big-picture moments from the stage that is our world. It is a must-have resource for both experienced students of mythology and the explorer just beginning to approach myth as a source of knowledge.

    Li-lin, the daughter of a renowned Daoshi exorcist, is a young widow burdened with yin eyes—the unique ability to see the spirit world. Her spiritual visions and the death of her husband bring shame to Li-lin and her father—and shame is not something this immigrant family can afford.When a sorcerer cripples her father, terrible plans are set in motion, and only Li-lin can stop them. To aid her are her martial arts and a peachwood sword, her burning paper talismans, and a wisecracking spirit in the form of a human eyeball tucked away in her pocket. Navigating the dangerous alleys and backrooms of a male-dominated Chinatown, Li-lin must confront evil spirits, gangsters, and soulstealers before the sorcerer’s ritual summons an ancient evil that could burn Chinatown to the ground.With a rich and inventive historical setting, nonstop martial arts action, authentic Chinese magic, and bizarre monsters from Asian folklore, The Girl with Ghost Eyes is also the poignant story of a young immigrant searching to find her place beside the long shadow of a demanding father and the stigma of widowhood. In a Chinatown caught between tradition and modernity, one woman may be the key to holding everything together.

    Legends, myths, and fairy tales: our world is made up of the stories we told ourselves about where we came from and how we got here. It is the same on Discworld, except that beings, which on Earth are creatures of the imagination — like vampires, trolls, witches and, possibly, gods — are real, alive and, in some cases kicking, on the Disc.In The Folklore of Discworld, Terry Pratchett teams up with leading British folklorist Jacqueline Simpson to take an irreverent yet illuminating look at the living myths and folklore that are reflected, celebrated and affectionately libelled in the uniquely imaginative universe of Discworld.

     This comprehensive handbook-essential for every Twilight Saga fan-is full-color throughout with nearly 100 gorgeous illustrations and photographs and with exclusive new material, character profiles, genealogical charts, maps, extensive cross-references, and much more.

    I touch them with my quivering tongue. They are clear and salty, not dark and bloody. Another sign that I am human. What Alisa has desired for five thousand years has finally come true: She is once again human. But now she is defenseless, vulnerable, and, for the first time in centuries, emotional. As she attempts to reconcile her actions as a vampire with her new connection to humanity, she begins to understand the weight of life-and-death decisions. Can Alisa resolve her past and build a new identity, or is she doomed to repeat her fatal mistakes?

      One spring night in London, heiress Denise Thorne disappears while partying at a nightclub, never to be seen again. That very same night, Sonja Blue, a tough-as-nails punk vampire/vampire-slayer, conceived in terror and blood, is borne from the city’s gutters. Saved by modern medicine before she could die, she is a living vampire who still possesses a soul and is determined to fight for what remains of her humanity. In the years since her bizarre resurrection, Sonja Blue travels the globe, hunting down and disposing of those creatures that prey on the innocent while searching for the vampire Noble who created her. But when she investigates a sleazy televangelist named Catherine Wheele, who is exploiting Denise Thorne’s parents, Sonja finds herself up against a powerful inhuman adversary. But as dangerous as Catherine Wheele proves to be, Sonja’s greatest foe remains the Other, the demonic personality with whom she is locked in a constant battle for control of their shared body. Can Sonja Blue overcome her inner demon in time to rescue an innocent man from Catherine Wheele’s unholy clutches?    Acknowledged as one of the first Urban Fantasy novels, Sunglasses After Dark burst onto the fantasy/horror scene in 1989, garnering widespread critical praise and winning the Horror Writers Association’s coveted Bram Stoker Award, as well as the British Fantasy Society’s Icarus Award.

    -- Alan Dundes. Propp's work is seminal...[and], now that it is available in a new edition, should be even more valuable to folklorists who are directing their attention to the form of the folktale, especially to those structural characteristics which are common to many entries coming from even different cultures. -- Choice

    Dreaded by his enemies, emulated by later rulers like Ivan the Terrible, honored by his countrymen even today, Vlad Dracula was surely one of the most intriguing figures to have stalked the corridors of European and Asian capitals in the fifteenth century.

    Beginning with its first publication as a cautionary tale on the perils of seduction, written in reaction to the licentiousness of the court of Louis XIV, Orenstein traces the many lives the tale has lived since then, from its appearance in modern advertisements for cosmetics and automobiles, the inspiration it brought to poets such as Anne Sexton, and its starring role in pornographic films. In Little Red Riding Hood Uncloaked, Red appears as seductress, hapless victim, riot grrrrl, femme fatale, and even she-wolf, as Orenstein shows how through centuries of different guises, the story has served as a barometer of social and sexual mores pertaining to women. Full of fascinating history, generous wit, and intelligent analysis, Little Red Riding Hood Uncloaked proves that the story of one young girl's trip through the woods continues to be one of our most compelling modern myths.

    First Betsy Taylor loses her job, then she's killed in a car accident.  But what really bites is that she can't seem to stay dead.  And now her new friends have the ridiculous idea that Betsy is the prophesied vampire queen, and they want her help in overthrowing the most obnoxious power-hungry vampire in five centuries.

    She prefers lively shades of pink to dismal black (soo not her color), plus she’s a hopeless romantic. In need of a steady paycheck to support a compulsive cosmetics habit, Lil starts Dead End Dating (DED), a Manhattan-based matchmaking service that helps smart, sophisticated singles like herself find eternity mates–and may even help her stake a claim to her very own Count Right!When Lil meets geeky vampire Francis Deville, she knows he’s the perfect first client. If she can hook up Francis–after a little revamping, of course–she will prove her skills to the vampire community and turn DED into the hottest dating service in the Big Apple. But just as her business takes off, Lil meets the (literally) drop-dead gorgeous bounty hunter Ty Bonner, who is hot on the chase of a serial killer. Instantly drawn to the luscious vamp stud, Lil really wants a taste. But as a made vampire, Ty can’t procreate–and Lil will settle for nothing less. Luckily, between “vampifying” Francis and helping Ty solve his murder mystery, Lil has no time for silly romantic entanglements . . . even if Ty is all that and a Bloody Mary chaser!

    But soon after her arrival at Coldthistle House, Louisa begins to realize that the house’s mysterious owner, Mr. Morningside, is providing much more than lodging for his guests. Far from a place of rest, the house is a place of judgment, and Mr. Morningside and his unusual staff are meant to execute their own justice on those who are past being saved.Louisa begins to fear for a young man named Lee who is not like the other guests. He is charismatic and kind, and Louisa knows that it may be up to her to save him from an untimely judgment. But in this house of distortions and lies, how can Louisa be sure whom to trust?

    Professor David Ullman is among the world’s leading authorities on demonic literature, with special expertise in Milton’s Paradise Lost. Not that David is a believer—he sees what he teaches as a branch of the imagination and nothing more. So when the mysterious Thin Woman arrives at his office and invites him to travel to Venice and witness a “phenomenon,” he turns her down. She leaves plane tickets and an address on his desk, advising David that her employer is not often disappointed.That evening, David’s wife announces she is leaving him. With his life suddenly in shambles, he impulsively whisks his beloved twelve-year-old daughter, Tess, off to Venice after all. The girl has recently been stricken by the same melancholy moods David knows so well, and he hopes to cheer her up and distract them both from the troubles at home.But what happens in Venice will change everything.First, in a tiny attic room at the address provided by the Thin Woman, David sees a man restrained in a chair, muttering, clearly insane . . . but could he truly be possessed? Then the man speaks clearly, in the voice of David’s dead father, repeating the last words he ever spoke to his son. Words that have left scars—and a mystery—behind.When David rushes back to the hotel, he discovers Tess perched on the roof’s edge, high above the waters of the Grand Canal. Before she falls, she manages to utter a final plea: Find me.What follows is an unimaginable journey for David Ullman from skeptic to true believer. In a terrifying quest guided by symbols and riddles from the pages of Paradise Lost, David must track the demon that has captured his daughter and discover its name. If he fails, he will lose Tess forever.

    The town of Stillwater has been dying—the long and painful death of a town ravaged by floods and haunted by the ghosts of all who had lived there. Yet this most recent flood has brought something with it—a creature that nests among the good folks of Stillwater... and feeds off them. The children who haven't disappeared whisper the same word—“vampire.” But they’re wrong. What has come to Stillwater is something much more horrific.