In this gripping new analysis, Alon Confino draws on an array of archives across three continents to propose a penetrating new assessment of one of the central moral problems of the twentieth century. To a surprising extent, Confino demonstrates, the mass murder of Jews during the war years was powerfully anticipated in the culture of the prewar years.   The author shifts his focus away from the debates over what the Germans did or did not know about the Holocaust and explores instead how Germans came to conceive of the idea of a Germany without Jews. He traces the stories the Nazis told themselves—where they came from and where they were heading—and how those stories led to the conclusion that Jews must be eradicated in order for the new Nazi civilization to arise. The creation of this new empire required that Jews and Judaism be erased from Christian history, and this was the inspiration—and justification—for Kristallnacht. As Germans imagined a future world without Jews, persecution and extermination became imaginable, and even justifiable.

    Drawing on her memory, her parents' written reflections, interviews with contemporaries, and newly available documents, Albright recounts a tale that is by turns harrowing and inspiring. Prague Winter is an exploration of the past with timeless dilemmas in mind and, simultaneously, a journey with universal lessons that is intensely personal.The book takes readers from the Bohemian capital's thousand-year-old castle to the bomb shelters of London, from the desolate prison ghetto of Terezín to the highest councils of European and American government. Albright reflects on her discovery of her family's Jewish heritage many decades after the war, on her Czech homeland's tangled history, and on the stark moral choices faced by her parents and their generation. Often relying on eyewitness descriptions, she tells the story of how millions of ordinary citizens were ripped from familiar surroundings and forced into new roles as exiled leaders and freedom fighters, resistance organizers and collaborators, victims and killers. These events of enormous complexity are never-theless shaped by concepts familiar to any growing child: fear, trust, adaptation, the search for identity, the pressure to conform, the quest for independence, and the difference between right and wrong."No one who lived through the years of 1937 to 1948," Albright writes, "was a stranger to profound sadness. Millions of innocents did not survive, and their deaths must never be forgotten. Today we lack the power to reclaim lost lives, but we have a duty to learn all that we can about what happened and why." At once a deeply personal memoir and an incisive work of history, Prague Winter serves as a guide to the future through the lessons of the past—as seen through the eyes of one of the international community's most respected and fascinating figures.

    Born in central Poland in the town of Radom, she found herself trapped in the ghetto at the age of fourteen, a slave laborer in an armaments factory in the summer of 1942, transported to Auschwitz in the summer of 1944, before being marched to a second armaments factory. She faced death many times; indeed she was certain that she would not survive. But she did. Many years later, when she began to share her past with Eve Keller, the two women rediscovered the world of the teenage girl Millie had been during the war. Most important, Millie revealed her most precious private memory: of a man to whom she was married for a few brief months. He was -- if not the love of her life -- her first great unconditional passion. He died, leaving Millie with a single photograph taken on their wedding day, and two rings of gold that affirm the presence of a great passion in the bleakest imaginable time.

    Decades later, a young boy seeks out the now cynical, elderly magician in the hopes that his spells might keep his family together. Prague, 1934: The fifteen-year-old rabbi s son Moshe Goldenhirsch marvels at the legendary circus magician known as the Half-Moon Man. Unexpectedly, he falls madly in love with the magician's delightful assistant, spurring him to run away from home to join the circus, which is slowly making its way to Germany as war looms on the horizon. Soon, he becomes a world-renowned magician known as the Great Zabbatini, even sought after by Adolf Hitler. But when Moshe is discovered to be a Jew, only his special talent can save him from perishing in a concentration camp. Los Angeles, 2007: Ten-year-old Max Cohn is convinced that magic can bring his estranged parents back together before they divorce. So one night he climbs out of his bedroom window in search of the Great Zabbatini, certain this powerful magician has the power to reunite his family.

    Anne-Marie O'Connor, writer for the Washington Post, formerly of the Los Angeles Times, tells the galvanizing story of the Lady in Gold, Adele Bloch-Bauer, a dazzling Viennese Jewish society figure; daughter of the head of one of the largest banks in the Hapsburg Empire, head of the Oriental Railway, whose Orient Express went from Berlin to Constantinople; wife of Ferdinand Bauer, sugar-beet baron. The Bloch-Bauers were art patrons, and Adele herself was considered a rebel of fin de siècle Vienna (she wanted to be educated, a notion considered "degenerate” in a society that believed women being out in the world went against their feminine "nature"). The author describes how Adele inspired the portrait and how Klimt made more than a hundred sketches of her-simple pencil drawings on thin manila paper. And O'Connor writes of Klimt himself, son of a failed gold engraver, shunned by arts bureaucrats, called an artistic heretic in his time, a genius in ours. She writes of the Nazis confiscating the portrait of Adele from the Bloch-Bauers' grand palais; of the Austrian government putting the painting on display, stripping Adele's Jewish surname from it so that no clues to her identity (nor any hint of her Jewish origins) would be revealed. Nazi officials called the painting, "The Lady in Gold" and proudly exhibited it in Vienna's Baroque Belvedere Palace, consecrated in the 1930s as a Nazi institution. The author writes of the painting, inspired by the Byzantine mosaics Klimt had studied in Italy, with their exotic symbols and swirls, the subject an idol in a golden shrine. We see how, sixty years after it was stolen by the Nazis, the Portrait of Adele Bloch-Bauer became the subject of a decade-long litigation between the Austrian government and the Bloch-Bauer heirs, how and why the U.S. Supreme Court became involved in the case, and how the Court's decision had profound ramifications in the art world. In this book listeners will find riveting social history; an illuminating and haunting look at turn-of-the-century Vienna; a brilliant portrait of the evolution of a painter; a masterfully told tale of suspense. And at the heart of it, The Lady in Gold-the shimmering painting, and its equally irresistible subject, the fate of each forever intertwined.

    How easy was it to know what was actually going on, to grasp the essence of National Socialism, to remain untouched by the propaganda or predict the Holocaust?Travellers in the Third Reich is an extraordinary history of the rise of the Nazis based on fascinating first-hand accounts, drawing together a multitude of voices and stories, including students, politicians, musicians, diplomats, schoolchildren, communists, scholars, athletes, poets, journalists, fascists, artists, tourists, even celebrities like Charles Lindbergh and Samuel Beckett. Their experiences create a remarkable three-dimensional picture of Germany under Hitler – one so palpable that the reader will feel, hear, even breathe the atmosphere.These are the accidental eyewitnesses to history. Disturbing, absurd, moving, and ranging from the deeply trivial to the deeply tragic, their tales give a fresh insight into the complexities of the Third Reich, its paradoxes and its ultimate destruction.

    They planned their future together, secure in the belief that their love could survive anything, even Hitler. Then, in March 1944, the Germans invaded Hungary.Here is the moving and dramatic account of one woman's courage in the face of war, and of a love that spanned three decades. From the agony of separation to the horrors of a concentration camp, from her marriage to Otto Schimmel, an Auschwitz survivor who promised her a new life in America, through the joy and struggle of raising a family, Betty never forgot her first love. Then, in 1975, she returned to Budapest and saw someone across a crowded room...To See You Again is Betty Schimmel's wrenching memoir of survival and sacrifice, of love lost and love found. A true story that unfolds with all the suspense of a novel, it is one that will not soon be forgotten.

    Risa was shipped together with many other Jews to the Oradea Ghetto and from there to the Plaszow Labor Camp and later to the Ober-Altstadt Labor camp. And even this was not enough… Risa was sent to the Auschwitz Death Camp to be slaughtered! But, she survived!Having survived, she met her husband – Mordechai Tzvi and they created a family which included 4 sons, 22 grandkids and 34 great-grandkids!Had anyone told Risa Shtauber during 1944-1945 that she would celebrate her 90th birthday in Israel surrounded by her sons, grandkids and great-grandkids, she would tell them to stop fantasizing.But in 2016, this came to be!And today, at the age of 94 and living her life in Israel, she still feels victorious when remembering those horrible years!

    But suddenly, snobberies he couldn’t even have guessed at are set in motion. It seems Letty’s prominent Jewish parents hate him for being…too Jewish!At first this strikes him only as petty and small-minded, but he has no idea how much hatred his scheming mother-in-law can wring from the situation. She knows, for instance, that he had to leave behind his beloved mother, and she uses his mother’s life and memory as a lever against him, eventually causing him physical and mental problems that threaten his family’s well-being in every possible way and thwart him at every turn.Thus, Bernie and Letty’s daughter Darby is born into the strangest of mixed marriages, torn, as her mother is, between loyalty to her grandparents and to her father. Even she, at her tender age, wonders whether Letty’s love—and her own–can save Bernie from the secret pain and guilt of surviving the Holocaust. And from the machinations of his cruel mother-in-law.This bittersweet love story is told in three novellas, each from the point of view of one member of the Cooper family. From Bernie we learn the immigrant’s story, of a young Jew making it out of Germany just as Hitler invades Poland and Europe shuts down. Speaking little English, he makes his way across America, and he finds Letty in New Orleans. In the second novella, Letty picks up where Bernie leaves off, and we see this is no ordinary rich girl, but rather an unspoiled, curious, generous-spirited young woman who sees Bernie for who he is and falls in love despite all the obstacles thrown up by her parents. When Darby picks up the story in the third novella, everything is in place for a comfortable ending–or a tragedy Darby bears the legacy of her father’s deep sadness and her mother’s need to fit into New Orleans’s peculiar social structure.

    She lives above a small rail station, which she cleans in order to earn her keep. When Noa discovers a boxcar containing dozens of Jewish infants bound for a concentration camp, she is reminded of the child that was taken from her. And in a moment that will change the course of her life, she snatches one of the babies and flees into the snowy night.Noa finds refuge with a German circus, but she must learn the flying trapeze act so she can blend in undetected, spurning the resentment of the lead aerialist, Astrid. At first rivals, Noa and Astrid soon forge a powerful bond. But as the facade that protects them proves increasingly tenuous, Noa and Astrid must decide whether their friendship is enough to save one another - or if the secrets that burn between them will destroy everything.

    Yet its story is not fully known. In Auschwitz, Laurence Rees reveals new insights from more than 100 original interviews with Auschwitz survivors and Nazi perpetrators who speak on the record for the first time. Their testimonies provide a portrait of the inner workings of the camp in unrivalled detail—from the techniques of mass murder, to the politics and gossip mill that turned between guards and prisoners, to the on-camp brothel in which the lines between those guards and prisoners became surprisingly blurred.Rees examines the strategic decisions that led the Nazi leadership to prescribe Auschwitz as its primary site for the extinction of Europe's Jews—their "Final Solution." He concludes that many of the horrors that were perpetrated in Auschwitz were driven not just by ideological inevitability but as a "practical" response to a war in the East that had begun to go wrong for Germany. A terrible immoral pragmatism characterizes many of the decisions that determined what happened at Auschwitz. Thus the story of the camp becomes a morality tale, too, in which evil is shown to proceed in a series of deft, almost noiseless incremental steps until it produces the overwhelming horror of the industrial scale slaughter that was inflicted in the gas chambers of Auschwitz

    He becomes a puppeteer in the Warsaw ghetto, but when his talent is discovered, Mika is forced to entertain the occupying German troops instead of his countrymen.It is also the story of Max, a German soldier stationed in Warsaw, whose experiences in Poland and later in Siberia's Gulag show a different side to the Second World War. As one of Mika's puppets is passed to the soldier, a war-torn legacy is handed from one generation to another.

    In a time of great horror, these children each found a way to make it through the nightmare of war. Some made daring escapes into the unknown, others disguised their true identities, and many witnessed unimaginable horrors. But what they all shared was the unshakable belief in-- and hope for-- survival. Their legacy of courage in the face of hatred will move you, captivate you, and, ultimately, inspire you.

    She freezes; it’s an image of a book she hasn’t seen in sixty-five years—a book she recognizes as The Book of Lost Names. The accompanying article discusses the looting of libraries by the Nazis across Europe during World War II—an experience Eva remembers well—and the search to reunite people with the texts taken from them so long ago. The book in the photograph, an eighteenth-century religious text thought to have been taken from France in the waning days of the war, is one of the most fascinating cases. Now housed in Berlin’s Zentral- und Landesbibliothek library, it appears to contain some sort of code, but researchers don’t know where it came from—or what the code means. Only Eva holds the answer—but will she have the strength to revisit old memories and help reunite those lost during the war? As a graduate student in 1942, Eva was forced to flee Paris after the arrest of her father, a Polish Jew. Finding refuge in a small mountain town in the Free Zone, she begins forging identity documents for Jewish children fleeing to neutral Switzerland. But erasing people comes with a price, and along with a mysterious, handsome forger named Rémy, Eva decides she must find a way to preserve the real names of the children who are too young to remember who they really are. The records they keep in The Book of Lost Names will become even more vital when the resistance cell they work for is betrayed and Rémy disappears. An engaging and evocative novel reminiscent of The Lost Girls of Paris and The Alice Network, The Book of Lost Names is a testament to the resilience of the human spirit and the power of bravery and love in the face of evil.

    The volume contains extensive excerpts from 15 diaries, ten of which have never before been translated and published in English. The diarists ranged in age from 12 to 22; some survived the Holocaust, but most perished. Taken together, their accounts of daily events and their often unexpected thoughts, ideas and feelings serve to deepen and complicate our understanding of life during the Holocaust.