When the daughter of a Swedish billionaire goes missing in St Petersburg after a night out with a friend, Captain Natalya Ivanova is assigned the case but nothing is as straightforward as it seems.Dark, violent and insightful, Motherland twists and turns to a satisfyingly dramatic conclusion.

    The phone rings.The man on the other end says his daughter is missing.Your daughter. The baby you gave away over fifteen years ago. What do you do? Nora Watts isn't sure that she wants to get involved. Troubled, messed up, and with more than enough problems of her own, Nora doesn't want to revisit the past. But then she sees the photograph. A girl, a teenager, with her eyes. How can she turn her back on her? But going in search of her daughter brings Nora into contact with a past that she would rather forget, a past that she has worked hard to put behind her, but which is always there, waiting for her . . . In Eyes Like Mine, Sheena Kamal has created a kick-ass protagonist who will give Lisbeth Salander a run for her money. Intuitive, not always likeable, and deeply flawed, Nora Watts is a new heroine for our time.

    Chess has always been the protector over his younger siblings, Emma loves math, and Finn does what Finn does best—acting silly and being adored. They’ve been a happy family, just the three of them and their mom.But everything changes when reports of three kidnapped children reach the Greystone kids, and they’re shocked by the startling similarities between themselves and these complete strangers. The other kids share their same first and middle names. They’re the same ages. They even have identical birthdays. Who, exactly, are these strangers?Before Chess, Emma, and Finn can question their mom about it, she takes off on a sudden work trip and leaves them in the care of Ms. Morales and her daughter, Natalie. But puzzling clues left behind lead to complex codes, hidden rooms, and a dangerous secret that will turn their world upside down.

    Weeks of searching by volunteers and local law enforcement provides no clues to Hannah’s whereabouts. Determined to find her after the official search is suspended, Dylan sets out using his extensive knowledge of the forest to search for his sister. He is joined by Molly, an energetic fifteen-year-old who just moved to the area with her drug addict mother and her mother’s drug dealing boyfriend. As Dylan and Molly search hundreds of acres surrounding the Appalachian Trail, they must deal with the rugged wilderness, Dylan’s grief stricken family, and Molly’s abusive home life as the two refuse to give up their goal — Finding Hannah.

    Faith's childhood was dominated by Laurel's disappearance - from her parents' broken marriage and the constant media attention to dealing with so-called friends who only ever wanted to talk about her sister.NOW SHE IS FOUND...Thirteen years later, a young woman is found in the garden of the Logans' old house, disorientated and clutching the teddy bear Laurel was last seen with. Laurel is home at last, safe and sound. Faith always dreamed of getting her sister back, without ever truly believing it would happen. But a disturbing series of events leaves Faith increasingly isolated and paranoid, and before long she begins to wonder if everything that's lost can be found again...

    Her mom just married some guy she met on the internet only three months before, and is moving them to his sprawling, gothic mansion off the coast of nowhere. Goodbye, best friend. Goodbye, social life. Hello, icky new stepfather, crunchy granola town, and unbelievably good-looking, officially off-limits stepbrother. But on her first night in her new home, Isobel starts to fear that it isn’t only her life that’s unraveling—her sanity might be giving way too. Because either Isobel is losing her mind, just like her artist father did before her, or she’s seeing ghosts. Either way, Isobel’s fast on her way to being the talk of the town for all the wrong reasons.

    Eleven of the world’s best female thriller writers from Diana Gabaldon to Charlaine Harris are paired with eleven of the world’s best male thriller writers, including John Sandford, C.J. Box, and Nelson DeMille. The stories are edited by #1 New York Times bestselling author Lee Child and feature:-Lee Coburn and Joe Pickett in “Honor & …” by Sandra Brown and C.J. Box -Tony Hill and Roy Grace in “Footloose” by Val McDermid and Peter James -Temperance Brennan and Jack Reacher in “Faking a Murderer” by Kathy Reichs and Lee Child -Jamie Fraser and Cotton Malone in “Past Prologue” by Diana Gabaldon and Steve Berry -Liz Sansborough and Rambo in “Rambo on Their Minds” by Gayle Lynds and David Morrell -Jeffrey Tolliver and Joe Pritchard in “Short Story” by Karin Slaughter and Michael Koryta -Harper Connelly and Ty Hauck in “Dig Here” by Charlaine Harris and Andrew Gross -Regan Pescoli and Virgil Flowers in “Deserves to be Dead” by Lisa Jackson and John Sandford -Lucan Thorne and Lilliane in “Midnight Flame” by Lara Adrian and Christopher Rice -Bennie Rosato and John Corey in “Getaway” by Lisa Scottoline and Nelson DeMille -Ali Reynolds and Bravo Shaw in “Taking the Veil” by J.A. Jance and Eric Van Lustbader

    With the invasion of Iraq, however, the same elements that inspired the original - injustice, a senseless war, men of honor and duty caught in untenable positions - compelled him to revisit Billy Bad-Ass, Mule, and the hapless Meadows, and to see how his characters were faring in post-9/11 American life. The result is "Last Flag Flying", a story as tough and tender. sad and funny. as "The Last Detail". The boy Billy and Mule escorted to prison has come back into their lives, now a grieving man of 52, with a gut-wrenching request they cannot deny. What follows is a retracing of their steps from 34 years before, a journey from Norfolk, Virginia, to Portsmouth, New Hampshire, on a mission as heart-breaking - and as exhilarating - as the first.

    It practically reads itself." ~Ebook AlchemyCraig Edmonds, a successful stockbroker, reports the disappearance of his wife, Kirsty. What starts as a typical missing person's case soon evolves into a full-blown homicide investigation when forensics uncover blood traces and dark-blonde hairs in the boot of the missing woman's car. Added to this, is Craig's adulterous affair with the victim's younger sister, Narelle Croswell, compounded further by a recently acquired $1,000,000 insurance policy on his wife's life. He is charged with murder but, with no body and only circumstantial evidence, he walks free when two trials resulting in hung juries fail to convict him.Ten years later, Jacinta Deller, a newspaper journalist is retrenched. Working on a freelance story about missing persons, she comes across the all but forgotten Edmonds case. When she discovers her boyfriend, Brett Rhodes, works with Narelle Croswell, who is not only the victim's sister but is now married to the prime suspect, her sister's husband, she thinks she has found the perfect angle for her article. Instead, her life is turned upside down, as befriending the woman, she becomes embroiled in a warped game of delusion and murder.

    Until the autumn of 1886, when five babies are left in outrageous circumstances: one in a tin toolbox, one in a coal bucket, one in a picnic hamper, one in a wheat sack, and finally, one in a coffin-shaped basket.Those babies were Lotta, Egg, Fenna, Sem and Milou; who were swiftly and firmly deemed 'the unadoptables'. Twelve years on the children still have each other - until the fateful night a most sinister gentleman appears and threatens to tear them apart. The gang decide to make a daring escape, fleeing the frozen canals of Amsterdam for an adventure packed with puppets and pirate ships, clock-makers and cruel villains - and with only a scrap of a clue to guide them to their mysterious new home . . .

    Except there's two of them (it's a long story), and Haley thinks she's talking to the one she doesn't hate.A question about a class project rapidly evolves into an all-consuming conversation. Haley finds that Martin is actually willing to listen to her weird facts and unusual obsessions, and Martin feels like Haley is the first person to really see who he is. Haley and Martin might be too awkward to hang out in real life, but over text, they're becoming addicted to each other.There's just one problem: Haley doesn't know who Martin is. And Martin doesn't know that Haley doesn't know. But they better figure it out fast before their meet-cute becomes an epic meet-disaster . . .

    She keeps to herself, begrudgingly socializes, and spends much of her time watching old Twin Peaks and X-Files DVDs. But when Vincent Pryce, Boston’s most eccentric billionaire, dies—leaving behind an epic treasure hunt through the city, with clues inspired by his hero, Edgar Allan Poe—Tuesday’s adventure finally begins.Puzzle-loving Tuesday searches for clue after clue, joined by a ragtag crew: a wisecracking friend, an adoring teen neighbor, and a handsome, cagey young heir. The hunt tests their mettle, and with other teams from around the city also vying for the promised prize—a share of Pryce’s immense wealth—they must move quickly. Pryce’s clues can't be cracked with sharp wit alone; the searchers must summon the courage to face painful ghosts from their pasts (some more vivid than others) and discover their most guarded desires and dreams.A deliciously funny ode to imagination, overflowing with love letters to art, from The Westing Game to Madonna to the Knights of the Round Table, Tuesday Mooney Talks to Ghosts is the perfect read for thrill seekers, wanderers, word lovers, and anyone looking for an escape to the extraordinary.

    When she and her partner, Tom Goran, are called to a new scene in an area of Cleveland known as The Flats, they find that a killer has taken that to new levels.As the investigation takes them deeper into the city’s seedy underbelly, the case hits frighteningly close to home when someone Liz loves is added to the list of possible suspects. While fighting her personal demons, she must also pick her way around the department bureaucracy to avoid being pulled from the case.Liz and Tom will need to solve the most mind-bending mystery of their careers, one in which their personal and professional allegiances—and maybe their sanity—will be tested. But Liz vows to bring the killer to justice at any cost.

    There were no screams when she was taken, suggesting the culprit was someone familiar to her, and when she turned up again in a nearby village several days later, she was found in perfect health and happiness. No one was ever accused of a crime. The incident quickly faded from her memory, and her parents never discussed it. To the contrary, they deliberately hid it from her, and she did not learn of it for half a century. This was not the only secret her parents kept from her. For many years, while raising her in draconian isolation and protectiveness, they also hid the fact that she’d been adopted, and that shortly after the kidnapping, her name was changed from Grace to Betty. In Five Days Gone, Laura Cumming brilliantly unspools the tale of her mother’s life and unravels the multiple mysteries at its core. Using photographs from the time, historical documents, and works of art, Cumming investigates this case of stolen identity with the toolset of a detective and the unique intimacy of a daughter trying to understand her family’s past and its legacies. Compulsive, vivid, and profoundly touching, Five Days Gone is a masterful blend of memoir and history, an extraordinary personal narrative unlike any other.

     But when Brittanie drops dead, Tally is suddenly the prime suspect in the murder investigation. To catch the killer, Tally will have to dip deep into her small Texan town's darkest secrets and churn up stories some would prefer to keep in the past. But can she uncover the real culprit before a murder charge puts her dreams on ice for good?