But he’s also got a mistress.  And when Jake’s mistress is found strangled to death with his necktie, it’s up to him to prove he didn’t do it. But how can he, when all the evidence says he did? Jake races to reveal the secret conspiracy against him.  But with every step, the noose is tightening, and all of Jake’s resourcefulness may not be enough to save him?

    Paul, Minnesota, 1939. The body of a beautiful dime-a-dance girl is found on a hillside, and Police Lieutenant Wesley Horner, struggling and alone after his wife's recent death, heads the investigation into her murder. His chief suspect is Herbert White, an eccentric recluse and hobby photographer who spends his days recording his life in detailed journal entries and scrapbooks. In Mr. White's Confession, Robert Clark illuminates the complex relationships between truth and fiction, past and present, faith and memory.

    She knows about pain and how to inflict it, she knows about guilt and she knows about survival. And because of her own experiences, she knows what these things can do to a child. So when she and a nine-year-old boy are the only ones left alive in a freezing Glasgow tenement after a Special Branch undercover operation she was spearheading has gone disastrously wrong, there's no way Orla McLeod's going to hand Jamie Buchanan over to social services. Not when Jamie's the sole witness to Tord Svensen committing an act of savagery so awful it's rapidly turning him into one of the most feared criminals in Europe. Especially since Svensen knows a lot about survival too.

    She doesn't need more grief. Then she spies two people dumping a dubious-looking ice chest into the Hudson River, and she has a chilling hunch about what's inside. Not being the kind of girl to let two psychos get away with murder, Sam sets out to unravel a mystery--and is soon being stalked by a sinister, shadowy figure who's wearing one-of-a-kind mirrored contact lenses. Now, aided by a tough (but still very hot) detective. Sam is poking into some unsavory places, and finding out more creepy stuff than she ever wanted to know.

    Now, for the first time, all of his short fiction has been collected in one volume, demonstrating the scope, the vision, and the wonder of one of America's greatest storytellers. Courage and achievement are celebrated and questioned, paradoxes examined, and human frailty appreciated in fifteen tales, at once lyrical and provocative, ranging fromthe fantastic to the achingly real. Be it a tale of an expulsion from Eden, a journey through time, the dreams of a failed writer, ora dead woman's ambiguous legacy, each story in Novelties & Souvenirs is a glorious reading experience, offering delights to be savored ... and remembered.Contents:Antiquities (1977)Her Bounty to the Dead (1978)The Reason for the Visit (1980)The Green Child (1981)Novelty (1983)Snow (1985)The Nightingale Sings at Night (1989)Great Work of Time (1989)In Blue (1989)Missolonghi 1824 (1990)Exogamy (1993)Lost and Abandoned (1993)Gone (1996)An Earthly Mother Sits and Sings (2000)The War between the Objects and the Subjects (2002)

    Edie Swann has hungered for it since she fled her hometown as a little girl. Now she’s returned, ready for payback. Armed with a list of names, she leaves each one a chilling sign that they have blood on their hands. Her father’s blood. What happens next turns her own blood cold: One by one, the men she’s targeted start dying.Sheriff Holt Drennen knows Edie is hiding something. She has a haunted look in her eyes and a defiant spirit, yet he can’t believe she’s a murderer. As the body count rises and all evidence points to Edie, Holt is torn between the town he’s sworn to protect and the woman he’s come to desire. But nothing is what it seems. Long-buried secrets begin to surface, and a killer won’t be satisfied until the sins of the past are paid in full—this time with Edie’s blood.

    High-level friends at police headquarters were dangling clues from a recent murder case in front of him, stringing him along. Reluctantly investigating the slaying, Taylor was led to the offices of Minnesota gubernatorial candidate and media darling Carol Catherine Monroe. She needed Taylor's help to diffuse a scandal that could rattle the skeletons in her closet. But the murder of an innocent campaign worker hit Taylor where it hurt and taught him a simple truth: Some sins can never be forgotten - or forgiven...

    He once was a devoted husband, father, and musician with a bright future. He now forages for food in the trash cans of the city's better neighborhoods and wages a strenuous one-man war against Cornelius Gould Stuyvesant, an evil -- and imaginary -- power broker who is responsible for society's ills, as well as the sinister Y- and Z-rays that are corrupting humankind. Then one wintry night, Rom finds a corpse at the mouth of his cave that rouses his well-defined sense of ethics and launches him on an obsessive quest for answers. Forced to reconnect with society, Rom leaves his world and journeys through a spiraling web of clues and hunches, straight into a sinister den of money, temptation, and murder--otherwise known as the "civilized" world.

    If only the nightmare had ended when she was rescued. Instead, her real father exploited her tabloid-ready story for fame and profit—until Charlotte finally broke free from her ghoulish past and fled. Just when she thinks she has buried her personal hell forever, Charlotte is swept into a frightening new ordeal. Secretly dosed with an experimental drug, she’s endowed with a shocking new power—but pursued by a treacherous corporation desperate to control her.Except from now on, if anybody is going to control Charlotte, it’s going to be Charlotte herself. She’s determined to use the extraordinary ability she now possesses to fight the kind of evil that shattered her life—by drawing a serial killer out from the shadows to face the righteous fury of a victim turned avenger.

    After the burial – on a whiskey-soaked night on the town – Jack’s brother disappears. When his brother is found comatose on the edge of death, Devlin resolves to avenge the wrong – no matter what it takes, no matter where the trail leads, even if he has to descend into the lawless underworld of New York City after-hours clubs where violence reigns, sex and drugs rule the night, and corruption kills. AND JUSTICE FOR ONE tells a dark, violent story set in 1980’s New York during a time when lawlessness and corruption pulsed intently under the city’s civilized veneer. Those times and places are gone now, but today’s readers can experience them in this intense, thoroughly-researched novel. This is the second edition of the acclaimed debut novel in the Jack Devlin “One” series, re-edited by the author, John Clarkson. The New York Times said AND JUSTICE FOR ONE "Packs a savage punch". Kirkus Reviews called it, "Dark, sexy, tough, and fast." Amazon reviewers called it: “The best action novel I have ever read!”, “Well-written, hot, furious, fun.”, “A helluva a good read, loaded with action.”If you missed AND JUSTICE FOR ONE the first time around, don’t miss it this time!Author's Note This novel was first published in 1992. I don't remember exactly when I began writing it. I do remember the two events that inspired the story. The first event occurred in 1976 when I visited an after-hours club in downtown Manhattan. The second event came in 1979. A six-year-old boy named Etan Patz disappeared on a spring morning in New York's SoHo district, igniting the worst fears of parents around the country. It happened during a two-block walk to his school bus stop. Somewhere in the back of my mind those two events brewed for years. What if someone you loved vanished? What would you do to find them? And what if it turned out that the mysterious, hidden world of after-hours clubs had something to do with the disappearance? At some point in the late eighties, those two events became the inspiration for my first novel. I hardly remember writing it. My sense is that it came out in a sudden rush. And selling it to a publisher happened quite fast. I landed an agent, George Wieser, very quickly. And it seems like George sold it to Crown with in a few weeks. Thank you, George! I do remember spending a very long time editing the book under the guidance of Peter St. John Ginna. He was patient with me. He made it a much better book. I still appreciate his efforts. In the original author's note, I also thanked my wife Ellen for her patience. A good deal of the research for And Justice for One started at four in the morning. All these years later Ellen is still patient with me, but more importantly,she still loves me, and I her. The others I thanked in the first edition were "the people who made it possible for me to enter the world of after-hours clubs, particularly a friend named Tommy Burns. When I asked how I should acknowledge him in the first edition, he said use T.B., 'Bartender to the Stars.'" Tommy rarely took anything very seriously. Obviously, all the after-hours clubs described in this book no longer exist. But all of them except for one which is a composite of three clubs, existed very much as described. It was a wild time in NYC. A time before cell phones and the internet and Uber. A time long gone. So, what prompted me to re-publish And Justice for One? Since its publication in 1992, I have persisted in writing crime thrillers, despite about a ten-year break after the first five. All five of those novels are out of print, but readers often ask me how they can get them. This is an attempt to make that easier. It has also provided me with the opportunity to polish the book. Nothing substantive, but lots of nips and tucks. This new edition is still what I consider a raw, rather impetuous novel from an unformed writer just starting out. Maybe that's the best kind. Hope you enjoy it.

    And as much as David Chance would like to hide from them, he can't. Words keep leaping off objects around him, forming messages in his mind. But how is this possible? Has his brain suddenly taken an evolutionary leap forward, or are the mysterious messages proof of divine intervention?Driven to answer a question he'd long ago abandoned, and stalked by the killer he's trying to stop, David risks everything to follow the messages to a dirty bomb set to go off in the heart of Boston. But can he trust the author of the messages to protect him from a terrorist who seems to know his every move.

    A once-promising novelist, she announces to her family the imminent publication of a memoir dredging up a pivotal and tragic event in the family's history - a wound that her parents don't want reopened.Brooke has come home to draw a line in the sand and is daring her family to cross it. Her brother won't play her game; her aunt knows way too much, and her parents fall into all their old routines as they plead with her to keep their story quiet. In this family, secrets are currency and everyone is rich.In simplest terms, the play is about a girl who comes home to the desert with a story about where she is from, who her people really are, what she thinks they really are. Her parents represent an Establishment that she feels has betrayed this country. She goes to war with them, and blood is spilled.

    Half-Japanese, adopted by African American parents, she returns to Tokyo, ostensibly to research her thesis on Japan's "sad, brutal reign of conformity." When she vanishes, Tom Hurley, who is half-Korean and half-white, is assigned to her case at the American embassy, as is local cop Kenzo Ota, who is 100 percent Japanese but deemed an outsider.

    But Garrett’s case is turned upside down when beautiful, mysterious Tanith Cabarrus, a practicing witch from nearby Salem, walks into the homicide bureau and insists that the real perpetrator is still at large. Tanith claims to have had psychic visions that the killer has ritually sacrificed other teenagers in his attempts to summon a powerful, ancient demon.  All Garrett's beliefs about the nature of reality will be tested as he is forced to team up with a woman he is fiercely attracted to but cannot trust, in a race to uncover a psychotic killer before he strikes again.

    Delaney, and the masterpiece of murder and suspense that launched Sanders' career.The author outlines the conception, planning, and execution of the robbery of an Upper East Side apartment building with machine-like precision. The novel employs a clever premise: the entire story is told in surveillance-tape transcripts and reports from law-enforcement agencies, each of which observes an aspect of the situation in which the robbery takes place.