[It] will satisfy those with a hankering for a taste of the dark side."-- Publishers Weekly "A book full of cries in the dark, heavy drinking in the thin gray light of winter, and other dark poses. In other words, the stories sneak in the back screen door of those summer cottages after Labor Day, after all the tourists have gone home and Cape Codders of the authors' imagination drop their masks and their guards. It's a fun read, a little like tracing the shoreline of a not-quite-familiar coast."-- Boston Globe "David L. Ulin has put together a malicious collection of short stories that will stay with you long after you return home safe."-- The Cult: The Official Chuck Palahniuk Website Includes brand-new stories by Paul Tremblay, Seth Greenland, Ben Greenman, Fred G. Leebron, David L. Ulin, Dana Cameron, Kaylie Jones, and others.Los Angeles Times book critic David L. Ulin has been vacationing in Cape Cod every summer since he was a boy. He knows the terrain inside and out; enough to identify the squalid underbelly of this allegedly idyllic location. His editing prowess is a perfect match for this fine volume.David L. Ulin is book critic of the Los Angeles Times. From 2005 to 2010, he was the paper's book editor. He is the author of The Myth of Solid Ground: Earthquakes, Prediction, and the Fault Line Between Reason and Faith, and is the editor of Another City: Writing from Los Angeles and Writing Los Angeles: A Literary Anthology, which won a 2002 California Book Award. He has written for the Atlantic Monthly, The Nation, The New York Times Book Review, and National Public Radio’s All Things Considered.

    We have chosen the same principle here, and the book's contents do a good job of covering the island, from C.J. Sullivan's Inwood and John Lutz's Upper West Side, to Justin Scott's Chelsea and Carol Lea Benjamin's Greenwich Village. The range in mood and literary style is at least as great; noir can be funny, it can stretch to include magic realism, it can be ample or stark, told in the past or present tense, and in the first or third person. I wouldn't presume to define noir - if we could define it, we wouldn't need to use a French word for it -- but it seems to be that it's more a way of looking at the world than what one sees.The good Samaritan / Charles Ardai --The last supper / Carol Lea Benjamin --If you can't stand the heat / Lawrence Block --Rain / Thomas H. Cook --A nice place to visit / Jeffrey Deaver --The next best thing / Jim Fusilli --Take the man's pay / Robert Knightly --The laundry room / John Lutz --Freddie Prinze is my guardian angel / Liz Martínez --The organ grinder / Maan Meyers --Why do they have to hit? / Martin Meyers --Building / S.J. Rozan --The most beautiful apartment in New York / Justin Scott --The last round / C.J. Sullivan --Crying with Audrey Hepburn / Xu Xi

    Higgins, Dennis Lehane, Joyce Carol Oates, Robert B. Parker, Hannah Tinti, Abraham Verghese, David Foster Wallace, and others.Dennis Lehane is the author of the Patrick Kenzie and Angela Gennaro mystery series (A Drink Before the War; Darkness, Take My Hand; Sacred; Gone, Baby, Gone; Prayers for Rain; and Moonlight Mile), as well as Coronado (five stories and a play) and the award-winning novels Mystic River, Shutter Island, and The Given Day. Mystic River, Shutter Island, and Gone, Baby, Gone have been made into award-winning films. In 2009 he edited the best-selling anthology Boston Noir for Akashic Books.Mary Cotton is the pseudonymous author of nine novels for young adults, six of them New York Times bestsellers. She is also a fiction editor for the literary magazine Post Road, and is co-editor of No Near Exit: Writers Select Their Favorite Work from Post Road. She is co-owner of Newtonville Books in Boston, Massachusetts.Jaime Clarke is the author of the novel We're So Famous, editor of Don't You Forget About Me: Contemporary Writers on the Films of John Hughes, and Conversations with Jonathan Lethem, and co-editor of No Near Exit: Writers Select Their Favorite Work from Post Road. He is a founding editor of Post Road and has taught creative writing at University of Massachusetts, Boston, and Emerson College. He is co-owner of Newtonville Books in Boston, Massachusetts.

    Each story is set in a distinct neighborhood or location within the geographic area of the book.Brand-new stories by: Ace Atkins, William Boyle, Megan Abbott, Jack Pendarvis, Dominiqua Dickey, Michael Kardos, Jamie Paige, Jimmy Cajoleas, Chris Offutt, Michael Farris Smith, Andrew Paul, Lee Durkee, Robert Busby, John M. Floyd, RaShell R. Smith-Spears, and Mary Miller.

    Cain, Chester Himes, Ross MacDonald, Walter Mosley, Naomi Hirahara, Margaret Millar, Joseph Hansen, William Campbell Gault, Jervey Tervalon, Kate Braverman, and Yxta Maya Murray.Editor Denise Hamilton is the author of the Eve Diamond series and the editor of "Los Angeles Noir." Her latest novel, "Los Angeles Times" bestseller "The Last Embrace," has been compared to works by James Ellroy and Raymond Chandler. She lives in Los Angeles.

    Kaminsky, Sara Paretsky. Others may be less familiar to mystery specialists, but all turn in impressive performances."-- Publishers Weekly , Starred review"Richard Wright, Nelson Algren, and Sandra Cisneros are not crime-fiction writers, and yet their Chicago certainly embodies the individual-crushing ethos endemic to noir. Meno also includes stories from writers who could easily have been overlooked (Percy Spurlark Parker, Hugh Holton) to ensure that diverse voices, and neighborhoods, are represented. Add in smart and essential choices from Fredric Brown, Sara Paretsky, and Stuart Kaminsky, and you have not an anthology not for crime-fiction purists, perhaps, but a thought-provoking document all the same."-- Booklist "The fifteen short stories comprising Chicago Noir: The Classics, which are knowledgeably compiled and deftly edited by Joe Meno, are true gems of the noir literary tradition....Chicago Noir: The Classics is a consistently entertaining and will prove to be an enduringly popular addition to community library Mystery/Suspense collections."--Midwest Book Review"I've always enjoyed reading noir. Dark, ironic mysteries are a good read to me. Since this collection includes old classics as well as some new stories, I knew it would be good....I wasn't disappointed."--Journey of a Bookseller"Chicago Noir The Classics does everything anthologies and noir are supposed to, but this title achieves an unheralded goal that deserves notice....This is wonderful diversity, coming both unexpected and unhearalded. Anthologies are supposed to convey a sense of having covered the territory, Joe Meno has. Ethnically diverse city, ethnically diverse plots. Better, Chicago Noir The Classics showcases diversity as normal, everyday. This adds inescapable satisfaction to a sense of the editor's having covered the territory."--La Bloga"A worthy addition to the Akashic Books noir series."--Book ChaseAlthough Los Angeles may be considered the most quintessentially "noir" American city, this volume reveals that pound-for-pound, Chicago has historically been able to stand up to any other metropolis in the noir arena.Classic reprints from: Harry Stephen Keeler, Sherwood Anderson, Max Allan Collins, Richard Wright, Nelson Algren, Fredric Brown, Patricia Highsmith, Barry Gifford, Stuart M. Kaminsky, Libby Fischer Hellmann, Sara Paretsky, Percy Spurlark Parker, Sandra Cisneros, Hugh Holton, and Stuart Dybek.From the introduction by Joe Meno:"More corrupt than New York, less glamorous than LA, Chicago has more murders per capita than any other city its size. With its sleek skyscrapers bisecting the fading sky like an unspoken threat, Chicago is the closest metropolis to the mythical city of shadows as first described in the work of Chandler, Hammett, and Cain. Only in Chicago do instituted color lines offer generation after generation of poverty and violence, only in Chicago do the majority of governors do prison time, only in Chicago do the dead actually vote twice."Chicago--more than the metropolis that gave the world Al Capone, the Saint Valentine's Day Massacre, the death of John Dillinger, the crimes of Leopold and Loeb, the horrors of John Wayne Gacy, the unprecedented institutional corruption of so many recent public officials, more than the birthplace of Raymond Chandler--is a city of darkness. This darkness is not an act of over-imagination. It's the unadulterated truth. It's a pointed though necessary reminder of the grave tragedies of the past and the failed possibilities of the present. Fifty years in the future, I hope these stories are read only as fiction, as somewhat distant fantasy. Here's hoping for some light."

    She kisses like a movie star and knows everything about every film ever made. She's also dead and waiting in the Rosebud Theater for Alec Sheldon one afternoon in 1945.... Arthur Roth is a lonely kid with big ideas and a gift for attracting abuse. It isn't easy to make friends when you're the only inflatable boy in town.... Francis is unhappy. Francis was human once, but that was then. Now he's an eight-foot-tall locust and everyone in Calliphora will tremble when they hear him sing....John Finney is locked in a basement that's stained with the blood of half a dozen other murdered children. In the cellar with him is an antique telephone, long since disconnected, but which rings at night with calls from the dead....The past isn't dead. It isn't even past...

    RozanLost and found by Thomas BentilLook what love is doing to me by Marlon JamesHome sweet home by Sandra KittA visit to St. Nick's by Robert J. HughesNumbers up by Miles Marshall LewisThe big five by Joseph WallaceErnie K.'s gelding by Ed DeeThe prince of Arthur Avenue by Patrick W. PicciarelliYou want I should whack Monkey Boy? by Thomas Adcock

    Hall, Barbara Parker, John Dufresne, Paul Levine, Carolina Garcia-Aguilera, Tom Corcoran, Christine Kling, George Tucker, Kevin Allen, Anthony Dale Gagliano, David Beaty, Vicki Hendricks, John Bond, Preston Allen, Lynne Barrett, and Jeffrey Wehr. From the introduction by Les Standiford: The truth is that Miami, though naturally lovely, is a frontier town, perched on the border between the known and the rarely before experienced . . . We are not only on the edge of the continent, we are to this country what New York was in Ellis Island's heyday, what the West Coast was in the middle of the 20th century. This is where the new arrivals debark these days, and it is no mistake that during the last decade of the last century, commentators as diverse as Joan Didion, David Rieff, and T.D. Allman devoted entire volumes to Miami's role as the harbinger for America's future . . . But for now, the novel of crime and punishment is the perfect vehicle to convey the spirit and the timbre of this brawling place to a wider world.CONTENTS Ride along / James W. Hall --Dead storage / Christine Kling --Silence of the stone age / George Tucker --Sawyers / Kevin Allen --Blown away / Anthony Dale Gagliano --One man's ceiling / Tom Corcoran --Solomon & Lord Drop Anchor / Paul Levine --The last of Lord Jitters / David Beaty --The timing of unfelt smiles / John Dufresne --Boozanne, lemme be / Vicki Hendricks --The recipe / Carolina Garcia-Aguilera --T-bird / John Bond --Swap out / Preston Allen --The noir boudoir / Lynne Barrett --Machete / Barbara Parker --The swimmers / Jeffrey Wehr.

    One girl’s survival, and the other’s death—murder, actually—stun the citizens of a small Minnesota town, thawing memories of another young woman who lost her life in the same river ten years earlier, and whose killer may yet live among them. One father is forced to relive his agony while another’s greatest desire—to bring a killer to justice—is revitalized . . . and the girl who survived the icy plunge cannot escape the sense that she is connected to that earlier unsolved case by more than a river. Soon enough she’s caught up in an investigation of her own that will unearth long-hidden secrets, and stoke the violence that has long simmered just below the surface of the town. Souls frozen in time, ghosts and demons, the accused and the guilty, all stir to life in this cold northern place where memories, like treachery, run just beneath the ice, and where a young woman can come home but still not be safe.Brilliantly plotted, unrelentingly suspenseful, and beautifully realized, The Current is a gripping page-turner about how the past holds the key to the future as well as an unbreakable grip on the present.

    Now, in Stay Awake, Chaon returns to that form for the first time since his masterly Among the Missing, a finalist for the National Book Award.In these haunting, suspenseful stories, lost, fragile, searching characters wander between ordinary life and a psychological shadowland. They have experienced intense love or loss, grief or loneliness, displacement or disconnection—and find themselves in unexpected, dire, and sometimes unfathomable situations.A father’s life is upended by his son’s night terrors—and disturbing memories of the first wife and child he abandoned; a foster child receives a call from the past and begins to remember his birth mother, whose actions were unthinkable; a divorced woman experiences her own dark version of “empty-nest syndrome”; a young widower is unnerved by the sudden, inexplicable appearances of messages and notes—on dollar bills, inside a magazine, stapled to the side of a tree; and a college dropout begins to suspect that there’s something off, something sinister, in his late parents’ house.Dan Chaon’s stories feature scattered families, unfulfilled dreamers, anxious souls. They exist in a twilight realm—in a place by the window late at night when the streets are empty and the world appears to be quiet. But you are up, unable to sleep. So you stay awake.

    After years of trouble and rebellion that enraged his father and nearly cost him his life, he has a steady job in his father's company, he's seriously dating a woman he respects, and, aside from the distrust that lingers in his father's eyes, his mistakes are firmly in the past.One day on the job, Chris and his partner come across a temptation almost too big to resist. Chris does the right thing, but old habits and instincts rise to the surface, threatening this new-found stability with sudden treachery and violence. With his father and his most trusted friends, he takes one last chance to blast past the demons trying to pull him back. Like Richard Price or William Kennedy, Pelecanos pushes his characters to the extremes, their redemption that much sweeter because it is so hard fought. Pelecanos has long been celebrated for his unerring ability to portray the conflicts men feel as they search and struggle for power and love in a world that is often harsh and unforgiving but can ultimately be filled with beauty.

    The careful existence they have built for themselves starts to crumble when two murders rock their neighborhood.

    Tortured by the unsolved slayings of his wife and young daughter, he is a man consumed by guilt, regret, and the desire for revenge. When his former partner asks him to track down a missing girl, Parker finds himself drawn into a world beyond his imagining: a world where thirty-year-old killings remain shrouded in fear and lies, a world where the ghosts of the dead torment the living, a world haunted by the murderer responsible for the deaths in his family—a serial killer who uses the human body to create works of art and takes faces as his prize. But the search awakens buried instincts in Parker: instincts for survival, for compassion, for love, and, ultimately, for killing.Aided by a beautiful young psychologist and a pair of bickering career criminals, Parker becomes the bait in a trap set in the humid bayous of Louisiana, a trap that threatens the lives of everyone in its reach. Driven by visions of the dead and the voice of an old black psychic who met a terrible end, Parker must seek a final, brutal confrontation with a murderer who has moved beyond all notions of humanity, who has set out to create a hell on earth: the serial killer known only as the Traveling Man.In the tradition of classic American detective fiction, Every Dead Thing is a tense, richly plotted thriller, filled with memorable characters and gripping action. It is also a profoundly moving novel, concerned with the nature of loyalty, love, and forgiveness. Lyrical and terrifying, it is an ambitious debut, triumphantly realized.

    Ella has a hidden obsession: she has studied serial killers from the time she could read, devastated by the murder of her own sister. With her photographic memory, she has obtained an encyclopedic knowledge of every serial killer, every victim and every case. Singled out for her brilliant mind, Ella is invited to join the big leagues.But when a killer strikes in the swamps of Louisiana, Ella soon comes to learn that the real thing is nothing she could expect. Face to face with a real murder, a real killer, and a real ticking clock, Ella realizes she can’t rely on her knowledge. She must learn to trust her instinct, and allow herself to enter the dark canals of a real killer’s mind. If she gets it wrong, her career is at stake.And so is the next victim’s life.Will Ella’s talent be an asset? Or the source of her downfall?