This exceptional collection of stories is about young women of different ages, from their early teens to their late twenties, coming to terms with what it means to desire, and be desired, with funny, surprising and sometimes confronting results.Ulman first made her mark with the story Chagall's Wife in Meanjin; this collection shows that she's a young Australian writer to put alongside Ceridwen Dovey, Nam Le and Fiona McFarlane.

    These perspectival, character-driven stories center on the margins and are deeply rooted in New Orleanian culture.In "Beg Borrow Steal," a boy relishes time spent helping his father find work after just coming home from prison; in "Ghetto University," a couple struggling financially turns to crime after hitting rock bottom; in "Before I Let You Go," a woman who's been in NOLA for generations fights to keep her home; in "Fast Hands, Fast Feet," an Army vet and a runaway teen find companionship while sleeping under a bridge; in "Mercury Forges," a flash fiction piece among several in the collection, a group of men hurriedly make their way to a home where an elderly gentleman lives, trying to reach him before the water from Hurricane Katrina does; and in the title story, a young man works the street corners of the French Quarter, trying to achieve a freedom not meant for him.These stories are intimate invitations to hear, witness, and imagine lives at once regional but largely universal, and undeniably New Orleanian.

    There, she starts a relationship with the last man she should—and who has no idea Romy is behind the drowning of his high school girlfriend and their unborn child. Bad lady. Horrible woman! When a pale little blonde girl with eerily blue eyes starts hurling insults through Romy’s window before vanishing into the woods, Romy fears her past has returned with a vengeance.She’s never told anyone about the worst mistake of her life. So how does the little girl seem to know about it? Who is she?And how to stop her before she reveals Romy’s darkest secret?A new twisty, suspenseful psychological thriller from C.G. Twiles, author of the top 800 Amazon Kindle bestseller The Neighbors in Apartment 3D, as well as The Last Star Standing, and Brooklyn Gothic.For fans of Gillian Flynn, Paula Hawkins, Shari Lapena.

    A department-store supervisor must discipline employees who don’t smile enough at customers, but finds himself unexpectedly drawn to the saddest of them all. A woman reluctantly agrees to buy her daughter a robot pet, then is horrified when her little girl chooses an enormous mechanical spider for a companion. The characters in these stories find that the world they thought they knew has shifted and changed, become bizarre and disorienting, and, occasionally, miraculous. Told with absurdist humor and sweet sadness, Viral is about being lost in places that are supposed to feel like home.

    In novels such as The Small Backs of Children and The Book of Joan, she has captivated readers with stories of visceral power. Now, in Verge, she offers a shard-sharp mosaic portrait of human resilience on the margins.

    Dawkins reveals the idiosyncrasies, tedium, and desperation of long-term incarceration—he describes men who struggle to keep their souls alive despite the challenges they face. In “A Human Number,” a man spends his days collect-calling strangers just to hear the sounds of the outside world. In “573543,” an inmate recalls his descent into addiction as his prison softball team gears up for an annual tournament against another unit. In “Leche Quemada,” an inmate is released and finds freedom more complex and baffling then he expected. Dawkins’s stories are funny and sad, filled with unforgettable detail—the barter system based on calligraphy-ink tattoos, handmade cards, and cigarettes; a single dandelion smuggled in from the rec yard; candy made from powdered milk, water, sugar, and hot sauce. His characters are nuanced and sympathetic, despite their obvious flaws. The Graybar Hotel tells moving, human stories about men enduring impossible circumstances. Dawkins takes readers beyond the cells into characters’ pasts and memories and desires, into the unusual bonds that form during incarceration and the strained relationships with family members on the outside. He’s an extraordinary writer with a knack for metaphor, and this is a powerful compilation of stories that gives voice to the experience of perhaps the most overlooked members of our society.

    David Greenfeld is one of the few white kids at the Martin Luther King Middle School. Everybody clowns him, girls ignore him, and his hippie parents won't even buy him a pair of Nikes, let alone transfer him to a private school. Unless he tests into the city's best public high school--which, if practice tests are any indication, isn't likely--he'll be friendless for the foreseeable future.Nobody's more surprised than Dave when Marlon Wellings sticks up for him in the school cafeteria. Mar's a loner from the public housing project on the corner of Dave's own gentrifying block, and he confounds Dave's assumptions about black culture: He's nerdy and neurotic, a Celtics obsessive whose favorite player is the gawky, white Larry Bird. Together, the two boys are able to resist the contradictory personas forced on them by the outside world, and before long, Mar's coming over to Dave's house every afternoon to watch vintage basketball tapes and plot their hustle to Harvard. But as Dave welcomes his new best friend into his world, he realizes how little he knows about Mar's. Cracks gradually form in their relationship, and Dave starts to become aware of the breaks he's been given--and that Mar has not.

    . . or when all else fails, try blackmail. In July of 1964, after marrying in Paris, Desirée and Scott Stoddard are honeymooning in the South of France when their idyll is interrupted by a notice from Scott’s draft board advising him that his status is being reviewed. Desirée, the former French countess who is already three months pregnant, doesn’t understand why her new husband, an American, must traipse off to some military base in Germany to be tested. Scott’s remarkable scores on the tests attract the attention of the CIA, and Scott, much to his dismay, becomes part of their world of intrigue and deceit. How can he get back to the life that he and Desirée had envisioned? When all else fails, blackmail is the answer.A Spy with Scruples plunges readers into the complicated political world of Cold War Europe. From neutral Switzerland to the aristocratic salons of Paris to bombed-out Berlin, Scott ingratiates some and offends more. But he has a plan.

    Whether he's dropping into the lives of two teachers―and their love lost and found―in "Nine Inches", documenting the unraveling of a dad at a Little League game in "The Smile on Happy Chang's Face", or gently marking the points of connection between an old woman and a benched high school football player in "Senior Season", Perrotta writes with a sure sense of his characters and their secret longings.Nine Inches contains an elegant collection of short fiction: stories that are as assured in their depictions of characters young and old, established and unsure, as any written today.

    In this dazzling novel, based on true-life events, bestselling author Chitra Banerjee Divakaruni presents the unforgettable story of Jindan, who transformed herself from daughter of the royal kennel keeper to powerful monarch. Sharp-eyed, stubborn, and passionate, Jindan was known for her beauty. When she caught the eye of Maharaja Ranjit Singh, she was elevated to royalty, becoming his youngest and last queen--and his favorite. And when her son, barely six years old, unexpectedly inherited the throne, Jindan assumed the regency. She transformed herself from pampered wife to warrior ruler, determined to protect her people and her son's birthright from the encroaching British Empire.Defying tradition, she stepped out of the zenana, cast aside the veil, and conducted state business in public, inspiring her subjects in two wars. Her power and influence were so formidable that the British, fearing an uprising, robbed the rebel queen of everything she had, but nothing crushed her indomitable will.An exquisite love story of a king and a commoner, a cautionary tale about loyalty and betrayal, a powerful parable of the indestructible bond between mother and child, and an inspiration for our times, Chitra Banerjee Divakaruni's novel brings alive one of the most fearless women of the nineteenth century, one whose story cries out to be told.

    Former foreign correspondent Gina Wilkinson draws on her own experiences to take readers inside a haunting story of Iraq at the turn of the millennium and the impossible choices faced by families under a deadly regime. At night, in Huda’s fragrant garden, a breeze sweeps in from the desert encircling Baghdad, rustling the leaves of her apricot trees and carrying warning of visitors at her gate. Huda, a secretary at the Australian embassy, lives in fear of the mukhabarat—the secret police who watch and listen for any scrap of information that can be used against America and its allies. They have ordered her to befriend Ally Wilson, the deputy ambassador’s wife. Huda has no wish to be an informant, but fears for her teenaged son, who may be forced to join a deadly militia. Nor does she know that Ally has dangerous secrets of her own. Huda’s former friend, Rania, enjoyed a privileged upbringing as the daughter of a sheikh. Now her family’s wealth is gone, and Rania too is battling to keep her child safe and a roof over their heads. As the women’s lives intersect, their hidden pasts spill into the present. Facing possible betrayal at every turn, all three must trust in a fragile, newfound loyalty, even as they discover how much they are willing to sacrifice to protect their families.

    Covered in dust, Yvette and James hold hands for the first time as bombs explode above them. As the war rages on, they will find their way back to each other time and again, their love a beacon for their survival. After the war, their happiness takes root in England and blossoms, until a tragic event drives a wedge between them. The way back to one another is uncharted territory that both must be brave enough to face. 1974. Ten years after his wife's death and with his son now at university, James craves change. He moves to the beautiful English village of Upton not thirty minutes from the city where he brought his bride Yvette, nearly twenty-five years ago. There he discovers a scarf that lights the dark edges of his memory. Could it be Yvette's? As James makes a new home for himself and gently presses into the feelings the scarf evokes, he begins to unlock new revelations about his past that change everything he believes. Revelations that just might give James a new reason to live and the possibility of new love at last, after ten years alone.

    Kind Leo Umberti, formerly an insurance agent, now quietly spends his days painting abstract landscapes and mourning a long-ago loss. Down the hall, retired professor Rydell Clovis tries desperately to stay fit enough to restart a career in academia. Cassie McMackin, on the same floor, has seemingly lost everything--her husband and only child dead within months of each other--leaving her loosely tethered to this world. And a few doors away, her friend, Viola Six, is convinced of a criminal conspiracy involving the building's widely disliked manager, Herbie Bonebright. Cassie and Viola dream of leaving their unhappy lives behind, but one woman's plan is interrupted--and the other's unexpectedly set into motion--when a fire breaks out in Herbie's apartment.Called to investigate is the city's chief fire inspector. With a gift and a passion for sorting out the mysteries of flame, Lander Maki finds the fire itself, and the circumstances around it, highly suspicious. Viola has disappeared. So has Herbie. And a troubled teen, Clayton Spooner, was glimpsed fleeing the scene. In trying to fit together the pieces of this complicated puzzle, Lander finds himself learning more than expected about human nature and about personal and corporate greed as it is visited upon the vulnerable.Beautifully written and long awaited, from a writer "with extraordinary emotional acuity and with a keen sense of the small detail that says it all" (Chicago Tribune), Aviary weaves a compelling tapestry of crisis, grief, and the mysteries of memory and old age.

    But after leaving the boring village and foster home for the excitement of London, Raya finds out she’s a witch, with this annoying habit of time-travelling – by accident. And this sarcastic witch’s cat Oscar tags along for the ride. But why would she fling herself into the midst of the Essex Witch Trials in 1645 England? After being arrested by Matthew Hopkins, one of history’s most notorious witch hunters, her social worker and witch mentor Bryony goes back to try to save them from the gallows. But returning to present day London remains out of reach with Raya’s powers still out of control when they find themselves in 1645 Istanbul/Constantinople. There, life is more amazing than she ever dreamed. Can she stay? And at what cost?

    These pieces illustrate how our possessions act as proxies for ourselves, and how tussles over ownership articulate the power dynamics of our relationships. In Lionel Shriver’s world, we may possess people and objects and places, but in turn they possess us.In the stunning novella "The Standing Chandelier," a woman with a history of attracting other women’s antagonism creates a deeply personal wedding present for her best friend and his fiancée—only to discover that the jealous fiancée wants to cut her out of their lives. In "Domestic Terrorism," a thirty-something son refuses to leave home, resulting in a standoff that renders him a millennial cause célèbre. In "The ChapStick," a middle-aged man subjugated by service to his elderly father discovers that the last place you should finally assert yourself is airport security. In "Vermin," an artistic Brooklyn couple’s purchase of a ramshackle house destroys their once-passionate relationship. In "The Subletter," two women, both foreign conflict junkies, fight over a claim to a territory that doesn’t belong to either.Exhibiting a satisfying thematic unity unusual for a collection, this masterful work showcases the biting insight that has made Shriver one of the most acclaimed writers of our time.