Available for the first time in paperback, his portrayal of the Judaeo-Islamic tradition is set against a vivid background of Jewish and Islamic history.

    Drawing on privileged access to the Iranian power elite, Majd argues that despite the violence of the disputed 2009 elections, a group of influential ayatollahs—including a liberal, almost-secular opposition—still believes in the Iranian republic; for them, “green” represents not a revolution but a civil rights movement, pushing the country inexorably toward democracy, albeit a particular brand of “Islamic democracy.” With witty, candid, and stylishly intelligent reporting, Majd, himself the grandson of an esteemed ayatollah, introduces top-level politicians and clerics as well as ordinary people (even Jewish community leaders), all expressing pride for their ancient heritage and fierce independence from the West. In the tradition of Jon Lee Anderson’s The Fall of Baghdad, The Ayatollahs’ Democracy is a powerful dispatch from a country at a historic turning point.

    Two countries in the region, he argues, are America's logical partners in the twenty-first century: Turkey and Iran.Besides proposing this new "power triangle," Kinzer also recommends that the United States reshape relations with its two traditional Middle East allies, Israel and Saudi Arabia. This book provides a penetrating, timely critique of America's approach to the world's most volatile region, and offers a startling alternative.Kinzer is a master storyteller with an eye for grand characters and illuminating historical detail. In this book he introduces us to larger-than-life figures, like a Nebraska schoolteacher who became a martyr to democracy in Iran, a Turkish radical who transformed his country and Islam forever, and a colorful parade of princes, politicians, women of the world, spies, oppressors, liberators, and dreamers.Kinzer's provocative new view of the Middle East is the rare book that will richly entertain while moving a vital policy debate beyond the stale alternatives of the last fifty years.

    As a prominent rabbi in the Orthodox Jewish enclave of Lawrence, NY, he and his wife had raised three wonderful children, and his congregation was thriving. If anything, his 30 years of success had found him growing a little restless. That, of course, was before. Before his son came out as gay. Before he and the community learned his daughter was dating a man named Raj, who was rumored to be a Muslim. Before his good friend and strongest ally, real estate mogul Benjamin Marcus, was indicted for fraud. Before his position was on the line. His family now in crisis, his congregation in revolt, Jonathan is forced to square his suddenly chaotic reality with the traditions and beliefs he has practiced and preached his entire life. Facing daunting questions about the true meanings of once-simpler notions—love, family, and faith—he must embark on a path he could never have imagined to encounter a man he might never have known. From Andrew Kane, author of Joshua: A Brooklyn Tale, Rabbi, Rabbi, and The Night, the Day, this latest offering is an emotionally stirring novel that takes the reader on a journey of devotion, discord, despair and discovery.

    Drawing on materials from Polish, Jewish, and German sources created during and after the war, Grabowski documents the involvement of the local Polish population in the process of detecting and killing the Jews who sought their aid. Through detailed reconstruction of events, this close-up account of the fates of individual Jews casts a bright light on a little-known aspect of the Holocaust in Poland.

    Raoul was shocked to discover that Edgardo was once a Jew who had turned his back on the Jewish religion and his parents. Edgardo was abducted by the order of Pope Pius IX in 1858. When he was only six years of age, he was dragged from the arms of his parents in the back streets of Bologna to the rose gardens of the Vatican. The Pope thought it was justified to take the boy under his wing when the church found that he was secretly baptized by his father's maid who wanted to save his soul when she thought he was dying. There is world outcry. Christians and Jews from Sydney to San Francisco unite to petition the Pontiff to return the boy to his parents. However Pius IX refuses to return the boy to his family, risking his political power for the love of a son he calls his own. Edgardo was given many privileges as the Pope's "son" at a time when the Jews were in ghettos and starving. He never tried to return to his parents who were all but destroyed in their constant attempts to get him back into the Jewish faith. Raoul eventually realised that Father Mortara had not done much with his life in spite of the privileges he had as a child. Instead, he ended up as a sad character, beset with guilt and self-justification instead of reconciling himself to his beliefs. Raoul himself gradually became more aware that he must now choose between a life of passive stability or a life where he goes out into the world and affects changes. Almost 90% of the story of Edgardo Mortara's life and events are based on fact. This truly sad and perhaps unforgivable act of the Catholic Church should be seen against a backdrop of pre-unified Italy in the 1850s, a country overrun with Austrian soldiers, religious fanaticism and fierce anti-semitism at a time when the Pope was one of the most powerful princes in Europe.

    What he gets instead is just the opposite. His daughter, Hannah, twelve, struggles with grief, loneliness, and what it means to be Jewish as a Chinese adoptee. She wants to fit in, but that's difficult in their new mostly white and Christian town--so she decides to secretly convert. His son, Aaron, a senior in high school, is applying to Ivy League schools and counting down to when he can leave the small town--until he discovers a shocking secret that threatens his entire future. Lurking in the shadows is a pastor who says he just wants to support the kids in his congregation, but is that all he really wants? The Opposite of Normal is about what it means to love and accept, what it means to do the right thing, and what it means to heal after loss.

    www.aabra.us Amazon: www.amazon.com/taliban-escape-woman&#...

    Based on the latest scholarship and richly illustrated, it is the most authoritative and accessible chronicle of the Jewish experience available. Michael Brenner tells a dramatic story of change and migration deeply rooted in tradition, taking readers from the mythic wanderings of Moses to the unspeakable atrocities of the Holocaust; from the Babylonian exile to the founding of the modern state of Israel; and from the Sephardic communities under medieval Islam to the shtetls of eastern Europe and the Hasidic enclaves of modern-day Brooklyn. The book is full of fascinating personal stories of exodus and return, from that told about Abraham, who brought his newfound faith into Canaan, to that of Holocaust survivor Esther Barkai, who lived on a kibbutz established on a German estate seized from the Nazi Julius Streicher as she awaited resettlement in Israel. Describing the events and people that have shaped Jewish history, and highlighting the important contributions Jews have made to the arts, politics, religion, and science, A Short History of the Jews is a compelling blend of storytelling and scholarship that brings the Jewish past marvelously to life.

    By sharing her own story, Lydia Kukoff creates a remarkable work about what it means to make this significant choice. Years after her own conversion she continues to question, grow, and learn, and encourages others to do the same.

    He had entered the synagogue's genizah--its repository for damaged and destroyed Jewish texts--which held nearly 300,000 individual documents, many of which were over 1,000 years old.Considered among the most important discoveries in modern religious history, its contents contained early copies of some of the Dead Sea Scrolls, early manuscripts of the Hebrew Bible, and other sacred literature. The importance of the genizah's contents rivals that of the Rosetta Stone, and by virtue of its sheer mass alone, it will continue to command our attention indefinitely.This is the first accessible, comprehensive account of this astounding discovery. It will delight you with its fascinating adventure story--why this enormous collection was amassed, how it was discovered and the many lessons to be found in its contents. And it will show you how Schechter's find, though still being "unpacked" today, forever transformed our knowledge of the Jewish past, Muslim history and much more.

    Annie Johnson has worked hard to raise her daughter, Andrea. She is shocked, therefore, when 22-year-old Andrea calls from Israel and announces that she has joined an extreme right-wing Orthodox Jewish group and will be seeking an arranged marriage.

    Violence in the Middle Ages, however, functioned differently, according to David Nirenberg. In this provocative book, he focuses on specific attacks against minorities in fourteenth-century France and the Crown of Aragon (Aragon, Catalonia, and Valencia). He argues that these attacks--ranging from massacres to verbal assaults against Jews, Muslims, lepers, and prostitutes--were often perpetrated not by irrational masses laboring under inherited ideologies and prejudices, but by groups that manipulated and reshaped the available discourses on minorities. Nirenberg shows that their use of violence expressed complex beliefs about topics as diverse as divine history, kinship, sex, money, and disease, and that their actions were frequently contested by competing groups within their own society.Nirenberg's readings of archival and literary sources demonstrates how violence set the terms and limits of coexistence for medieval minorities. The particular and contingent nature of this coexistence is underscored by the book's juxtapositions--some systematic (for example, that of the Crown of Aragon with France, Jew with Muslim, medieval with modern), and some suggestive (such as African ritual rebellion with Catalan riots). Throughout, the book questions the applicability of dichotomies like tolerance versus intolerance to the Middle Ages, and suggests the limitations of those analyses that look for the origins of modern European persecutory violence in the medieval past.

    In thetone of voice that adults reserve for talking to six-year-olds,he asks again, “Now, tell me Vivian, when did you last seeyour Papa?”I shake my head and say, “No, I haven’t seen him for along time. I don’t know where he is.”The finger comes again, hooking my chin and forcingmy head up and toward him. I look into the pale, wateryeyes of the man in the gray Gestapo uniform. My heartpulses so hard in my ears that I can barely hear his words.“Have you seen Papa this week, Liebchen” (Sweetie), hecoos. “Who are his friends?” I shake my head “No,” knowingthat a few hours earlier Papa came to our street, near theapartment. He stood in the shadow of the corner house,watching me. I knew that he had come to see me, andsomehow, instinctively, I also knew that I should not go tohim and that he could not come to me. We looked at eachother, and then he turned and slipped away. It will bealmost ten years before I would see him again.The Gestapo man stands and abruptly leaves the bedroom.It isn’t until I see him in the living room, talking to Oma, that my tears come.In German Girl?, I reflect on my extraordinary childhood years, 1942 to 1953, growing up in Nazi Germany. As a "Mischling", a child with one Jewish parent and one Christian parent, my experiences during World War II, and its effect on the years that followed, provide a unique picture of wartime life as seen through the eyes of a child. My Lutheran grandparents hid and protected me while my mother was jailed and questioned tortuously on the whereabouts of my father. A Jewish man, my father lived “underground.” In "German Girl", I describe my father’s ingenuity and bravery, the enduring strength of my mother and the simple pleasures and comforting love of my grandparents stolen in a time of horror for so many. I have included copies of historical documents and photographs of the people discussed in the book.* In "German Girl", I have filled my book with memories, pictures, reproductions of forged documents and the incredible story of growing up alongside the appalling destruction of WWII in East Berlin.Copyright © 1998 Vivian Ert Bolten Herz.All rights reserved.The Library of Congress, catalog card number 2005351683United States Holocaust Memorial Museum,Washington D.C.Catalogue card number DS135.G5 H 4659 1998;Jüdisches Museum Berlin, GermanyYad Vashem Library, Jerusalem, Israel., catalog card number 105-0271Yad Vashem - Bet Vahlin Library, Israel., catalog card number HER-09

    Smith places the conflict in historical and political perspective, facilitating readers' understanding of how this complex situation has evolved over time. By examining its underlying causes, individual and group motives, and the roles that countries around the world have played in the region, Smith helps readers understand the history behind the headlines. He presents this in-depth account in an engaging, accessible book that includes historical and current voices on all sides of the struggle. The book's carefully selected documents, maps, photographs, and chronologies provide context for the narrative, and its up-to-the-minute coverage of developments captures readers' interest and helps them better understand the latest news in the region.